Showing posts with label Luke McCallin. Show all posts
Showing posts with label Luke McCallin. Show all posts

Saturday, 7 August 2021

Books to Look Forward to From No Exit Press and Verve Books

 August 2021

Deep Cover is by Leigh Russell. When a sex worker dies in suspicious circumstances in York, Detective Inspector Geraldine Steel struggles to remain focused on the murder investigation: she is distracted by her worries about her colleague and life partner, Ian Peterson, who has disappeared. As Geraldine becomes close to her new DS, Matthew, she is unaware that Ian is working undercover in London, trying to identify a criminal gang who have been targeting her. As a second victim is discovered in York, and Ian's life is threatened by a psychopath the tension mounts. If he fails in his mission, both he and Geraldine may die...

October 2021

On The Edge is by Jane Jesmond. Jen Shaw has climbed all her life: daring ascents of sheer rock faces, crumbling buildings, cranes the riskier the better. Both her work and personal life revolved around it. Until she went too far and hurt the people she cares about. So she gave it all up and checked into rehab. Then Jen awakens to find herself drugged and dangling off the local lighthouse during a wild storm, and must battle her way to safety. Once safe, Jen has face her troubled past in order to figure out whether something triggered a relapse, or if there is a more sinister explanation.

November 2021

The Lost Girls is by Heather Young. In 1935, six-year-old Emily Evans vanishes from her family's vacation home on a remote Minnesota lake. Her father commits suicide, and her mother and two older sisters spend the rest of their lives at the lake house, keeping a decades-long vigil. Sixty years later, Lucy, the middle sister, lives in the lake house alone. Before her death, she writes the story of that summer in a notebook that she leaves, along with the house, to her grandniece, Justine. For Justine, the lake house offers an escape from her manipulative boyfriend and gives her daughters the home she never had. But the lake is isolated and eerie. Her only neighbour is a strange old man who seems to know more about the summer of 1935 than he's telling. Soon Justine's troubled oldest daughter becomes obsessed with Emily's disappearance, her mother arrives to steal her inheritance, and the man she left launches a dangerous plan to get her back.

The Killing Hills, is a compelling, propulsive thriller in which a suspicious death exposes the loyalties and rivalries of a deep-rooted and fiercely private community in the Kentucky backwoods. Mick Hardin, a combat veteran now working as an Army CID agent, is home on a leave that is almost done. His wife is about to give birth, but they aren't getting along. His sister, newly risen to sheriff, has just landed her first murder case, and local politicians are pushing for city police or the FBI to take the case. Are they convinced she can't handle it, or is there something else at work? She calls on Mick who, with his homicide investigation experience and familiarity with the terrain, is well-suited to staying under the radar. As he delves into the investigation, he dodges his commanding officer's increasingly urgent calls while attempting to head off further murders. And he needs to talk to his wife. The Killing Hills is by Chris Offutt and is a novel of betrayal - sexual, personal, within and between the clans that populate the hollers - and the way it so often shades into violence.

December 2021

THE WESTERN FRONT, JULY 1918. Gregor Reinhardt is a young lieutenant in a stormtrooper battalion on the Western Front when one of his subordinates is accused of murdering a group of officers, and then subsequently trying to take his own life. Not wanting to believe his friend could have done what he is accused of, Reinhardt begins to investigate. He starts to uncover the outline of a conspiracy at the heart of the German army, a conspiracy aimed at ending the war on the terms of those who have a vested interest in a future for Germany that resembles her past. The investigation takes him from the devastated front lines of the war, to the rarefied heights of Berlin society, and into the hospitals that treat those men who have been shattered by the stress and strain of the war. Along the way, Reinhardt comes to an awakening of the man he might be. A man freed of dogma, whose eyes have been painfully opened to the corruption and callousness all around him. A man to whom calls to duty, to devotion to the Fatherland and to the Kaiser, ring increasingly hollow... Where God Does Not Walk is by Luke McCallin.

