The Betty Hutton Show
was a last-ditch effort by one of the most popular movie stars of the early
1950s to revive a career she had herself torpedoed and then continued to
sabotage by a combination of poor choices, arrogant attitude, and substance
abuse. Though the show was co-produced by Desilu Productions, Hutton had to put
up her own money to actually get the show made. The basic premise of the show
is set up in the pilot "Goldie Crosses the Tracks," which aired
October 1, 1959. Goldie Appleby is a down-to-earth manicurist and former
showgirl living with two roommates, Lorna and Rosemary. Like Hutton, Goldie is
no intellectual and lacks social refinement, but she has common sense and isn't
afraid to take the bull by the horns, a trait that impresses one of her regular
clients, Mr. Strickland, a wealthy widower businessman with three children Nicky,
Pat, and Roy. When Strickland has trouble managing his entitled children,
Goldie makes some suggestions on how to be firm with them, which he appreciates
and follows. He is so impressed that he later makes her the sole executor of
his estate after conferring with family lawyer Howard Seaton. Then he suddenly
and inexplicably dies in his office, and Goldie learns from Seaton that she has
been made executor and controller of his estate and is to live with the three
children at his lavish mansion. The pilot then mines the usual ironic humor
when low-brow meets high-brow, with Goldie showing up in a garish outfit and
showing a complete lack of manners, which instantly turns off the two elder
children, Nicky and Pat. But the youngest, Roy, immediately accepts her, and in
subsequent episodes Goldie is able to win over the other two children as well.
Still, the show continues to mine its singular comic refrain of the gullible
and unsophisticated Goldie trying to fit in and match wits with wilier
adversaries and then ultimately prevailing.
In "Love Comes to Goldie" (January 7, 1960) she
decides to cut off Strickland's do-nothing relatives from their regular
allowances, only to be smitten by the charms of one of them, Sebastian
Strickland, who is chosen by the other relatives to woo and marry Goldie to
regain control of the estate. She remains under his spell up until the point of
his proposal, when she serendipitously discovers an unflattering portrait he
had sketched of her that reveals what he truly thinks of her. Likewise, in
"Gullible Goldie" (March 31, 1960) she is hoodwinked by a couple of
con artists who are pretending to be running a home for orphans and even raises
$20,000 for them until Seaton does a background check into their criminal
history, allowing Goldie to confront them and force them to open and run a real
orphanage in order to receive the money. Only this time the ending of the story
is left a bit ambiguous as the couple agrees to her terms but then give a kind
of wink at the camera before the credits roll.
While the theme of the uneducated rube taking the more
sophisticated to school has been employed to good effect in many films and TV
series, including Hutton's
contemporary The Andy Griffith Show
and later series such as The Beverly
Hillbillies and Gomer Pyle, U.S.M.C.,
it fails horribly on The Betty Hutton
Show because of a lack of good scripts and poor direction. The plots of the
above-mentioned episodes and the others reviewed for this post are completely
formulaic--there are no surprises, every supposed twist is telegraphed miles
ahead. But even worse is the way the lines and characters are played--actors
stare into space or mug to the camera while delivering their lines rather than
interacting with each other, further exaggerating the artificiality of the
narrative. This style of acting presentation may have worked in the kind of
musical comedies that made Hutton a star in the 1940s and '50s, but by 1960
audiences favored a more naturalistic approach seen in shows such as The Andy Griffith Show.
And the stories on Betty
Hutton are ripe with sentimentality: in "Roy Runs Away" (January
21, 1960), Goldie punishes Roy for getting into a fight at school by
withholding three weeks' allowance. Taking the advice of his friend Steve, Roy
threatens to run away, which upsets Goldie until the family butler Hollister
assures her that Roy is bluffing. When Goldie refuses to bend to Roy's threat,
he is forced to carry it out, eventually taking a taxi to a hotel and trying to
register for a room. He finally gives up and tries to return home but sees
Goldie gathering his belongings in the front room after agreeing with his Aunt
Louise that perhaps Roy doesn't like Goldie and would be better off with his
aunt in Boston. Roy then believes that Goldie doesn't like him. When Roy breaks
down in tears to Aunt Louise and Goldie overhears his confession, the two
suddenly realizes it was all a big misunderstanding and lock each other in a
tearful embrace. Such tear-jerking narratives were obviously popular at the
time, since several other shows used them as well, but they weren't enough to
save The Betty Hutton Show from an
early demise after only 30 episodes, since the show had little else going for
it and had a tough time-slot competitor in The Donna Reed Show, then airing on ABC. 
