Zip can provide both compression and downward expansion, switching between processors with one mouse click. Six Analysis modes—Amplitude, Quietness, Brightness, Darkness, Noisiness and Tonalness—spark compression or expansion depending on the signal level, frequency content or noise feeding Zip’s input. On bass guitar tracks, select Darkness mode to compress headroom-eating low notes while giving higher-pitched notes room to breathe. Using Noisiness mode, you can make Zip’s compressor clamp down only on overdriven electric guitar chords while leaving palm mutes on the same track loud and proud. Solving unusual audio challenges is child’s play for Zip. For the final touch, Zip’s Color control lets you apply warm saturation, bright phase-modulated distortion, mangling bitcrushing or any of four 2-pole filters at the plugin’s output. Dial in a little bit of the vivid Contrast effect to fatten up female vocals and make drums pop. Two of Zip’s 2-pole filters are modulated by Analysis modes; use them in Noisiness mode on a synth track to make note attacks whipsaw its timbre. Patch Zip’s LFOs to the Color knob to create tempo-synched filter sweeps and pulsating distortion on guitar and keyboard tracks. Zip sculpts both dynamics and tone.
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