TWO:The inconsistencies of a great philosophical system are best explained by examining its historical antecedents. We have already attempted to disentangle the roots from which Stoicism was nourished, but one of the most important has not yet been taken into account. This was the still continued influence of Parmenides, derived, if not from his original teaching, then from some one or more of the altered shapes through which it had passed. It has been shown how Zeno used the Heracleitean method to break down all the demarcations laboriously built up by Plato and Aristotle. Spirit was identified with matter; ideas with aerial currents; God with the world; rational with sensible evidence; volition with judgment; and emotion with thought. But the idea of a fundamental antithesis, expelled from every other department of enquiry, took hold with all the more energy on what, to Stoicism, was the most vital of all distinctions��that between right and wrong.57 Once grasp this transformation of a metaphysical into a moral principle, and every paradox of the system will be seen to follow from it with logical necessity. What the supreme Idea had been to Plato and self-thinking thought to Aristotle, that virtue became to the new school, simple, unchangeable, and self-sufficient. It must not only be independent of pleasure and pain, but absolutely 26incommensurable with them; therefore there can be no happiness except what it gives. As an indivisible unity, it must be possessed entirely or not at all; and being eternal, once possessed it can never be lost. Further, since the same action may be either right or wrong, according to the motive of its performance, virtue is nothing external, but a subjective disposition, a state of the will and the affections; or, if these are to be considered as judgments, a state of the reason. Finally, since the universe is organised reason, virtue must be natural, and especially consonant to the nature of man as a rational animal; while, at the same time, its existence in absolute purity being inconsistent with experience, it must remain an unattainable ideal."Meanwhile you will do nothing of the sort," said the usurer. "I am not going to wait. Give me half and I will hold the sword suspended for a fortnight. Give me those diamonds, and I will write a receipt for ��30,000."
FORE:During the occupation a war contribution of 150,000 francs in silver had been imposed on Bilsen, although there was hardly any silver left in the place. This punishment was inflicted because Belgian soldiers had destroyed the railway in two places.
FORE:VII.
FORE:A modern turbine water-wheel, one of the best construction, operating under favourable conditions, gives a percentage of the power of the water which, after deducting the friction of the wheel, almost reaches the theoretical coefficient or equals the gravity of the water; it may therefore be assumed that there will in the future be but little improvement made in such water-wheels except in the way of simplifying and cheapening their construction. There is, in fact, no other class of machines which seem to have reached the same state of improvement as water-wheels, nor any other class of machinery that is constructed with as much uniformity of design and arrangement, in different countries, and by different makers.Plato had begun by condemning poetry only in so far as it was inconsistent with true religion and morality. At last, with his usual propensity to generalise, he condemned it and, by implication, every imitative art qua art, as a delusion and a sham, twice removed from the truth of things, because a copy of the phenomena which are themselves unreal representations of an archetypal idea. His iconoclasm may remind us of other ethical theologians both before and after, whether Hebrew, Moslem, or Puritan. If he does not share their fanatical hatred for plastic and pictorial representations, it is only because works of that class, besides being of a chaster character, exercised far less power over the Greek imagination than epic and dramatic poetry. Moreover, the tales of the poets were, according to Plato, the worst lies of any, since they were believed to be true; whereas statues and pictures differed too obviously from their originals for any such illusion to be produced in their case. Like the Puritans, again, Plato sanctioned the use of religious hymns, with the accompaniment of music in its simplest and most elevated forms. Like them, also, he would have approved of literary fiction when it was employed for edifying purposes. Works like the Faery Queen, Paradise Lost, and the Pilgrim��s Progress, would have been his favourites in English literature; and he might have242 extended the same indulgence to fictions of the Edgeworthian type, where the virtuous characters always come off best in the end.
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