Mirasol is a beekeeper, a honey-gatherer, with an ability to speak to the earthlines—the sentient parts of Willowlands, where she lives. The concerns of Master, Chalice, and Circle, who govern Willowlands, have nothing to do with her—until the current Master and Chalice die in a fire and leave no heirs to take their places. The Master’s closest relative has been a priest of Fire for the past seven years; he is not quite human anymore. And then the Circle comes to Mirasol and tells her that she is the new Chalice, and it will be up to her to bind the land and its people with a Master, the touch of whose hand can burn human flesh to the bone…
chalice
shadows
Maggie knows something’s off about Val, her mom’s new husband. Val is from Oldworld, where they still use magic, and he won’t have any tech in his office-shed behind the house. But—more importantly—what are the huge, horrible, jagged, jumpy shadows following him around? Magic is illegal in Newworld, which is all about science. The magic-carrying gene was disabled two generations ago, back when Maggie’s great-grandmother was a notable magician. But that was a long time ago.Then Maggie meets Casimir, the most beautiful boy she has ever seen. He’s from Oldworld too—and he’s heard of Maggie’s stepfather, and has a guess about Val’s shadows. Maggie doesn’t want to know…until earth-shattering events force her to depend on Val and his shadows. And perhaps on her own heritage.In this dangerously unstable world, neither science nor magic has the necessary answers, but a truce between them is impossible. And although the two are supposed to be incompatible, Maggie’s discovering the world will need both to survive.
Maggie is going through a rough patch. Her senior year is about to begin, and she’s looking forward to the school year (despite the dreaded Algebra class), because it means she won’t have to pretend to like (or attempt to avoid) her new stepfather, Val, for several hours of the day. Val creeps Maggie out. Perhaps because he’s from Oldworld, where they still have magic. Or perhaps it’s the shadows – ones that shouldn’t be there at all. When beautiful new guy Casimir shows up and knows Val by name and as a magician, it seems like the first of many coincidences that are just waiting to turn a flammable situation truly dangerous. Maggie will have to learn her strengths, identify her allies, and brace for chaos, lest it carry her and those she cares about into the void.
When I mentioned Shadows in a Waiting on Wednesday post back at the beginning of the summer, I mistakenly called it urban fantasy. It’s more like suburban fantasy (ha! i crack myself up). What I mean is, yes, it’s contemporary-ish, but no, the story isn’t dependent on the character and characteristics of big city life. This book could be set in any town in America (or Newworld, as McKinley calls it). If I had to label it, I’d call it an alternate world contemporary fantasy.
sunshine
"Her feet are already bleeding - if you like feet..."
There are places in the world where darkness rules, where it's unwise to walk. Sunshine knew that. But there hadn't been any trouble out at the lake for years, and she needed a place to be alone for a while.
Unfortunately, she wasn't alone. She never heard them coming. Of course you don't, when they're vampires.
Sunshine is a young, perfectly ordinary (she thinks!) girl with a loving, messy, normal family. The only thing is, her world is full of the Others, including demons, Weres, and the Darkest Others, vampires. But you can get through life pretty well as long as you avoid the dangerous parts of town and have a modicum of good sense and luck. At least, that’s how it should be. It turns out that Sunshine’s life won’t be so simple after she decides to drive out to the lake one summer night.
“Sometimes you have help,” I said. “Sometimes people come along and offer you Chocolate Pinwheels.”
“Sometimes,” she said.
“I’m Rae,” I said. “Do you know Charlie’s Coffeehouse? It’s about a quarter mile that way,” I said, pointing.
“I don’t get that far very often,” she said.
“Well, some time, if you want to, you might like to try our Killer Zebras. There’s a strong family resemblance…Tell whoever serves you that Sunshine says you can have as many as you can carry away, to bring back to this park and eat. In the sunshine.”
“Are you Sunshine then too?”
I sighed. “Yes. I guess. I’m Sunshine too.”
“Good for you,” she said, and patted my knee.
waiting on wedneday (54)
Maggie knows something’s off about Val, her mom’s new husband. Val is from Oldworld, where they still use magic, and he won’t have any tech in his office-shed behind the house. But—more importantly—what are the huge, horrible, jagged, jumpy shadows following him around? Magic is illegal in Newworld, which is all about science. The magic-carrying gene was disabled two generations ago, back when Maggie’s great-grandmother was a notable magician. But that was a long time ago.
Then Maggie meets Casimir, the most beautiful boy she has ever seen. He’s from Oldworld too—and he’s heard of Maggie’s stepfather, and has a guess about Val’s shadows. Maggie doesn’t want to know…until earth-shattering events force her to depend on Val and his shadows. And perhaps on her own heritage.
