Can You Guess My Main Character's Age?

**Update: Thanks everyone for your feedback, but I decided not to enter the final contest. 


Here's some info on another great contest by Brenda Drake:

Here's how it's going down ...

Post the first 250 words of your finished, or not quite finished, manuscript (any genre) to your blogs. This contest is about voice--whether or not your character's voice matches his or her's age. So if you mention the age or school grade in the first 250 words, please edit it out or block it out for this contest. Don't list the genre or title on your posts. If your 250 words falls in the middle of a sentence, continue to the end of the sentence.

For official rules and to enter, see her blog, here.

And here is my entry:

Bronwyn placed the tip of her crutch carefully on the jagged rocks. She planted her feet and steadied herself before gazing across the chasm that separated her from the rest of the village. If her mother saw her perched this close to the ravine, she would scold. Her father, had he lived, would be perched beside her. 

Tomorrow she turned (xxxx.) For most girls, that meant old enough to marry. For her, well, who would want a crippled wife?

A gust of wind whipped her dress and pushed her toward the edge. Bronwyn leaned onto her crutch, relying on the sturdy wooden limb to restore her balance. 

“Come away, Child!” called her mother, her hands cupped round her mouth. “You’ll fall to your death. There’s a storm moving in and the geese are out.”

“I’m coming,” she said, though her mother could not have heard over the moaning of the wind. 

Bronwyn stepped back, casting one last glance toward the village. The first day of summer approached, and the festival of Calan Mai. She rolled her eyes. Wonderful. Another year of watching while other girls danced around the maypole. No dancing for her. Not now or ever. 

Thanks for stopping by, and if you comment or follow me, rest assured I will return the favor!

Dios ex Machina

I don't know why I've been thinking about this lately, but I have.

Dios ex machina: According to wikipedia - "god out of the machine"; is a plot device whereby a seemingly inextricable problem is suddenly and abruptly solved with the contrived and unexpected intervention of some new event, character, ability, or object.

I guess it comes from those ancient Greek plays where a god is suddenly introduced to resolve the plot.

Some authors have used this and it has worked out okay for them. Examples: Lord of the Flies, when the wild kids are somewhat randomly rescued by the Naval Officer. Harry Potter and the Chamber of Secrets, when the Phoenix swoops in and saves them from the collapsing basilisk chamber. Or perhaps the most famous, The Return of the King, when the eagles fly in and rescue Sam and Frodo from the burning mountainside.

Sometimes it works, usually it doesn't. Who hasn't wondered why Frodo didn't simply fly on an eagle and drop the ring into Mt. Doom in the first place and cut out 9/10ths of the book(s)?

Most often it's called "Writer Cop Out."

Anyway, it gives us writers pause to make sure everything that happens in our story happens for a reason and doesn't feel contrived. All plot points must flow in a logical chain of events that makes sense based on our characters and their reasoning and choices.

The guy over at Moody Writing has written a few good posts on this lately: here and here.

Any other good examples of this?
Any good tips on avoiding it?

The Holocaust Called NaNoWriMo

Last year my NaNo project looked like this:

Monet (Source)

It came together so beautifully and perfectly. All I had to do was clean up some problems with the characters and fix a few minor plot hiccups, and voila! One year later, it's accepted for publication.


This year my NaNo project looks like this:

Pollock (Source)

Complete chaos and disaster. I'm not sure it can be salvaged. I even had the plot outlined better than last year, and all my research done. But, like this painting, it's just not working. Grrr!

I guess I'll just finish it, then tuck it away while I work on something else. Maybe I'll like it better when I've had a chance to let it rest.

NaNo Happiness Comes In Small Packages

I know I'm probably the last person on the planet to figure this out. But I learned something this year for NaNoWriMo that's helped me a lot.

This is my first year using Scrivener for NaNo, and it has this cool tool called "Project Targets."

I set it for the 50K word goal, and it keeps track of my progress for me. Also, and more importantly, is the session target.

