In the spirit of recent-ish moves towards a proper understanding
of conservatism, I thought I’d take a look at a BBC documentary on his party by
late Tory pinup Alan Clark. It was made in the immediate aftermath of the 1997
general election and the end of 18 years of Tory rule. Indeed, one of the first
shots is Clark standing outside a desolate Tory election
soiree, with chants of “You’re out, and you know you are” echoing behind him.
Interestingly, Clark is already talking in the past
tense about events happening as he speaks.
Clark sees the rebellion that caused
the Tories to split from Lloyd George’s Liberal coalition as marking the
foundation of modern Toryism. “The toffs and the grandees suffered from that
customary illusion of politicians: that they were indispensable”. An ability to
change – “that innate sense of self preservation”, Clark
calls it – is what kept them in power.
The programme came out at the beginning of a long period of
Tory weakness, and there’s a sense that many of those being interviewed know
it. This allows for a frankness that suits Clark’s aristocratic
self-confidence, a trait that caused him to be at the centre of many political gaffes
when in office. While it’s difficult to call a man who speaks in full,
recursive sentences plain spoken, he is less concerned with being “on message”
than most politicians. The programmes introduction for instance, intercuts various
members of the Tory fellowship defining Conservatism. Peter Carington merely
replies bullishly, “What does everyone else say?” Clark
on the other hand is able to gesture towards something central to modern
conservatism: the belief in fairness within a strict hierarchy of class
inequality. This enables new blood to gain positions of power and enact the
radical changes necessary to preserve such a hierarchy.
There are other revealing moments. The quote at the top of
this post comes from the slight, cigar-smoking Lady D’Avigdor-Goldsmid, who is
subtitled as a “friend of Lord Beaverbrook” (as is Michael Foot, who wears his
arm in a sling). Her remark reflects a deep, prevailing attitude in the Tory
Party and indeed the whole political class. It could be said by any minister
today, but only behind closed doors. Again in the intro, Nigel Lawson describes
the Tories as kind of ideological police force: “If you didn’t have any
criminals, you wouldn’t need policemen. And in the same way, if you didn’t have
people going about with damaging political ideas and nostrums, you wouldn’t
need the Conservative Party”.
As Clark stiffly minces around
private clubs and his stately home – all tinted a sickly 90s VHS sepia – he
frequently reiterates the point that for the history of the Tory Party in the
20th century, anyone, even aristocracy and royalty, were disposable.
He also gives us entertaining anecdotes, like the one about Lord Curzon, who
lost out the office of Prime Minister to Stanley Baldwin, who remarked while
seeing British soldiers bathing in Palestine
that he was surprised that “the lower classes had such white skin”. Clark
sees Curzon’s failure to become PM, despite being Viceroy of India and Deputy
Prime Minister, as marking a sea change in the Tory Party, where power moved
from the aristocracy to the bourgeoisie.
From here he narrates the history of the party, but it’s not
until he reaches the seventies that things become particularly relevant for us.
He mocks Heath, a “replica Wilson”,
for not being good at economics at school. His damming verdict of the man is
that his government was “one of the most frustrating and melancholy interludes
in the whole history of post-war conservativism”. Heath “had not the slightest
idea of what he wanted to do” and “his objectives were often couched in
language so obscure as to mislead the author as well as the audience”.
It’s here that Clark, in his attitude
more than anything else, describes the conservative commitment to the sublime. The sublime is a harsh glory.
It doesn’t involve getting your hands dirty – not literally at least – but it
is a brisk toughness that opposes the comfortable and safe. Clark
helpfully reminds us – despite it being “hard now to remember” – “just how
powerful and disruptive the unions were in the nineteen-seventies”. Heath
“didn’t have the muscle, political or economic, to meet the unions head-on and
win”. Thatcher did.
Clark summarises the goal of
Thatcher’s right hand man Keith Joseph as being an avoidance of “the ratchet
effect”. That is, there was a need to reverse the polarities of British
politics from socialists pulling left and Conservatives “content with the
status quo”, to it being Labour “who had to apply the ratchet, while
Conservatives were deciding which way the wheel must turn”. Clark
delivers these lines as the camera swirls around him melodramatically in a 360
degree pan. There is a faint smile on his lips.
However, Clark is candid about
Thatcher’s tactic of using revenues from North Sea oil
to pay for unemployment. Despite relishing the defeat of the miners, he calls
the economic strategy “wasteful”. Convicted criminal Conrad Black makes an
appearance to say that it was important to the press that “the government […]
would not tolerate illegalities in the manner that some previous governments
had in industrial relations disputes”. Thatcher could count on support from The Telegraph.