In this dangerously unstable world, neither science nor magic has the necessary answers, but a truce between them is impossible. And although the two are supposed to be incompatible, Maggie’s discovering the world will need both to survive.
pegasus
It came as a bit of a shock to realize that I hadn’t reviewed a single, measly book by my most favorite author. Not that her books are measly, mind you, but just that it was fun to write that in a sentence. Also, you can forget that ‘bit of a shock’ part and insert HUGE, crazy, tilt-your-world-on-its-axis shock instead. That is to say: when I realized that I hadn’t actually reviewed anything by Robin McKinley, I had a minor heart attack. The rest of my favorite authors are all represented in my archive. How did this HAPPEN?
I’ll tell you the reason right now: I’m a coward. For a very long time I kept putting it off, thinking that ‘one day I’ll wake up and just feel like writing about how much I love The Blue Sword, and I’ll use eloquent language, and…’ That’s about where I’d dribble off into silence, because I could never actually imagine using suitable prose to describe how much I love that book. Barring divine intervention, a review was never going to get written. AND, since I feel this intensely about practically everything Ms. McKinley has written, the task looked impossible.
At this point, you may politely point out that I am a crazy person, and isn’t this little thing that I’m writing right now a review of a McKinley book? Why yes. It is. It is happening because at ALA (in June) last year I was very very lucky, and picked up an ARC of Pegasus at the Penguin booth. I then read it in September after I found out that I was losing my job. It was all sorts of soothing and wonderful and just what I needed, and it deserved a review, no matter how paltry the talent of the person behind the blog. So let’s get down to business.
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A gorgeously written fantasy about the friendship between a princess and her Pegasus.Because of a thousand-year-old alliance between humans and pagasi, Princess Sylviianel is ceremonially bound to Ebon, her own Pegasus, on her twelfth birthday. The two species coexist peacefully, despite the language barriers separating them. Humans and pegasi both rely on specially-trained Speaker magicians as the only means of real communication.
But it is different for Sylvi and Ebon. They can understand each other. They quickly grow close-so close that their bond becomes a threat to the status quo-and possibly to the future safety of their two nations.
New York Times bestselling Robin McKinley weaves an unforgettable tale of unbreakable friendship, mythical creatures and courtly drama destined to become a classic.
Pegasus felt at the same time like a dream of a fantasy and also intimate and heavy with emotion. It featured McKinley’s trademark smart heroine who feels like an outsider among her own kind, but forms fast friendships in spite of it. The novel also had a deep connection to geography and language. As a visual person, I had no trouble ‘seeing’ the land of the pegasi in my mind’s eye. And though it might be distressing to read the language of the pegasi aloud, the words had a way of murmuring along in the back of my mind.
For me, Pegasus was an instant favorite, and the descriptions of flight, bits of subtle humor and the wide scope of the story (where so much is below the surface, so much inferred, so much to dream about) were the best parts. It isn’t a fairy tale, but definitely fantastical and mythic. Sylvi and Ebon were strong, wonderful characters - the sorts that you would like to be, if you were faced with the kind of trouble they face. All in all, the book was just...ideal.
If all of that sounds like a eulogy of praise, it is. I feel this scary amount of love towards almost all McKinley books. So yes, I am biased. Biased by years of reading satisfaction and sensational writing. BUT. Even I understand that there are those who would have a lukewarm reaction to this novel. What do the members of this rare tribe look like? First: they don’t like fantasy, ever, no ifs ands or buts about it. You can forget the Narnia novels, the Lord of the Rings trilogy, anything with magic at all. If it isn’t real, can it. Second: they need romance. Can’t tolerate a book without it. Get antsy if no one is kissed by page 100. Third: cliffhangers are the stuff their nightmares are made of.
If that didn’t sound like you, I’d suggest Pegasus. Strongly. And yes, it is one story broken into two parts. But the second part is coming SOON, and it’s totally worth it. Really.
Recommended for: anyone interested in developing their sense of wonder, those who appreciate high fantasy and also those looking for a good introduction to it, fans of YA fiction as well as fans of beautiful writing, and anyone who knows how to find the ‘real’ and important things in any setting, no matter how fantastical.
[I got an ARC of Pegasus from the Penguin/Putnam booth at ALA 2010. I also got a hardcover for Christmas, because I loved it that much. I'm donating the ARC to my sister's 7th grade classroom in Washington State.]
once upon a week (+ flash giveway)
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It is Wednesday, so obviously I am behind. I feel like that is the story of my life, every day. But! There are wonderful things afoot. NotNessie at Today’s Adventure is currently hosting an event called Once Upon a Week. She’s sharing content each day this week about fairy tales and retellings, and encouraging other bloggers to get involved. Today she posted a little blurb about me (and some other fantastic people!).
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To win, please comment by 11:59pm EST tonight (August 4) with a way for me to contact you. Open internationally. I’ll email the randomly selected winner.
UPDATE: Congrats to the winner - EKTA!
on naming things (but especially book characters)
Don’t let the title of this post fool you. I am not writing a book. I sort of was for about half of National Novel Writing Month, but no more. This post is about names and likeability and originality. What that means in real world terms is that’s they’re actually just my random thoughts, but I want to let them out into the world, to see if any of you think the same things (sometimes).
