Showing posts with label Brazil. Show all posts
Showing posts with label Brazil. Show all posts

Friday, 18 June 2021

Joe Thomas on Life in São Paulo

 

Living in São Paulo you quickly get used to the normalisation of crime, the threat of crime. Driving is a good place to illustrate this: the winding up of your car windows when you stop; the jumping of red lights after a certain time of night; the constant checking that your doors are locked. It became clear to me that preparing for crime, or its prevention, is the same thing as living with its threat; one way or another, it very quickly becomes a mundane part of your daily life. Everyone knows someone who has suffered some terrible experience.

São Paulo exists in a state of heightened paranoia that lends itself to massive gun ownership, distrust of the police, and armies of private security. Drive around any relatively wealthy area and you’ll find high walls ringed with barbed wire, doormen, security teams, and CCTV everywhere.

When you drive into the garage in the building where I lived, you would identify yourself at the bulletproof glass booth in which three or four of the seguranças – security guards – sit. These guys are lovely and do more than just security: they run the building, taking barbeque bookings, organising events, helping with shopping and storage. 

However, carjacking in Morumbi does happen and they do do security. 

Here’s how:

Your stopped by thieves at a traffic light, one of which hops in the back with a gun trained on your head. When you approach your building, they crouch down low and tell you they’ll kill you if you do anything suspicious. So you wave nonchalantly at the glass booth and ghost inside. The thieves go from flat to flat stripping them of valuables, load up, and leave in the car in which they arrived, where you’ve been sitting patiently waiting with a gun trained on your head.

It’s a clever scam, if high-risk. 

So, in our building there is a system to protect against it. 

If you do happen to drive in with a couple of bad guys hidden in the back, you’re supposed to (calmly) park in a special bay which the security guys have designated as a signal to them that you’re in trouble. Once parked there, I don’t dare think what happens next. I never even bothered to find out which bay is designated as the signal. I lived more in fear of parking in it by accident and being forcefully ‘rescued’ by the seguranças, than I did of an actual carjacking.

One lunchtime at the British school where I worked, I tried to pop to the bank. The security guard stopped me. No one was allowed out. 

Turned out, the bank had been robbed about half an hour earlier and the two crooks were hiding somewhere in the neighbourhood. This is a posh neighbourhood, with spacious houses, foreign cars and private security booths on most corners. Later, I discovered that the police only manage to catch one of the thieves. The other was shot dead by a student’s private bodyguard. He was waiting around outside the school and noticed someone suspicious, pursued him, realised who it was and killed him. 

Shot him in the chest and head. A very professional job. 

You’d think that there might have been some legal repercussions, shooting someone dead in the street.

No one cared; the bodyguard a hero.

Most Paulistanos shrugged it off, clicked their teeth and said: 

Ah, menos um, ne?’ 

Oh well, that’s one less crook, am I right?

The phrase is spoken with a shrug, with indifference, meaning the only good bandit is a dead bandit.

Bolsonaro had that message nailed on. His popularity in the election was based on a feeling that he would sort out crime. Bolsonaro made crime, undoubtedly a problem, into the problem.

My latest novel, Brazilian Psycho, is an occult history of the city of São Paulo from 2003 – 2019, told through the lens of real-life crimes. It reveals the dark heart at the centre of the Brazilian social-democrat resurgence and the fragility and corruption of the B.R.I.C economic miracle; it documents the rise and fall of the left-wing – and the rise of the populist right.

The questions at the heart of Brazilian Psycho are: how did it come to this? How did the country change over the sixteen years from Lula’s election to Bolsonaro’s? It’s a journey from the optimistic and progressive Brazil in the Lula years to a brutal right-wing regime, mirroring so much of the rest of the world.

Brazilian Psycho by Joe Thomas is out now in hardback by Arcadia.

Brazil, 1 January 2003: President Luis Inacio 'Lula' da Silva begins fifteen years of left-wing government. 1 January 2019: Jair Bolsonaro is inaugurated, a president of the populist right. How did it come to this? A blockbusting novel of our times, Brazilian Psycho introduces and completes Joe Thomas's acclaimed Sao Paulo quartet. Over sixteen years, a diverse cast of characters live through the unfolding social and political drama, setting in motion a whirlwind of plots and counterplots: the murder of a British school headmaster and the consequent cover-up; the chaos and score-settling of the PCC drug gang rebellion over the Mothers' Day weekend of 2006; a copycat serial killer; the secret international funding of nationwide anti-government protests; the bribes, kickbacks and shakedowns of the Mensalao and Lava Jato political corruption scandals, the biggest in Brazilian history. Brazilian Psycho weaves social crime fiction, historical fact, and personal experience to record the radical tale of one of the world's most fascinating, glamorous, corrupt, violent, and thrilling cities.