Robert B Parker's Payback is by Mike Lupica. In her latest thrilling adventure, PI Sunny Randall takes on two serpentine cases that converge into one deadly mystery. PI Sunny Randall has often relied on the help of her best friend Spike in times of need. When Spike's restaurant is taken over under a predatory loan agreement, Sunny has a chance to return the favor. She begins digging into the life of the hedge fund manager who screwed Spike over - surely a guy that smarmy has a skeleton or two in his closet - and soon finds this new enemy may have the backing of even badder criminals. At the same time, Sunny's cop contact Lee Farrell asks her to intervene with his niece, a college student who reported being the victim of a crime but seems to know more than she's telling police. As the uncooperative young woman becomes outright hostile, Sunny runs up against a wall that she's only more determined to scale. Then, what appear to be two disparate cases are united by a common factor, and the picture becomes even more muddled. But one thing is clear: Sunny has been poking a hornet's nest from two sides, and all hell is about to break loose.

January 2022

After Agatha: Women Write Crime is the first book to examine how British, American and Canadian female crime writers pursue their craft and what they think about crime writing. Hundreds of women who identified as lesbian, bisexual, heterosexual, able-bodied, disabled, feminist, left or right wing, who were black or white, who had experienced violence, sexism, homophobia or racism and who came from big cities or small country villages had one thing in common: they read crime novels. The book explores why so many women who face fear and violence in their daily lives, should be so addicted to crime fiction, many of which feature extreme violence. The book analyses why criminal justice professionals including police officers, forensic scientists, probation officers and lawyers have joined traditional detective writers in writing crime. It examines the explosions of crime writing by women between 1930 and today. It highlights the UK Golden Age women writers, the 1950s American women novelists, the 80s experimental trio, Marcia Muller, Sara Paretsky, and Sue Grafton, who created the first female American private Investigators and the important emergence of female police protagonists, as well as those central characters who for the first time were lesbian, disabled, black or ethnic minority. After Agatha also examines the significant explosions of domestic noir thrillers and forensic science writers. Most have taken to crime in order to reflect and comment on the social and political landscape around them. Many are creatively exploring the significant issues facing women today. After Agatha: Women Write Crime Fiction is by Sally Cline.

Guilt Edged is by Leigh Russell. An inoffensive man is murdered in a seemingly motiveless attack. Detective Inspector Geraldine Steel and her team are baffled, until DNA from an apparent stranger is discovered on the victim's body. Geraldine is not convinced the suspect is guilty. When a witness comes forward to offer the suspect an alibi, Geraldine lets him go. That night, a second murder is committed. The evidence points to the suspect who has just been released. As Geraldine attempts to make sense of the suspect's complex history, he goes on the run. Even his wife appears to condemn him. Only Geraldine still doubts that he is to blame for the murders, but is she prompted by her own guilt for having released him to kill again? As the story races towards a breathtaking twist, Geraldine is tormented by self-doubt, and struggles to focus all her attention on the case. Someone is lying and the police must uncover the truth before anyone else is killed.

March 2022

The author of Get Carter returns to his greatest invention, a smooth-operating hardcase named Jack Carter, who is about to burn a city down in order to silence an informant... London. The late 1960s. It's Christmastime and Jack Carter is the top man in a crime syndicate headed by two brothers, Gerald and Les Fletcher. He's also a worried man. The fact that he's sleeping with Gerald's wife, Audrey, and that they plan on someday running away together with a lot of the brothers' money, doesn't have Jack concerned. Instead it's an informant - one of his own men - that has him losing sleep. The grass has enough knowledge about the firm to not only bring down Gerald and Les but Jack as well. Jack doesn't like his name in the mouth of that sort. In Jack Carter's Law Ted Lewis returned to the character that launched his career and once again delivered a hardboiled masterpiece. Jack Carter is the ideal tour guide to a bygone London underworld. In his quest to dismantle the opposition, he peels back the veneer of English society and offers a hard look at a gritty world of pool halls, strip clubs and the red lights of Soho nightlife. Jack Carter's Law is by Ted Lewis.

