Title/Author: Neverwhere by Neil Gaiman
Publisher/Year Published: HarperCollins 1996
How I got this book: Bought used from Powell’s (awesome bookstore in Portland, Oregon)
Why I read this book: It sounded like my kind of book
Publisher/Year Published: HarperCollins 1996
How I got this book: Bought used from Powell’s (awesome bookstore in Portland, Oregon)
Why I read this book: It sounded like my kind of book
As a fan of dystopian literature (Brave New World and The Handmaid’s Tale in particular), I was drawn to Gaiman’s creation of an alternate universe beneath London. His story begins when his protagonist, Richard Mayhew, discovers a young girl on the side of the road. After bringing her to his flat and helping her get back to her world, he discovers that he no longer exists in London Above, the London he has always known. Instead, he can only be seen or heard by those living in London Below, a dank, dangerous, and unpredictable world. With the companionship of Door, the girl he aided, Richard embarks on a perilous journey to discover who hired assassins to kill Door’s family and to find his way back into existence within London Above.
Having seen this novel on many lists and read dozens of raving reviews, I expected to get sucked into Gaiman’s universe, unable to leave until I finished reading. While I certainly enjoyed the novel, I read through it at a relatively leisurely pace and, until I neared the end, had little trouble putting it down. Gaiman’s story is unique, darkly humorous, and at times gruesome enough to make me shudder, but I suppose it leaves something to be desired. London Below is an interesting place, but it is also confusing, maze-like, and definitely an underdeveloped part of the story. While at times it exists in the sewers, literally beneath London, most of the time it is more of a parallel world to London, containing the same places in another dimension. Perhaps this was Gaiman’s intent—to leave the world hanging in between London and a complete parallel universe—but it tends to make the novel a bit confusing. What I did enjoy, however, was Gaiman’s use of real places—particularly tube stations—within the world of London Below, giving backstory and meaning to strange station names like Earl’s Court, which, in London Below, truly houses an earl with his court.
Although certain aspects of the plotline were predictable, it had many interesting twists (and Richard’s sheer ignorance) to keep it away from the overused hero’s journey movie plotline. But unfortunately, by the end of the book I did not feel that I really knew the characters, beyond Richard’s whininess and very slow ability to comprehend all that happened to him. While I certainly enjoyed the novel, I could not say that it “blew me away” or that it had any lasting impression on me. Perhaps it is one of those books that require a rereading to pick up on all of the little details and references, but I doubt that I will reread it.
All in all, I do not regret reading Neverwhere and would recommend it fans of fantasy, dark humor, and Neil Gaiman.
Rating: 3.5 stars