On the defeat in 1997 the programme says very little. John
Major insists that the country is “apolitical”, but Ken Clarke puts it well
when he says that during the 1997 election the Conservative Party itself “was
the main subject of the debate. Not our policies. Not our ideas. We’d already
won the battle of ideas – our policies were imitated by our opponents.”
None of this, I suppose, is new. But it’s interesting to see
it articulated in 1997. Clark’s thesis of pragmatic
Conservatism is a persuasive one. But he reveals the superficiality of his
argument when he says,
“Most Tory MPs are not preoccupied with ideology. They
seldom read the manifesto and indeed I don’t myself. So I don’t see the arrival
of Thatcher as being a break from the pragmatic, power-driven tradition of
politics that dominates this story.”
Self-interested scheming and compromise does indeed drive
politicians. But that does not make them immune from ideology, whether they
read press releases or not. Missing from Clark’s story
is the world outside the corridors of power. Why the trade unions called
strikes or why post-war politicians were committed to Keynesianism is barely
hinted at. This view of politics as personal power play dominates official
discourse. It’s why all of Westminster
loves The Thick of It. It’s also why
politicians are so totally out-of-touch with ordinary people and why they
rarely stray from their bubble of big business and the 24 hour news cycle. In Clark’s
view of the world, politicians are individuals like everyone else; they make
pragmatic, commonsense decisions, usually for mundane personal reasons. That he
can’t see this as ideology is because he is blind to it.
So it’s strange that Clark doesn’t
consider Thatcher to be a true conservative. She didn’t stick to a manifesto idea of
conservatism, but she favoured the rich and the privileged and saw inequality
as necessary and good for it promotes “excellence”. Perhaps Clark
overlooks this important aspect of the appeal of conservatism because, as an
aristocrat, they do not touch him as viscerally as they do those outside of high
privilege. Either that or he’s repeating the usual received opinions about
conservative politics. Clark wants Thatcherism and
traditionalism, but he can’t have both.
There are two lessons to be learned from the history of the
Tory Party. One is that power plays, backstabbing and scheming are a necessary
part of politics. The other, more important lesson is that low cunning is not
enough: if you are content with appealing to the status quo, you will be
destined to be directed by others who control the wheel.
I’ll give Clark the last word, as he
seems to be describing not just the Tory Party, but the limits of the
imagination of the current political class:
“Since 1922 the Conservative Party had been the natural
party of government by stressing unity and consensus, always preferring
pragmatism to ideology. Yes, the Party had its greatest electoral successes
during the Thatcher years, when it abandoned this formula, but by demeaning the
public sector, crushing the unions, and crippling local democracy, great damage
had been caused to the traditional fabric of the nation state. In May 1997 they
paid the price.
“There is now little left but question marks. How must the
party change? Should it return to the One Nation tradition? Or should it push
further out with a radical right wing agenda? To whom can it look for
leadership?
“In 1922 the Conservatives had found rejuvenation, breaking
away from a coalition that was exhausted and out-of-touch. Now the Party is in
that same position itself. How feasible is it going to be for them to repeat
their achievement of 75 years earlier?”
4 comments:
The current bunch of Tory MPs are interesting in the light of this. A lot of the new intake have said they don't want to be ministers but will instead stand for their constituents views on immigration, the EU etc.
They feel they have the freedom to do this, because they already have lucrative careers outside Parliament and can go back to them if they lost their seat. It a curious mix of cynicism (what’s the point of being a junior minister anyway?) and idealism (the still alive Powell/Thatcher cult). It’s also the return of politics as a gentlemen's pastime, for people with independent means.
"It’s also the return of politics as a gentlemen's pastime, for people with independent means."
Indeed. What is also revealing about Clark's standard "no ideology" routine is that semi-privately he was strongly ideological, and even admitted identifying with the Nazis. His conservative-transgressive relationship to Thatcherism is a similar one that New Labour seem to have with Tory/Lib Dem cuts.
This might be a strange reference, but there's a bit in a Sex and the City episode where one of the women and her stud are talking dirty. After exchanging a few "You love it when"s, she says "You love it when I slip my finger up your ass". He is repelled by this - even though it's true - and they don't see each other again. Clark and New Labour both love a finger up the ass, but find it distasteful to mention. They prefer it done tenderly, not so deep and not so fast.
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