• Untitled (Bourgeoisie), 2006 Exhibited at the 52nd Venice Biennale

    Untitled (Bourgeoisie), 2006
    Exhibited at the 52nd Venice Biennale

  • Untitled (MJ Over Red Skull), 2007 Exhibited at the 52nd Venice Biennale

    Untitled (MJ Over Red Skull), 2007
    Exhibited at the 52nd Venice Biennale

  • Untitled, 2007 Exhibited at the 52nd Venice Biennale

    Untitled, 2007
    Exhibited at the 52nd Venice Biennale

  • Verona #1, 2001

    Verona #1, 2001

  • Amor de mi Vida, 2001

    Amor de mi Vida, 2001

  • Verona #2, 2001

    Verona #2, 2001

  • Polizia (Mille Luce), 2001

    Polizia (Mille Luce), 2001

  • Blow Up, 2001

    Blow Up, 2001

  • Untitled (Thuram), 2001

    Untitled (Thuram), 2001

  • Ragazzi del Calcio, 2001

    Ragazzi del Calcio, 2001

  • Opel, 2001

    Opel, 2001

  • Roman Stranger #3, 2001

    Roman Stranger #3, 2001

  • Roman Stranger #1, 2001

    Roman Stranger #1, 2001

  • Roman Stranger #5, 2001

    Roman Stranger #5, 2001

  • Roman Stranger #4, 2001

    Roman Stranger #4, 2001

  • Roman Stranger #7, 2001

    Roman Stranger #7, 2001

 

Harris became interested in exploring crowds, masculinity and power during a fellowship in 2001 at the American Academy in Rome. Inspired by a Herald Tribune cover story on racism in Italian soccer as well as Elias Canetti’s book Crowds and Power, Harris produced a photographic essay on the world of Italian soccer (several images of which were published in The New York Times Magazine), plus a set of strangers encountered in the streets and train stations of Rome. In addition to gelatin silver prints, this series consists of archival pigment prints on kozo paper and silver foil, mounted with Ghanaian funerary fabric, which were included in the 2007 Venice Biennale.