Billy Rags is by Ted Lewis. A fascinating window in on life in a British maximum security prison, Billy Rags-by the author of Get Carter - is crime fiction at its best: lean, mean, and full of startling psychological depth. It's the 1960s and Billy Cracken is a hard man to keep locked up. An austere and troubled childhood has given way to life as a hardened criminal and now status as one of the most feared prisoners in England. He has been moved from one maximum security prison to the next. Guards and inmates alike fear and begrudgingly respect the powerfully-built Cracken. But a life doing his porridge, even if as a minor celebrity, isn't the one he wants. A girlfriend and a child await Cracken on the outside and he'll stop at nothing to get to them. While plotting his escape he crosses a powerful mobster who vows to make Cracken's life hell, and if nothing else succeeds at making his escape all the more difficult, something the ever-rebellious Cracken defiantly relishes. The follow-up novel to the wildly successful Get Carter, Billy Rags is a fascinating look into the lives of British inmates serving time in a maximum security prison. Lewis manages once again to tell an exciting, action-filled story with a soul - demonstrated most clearly in a series of brilliant flashbacks to Billy's childhood and in the end conjures a character that will remind readers of both Tom Hardy in Bronson and Lee Marvin in Point Blank.

April 2022

When a burnt body is identified as local math teacher Adam Merkel, a small Nevada town is rocked to its core. In the seven months he worked at Lovelock's middle school, the quiet and seemingly unremarkable Adam Merkel had formed a bond with just one of his students: Sal Prentiss, a lonely sixth grader who lives with his uncles on a desolate ranch in the hills. It is Sal who finds Adam's body, charred almost beyond recognition, half a mile from his uncles compound. Nora Wheaton, the school's social studies teacher, sensed a kindred spirit in Adam. After his death, she delves into his past for clues to who killed him. Yet, the truth about Adam's murder may lie closer to home. The Distant Dead is by Heather Young.





Sunday, 22 March 2020

Books to Look forward to from No Exit Press

August 2020

Robert B Parker’s Grudge Match by Mike Lupica.  When Sunny’s long-time gangster associate Tony Marcus comes to her for help, Sunny is surprised–after all, she double crossed him on a recent deal, and their relationship is on shakier ground than ever. But the way Tony figures it, Sunny owes him, and Sunny’s willing to consider his case if it will clear the slate.    Tony’s trusted girlfriend and business partner has vanished, appears to have left in a hurry, and he has no idea why. He just wants to talk to her, he says, but first he needs Sunny to track her down. While Sunny isn’t willing to trust his good intentions, the missing woman intrigues her–against all odds, she’s risen to a position of power in Tony’s criminal enterprise. Sunny can’t help but admire her, and if this woman’s in a jam, Sunny would like to help.  But when a witness is murdered hours after speaking to Sunny, it’s clear there’s more at stake than just Tony’s love life. Someone–maybe even Tony himself–doesn’t want this woman on the loose…and will go to any lengths to make sure she stays silent.

Play the Red Queen is by Juris Jurjevics. It’s the early years of the Vietnam War. A female assassin is hunting American officers in Saigon. Two officers are tasked to finding her. But in war, nothing is as simple as it seems. Vietnam, 1963. A female Viet Cong assassin is trawling the boulevards of Saigon, catching US Army officers off-guard with a single pistol shot, then riding off on the back of a scooter. Although the US military is not officially in combat, sixteen thousand American servicemen are stationed in Vietnam “advising” the military and government. Among them are Ellsworth Miser and Clovis Robeson, two army investigators who have been tasked with tracking down the daring killer. 

