Mezzo-soprano Jennifer Lane is "a singer whose dark, bottomless voice is
matched by her expressiveness and intelligence." The press has described her
singing as "clear, rich, plangent," "compelling and dramatic," and
possessing "agility and charisma," "awesome technique and gorgeous tone,"
praising her Apollo in Handel's Terpsicore as "a glowing god of music who
dominated the stage." Ms. Lane is internationally recognized for her
striking interpretations of repertoire ranging from the early Baroque to
today's composers, and has made over fifty commercial CD recordings for Opus
111, Harmonia Mundi, Arabesque, Vox, Lyrachord, Naxos, Koch, Capriccio,
Gaudeamus, and other labels, as well as two award-winning films: Dido
& Aeneas with the Mark Morris Dance Group and Tafelmusik Baroque Orchestra;
and The Opera Lover, a romantic comedy. Her recording of Airs de Cour is cited in the
Wikipedia article on Airs de Cour, and her recording of Schoenberg's Lied
der Waldtaube and Book of the Hanging Gardens merited rave reviews,
including two paragraphs of
praise in the Sunday NY Times Arts & Leisure section.
Several of her
recordings have won Gramophone, Diapasons d'or, and other awards, and her
solo CD The Pleasures & Follies of Love has been chosen for honors by
Germany's Musik Aktuell. Ms. Lane's operatic career has taken her to the
Metropolitan, NY City Opera, San Francisco Opera, Palm Beach,
Aix-en-Provence, Gottingen, Halle, Glasgow, Champs Elysées, Monte Carlo,
and, in 2007-08, throughout Spain as Messaggiera/Speranza in Monteverdi's
Orfeo, in celebration of the opera's 400th anniversary. She also recently
created the role of Charmian London in Libby Larsen's acclaimed Everyman
Jack, opposite Rod Gilfrey as author Jack London. Her career spans opera
production and direction as well. She has produced and directed productions
for Stanford University, University of Kentucky, Virginia's Blackfriars
Theatre (like the Globe, a replica of Shakespeare's original), and at the
Lake Placid Institute. She currently serves as Associate Professor of Voice
at the University of North Texas, having previously held positions for nine
years at Stanford University and for two years at the University of
Kentucky. Students of hers have been prize-winners in several competitions,
including the Metropolitan Opera National Council, NATS, and
Orpheus.
For more information please check her own website.
University of North Texas Early Music Program
With over 70 students participating every semester, UNT has one of the largest
early music programs in North America. Regular ensembles include the UNT Baroque
Orchestra and the Collegium Singers, the UNT Baroque Trumpet Ensemble as well as
many chamber ensembles. Private instruction is offered on most period
instruments. The instrument collection is large, numbering nearly 300, so that
ensembles of nearly every era before 1800 can be assembled. Degrees in
musicology with an emphasis in early music performance are offered at the
masters and doctoral levels as well as a related field program for DMA and MM
candidates. Ensembles have performed to critical acclaim at each of the Boston
and Berkeley early music festivals since 2001 as well as in Texas and
surrounding states. The group was chosen to perform at the Missiones de
Chiquitos Festival in Bolivia, as well as in Peru, in spring 2008. Performances
with other notable early music specialists have been a regular event, among them
Richard Egarr, Jed Wentz, Monica Huggett, Bruce Dickey, John Thiessen, Colin
Lawson, Paul O'Dette, Julianne Baird, Ellen Hargis and David Douglass among
them. Major productions in recent years have involved performances under
internationally known opera conductor Graeme Jenkins in collaboration with Fort
Worth Early Music, Texas Choral Artists and Dallas Bach Society of Handel's
Israel in Egypt, Jephtha, Samson, and Saul, as well as the North American
premiere of Telemann's Der Tod Jesu. Monteverdi's L'incoronazione di Poppea was
staged with UNT Opera in 2003 while Cavalli's L'Egisto was performed in 2007.
For biographical information on the players of the UNT please refer to the documentation that accompanies the album download.
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