Showing posts with label Tom Thorne. Show all posts
Showing posts with label Tom Thorne. Show all posts

Wednesday, 6 October 2010

Robin Jarossi's Criminal Acts for October



Thorne cuts it

Thorne: Sleepyhead, Sky1, Sundays from 10 Oct, 9pm

Sky TV have not been big players in the entertainment-making department. Apart from a couple of tentative projects – the Terry Pratchett serials and Must Be the Music spring to mind – it is largely associated with soccer soap Dream Team and flops such as Harry Enfield's Brand Spanking New Show.

But with last year's hard-hitting version of Martina Cole's The Take and now its dramatisation of the Tom Thorne novels, Sky1 is showing the Beeb and ITV a thing or two about making distinctive crime drama.

Mark Billingham's popular London detective hits the small screen this weekend in the first of two three-part stories, Sleepyhead (Scaredy Cat follows).

It's visually striking and has a great cast and director, delivering a psychologically gripping journey that's a long way from Heartbeat or Inspector George Gently.

David Morrissey not only gives a huge performance as Thorne but he is the show's executive producer and was a prime mover in joining forces with Mark Billingham to get it made. They even chose the little-known vintage country music soundtrack that adds dreamy flavour to this contemporary drama.

They've brought in Emmy-winning director Stephen Hopkins, veteran of 24 andCalifornication, who's created a vivid drama against a pulsating London background of busy streets and regenerating East End wastelands.

Sleepyhead was the first Thorne novel, featuring Billingham's chilling idea of having a psycho who induces a state of 'locked-in syndrome' in his victims.

Thorne investigates what appears to be three murders, the technique of applying pressure to induce living paralysis being difficult to achieve, until a fourth victim survives. No sooner does he realise the perpetrator has actually been trying to permanently paralyse the victims, than Thorne is haunted by flashbacks to a serial killer he nailed years before.

This dead figure from his past appears to be sending Thorne messages, and Morrissey conveys all the character's passion and turmoil, as the detective is drugged, beaten and falls from a building while chasing the elusive killer.



What a fine cast this has. Eddie Marsan is menacing as Thorne's twisted colleague, Kevin Tughan. Aidan Gillen, almost as ubiquitous as Morrissey on TV these days, has some tense scenes with Thorne as the pathologist Phil Hendricks.

And Natascha McElhone is alluring and drily funny as Dr Anne Coburn. It’s an ensemble show with Morrissey sharing the limelight and plot twists with his co-stars, particularly Marsan.

The drama deviates from the book as the story develops, Billingham generously saying writers Jim Keeble and Dudi Appleton, covered holes in the novel. But this viewer actually preferred the novel’s finale, finding the on-screen denouement a little convoluted.

While Sleepyhead is not in the same league as The Wire (The Standard in London this week spoke of them in the same breath), it is better than a lot of British crime serials around now.

The BBC and ITV better watch out. There’s a new crime outfit on the manor.

POIROT, ITV1

The little grey cells are at work again in a seasonal story called Hallowe’en Party, going out on Monday, 18 October on ITV1.

The screenplay is by Mark Gatiss, who pulled-off the wonderful updating of Sherlock Holmes with Doctor Who showrunner Steven Moffat this summer. The cast brags a returning Zoe Wanamaker, Eric Sykes, Julian Rhind-Tutt and Timothy West.

When Ariadne Oliver (Wanamaker) attends a children’s Hallowe’en party in Woodleigh Common, a young girl boasts about seeing a murder years before…

Watch it, Danno – Hawaii Five-0 2010

Hawaii Five-0 was on the crest of a wave from 1968 to 1980 and is still fondly recalled by many who were around to see it.

Steve McGarrett’s quiff, the surfing, bikini glamour of the Pacific islands, the stirring opening credits, and star Jack Lord’s sign-off – ‘Book ’em, Danno.’

The reason put forward by CBS honchos for re-booting the series this year was that it was time for a tribute. But is the tribute any good?

It went out in the US last month to decent reviews, without anyone pretending it was anything but a slick, action-packed bit of primetime viewing. The pilot cost a reported $8 million and flaunted its helicopter gunships and explosions.

In the UK Bravo was going to show it this month, but my spies reveal the show has now been pushed back to 2011 when it will appear somewhere on ‘the Sky platform’.

Anyway, where Jack Lord was as wooden as a palm tree, Aussie Alex O’Loughlin (known in the US for series such as Moonlight and Three Rivers) is a less stiff and straight-laced McGarrett. In a prologue we discover he is a special forces tough nut who agrees to head Hawaii’s new law-enforcement task force after his father is murdered.

James Caan’s son, Scott, strikes up a buddie relationship with McGarrett as Danno. Their bonding is played for laughs, some of which come off and others sink in the surf. Daniel Dae Kim is Chin, and Grace Park is a sassy, butt-kicking Detective Kona, who is far more fun and lively than the slab-like Kono of the original.

The plot is unreal, and not in a good way, being something about Chinese gangs and people smuggling, all of which results in McGarrett and Danno storming a Chinese ship and killing half the crew, which somehow doesn’t result in World War Three.

