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A Dictionary of Greek and Roman biography and mythology (ed. William Smith) 27 27 Browse Search
Xenophon, Hellenica (ed. Carleton L. Brownson) 9 9 Browse Search
Samuel Ball Platner, Thomas Ashby, A Topographical Dictionary of Ancient Rome 4 4 Browse Search
Titus Livius (Livy), Ab Urbe Condita, books 8-10 (ed. Benjamin Oliver Foster, Ph.D.) 2 2 Browse Search
Demosthenes, Speeches 51-61 1 1 Browse Search
Diodorus Siculus, Library 1 1 Browse Search
Pausanias, Description of Greece 1 1 Browse Search
Strabo, Geography (ed. H.C. Hamilton, Esq., W. Falconer, M.A.) 1 1 Browse Search
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Pausanias, Description of Greece, Elis 1, chapter 17 (search)
meter sit opposite each other, while Apollo and Artemis stand opposite each other. Here too have been dedicated Leto, Fortune, Dionysus and a winged Victory. I cannot say who the artists were, but these figures too are in my opinion very ancient. The figures I have enumerated are of ivory and gold, but at a later date other images were dedicated in the Heraeum, including a marble Hermes carrying the baby Dionysus, a work of Praxiteles, and a bronze Aphrodite made by Cleon of Sicyon.circa 388 B.C. The master of this Cleon, called Antiphanes, was a pupil of Periclytus, who himself was a pupil of Polycleitus of Argos. A nude gilded child is seated before Aphrodite, a work fashioned by Boethus of Calchedon. There were also brought hither from what is called the Philippeum other images of gold and ivory, Eurydice the wife of Aridaeus and Olympias the wife of Philip. There is also a chest made of cedar, with figures on it, some of ivory, some of gold, others carved out of the cedar-wood