Mama.Media’s Post

Film festivals are often judged on their relevance to the community. 🌍 We recently saw this in the Netherlands, where future municipal and government funding for festivals is firmly based on their relevance to their communities. This isn't just the case in the Netherlands, all around the world film festivals are on a quest for relevance. In that quest they might seek to add more events or have a year-round presence through partnerships with cinemas or educators. 🌟 Great strategies, but they do come with some extra hurdles as the film festival management suddenly becomes a whole lot more complex. Read more about these hurdles and how to overcome them here: https://lnkd.in/gwwPAeUB #RelevantCinema #FestivalManagement #FilmFestivals

💡 Wondering what are our labels? You might have already seen them on our post, or our website... 👀 The Luxembourg City Film Festival have, over time, created its own attributes in order to distinguish some type of films. Among them : "FESTIVAL POPS, #COLLABORATIONS, OUTSIDE OF THE BOX, "LATE NIGHT BIZARRE" and even a new one! Indeed, for the 14th edition, we created the new label : "FOLLOW UP", which are films by filmmakers who have already been selected in previous editions of The Festival. But what do they mean? Find out on our Guide for the #LCFF labels: https://swll.to/CqhujUy

At LIFACC 2024, the future of film and cinema unfolds – be a part of the narrative that shapes tomorrow's Cinema landscape in Africa

📩 Have your heard of our newsletter yet? Here you can find out everything that is going on in the South Tyrolean film industry: festivals, film conferences, film shoots, funding results and much more. 💡 To subscribe to our newsletter simply follow the link below! #IDMFilmCommission #Südtirol #newsletter

Why It Matters

The number of cinema screens has not been impacted by the COVID crisis. Find out more facts like this in the FOCUS 2024 - World #FilmMarketTrends report ➡️ https://go.coe.int/9pVSV 🌐 🎬 🌍 🎦 FOCUS is a unique snapshot of the #globalcinema trends with key data such as: 📽️ Gross #boxoffice 📽️ #Admissionsdata 📽️ Market share for #nationalfilms 📽️ Number of #screens per country Prepared in cooperation with Marché du Film - Festival de Cannes

🎥The Evolution of Cinema Operations in Iceland 🎥 The European Audiovisual Observatory highlights that the number of cinema screens has remained relatively stable despite the COVID-19 pandemic. That's great. However, Iceland's cinema landscape tells a different story, reflecting broader global trends and local challenges. 📽️Iceland’s Cinema Landscape 📽️ Icelandic cinema has seen a significant decline in operational cinemas over the past decades. As of 2024, there are only 9 cinemas operating across the country (of 400.000 inhabitants). These include: 🏙 Reykjavik: Sambíóin Egilshöll, Sambíóin Álfabakki, Sambíóin Kringlan, and Bíó Paradís (arthouse cinema). 🌲 Outside Reykjavik: Sambíóin Akureyri, Sambíóin Keflavík, Bíóhúsið Selfossi, Bíóhöllin Akranesi, and Herðubíó in Seyðisfjörður. 🎬Decline in Rural Cinemas🎬 Historically, Iceland had numerous cinemas providing cultural and social hubs for communities. However, digital streaming, changing entertainment preferences, and economic challenges have hit hard. A 2023 article in Morgunblaðið noted, "The rise of streaming services has caused a substantial decline in cinema attendance, forcing many small-town cinemas to shut down." This trend is seen globally, with a 30% drop in European cinema attendance from 2010 to 2020. 🎟️Importance of Cinemas🎟️ Despite these challenges, cinemas continue to play a vital role. The British Film Institute (BFI) emphasizes that "cinemas are not just places to watch films; they are community hubs fostering social interaction and cultural engagement." This is especially true in Iceland, where rural cinemas are essential cultural venues. 🚌Innovative Solutions🚌 To combat the decline, some Icelandic cinemas have embraced innovation. The UngRIFF cinema bus project brings cinematic experiences to underserved areas, allowing children and communities in remote locations to enjoy films. 💰 Economic Impact 💰 Globally, cinemas contribute to local economies by creating jobs, supporting businesses, and fostering tourism. Research by USC Annenberg underscores these contributions. This impact is crucial for Iceland, where tourism is a significant economic driver. 🎉Bottom line 🎉 While Iceland's cinema industry faces challenges, its societal role remains crucial. By embracing innovation and emphasizing the cultural, social, and educational value of cinemas, we can revitalize the industry. Supporting the unique contributions of cinemas ensures they continue to thrive in the digital age. Do you ever worry about the lack of diversity in your cinematic community? Sources: "Impact of Streaming Services on Cinema Attendance." Morgunblaðið, 2023. "European Cinema Attendance Trends." European Audiovisual Observatory, 2020. "The Role of Cinemas in Community Life." British Film Institute (BFI). "Economic and Social Contributions of Cinemas." USC Annenberg School for Communication and Journalism.

This time of year, the question is always, "Will you be at Cannes?" For those not going, like me, the deep pangs of FOMO are kicking in, and although we currently have no reason to attend the festival, I want to be drinking warm beer outside the Petit Majestic and donning my best dress at 8am. Instead, we are throwing it back to our previous visits and how our approach to Cannes Film Festival has changed over the years. Check out the new blog post: https://lnkd.in/eVKB-rhX

The path to meaningful content distribution is especially tricky, and producers are rethinking traditional models. Kudos to Dances with Films for presenting a first rate film sales and distribution panel with industry leaders Sejin Croninger (Paramount), Brian O'Shea (The Exchange), and Bill Vergos (Freestyle Digital), hosted by Jon Fitzgerald (Cause Cinema). Participating with my industry colleagues, we discussed customized, alternate approaches to sales and distribution in the emerging marketplace. While change takes time, we recognized reasons to be optimistic. Lewis Brisbois #independentfilm #filmfestivals #filmproduction #entertainmentlaw #filmlaw