Where God Does Not Walk is by Luke McCallin.  The Western Front, July 1918. Gregor Reinhardt is a young lieutenant in a stormtrooper battalion on the Western Front when one of his subordinates is accused of murdering a group of officers, and then subsequently trying to take his own life. Not wanting to believe his friend could have done what he is accused of, Reinhardt begins to investigate. He starts to uncover the outline of a conspiracy at the heart of the German army, a conspiracy aimed at ending the war on the terms of those who have a vested interest in a future for Germany that resembles her past. The investigation takes him from the devastated front lines of the war, to the rarefied heights of Berlin society, and into the hospitals that treat those men who have been shattered by the stress and strain of the war. Along the way, Reinhardt comes to an awakening of the man he might be. A man freed of dogma, whose eyes have been painfully opened to the corruption and callousness all around him. A man to whom calls to duty, to devotion to the Fatherland and to the Kaiser, ring increasingly hollow... 

Tuesday, 22 August 2017

Hunting the hunter: avoiding the snares in historical crime fiction

The first two books in the Reinhardt series—The Man From Berlin and The Pale House—were set in Sarajevo, a city I knew well from living six years in Bosnia. Writing The Ashes of Berlin was an entirely different challenge. I only knew that the first trilogy ended there, and it involved Reinhardt pursuing a man who believed justice needed to be served, no matter where and when. And I felt that, insofar as Reinhardt was coming there from far off the beaten track—from the Balkans, which most people take as a by-word for treachery and intrigue—he had better have something interesting to tell us about this place…!

I settled on 1947 as a year that seems to pass between the end of the war in 1945, and the Berlin Airlift in 1948. I look at 1946 and 1947 as ‘quiet’ years. But what was going on…?

I read and researched.

I found avenues of interest, like the fact the Allies outlawed the German armed forces and, at a stroke, made destitute millions of men and their families. No pensions, nothing. What would that have been like, I wondered? How would people have survived that? Many didn’t, I discovered. Suicide rates soared, especially among men. What happened to the families they left behind, I wondered, knowing from my humanitarian work that men and women often faced such existential trials in very different ways…?

I read and researched.

I read about rations, and ration cards. I read about how families were crammed into damaged and insalubrious accommodation. Children went to school hungry, and came home famished. I rediscovered the stories of the millions of refugees—Poles, Balts, Ukrainians and Jews—who lived in shabby camps, cherishing memories of the homes they had lost and dreaming of the homes they might one day find somewhere else. I wondered how to weave those stories into a future Reinhardt novel, one that might bring those stories closer to the work I do now with the UN High Commissioner for Refugees. I wondered how close those stories might be to those I had heard from refugees in Chad, in Chechnya, in Mali, in Pakistan.

I went into the National Archives in Kew, and felt like a proper writer. I walked Berlin’s streets, and felt a bit awkward with my maps and camera, and with my pencil stuck between my lips!

Coming up against this veritable tidal wave of facts, this avalanche of materials, clambering over the shoulders of the writers and historians that had come before me, that was when I realised that in writing the Reinhardt novels, I had never really wanted to be taken for a historian of those times, particularly not a historian of Germany and the Germans.

Of course, I wanted to be right about what I wrote about. Of course I wanted to transport you as a reader. Of course I wanted to give you suspense and adventure in far-off, long-ago places like the Balkans.

But it was in deciding how to get my head around the challenge of writing a novel set in Berlin that could be read as a novel that was as true as it could be to the realities of an occupied and devastated city, that I realised I was channeling something else. That with Reinhardt I was trying to get to the human aspects of one man caught between choices. And that with war, and its aftermath, it is too easy to be stunned by the glare of violence, the shatter of ruins, and to forget that most people do no harm but they do receive it, and somehow they carry on.


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Fleetingly, haltingly, painfully, in silence, in dignity, in anguish, in as many ways as there are people, they carry on.

