Mickey 17 may not end up being the year’s best film, but it will undoubtedly become one of its most essential.

I was disappointed by this iteration of Last Breath. Chris has an incredible story. The same goes for all of those who were involved with his rescue. But I didn’t care. Not about Chris. Not about his shipmates. Not about any of it. Talk about a tragedy.

Cleaner understands the retro action-thriller assignment, and that’s what ultimately matters the most.

Captain America: Brave New World is a toothless attempt at topicality.

The Paddington movies are a cathartic jolt of kindness that the world could use more of right now.

Heart Eyes is the best romcom-slasher hybrid that I’ve ever seen.

. Even at a blink-and-it’s-over 83 minutes, it pains me to say it but Love Hurts is an agonizingly unappealing disaster.

There’s nothing robotic about Companion.

Much like he did with 2020’s superb The Invisible Man, director and co-writer Leigh Whannell reinvents the classic Universal Monster cinematic lore with Wolf Man, a stripped-down, decidedly modern take on lycanthropic lore.