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Between eleven and twelve the Colonel, Harry and I were in a dense wood, moving noiselessly toward a clearing brilliantly lighted by the moon. I was guide. A few rods back in the woods Gholson was holding our horses and with cocked revolver detaining a young mulatto woman from whom the Colonel had extorted the knowledge which had brought us to this spot. The clearing was fenced, but was full of autumn weeds. Near the two sides next us, tilted awry on its high basement pillars, loomed an old cotton-gin house, its dark shadows falling toward us. A few yards beyond towered and gleamed a white-boled sycamore, and between the two the titanic arms of the horse-power press widened broadly downward out of the still night sky. The tree was the one which old Lucius Oliver had once pointed out to me at dawn.He paused abruptly, aware that certain peculiar changes were taking place in the physiognomy of the Clockwork man. His strange organism seemed to be undergoing a series of exceedingly swift and complicated[Pg 138] physical and chemical processes. His complexion changed colour rapidly, passing from its usual pallor to a deep greenish hue, and then to a hectic flush. Concurrent with this, there was a puzzling movement of the corpuscles and cells just beneath the skin."The orchestra furnishes music by means of the guitar, or 'samisen.' It is played something like our guitar, except that a piece of ivory is used for striking the strings, and is always used in a concert that has any pretence to being properly arranged. There are two or three other instruments, one of them a small drum, which they play upon with the fingers; but it is not so common as the samisen, and I don't think it is so well liked. Then they have flutes, and some of them are very sweet, and harmonize well with the samisen; but the singers do not like them for an accompaniment[Pg 235] unless they have powerful voices. The samisen-players generally sing, and in the theatres the musicians form a part of the chorus. A good deal of the play is explained by the chorus; and if there are any obscure points, the audience is told what they are. I remember seeing the same thing almost exactly, or, at any rate, the same thing in principle, in the performance of "Henry V." at a theatre in New York several years ago, so that this idea of having the play explained by the chorus cannot be claimed as a Japanese invention.
THREE:A light footfall sounded behind us, and Camille gave both her hands to my companion. "I was in the hall," she said, "telling C��cile she was like a white star that had come out by day, when I saw you here looking like a great red one; and you're still more like a red, red rose, and I've come to get some of your fragrance.""You haven't," he began, with great difficulty, "seen a hat and wig?"
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THREE:"Don't move." My tone was affectionate. "Don't holla, or I'll give you to the crows. Back. Back off this bridge--quick! or I'll--" I pushed the pistol nearer; the danger was no less to him because I was thoroughly frightened. He backed; but he glared a devilish elation, for behind me beat the hoofs of both his horsemen. I had to change my tactics.
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THREE:The dissertation on Japanese money came to an end with the meal they were eating, and soon after the party proceeded to take a stroll through the streets. The afternoon was spent in this way and in letter-writing, and on the following morning the trio started for Kioto, by way of Kara. The ride was a pleasant one��in jin-riki-shas��partly along the banks of the river, where they saw a goodly number of[Pg 284] boats, some descending the stream with the aid of the current, and others making a laborious ascent. The difference of up-stream and down-stream travel was never better illustrated than in the present instance. The Japs who floated with the current were taking things easily and smoking their pipes, as though all the world were their debtor; while the men on the towpath were bending to their toil, evidently giving their whole minds to it, and their bodies as well. Some of the towmen had on their grass coats, while others were without them. Every head was carefully protected from the heat of the sun by the broad hats already described.FRANK'S INVENTORY. FRANK'S INVENTORY.
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