Ashes of Berlin by Luke McCallin
1947 and Gregor Reinhardt has been hired back onto Berlin's civilian police force. The city is divided among the victorious allied powers, tensions are growing, and the police are riven by internal rivalries as factions within it jockey for power and influence with Berlin's new masters.  When a man is found slain in a broken-down tenement, Reinhardt embarks on a gruesome investigation. It seems a serial killer is on the loose, and matters only escalate when it's discovered that one of the victims was the brother of a Nazi scientist.  Reinhardt's search for the truth takes him across the divided city and soon embroils him in a plot involving the Western Allies and the Soviets. And as he comes under the scrutiny of a group of Germans who want to continue the war – and faces an unwanted reminder from his own past – Reinhardt realizes that this investigation could cost him everything as he pursues a killer who believes that all wrongs must be avenged...
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Tuesday, 21 March 2017

Newcastle Noir 2017 Programme


Fringe: 24th -27th April

Monday 24th Talk: Murderous Newcastle – Fact and Fiction Pat Lowery 6 pm £3

Tuesday 25th talk: Crime with a Northern Edge 6.30 pm Free

Wednesday 26th: Noir @ the Bar - Town Wall 7 pm Free

Thursday 27th Talk: David Young, The fact behind the fiction 6.30 pm  £3

Festival Launch Friday 28th April
The Festival will be launched by Denise Mina who will be talking about and reading from her work 7pm - Free

Saturday 29th April

Time   Activity          Participants

9.30 - 11.30   Intensive writing workshop *       
William Ryan

10.00 - 11.00 Panel 1 - Geordie Crime     
Shelley Day, Howard Linskey, L.J. Ross, Matt Wesolovski

11.30 - 12.30  Panel 2 - LGBTQ     
Sarah Stowell, Lilja Sigurðardóttir, David Swatling. Chaired by Jacky Collins

12.35 - 1.15     Talk: how to be published **         
Adam Maxwell

1.30 - 2.30     Panel 3 - Femmes Fatales 
Lin Anderson, Alex Gray, Alanna Knight.  Chaired by Ayo Onatade

3.00 - 4.00    Panel 4- German Historical Fiction         
David Young, William Ryan, Luke McCallin.  Chaired by Kat Hall

4.30 - 5.30     Panel 5- Nordic 1     
Kjell Ola Dahl, Thomas Enger, Antti Tuomainen, Chaired by Quentin Bates

6.30 - 7.30     Panel 6- German Noir        
Sascha Arango, Cay Rademacher, Wulf Dorn.  Chaired by Kat Hall

7.30 - 8.30     Panel 7- Crime Fiction: Presenting the case       
Karen Sullivan, Quentin Bates, Sarah Ward, Susan Heads.  Chaired by Miriam Owen

Sunday 30th April

Time   Activity          Participants

10.00 - 11.00 Panel 8 - Children's Crime Fiction
Katherine Woodfine, Lyn Gardner, Laura Wood.  Chaired by Ann Landman

11.30 - 12.30  Panel 9 - Crime Fact and Fiction  
Mari Hannah, Mo, A.D. Garrett.  Chaired by Jacky Collins

1.30 - 2.30     Panel 10 - Domestic Noir
C.L. Taylor, Michael J. Malone, Louise Beech.  Chaired by Rosie White

3.00 - 4.00    Panel 11 - New Blood          
Shelley Day, Tana Collins, Michael Wood.  Chaired by Sarah Ward

4.30 - 5.30     Panel 12- Tartan Noir         
Russel D McLean, Douglas Skelton, Neil Broadfoot.  Chaired by Michael J Malone

6.30 - 7.30     Panel 13 - Nordic 2  
Erik Axl Sund, Johana Gustawsson, Camilla Grebe.  Chaired by Jacky Collins

8.00 - 9.00    Panel 14 - Action Thriller  
Luca Veste, Steph Broadribb, Paul Hardisty, Chaired by Daniel Pembrey

* £10/£7
** £5/£3