Sunday, 10 May 2015

Bitter Lemon Press boasts a bumper season for bestselling female crime writers

Independent publisher Bitter Lemon Press has published plans for the autumn season, revealing a stellar line up of bestselling female crime writers. The publisher, which celebrated its 10th anniversary last year, has always been proud of its reputation for representing writers from many different parts of the world, but this is the first time that they have published three such talented, successful women all in one season.

Kicking off the programme in July will be Patricia Melo, Brazil’s most celebrated crime writer, whose new novel The Body Snatcher is a story of drug dealing gone wrong, police corruption and macabre blackmail. Described by Cosmopolitan Brazil as ‘an explosive mixture of dread, greed and corruption’, the book is a mesmerising mix of conspiracy, sex, betrayal of the living and desecration of the dead, and also a ruthless portrait of contemporary Brazil. Patricia Melo is an author and playwright born in Sao Paolo in 1962, but is now living in Switzerland. Her novels Lost World, The Killer, In Praise of Lies and Inferno were published in English, by Bloomsbury, to rave reviews. In 1999, Time magazine included her among the fifty "Latin American Leaders for the New Millennium." Her works have also been translated into Italian, Spanish, and Dutch. The Body Snatcher will be translated by Clifford E. Landers, who has previously translated novels by Rubem Fonseca, Jorge Amado, João Ubaldo Ribeiro, and Paulo Coelho.

Esmahan Aykols atmospheric Divorce Turkish Style will be published in September. This will be the third in the murder mystery series featuring Kati Hirschel, the crime bookstore owner and accidental investigator. The first two books – Hotel Bosphorus and Baksheesh – were also published in English by Bitter Lemon Press, and have been published in Turkish, German, French and Italian as well. Set in Istanbul, Divorce Turkish Style is a feminine take on mystery stories, and Kati Hirschel is a funny, feisty and sexy heroine who, as usual, gets involved in a case that is none of her business. Bestselling author Esmahan Aykol was born in 1970 in Edirne, Turkey. She lives in Istanbul and Berlin. During her law studies she was a journalist for a number of Turkish publications and radio stations, and then, after a stint as a bartender, she turned to fiction writing. The new book will be translated by Ruth Whitehouse who has worked as a violinist and translator in Ankara. Her translations of shorter work have been broadcast on BBC Radio 4.

Finally, in January, Bitter Lemon Press are delighted to be publishing South America’s bestselling crime writer, and winner of the Clarin Prize, Claudia Piñeiro. Her new novel, Betty Boo, is set in contemporary Buenos Aires, and is the story of an intelligent and sensitive woman seeking to save her career, and love life, but caught up in the spiral of a large scale criminal cover-up. This is Claudia Piñeiro’s fourth novel and was made into the film Betibú which was recently screened at the London Film Festival. It follows on from the success of Crack in the Wall, Thursday Night Widows, and All Yours, all published by Bitter Lemon Press in the UK and the US. The translator of Betty Boo, Miranda France, is the author of two acclaimed volumes of travel writing: Don Quixote's Delusions, a Cervantean tour through the Spanish psyche; and Bad Times in Buenos Aires, which explores the psychological condition of sullen resignation and impotent rage the Argentinians refer to as ‘bronca’. She has also written the novel Hill Farm and translated Claudia Piñeiro’s other novels into English.

Publisher and co-founder of Bitter Lemon Press, Laurence Colchester, said: “We are very proud to bring these three women crime writers from Brazil, Turkey and Argentina to English speaking readers. It is part of our mission as an independent press to introduce new voices from abroad and here, in the autumn season of 2015, are three of the most successful women writing in the crime genre today. We are delighted to represent them.”

For further information, please contact Alex Hippisley-Cox on 020 8488 3764 or email her at ahipcoxpr@btconnect.com

More information about Bitter Lemon Press can be found on their website.  You can also follow them on Twitter @bitterlemonpub. They can also be found on Facebook.


BITTER LEMON PRESS LTD, 47 WILMINGTON SQUARE, LONDON, WC1X 0ET www.bitterlemonpress.com