But regardless of which shows it was
stacked up against, it's unlikely The
Betty Hutton Show would have lasted any longer than it did, done in by a
combination of unoriginal scripts, bad acting direction, and a star who had
peaked almost a decade earlier. Hutton would have only a few more TV
appearances before being driven to Las Vegas and then the beneficence of a
Rhode Island Catholic priest, as detailed in her biography below. Her quick
exit from the 1960 TV landscape was perhaps another example of the changing
times, a rejection of styles and stars from the old days that also swept away
shows featuring Ann Sothern, Tom Ewell, and Barbara Stanwyck by the spring of
1961.
The theme and several episode scores for The Betty Hutton
Show were composed by Jerry Fielding, born Joshua Itzhak Feldman in
Pittsburgh. He played clarinet in his school band and was offered a scholarship
to attend the Carnegie Institute for Instrumentalists but was forced to
withdraw due to ill health. Once recovered, he landed a spot in the house band
for the Stanley Theater under the tutelage of Max Adkins, known as a developer
of prodigious talent that included the likes of Henry Mancini, Billy Strayhorn,
and Neal Hefti. Fielding finally left Pittsburgh with the Alvino Rey band and
never returned. From there he landed arranging jobs with many of the big band
superstars, including Tommy Dorsey, Les Brown, Charlie Barnet, and Jimmie
Lunceford. Eventually he moved to the west coast when he was hired by Kay Kyser
for his radio program, which led to work on other radio shows as well. He was
forced to change his name to Fielding when he was hired for The Jack Paar
Program because Feldman was considered too Jewish. In 1948 he replaced
fellow Pittsburgher Billy May on Groucho Marx's radio version of You Bet
Your Life and remained with the program when it made the move to television
in 1951. He also had his own all-music program The Jerry Fielding Show in
1952 but soon thereafter was blacklisted after refusing to name fellow members
of the Hollywood Writers Mobilization organization when brought before the
House Un-American Activities Committee. Through the remainder of the 1950s his
only work in Hollywood was a handful of episodes of the William Bendix comedy The
Life of Riley until he was hired for The Betty Hutton Show. He
made do during these lean years by playing in Las Vegas and recording several
now collectible record albums. The blacklist on Fielding was finally lifted in
1961 and he returned to prolific TV work on Peter Loves Mary and The
Tom Ewell Show. In 1962 he was given his first feature film scoring
assignments, most memorably for Otto Preminger's Advise and Consent.
From that point forward until his death in 1980, he worked steadily, writing
the scores for well-known TV shows such as McHale's Navy, Hogan's
Heroes, and The Bionic Woman, as well as the memorable Star Trek episode
"The Trouble With Tribbles." His work on feature films began to
really take off in the late 1960s, beginning with Sam Peckinpaugh's The Wild
Bunch, for which he received an Oscar nomination. In the 1970s he would
receive Oscar nominations for his work on Straw Dogs and The
Outlaw Josey Wales, and in 1980 he received an Emmy for his work on High
Midnight. He died at age 57 from congestive heart failure on February 17,
1980 while working in Toronto on the film Funeral Home.
Presently only four episodes of The Betty Hutton Show (one from 1959, the other three from 1960) have
been released on a single DVD by Alpha Video. These four and a few more are
currently also available on youtube.com. The video quality for all of these
episodes is poor.
