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FORE:Yet, while the Stoics were far from anticipating the methods of modern Utilitarianism, they were, in a certain sense, strict Utilitarians��that is to say, they measured the goodness or badness of actions by their consequences; in other words, by39 their bearing on the supposed interest of the individual or of the community. They did not, it is true, identify interest with pleasure or the absence of pain; but although, in our time, Hedonism and Utilitarianism are, for convenience, treated as interchangeable terms, they need not necessarily be so. If any one choose to regard bodily strength, health, wealth, beauty, intellect, knowledge, or even simple existence, as the highest good and the end conduciveness to which determines the morality of actions, he is a Utilitarian; and, even if it could be shown that a maximum of happiness would be ensured by the attainment of his end, he would not on that account become a Hedonist. Now it is certain that the early Stoics, at least, regarded the preservation of the human race as an end which rightfully took precedence of every other consideration; and, like Charles Austin, they sometimes pushed their principles to paradoxical or offensive extremes, apparently for no other purpose than that of affronting the common feelings of mankind,84 without remembering that such feelings were likely to represent embodied experiences of utility. Thus��apart from their communistic theories��they were fond of specifying the circumstances in which incest would become legitimate; and they are said not only to have sanctioned cannibalism in cases of extreme necessity, but even to have recommended its introduction as a substitute for burial or cremation; although this, we may hope, was rather a grim illustration of what they meant by moral indifference than a serious practical suggestion.85

FORE:"Soldiers discovered inhabitants of the suburb Saint Pierre in the cellars of a brewery, and killed them on the spot.

FORE:

FORE:Charlton said nothing. He was deeply interested. The man outside raised the lantern, and the dim light fell upon the ghastly outline of Charlton's white set face as he pressed against the panes. At the same instant the woman chanced to glance in the same direction.

FORE:"Of course. But, thank goodness, we are the only people who know that."As a result of the foregoing criticism, Aristotle distinguishes four different causes or principles by which all things are determined to be what they are��Matter, Form, Agent, and Purpose.226 If, for example, we take a saw, the matter is steel; the form, a toothed blade; the agent or cause of its assuming that shape, a smith; the purpose, to divide wood or stone. When we have enumerated these four principles, we have told everything that can be known about a saw. But Aristotle could not keep the last three separate; he gradually extended the definition of form until it absorbed, or became identified with, agent and purpose.227 It was what we should call the idea of function that facilitated the transition. If the very essence or nature of a saw implies use, activity, movement, how can we define it without telling its purpose? The toothed blade is only intelligible as a cutting, dividing instrument. Again, how came the saw into being? What shaped the steel into that particular form? We have said that it was the smith. But surely that is too vague. The smith is a man, and may be able to exercise other trades as well. Suppose him to be a musician, did he make the saw in that capacity? No; and here comes in a distinction which plays an immense part in Aristotle��s metaphysics, whence it has passed into our every-day speech. He does not make the saw qua musician but qua smith. He can, however, in the exercise of his trade as smith make many other tools��knives, axes, and so forth. Nevertheless, had he only learned to make saws it would be enough. Therefore, he does not make335 the saw qua axe-maker, he makes it qua saw-maker. Nor, again, does he make it with his whole mind and body, but only with just those thoughts and movements required to give the steel that particular shape. Now, what are these thoughts but the idea of a saw present in his mind and passing through his eyes and hands, till it fixes itself on the steel? The immaterial form of a saw creates the real saw which we use. Let us apply the preceding analogies to a natural object; for example, a man. What is the Form, the definition of a man? Not a being possessing a certain outward shape, for then a marble statue would be a man, which it is not; nor yet a certain assemblage of organs, for then a corpse would be a man, which, according to Aristotle, criticising Democritus, it is not; but a living, feeling, and reasoning being, the end of whose existence is to fulfil all the functions involved in this definition. So, also, the creative cause of a man is another man, who directly impresses the human form on the material supplied by the female organism. In the same way, every definite individual aggregate becomes what it is through the agency of another individual representing the same type in its perfect manifestation.228

FORE:"PROCLAMATION

FORE:"A score of these men were merely wounded and fell among the dead. For greater certainty the soldiers fired once more into the mass. A few got off scot-free in spite of the double fusillade. For over two hours they pretended to be dead, remained among the corpses without budging, and when it was dark were able to fly to the mountains. Eighty-four victims remained behind and were buried in a garden in the neighbourhood.

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