I set the project to calculate exactly how many words I need to write per day (not including Sunday, because that's my writing day off) and it adjusts automatically if I write more or less than the session goal. I have it set so that each day is one session, and the calculator resets everyday at midnight.

The best part is the little bar that changes color as you get closer to your goal. It sounds silly, but it motivates me. I want to see that bar turn green! I can't go to sleep until it does. I pretty much can't focus on anything until that bar is GREEN!

I love it! Why didn't I know about this sooner?!

A Rose By Any Other Name

Google Search of the Day: Tide tables for Northern Wales.

The big question: Does the title of my book really matter?

Everyone knows that when you publish traditionally, you get little or no say regarding the title of your book. Publishers have marketing specialists lined up to pick a title that will grab readers' attention.

As a writer, my job is to grab the attention of an agent or publisher. The title is my first opportunity to sell it to them. If they see an awesome title in the inbox, they are more likely to take a serious look at the submission.

There are three basic categories of titles (with a lot of overlapping).

1. Character Titles: Romana the Pest; James and the Giant Peach, Keturah and Lord Death; Julie of the Wolves; Alexander and the Terrible, Horrible, No Good, Very Bad Day; Coraline

2. Plot Titles: The Hunger Games; Island of the Blue Dolphins; Princess Academy; The Lightening Thief; Speak

3. Mood or Subgenre titles (very popular now in YA): Paranormalcy; The Dark Divine; The Forest of Hands and Teeth; Daughter of Smoke and Bone; I'd Tell You I Love You But Then I'd Have to Kill You

Some other things to consider while choosing a title:

Be Provocative Provocative titles (especially one word titles) are extremely popular. Just check the Amazon list of best-selling YA books. Choose words that elicit emotion or curiosity and phrases that make book browsers do a double take. The Perks of Being a Wallflower; Zen and the Art of Motorcycle Maintenance; To Kill a Mockingbird; Pride and Prejudice and Zombies; Marvin K Mooney Will You Please Go Now

Use Resonance Use words that bring to mind something evocative or reminiscent, and phrases that already mean something to the reader. Something Wicked This Way Comes, The Grapes of Wrath; Gone with the Wind

Create a Strong Visual The Color Purple; Where the Wild Things Are; Love in the Time of Cholera; Cry, the Beloved Country

Use Alliteration, Rhyme, or Repetition This makes the title catchy or memorable, like how we can remember a nursery rhyme we learned years ago as a child. Listen to the flow. I Capture the Castle; The Secret Circle; Maniac McGee; The Wind in the Willows; There's a Wocket in My Pocket 

Words that Contradict Beautiful Chaos; The Death Cure; Sacred Sins; Neverwhere

Above all, be true to yourself and your book. Go with what feels right to you. 

What are some of your favorite titles.

Receiving Critical Input

I had to interrupt my regularly scheduled NaNo to post a link to this fantastic article on the StoryFix blog. Every author or writer needs to read this great advice on accepting criticism, and choosing which criticisms to accept.

Do it now.

Hurry!

Ketchup and Catch-up

I spent the weekend (Thursday through Sunday) in lovely San Diego for my step-niece's wedding. Just me and Hubby, we left the kids home. This is the first time we've gotten away together for a few years. It was wonderful.

We ordered room service breakfast on Friday morning, and Hubby's hash browns came with the cutest ketchup bottles I've ever seen. I brought them home.

Then we went to Sea World and saw Shamu.

No trainers were killed during the show, so that was good. And for future reference, those of you considering the dolphin show: be warned! It's not so much a dolphin show as it is a show of men and women wearing fancy wetsuits and sparkly make up spinning on ropes and standing around pointing their toes while mediocre environmentalist music plays and the fountains spurt water. Meh.

(Stay tuned for more exciting adventures of the San Diego trip when I tell the story of how we were trapped on Shutter Island.)

So now, thanks to the California trip and some emergency revisions for a MS under consideration, I'm behind about 7,000 words in NaNo. I don't know if I can catch up. But I'm gonna try.