The Actors
Betty Hutton
Elizabeth June Thornburg was born in Battle Creek, Michigan,
the daughter of a railroad worker and his wife. Betty's father abandoned the
family when she was only 2 and committed suicide 16 years later. Her mother
supported the family by selling bootleg liquor at a speakeasy during
Prohibition. It was there that Betty and her older sister Marion began their
singing careers to entertain customers. Marion would go on to become the female
vocalist for the Glenn Miller Orchestra from 1938 to 1942. Always on the run
from the law, Betty and her family eventually relocated to Detroit, where her
mother found work in an auto assembly factory. Determined to break into show
business, Betty moved to New York at age 15 but was told she would never make
it and returned home, where she was discovered by orchestra leader Vincent
Lopez a year later singing in a nightclub. She was able to work her role as a singer
into appearances in a few of musical shorts from 1938-1940, which brought her
to the attention of Broadway producer and co-founder of Capitol Records Buddy
DeSylva. DeSylva cast her in his production Two
for the Show and then as the second female lead in Panama Hattie beneath Ethel Merman, whom, according to Hutton's
autobiography, insisted on cutting some of Hutton's songs from the production.
DeSylva consoled Hutton by taking her with him when he took over production at
Paramount Studios, casting her in The
Fleet's In and Star Spangled Rhythm
in 1942. From there her star rose rapidly in films like The Miracle of Morgan's Creek, The
Perils of Pauline, and her best-remembered role in the lead of Annie Get Your Gun. But despite being
named Best Actress in a 1950 reader's poll for Photoplay magazine and being ranked the top box office attraction
by Variety two years later, Hutton
developed a reputation as being difficult to work with, and in 1952 while
working on The Greatest Show on Earth
she began taking Dexamil to deal with the stress of making the movie, her
weight, and the failure of her first marriage to camera maker Ted Briskin.
Later that year, after making Somebody
Loves Me and marrying choreographer Charles O'Curran, Hutton walked out of
her contract with Paramount when they refused to let O'Curran direct her next
film, essentially ending her film career. She had an opportunity to revive it
when offered the part of Ado Annie for the film version of Oklahoma, but she turned it down for NBC's 1954 nationally
broadcast color production, Satins and
Spurs, developed specifically for her but which proved to be a flop. She
appeared in only one more film, Spring
Reunion, in 1957 before Desilu offered her a chance at her own TV show,
which lasted only 30 episodes, ending in 1960.
That same year she married for the fourth and final time to
jazz trumpeter Pete Candoli. Though it was her longest-lasting marriage and produced a daughter Carolyn, the couple eventually divorced in 1967. She had a few TV guest spots in the 1960s on The Greatest Show on Earth, Burke's Law, and Gunsmoke and had signed a new contract with Paramount for two
westerns in 1967 but was fired before either was produced. She had occasional
appearances in Las Vegas, filled in for Carol Burnett and Alice Ghostley in a
couple of Broadway productions, then wound up in Rhode Island in the 1970s,
where she was allowed to live in a Catholic rectory by Father Peter Maguire. Despite
never finishing the 9th grade, Hutton returned to school and eventually earned
a Master's Degree from Salve Regina University and taught acting at
Boston-based Emerson College. According to Carl Bruno, who with Michael Mayer
"finished" Hutton's autobiography when she gave up on it, Maguire at
times found Hutton too much to handle and would send her to California to live
with Bruno and his partner Lutheran minister Gene Arnaiz. From 1974 till 1996
Hutton would be shuttled back and forth between Rhode Island and California. In
1999 she finally settled in Palm Springs, California, where she lived until her
death from colon cancer at the age of 86 on March 11, 2007.
Gigi Perreau
Ghislaine Elizabeth Marie
Perreau-Saussine was born in Los Angeles, the daughter of a
French father and American mother. She broke into acting at the age of 2 when
her mother brought her along to an audition for her older brother, Peter Miles,
for the film Madame Curie. When
director Mervyn LeRoy learned that she could speak both French and English at
such a young age, he cast her as Greer Garson's daughter. She was thereafter
signed to MGM and eventually moved over to Universal, appearing in several
movies per year throughout the 1940s and '50s, such as God Is My Co-Pilot, Green
Dolphin Street, My Foolish Heart,
Bonzo Goes to College, and The Man in the Gray Flannel Suit. Her
work in television began in the early '50s, first on drama anthologies and then
on series such as Mayor of the Town, The Donna Reed Show, and Alfred Hitchcock Presents. Her role as
Pat Strickland on The Betty Hutton Show
was her first regular TV role, but a year after the show ended she landed
another recurring spot as secretary Kathy Richards on Follow the Sun, which also lasted a single season. Still, she found
plenty of work guest starring on shows such as Perry Mason, Rawhide, The Rifleman, and Lassie, with her last role coming in a 1974 episode of Adam-12. These days she teaches acting
at Immaculate Heart High School, is Vice-President
of the Drama Teachers Association of Southern California, and serves on the
boards of both The Donna Reed Foundation and the Will Geer Theatricum
Botanicum. She says she is also working on an autobiography but won't be able
to finish it until she is no longer working full time.
