[Televisionary]

You won’t just become addicted to Sundance Channel’s French-language drama about people returning from the dead; it will haunt your dreams. "Your Next Television Obsession Is French Supernatural Thriller The Returned " In the opening sequence of extraordinary French thriller The Returned , a yellow butterfly, pinned and placed in a display case, mounted on a wall, unexpectedly flutters back to life and smashes through its glass prison. It’s an enigmatically beautiful moment, and an apt metaphor for the overall premise of The Returned (which premieres Oct. 31 at 9 p.m. on the Sundance Channel), a collision between the worlds of the living and the dead that leaves both shattered. Created by Fabrice Gobert (who shares directing duties with Frédéric Mermoud) and based on a 2004 film of the same name, The Returned (in French, Les Revenants ) is unlike anything else on television, on either side of the Atlantic, an atmosphere-laden and character-driven drama that deftly ble

The fifth season of the CBS legal drama continues to shake up its narrative foundations. In next week’s episode, everything changes. Everything. At BuzzFeed, you can read my latest feature, " The Good Wife Isn’t Just On Fire, It’s A Narrative A-Bomb," in which I review next week's extraordinary episode of CBS' The Good Wife ("Hitting the Fan"). No joke: next Sunday’s episode of The Good Wife (“Hitting the Fan”) might just be the very best hour of television you’ll see this year. I’m not one of those Good Wife adherents who qualifies their passionate engagement with the Robert and Michelle King-created drama by adding “on broadcast television,” as the show shouldn’t be forced to carry such a backhanded compliment. Even within the FCC-driven parameters of network television, The Good Wife manages to shatter audience expectations and consistently deliver a provocative drama that is both contemplative and incredibly taut. This is particularly apt, giv

The Marvel espionage drama bares a lot of similarities to the early run of Fox’s now-departed Fringe — and not necessarily in good ways. At BuzzFeed, you can read my latest feature, "What’s Wrong With ABC’s Agents Of S.H.I.E.L.D. ?” in which I ponder just what's wrong with ABC's Agents of S.H.I.E.L.D. and why the show is failing to deliver on the promise of its concept. After what I thought was an enjoyable pilot episode (save for that unfortunate opening sequence), I’ve found the subsequent episodes of ABC’s Agents of S.H.I.E.L.D. , the television spinoff from Marvel’s cinematic universe, to be rather lackluster. That shouldn’t be the case, particularly given the participation of the Whedons behind the scenes and the fact that the show’s writers have an entire universe of pre-existing Marvel material from which to draw inspiration. Yet, for the most part, these first few episodes have bordered on being depressingly dull, static installments that haven’t advanced