From the course: After Effects Compositing: 4 Color Keying
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Know which Keylight controls to ignore - After Effects Tutorial
From the course: After Effects Compositing: 4 Color Keying
Know which Keylight controls to ignore
As you've watched me work in Keylight you may have noticed many controls in here that we're not touching. I'd like to give you a breakdown of how they're organized, what they basically do, and why, having used all of them at one time or another, I now recommend leaving most of them alone. First of all, it's important for you to know that everything above that Screen Matte twirldown is actually integrated into the keying operation. So from Screen Colour through Screen Pre-Blur, those are all controls that affect pulling the actual key itself. Everything below that, it's as if you were applying a separate effect after the key. So Screen Gain seems to be similar to Clip Black, but it has the same unpleasant side effects that Final Result has Namely, if I boost it up really high, you're going to notice holes and grain in the footage, and those happen to a lesser extent even at a normal amount of application of that. So instead of Screen Gain, I definitely suggest you just use Clip Black…
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Contents
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Working with Keylight: Introduction56s
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Key a green screen simply with Keylight3m 46s
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Begin a color key with a g-matte2m 58s
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Quickly and carefully sample for screen color in Keylight3m 54s
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Precisely adjust Clip Black and Clip White in Keylight4m 49s
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Fine-tune Keylight adjustments with Screen controls3m 50s
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Use only these two views in Keylight2m 9s
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Know which Keylight controls to ignore3m 19s
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