Peter Miles
Gerald Richard Perreau-Saussine, older brother of Gigi
Perreau, was born in Tokyo but grew up in Los Angeles. As mentioned in his
sister's biography above, Miles tried out for a part in the 1943 film Madame Curie at the age of 5 but was not
chosen for the part. His film debut would come a year later playing Humphrey
Bogart's son in Passage to Marseille.
Like his sister, he was signed to MGM and had a steady career through the 1940s
and into the 1950s in such films as Family
Honeymoon, The Red Pony, Roseanna McCoy, and Quo Vadis, sometimes billed as Gerald Perreau in his early years.TV
appearances followed, starting in the mid-1950s on shows such as Father Knows Best, Dragnet, Perry Mason, and
Maverick before being cast as Nicky
Strickland on The Betty Hutton Show.
But once the show ended he gave up his acting career to pursue a career in
writing. Two of his novels were made into movies--They Saved Hitler's Brain and That
Cold Day in the Park, which was directed by Robert Altman. He and his
sister ran a successful art gallery in Los Angeles, and he authored several
catalogs of work by Japanese wood block artists. He also taught school and
served as the President of the Burbank Teachers Association. He died from
cancer at the age of 64 on August 3, 2002.
Dennis Olivieri
Virtually no biographical information is available for
Dennis Joel Olivieri, not even a birth date. His first credited role, as Dennis
Joel, was playing Roy Strickland on The
Betty Hutton Show. In 1960 he also appeared in the Disney feature film Toby Tyler, or Ten Weeks With a Circus,
an episode of Walt Disney's Wonderful
World of Color, as well as episodes of The Deputy and The DuPont Show With June
Allyson. After The Betty Hutton Show
ended, he continued to get a few guest spots on TV shows for the duration of
the 1960s, including Bachelor Father,
Leave It to Beaver, and Family Affair. In 1968 he released a music album titled Come to the Party on the tiny VMC label
and produced by Tandyn Almer, who wrote the Association's first hit "Along
Comes Mary." In 1969 he scored a regular role as Stanley Gabriel on the
Aaron Spelling college-age kids starting over on an island series The New People, which lasted only one
season. He continued working sporadically through the 1970s with occasional
appearances on TV shows such as Owen
Marshall, Counselor at Law and Love
Story as well as off-beat feature films such as The Naked Ape, The Centerfold
Girls, and the rock opera Phantom of
the Paradise. His last credit was the 1980 camp musical Forbidden Zone, which also included
Danny Elfman playing Satan.
Tom Conway
Thomas Charles Sanders was born in St. Petersburg, Russia,
the son of a wealthy rope-maker, though his family was forced to flee back to
England during the Russian Revolution. After completing college, Conway moved
to Northern Rhodesia and worked in the mining and ranching businesses until he
became frustrated by his lack of success and returned to England to work as an
engineer in a carburetor factory and selling safety glass. He was encouraged to
join a small theatre repertory group and eventually joined the Manchester
Repertory Company and found work on BBC radio. His brother, actor George
Sanders, persuaded him to come to Hollywood, though to avoid confusion between
them, Conway was forced to change his last name. He became a contract player
for MGM, appearing in such films as Tarzan's Secret Treasure, Mr. and
Mrs. North, and Mrs. Miniver before getting his big break
thanks to his brother. George Sanders had grown tired of playing The Falcon for
RKO and thus had it arranged in The Falcon's Brother to have his
character killed off by Nazis and the torch handed off to his brother playing
the character Tom Lawrence. Conway continued in the role for another 10 films
while also appearing in horror movies such as Cat People, I Walked
With a Zombie, and The Seventh Victim. In the 1950s he continued
appearing in B-grade features like Bride of the Gorilla, Tarzan and
the She-Devil, The She-Creature, and Voodoo Woman, but he
also was cast in the title role as TV detective Mark Saber, which ran
from 1951-53. In the late 1950s he began picking up guest spots on TV shows
such as Rawhide, Alfred Hitchcock Presents, and Cheyenne before
landing his role as lawyer Howard Seaton on The Betty Hutton Show. After
a few more roles, voicework on 101 Dalmations, and appearances on Have Gun -- Will Travel and Perry Mason, Conway's alcoholism
and a degenerative eye condition ruined his career. His second wife Queenie
Leonard divorced him in 1963 and his brother broke off contact with him over
his drinking. In 1965 he was discovered living in a flophouse and 2 years later
after former sister-in-law Zsa Zsa Gabor gave him $200 to tip his nurses in the
hospital, he checked out and took the money but expired at his girlfriend's
house the next day due to cirrhosis of the liver at age 62 on April 22, 1967.
