Showing posts with label Pink Floyd. Show all posts
Showing posts with label Pink Floyd. Show all posts

Friday, May 29, 2020

Syd Barrett and the Pink Floyd Sound - 1967

I've been distracted with other things in these crazy times we're in so I have been leaning on others in the community for ideas. This one came from a fellow member of an private alt-music history forum who simply asked me to do "something with Syd Barrett".

1967 saw the debut album by Syd Barrett. Supported by his backing band of Nick Mason, Richard Wright and Roger Waters, known as The Pink Floyd Sound, it contained 13 songs that could only have come from the mind of Syd.

This would be Syd's only album for three years though his backing band would push on releasing a three song EP recorded during the same sessions with Syd contributing guitar and a full LP the following year kicking off a career that would span several decades.

Syd's mental state would quickly deteriorate most likely due to his heavy consumption of psychedelics. The two parties split amicably in 1968 during the recording of the band's first full length album (now known simply as Pink Floyd). Syd did his best at helping his friends out appearing on several tracks but in the end they recruited an old classmate of Syd's, David Gilmour, to take over the guitar chores. That line up would last for most of that band's history.

Syd's relationship with his backing band was a strained affair to begin with. Even though they shared a flat and behaved as a single unit, it was always clear that Syd was the star and the others were support. When they split Syd was left without a band. It took the Floyd a few albums to find their own voice but when they finally broke through they became a mainstay of rock radio and the touring circuit for the remainder of their career.

Syd took a couple years off to rest and recover before returning to the studio releasing two albums in 1970 but the drugs again took their toll and Syd once more faded into the background preferring to hang out with fellow underground musicians Pretty Things drummer Twink, Deviants frontman Mick Farren and Steve Took from Tyrannosaurus Rex. His brief career left a lasting impression and influenced many younger artists.

Tracklist

Side One
01 Astronomy Domine
02 Lucifer Sam
03 Apples And Oranges
04 The Gnome
05 Flaming
06 Scarecrow
07 See Emily Play

Side Two
01 Scream Thy Last Scream
02 Chapter 24
03 Bike
04 Matilda Mother
05 Vegetable Man
06 Jugband Blues

Bonus Non-LP Single
Arnold Layne
Candy And A Currant Bun

Reality Notes

There are plenty of alternate Pink Floyd histories and discographies floating around the internet. Most follow the premise of Syd staying with the band for a few more albums. While I always find them a good read, the compilations never really satisfy me. I love Syd and went through a heavy obsession for a brief time but always saw Syd and Floyd as separate entities despite their entwined history together. This comp is my way of further defining that separation.

For this album I took the first Floyd album and removed the two band written instrumentals Pow R. Toc H. and Intersteller Overdrive and the Waters penned Take Up Thy Stethoscope and Walk and replaced them with outtakes and singles. The three songs I removed become the EP released by Floyd at around the same time as this album. Yea, this is still Pink Floyd but it is a much different Floyd than that which they would evolve into once Syd was out and Gilmour was in. The "Floyd as backing band" makes much more sense to me.

I used all mono sources and included the Arnold Layne single and B side as bonus tracks. There are a couple of songs here where Syd is not the lead singer or he is the co-lead singer (Matilda Mother, Scream Thy Last Scream). I kept those anyway because he wrote them. Let's just say he is using artistic expression by having someone else sing to achieve a different sound than what he would have done or think of it as giving his backing band a chance to shine a bit.

For the cover I took a black and white photo of Syd and added liquid projection art over the top and added the text. I kept the original title. Most debut albums are self titled but Syd must have been attached to that phrase to name the album that. The title comes from chapter seven of Kenneth Grahame's The Wind in the Willows.

Friday, December 1, 2017

Pink Floyd - The Wall - 1979

In late 1979 Pink Floyd released their most successful album since Dark Side of the Moon. Spanning two vinyl discs The Wall told the story of Pink, a celebrity recluse driven mad by fame and circumstance. The project was driven mostly by Roger Waters with production aided by Bob Ezrin. The album, in spite of its success, proved to be the beginning of the end of the band.

What if the record label, after hearing the finished album, demanded that the album be cut down to a single disc? Could it be done? I thought so and here are my results. For those that insist that this is unnecessary and/or believe the album should be expanded to three discs let's just say that with the release of the film they put out a two or three disc soundtrack version using new and rerecorded material to flesh out the story. If someone wants to do that album, go ahead. I don't think I could.

Side A
01 In The Flesh? 3:18
02 The Thin Ice 2:33
03 The Happiest Days Of Our Lives 1:33
04 Another Brick In The Wall 4:18
05 Mother 5:27
06 Goodbye Blue Sky 5:22
07 Young Lust 4:17

Side B
01 Hey You 4:49
02 Is There Anybody Out There? 2:17
03 Comfortably Numb 6:18
04 The Show Must Go On 1:36
05 In The Flesh 4:14
06 Run Like Hell 4:24
07 Stop Outside The Wall 2:13

Reality Notes

Do I need to repeat myself on how much I dislike double albums? There are only a few I enjoy from front to back. Either they are some self indulgent concept album that got out of control or a prime example of not being able to edit oneself, sometimes both. The Wall is one of these, at least for me. It didn't help that the album was released around the time I became completely disenchanted with and resistant to anything that was on the radio. If it was popular I wanted nothing to do with it. It took quite a while before I grew out of that phase.

That said, The wall does contain a few of my favorite Floyd songs with Comfortably Numb being among my all time favorites by any artist. This comp is a purely selfish attempt to rescue these songs but keep them in a context that is as close to the intent of the artists as I could manage and still maintain interest.

To accomplish this goal I loaded the entire album into my sequencer and slowly whittled away. In some cases I deleted whole tracks, in others I trimmed and combined to create new ones. I paid very close attention to transitions and in some cases rearranged or created completely new transitions using the material at hand. I did not introduce any outside material although I did go through the preproduction demos before dropping the idea. My intention was not to make an alternative Wall but a more concise one.

I'm not going to go into details of where I edited. There are too many to mention and when I started this project I did not think it would be shared and did not keep notes. Just download it and see if you can spot the edits. At just over 50 minutes, 25 minutes per side, it pushes vinyl constraints to their limits but I don't think I can trim it down anymore. It will fit comfortably on a CD, Just make sure you burn it with no gaps between tracks.

I did not create the cover this time. I found this one on a google search so I do not remember who made it. If the original creator wishes that it be removed I will gladly take it down and make one of my own but I do like this one a lot. So thanks to whoever it was that created it.

Source
The Wall [Experience Edition]