The original music is revamped and Hawaii, of course, looks mouthwateringly beautiful, while McGarrett once again wants Danno to book ’em.

It will be interesting to see how the series does. I suspect that after initial warm feelings towards it, interest will subside and it will be abruptly cancelled.



Wednesday, 8 September 2010

CRIMINAL ACTS September/Robin Jarossi

Law & Order: UK

Law & Order may have been gunned down in its home town of New York in May, but its London cousin is back for a third season, looking sharp and ready for action.

After 20 years and 451 shows, NBC pulled the trigger on the original for faltering ratings, but ITV is happy with 5.9 million viewers for its spin-off. Judging by the opening episode, Broken, a hard-hitting story of a child’s murder with echoes of the James Bulger case, Law & Order: UK will be one of the channel’s highlights this autumn.

The two detective sergeants, Brooks and Devlin (ex-Corrie man Bradley Walsh and Battlestar Galactica’s Jamie Bamber), are called to the grim scene of a derelict council flat containing the dead body of a six-year-old boy.

The murderer – a garage worker, or two young girls?
Child murder is obviously never a subject to be treated lightly, and the show emphasises how disturbing a moment this is for all the officers attending. ‘Just when you think you’ve seen it all,’ Brooks says.

The two investigators soon suspect that two older girls may be behind the boy’s killing, CCTV footage showing them leading him to the flat. Or could it be a guy who works in a garage, as the girls indicate?

Law & Order: UK works because it has all the major ingredients right. Bradley Walsh is not the greatest thesp in the world, but this part fits him beautifully. Ex-alky Brooks is the copper’s copper, the one who gives the show its moral ballast.

Ben Daniels, Harriet Walter and Jamie Bamber
Jamie Bamber is good as his foil. Harriet Walter (Broken Lines, Atonement) is totally believable as the guvnor not to be messed with, while on the prosecution side, Ben Daniels (The State Within, Cutting It) has a terrific scene here where he rips into the callous mother of one of the girls.

The format, with episodes split between the law and the order, worked well for all those years in the States, and ITV haven’t tried to fix it. And finally, the stories (borrowed from the originals too) can be compelling.

Broken is a powerful one that probes a divisive issue. If a child commits a serious crime, who is truly responsible – the child or those who have raised it? The tabloids bay for blood and the Director of Children on trial Public Prosecutions says, “The public don’t care about treating killers.” Meanwhile, the director of Crown Prosecutors, George Castle (actor Bill Paterson), demands to know why a child would kill another – not usually a priority for the courts.

With its careerist barristers, legal horse-trading and often ambiguous endings, Law & Order: UK is absorbing prime-time viewing.






Law & Order: UK, ITV1, Thursdays from 9 Sept, 9pm



Sherlock and Luther will return

As the Beeb announced the return of three new 90-minute adventures for Holmes and Watson, the creators of the hit revamp, Steven Moffat and Mark Gatiss, were gently teasing fans: ‘We've been overwhelmed by the warmth of response to our new Sherlock Holmes and John Watson and can't wait to take them on three new adventures next year. There'll be baffling new puzzles, old friends and new enemies – whether on two or four legs. And we might well be seeing the cold master of logic and reason unexpectedly falling. But in love? Or over a precipice? Who can tell?’

Having launched its Holmes re-boot in the fairly odd month of July, when everyone’s on their hols, the BBC clearly is now sure it has a hit on its hands and will bring Sherlock back as part of its prized autumn line-up in 2011.

Luther creator and crime novelist Neil Cross promises the planned pair of two-hour specials about his troubled detective will ‘be even more intense’.

Which is hard to believe, seeing as the ‘near-genius’ copper played by Idris Elba found his estranged wife’s body, shot by his corrupt colleague, who in turn was shot by the ‘genius’ killer Alice, with whom Luther had somehow bonded…




And watch out for…

You wait years for a copy-cat serial killer in the East End, and two come along.

Having seen off a devotee of Jack the Ripper while watched by nine-million viewers in 2009, Rupert Penry-Jones, Phil Davis and Steve Pemberton will be returning to ITV this autumn in Whitechapel – this time pursuing a killer with a taste for the murders of the Krays.

DCI Banks: Aftermath, on the same channel, stars Stephen Tompkinson as DCI Alan Banks, in a two-part drama, adapted from the novel by award-winning crime writer Peter Robinson. It tells the story of an ordinary house in an ordinary street which is about to become infamous.

For 2011, ITV have three new crime sagas in production: an Anthony Horowitz story called Injustice, starring James Purefoy; Scott and Bailey with Suranne Jones and Lesley Sharp as homicide detectives with the Major Incident Team in Manchester (written by Sally Wainwright); and The Jury, written by Oscar-nominated Peter Morgan (The Queen, Frost/Nixon and The Damned United).

The Suspicions of Mr Whicher – the best-seller by Kate Summerscale – is also getting the ITV treatment. The two-hour drama about an infamous Victorian country house murder will star Paddy Considine (Red Riding Trilogy, The Bourne Ultimatum) in the lead role of Inspector Jonathan Whicher, and will be adapted by Neil McKay (Mo, See No Evil: The Moors Murders).