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I have an uncommon-ish sort of name: Cecelia. It doesn’t show up much in art or literature. Fanny Burney, a contemporary of Jane Austen, wrote a novel called Cecilia, which I own but have never read. Forgive me – it’s 1,200+ pages of romance, counter-romance and mystery. I tried that with Anna Karenina and failed miserably. But there’s also a Simon & Garfunkel song called Cecilia, and I’d estimate that half of the people I meet for the first time spontaneously serenade me with it – regardless of the strength or quality of their singing voices.
And on top of that, my sister is called Virginia, or Ginny for short. Very slightly more common than Cecelia, but still an old-fashioned name, and rare in literature. It’s really no surprise then that when we find a novel, not to mention a GOOD novel, with one of our names in it, that we get a little excited. I can think of three shining examples of this (though I’m sure there are more and I’m just forgetting them).
The first is Kristen D. Randle’s The Only Alien on the Planet. The main character is Virginia, but she goes by Ginny, just as my sister does. I simply loved that book, and would have done so regardless of what the character’s name was. But since her name was Ginny, I could read it, discover its merit, and then pass it on to my sister, all the while knowing that she wouldn’t be able to resist a good book AND a character with her name (this was at a point where she refused to read anything I’d read).
And the second case is Robin McKinley’s The Blue Sword. The main character’s name in this novel is Harry – which is my dad’s name – and she’s a bit of a tomboy. But the book starts slowly, and I may have never gotten into the intense and adventurous bit if I hadn’t been caught by the mention of a ship called the Cecilia in the first couple pages. It’s the little things that keep you reading sometimes, and I’m very glad that I did read that book – it’s become a comfortable standard and McKinley one of my favorite authors of all time.
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And the third example – another book that I haven’t read but have always meant to (as it was co-written by two seriously talented/favorite authors) is Sorcery and Cecelia, by Caroline Stevermer and Patricia C. Wrede. I’ve always wanted to cross-examine these authors, and ask how they came up with Cecelia – I mean, the name with my less-common spelling and everything! And also why I was unlucky enough at age 9 to have my mother find that book in my library stack and disapprove of it on sight. May have had something to do with ‘Sorcery’ in the title…but still. No excuse for why I haven’t read it since!
So – I have a few questions. Have you ever seen your name in a book? Did it make an impression? Were you more willing to like the book? If you haven’t found your name in a book yet, which genre will it most likely be found in?
Tell me your name and character stories!
the results are in
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And the randomly-generated winner of Robin McKinley’s Sunshine or Neil Gaiman’s Neverwhere, depending on the winner’s preference, is:
Sheere
Who answered the question, “What is your favorite genre?” with:
“My favourite genre is fantasy and supernatural. I think that I'd never get bored with it... I could be ninety and still love reading stories of vampires and fairies.”
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The other responses for favorite genre:
Classics – 1
Fantasy (or Paranormal) – 12
Historical Fiction – 4
Mystery – 2
Science Fiction – 6
Women’s Fiction – 1
Young Adult – 9
It was fun to read about your favorite genres, and hear your thoughts about what makes reading enjoyable. Look for another giveaway soon!
101 more reasons to love fantasy + quick giveaway!
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Good luck!
teaser tuesday (5)
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Grab your current read and let it fall open to a random page. Post two (or more) sentences from that page, along with the title and author. Don’t give anything vital away!
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“It might not have been too bad, afterward, if not for two things. The nightmares. And the fact that the cut on my breast wouldn’t heal.
That’s nonsense, of course. If I’d been able to face being honest, there was no way it wasn’t going to be bad.”
-p. 89 of Robin McKinley’s Sunshine
i'm afraid of the dark. and zombie movies.
It therefore makes almost no sense that I can stomach dark, even scary, books. One of my favorite authors is Neil Gaiman. Description: Nice man who writes creepy and/or disturbing things. Another favorite writer: Robin McKinley. She’s penned an award-winning book with vampires in (called, ironically enough, Sunshine). Other recent reads: Pretty Monsters (win a copy here!) and The Forest of Hands and Teeth. Soon-to-be-read selections for the Everything Austen Challenge: Pride and Prejudice and Zombies and Mr. Darcy, Vampyre (contest to win a signed copy here). You can count on the fact that if either of them are made into movies, though, I will be far, far away.
[Note: I will grudgingly admit to having seen the movie version of Twilight. I was fairly sure it couldn’t be traumatic, as the book was heavy on teenage obsession and light on gore. I was right. Giggled in disbelief and incomprehension through the whole thing.]
Perhaps there’s something in the written word: a distance, or more nuanced and underlying humor in the sinister that renders it endurable to me rather than the film and television adaptations of those dark books. In any case, I think that a good collection and contrast of mediums (written, filmic, aural) is necessary to any full life. Perhaps one of these days I will let someone tie me to a chair to watch Silence of the Lambs. You never know. Pigs may start flying too.
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