7 February – 28 February 2026
Hanart TZ Gallery
13 December 2025 – 24 January 2026
11 September – 22 November 2025
21 June – 9 August 2025
19 January 2026 | Wen Wei Po
By Connie Zhao Website: 「形態之韻」透視水墨與岩石之韻 人類審美指引機械創作
9 January – 9 April 2026 | Hangzhou
CAM 展覽預告|福善幻境:香港魔幻現實與江南的首次對視 當香港的魔幻現實 當香港的魔幻現實 遇見江南的運河氣韻 一場等待數年的重逢 即將啓幕 「 福善幻境 」 LUIS CHAN’S DREAMSCAPE 陳福善120週年大展2026 年 1 月 9 日 至 2026 年 4 月 9 日 中心美術館 中國 杭州市 拱墅區 展覽東路150號 杭州中心 L3 他是被遺忘的香港 「水彩王」,也是香港西畫界「三劍客」中的靈魂人物。他的創作生涯跨越近一個世紀,卻始終保持著「素人般」的自由筆觸。 他畫夢境、畫異獸、畫茶餐廳、畫唐樓煙火,用看似鬆散的線條,構建出一個既真實又荒誕的香港。 他是 陳福善。 他的香港夢境伴隨這次大展終於再次渡海而來,停泊在杭州的運河邊。 130餘件作品,首次以全景式回顧展的規模登陸杭州。這不僅是一次展覽,更是一場中國現當代藝術敘事的重要補白。 陳福善的藝術,紮根於香港特殊的殖民語境與文化基因,卻超越了地域限制。他拒絕「畫得太像」,選擇 「藏技於拙」,在歪曲的輪廓、鬆散的構圖中,捕捉一座城市的呼吸與質感。他的魔幻現實主義,不是對西方的模仿,而是一種深植於東方美學精神的在地化轉譯。 從「水彩王」 到 「魔幻現實者」 從早期寫實的精湛技法,到後期看似隨意卻充滿力量的「素人風格」,完整呈現陳福善一生的藝術蛻變。他說:「畫得太像會桎梏思維。」 於是,他解放筆觸,讓畫布承載更真實的文化肌理。 從「水彩王」 到 「魔幻現實者」 在 《有飛蛾的風景》 中,漂浮的島嶼如同超現實的夢,卻延續著傳統水墨的留白意趣;《無題》 里異獸與植物共生,奇幻中透出 「氣韻生動」 的東方哲學。細節真實,整體荒誕——這是獨屬於陳福善的視覺語法。 […]
12 January 2025 | Tatler Asia
By Sabrina LoWebsite : https://www.tatlerasia.com/lifestyle/arts/hong-kong-painter-chu-hing-wah-interview
24 Jan 2025 | 美紙 Art And Piece
在這個醫學醫美進步驚人的現世,外表或許看不出實際年齡,但人心卻能看出一個人老不老。就如日本「波點女皇」草間彌生,年屆95歲的她創作力依然旺盛,她曾說過:「我相信,此刻是我創作新藝術的重要時機,我每天全身心地投入到工作中。」 創作的熱情讓草間彌生依然年青,香港畫家朱興華比草間彌生年輕5歲,對創作熱情,也精力旺盛,近日的《朱爺九十生日快樂!》展覽,便一口氣展出朱興華由1960年以來至2024年間的60張作品,部分作品更是首次公開展出。……. Source:(Facebook) https://www.facebook.com/artandpiece/posts/exhibition90%E6%AD%B2%E7%95%AB%E5%AE%B6%E6%9C%B1%E8%88%88%E8%8F%AF-%E4%B8%8D%E9%96%93%E6%96%B7%E5%89%B5%E4%BD%9C%E7%9A%84%E8%80%81%E5%B0%91%E5%B9%B4-%E5%9C%A8%E9%80%99%E5%80%8B%E9%86%AB%E5%AD%B8%E9%86%AB%E7%BE%8E%E9%80%B2%E6%AD%A5%E9%A9%9A%E4%BA%BA%E7%9A%84%E7%8F%BE%E4%B8%96%E5%A4%96%E8%A1%A8%E6%88%96%E8%A8%B1%E7%9C%8B%E4%B8%8D%E5%87%BA%E5%AF%A6%E9%9A%9B%E5%B9%B4%E9%BD%A1%E4%BD%86%E4%BA%BA%E5%BF%83%E5%8D%BB%E8%83%BD%E7%9C%8B%E5%87%BA%E4%B8%80%E5%80%8B%E4%BA%BA%E8%80%81%E4%B8%8D%E8%80%81%E5%B0%B1%E5%A6%82%E6%97%A5%E6%9C%AC%E6%B3%A2%E9%BB%9E%E5%A5%B3%E7%9A%87%E8%8D%89%E9%96%93%E5%BD%8C%E7%94%9F%E5%B9%B4/1019445036872364/ (Instagram) https://www.instagram.com/p/DFkU5-WvN_B/?img_index=8
24 March 2023 | Hanart TZ Gallery
BOLOHO once again joins with Reading Room in the creation of another segment of the performative project “Surviving and Chilling”. For this performance, we are thrilled to invite the art collective ruangrupa from Jakarta, Indonesia, curators of documenta 15 (2022) in Kassel, Germany. At ruangrupa’s invitation, BOLOHO experienced 100 unforgettable days in Kassel as a lumbung artist. Six months later, we will […]
21 March – 25 March 2023 | Hong Kong
Encounter: Inga Svala THÓRSDÓTTIR & WU Shanzhuan 吳山專 與 英格ㆍ斯瓦拉ㆍ托斯朵蒂爾 Encounter: EN9 Working together since the early 1990s, Inga Svala Thórsdóttir and Wu Shanzhuan’s partnership reflects a symbiotic, creative dialogue. Their individual practices merge to reflect one artist’s complexity and the other’s purity, with a polarity that is evident in this work. The wooden architecture offers the audience passage […]
4 March – 11 June 2023 | Macao Museum of Art
The solo exhibition of Fang Lijun, The Light of Dust will be on view on 4 March 2023 in the Macao Museum of Art. Exhibition venue: Macao Museum of Art(Av. Xian Xing Hai, Macao)Exhibition Period: 2023.03.04-06.11
25 February 2023 | Hanart TZ Gallery
Hanart TZ Gallery In “Surviving and Chilling“, the second segment of BOLOHO’s new live-performance project, BOLOHO adopts a classic talk-show format to transform the exhibition into a studio for impromptu performances. Members of the BOLOHOPE project will take on various “roles” and appear at random times, creating improvised “productions” on the spot.Black Window, Hong Kong’s popular vegetarian […]
10 January – 11 January 2023 | Hanart Forum
Cybernetics for the 21st CenturyLectures and Symposia Cybernetics is not only an ephemeral and contingent event in intellectual history, but rather it meant firstly to be a new science of machines, which breaks away from the mechanism of the 17th century, that is why Norbert Wiener in his 1948 Cybernetics: or the Control and Communication in […]
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