Ironically, though Conway was forced to change his given name when he first
landed in Hollywood to avoid confusion with his brother, his adopted name
forced comedian Tim Conway to change his first name when he was getting started
in show business.Gavin Muir
Born in Chicago, Gavin Muir was educated in England, which
helped him affect the British accent that made him perfectly suited for various
villainous roles as well as the butler Hollister on The Betty Hutton Show.
He began his acting career in regional theater but by 1920 had moved to
Broadway and had his first role there in 1922's Enter Madame. Thereafter
he had a prolific stage career at least through 1933, though he continued
appearing in productions until 1939. After a brief uncredited appearance in a
1932 short, his Hollywood career began in earnest in 1936, most notably in John
Ford's Mary of Scotland. He found steady work throughout the remainder
of the 1930s and the 1940s, mostly in exploitation fare such as Charlie Chan
at the Race Track, Hitler's Children, The Son of Dr. Jekyll,
and several Sherlock Holmes features. In the early 1950s he began getting TV
roles on series such as Dangerous Assignment, Biff Baker, U.S.A.,
and Alfred Hitchcock Presents. His stint on The Betty Hutton Show was
his lone regular TV role and came at the end of his career. Afterward he
appeared only in the eerie Dennis Hopper mermaid feature Night Tide and
one episode of The Rogues in 1965. He died on May 24, 1972 in Fort
Lauderdale, Florida at the age of 71.
Notable Guest Stars
Season 1, Episode 14, "Love
Comes to Goldie": Maxwell Reed (shown on the right, appeared in Night Beat, Shadow of Fear,
and Helen of Troy and played Capt.
David Grief on Captain David Grief)
plays Strickland family deadbeat Sebastian Strickland. 
Season 1, Episode 16, "Roy
Runs Away": Norma Varden (shown on the left, appeared in National
Velvet, Strangers on a Train, Gentlemen Prefer Blondes, Witness for the Prosecution, and Doctor Doolittle and played Harriet
Johnson on Hazel) plays Strickland
relative Aunt Louise. Don Grady (Robbie Douglas on My Three Sons) plays Roy's antagonist Joey Simpson. Darryl Richard
(Smitty on The Donna Reed Show) plays
Roy's friend Steve.
Season 1, Episode 18, "Goldie
and the Tycoon": Mary Anderson (appeared in Gone With the Wind, The Song
of Bernadette, and Lifeboat and
played Catherine Harrington on Peyton
Place) plays Strickland Enterprises chairman Miss Kingston.
Season 1, Episode 23, "The
Seaton Story": Joyce Jameson (appeared in The Apartment, Tales of
Terror, and The Comedy of Terrors)
plays showgirl Beverly Bell. Antony Carbone (appeared in A Bucket of Blood, Last Woman
on Earth, The Pit and the Pendulum,
and Creature From the Haunted Sea)
plays her boyfriend Al. Natalie Masters (Wilma Clemson on Date With the Angels and Mrs. Bergen on My Three Sons) plays Seaton's secretary.
Season 1, Episode 26,
"Gullible Goldie": Robert Emhardt (shown on the right, played Sgt. Vinton on The Kids From C.A.P.E.R.) plays con
artist Mr. Bleeker. Ellen Corby (shown on the left, played Henrietta Porter on Trackdown and Esther Walton on The
Waltons) plays his wife. 