Retro Spins: The Outfield - Play Deep


Tony Lewis, John Spinks, and Alan Jackman originally played together in the band Sirius B in the late 70's. However, they quickly found that their style of music wasn't jiving with the up and coming punk scene, resulting in the three parting ways. Years later, and adopting the name, The Baseball Boys, taken from the gang The Baseball Furies from The Warriors, the three would once again start playing together. This time, they garnered the attention of Columbia / CBS Records, who signed them in 1984.

Their manager made the recommendation that they change their name, suggesting The Outfield. While the band was keen on the change, the irony was that baseball was all new to them as England natives. "I didn't even know what an outfield was," stated Sprinks.

Their debut, Play Deep, was released in 1985, and to promote it, the first single selected was, Say It Isn't So. The song quickly became a regional number one hit, and peeked at number eighteen on the Billboard Hot 100. However, it would be their follow-up single, Your Love, which would kick their sales into high gear. Your Love would become their most popular song to date, peeking at number six on the Hot 100. As a whole, the album reached number nine on the charts, and became 2X certified platinum.

As I played through it, I was surprised to find how much I was enjoying track after track. Lead singer, Tony Lewis, has a distinct voice. This can be haunting at times, while other times, he can inadvertently sound like he's yelling at you. It's the latter where songs became less desirable to hear, but still not necessarily bad.

My three favorites from Play Deep would be the two aforementioned hits, as well as All The Love. However, with that said, I didn't hear anything I would say I didn't like. I'm just trying to be a bit more selective with what ends up on my shuffle these days.

Hearing this definitely made me feel like there was more to The Outfield, and this in turn intrigued me to want to continue on my listening journey. While I already had their 1989 Voices Of Babylon, I would need to fill in the gap in between with 1987's Bangin'. But, we'll have to wait until tomorrow to get into that one.

For now, this one is pretty short and sweet. Play Deep was an overall enjoyable listening experience.

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THIS WEEK ON THE CHARTS
August 11, 1984

Comics Corner: Peter Parker, The Spectacular Spider-Man 66

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 181
Release Date: May 1982

Highlights

  • Really unique cover that incorporates the title and even the comics code into the artwork
  • I also like the nod to Epic Illustrated on the cover, the sister publishing company to Marvel Comics which launched in the spring of 1980
  • Electro is able to free himself from prison when the guard controlling a metal food canister gets it too close to imprisoned man
  • Reference is made to Peter Parker, The Spectacular Spider-Man, and Fantastic Four 218
  • Peter makes an unwanted move on Marcy, and she quickly puts him back in line, reminding him she's only inviting him over to help him study
  • Peter abruptly leaves Marcy's apartment, without telling her, when he sees a live broadcast of Electro running rampant through the city, which Marcy doesn't take well, saying out loud that Peter can flunk out of college without her
  • Electro stands atop a movie theater marque which showcases the movie, Heavy Mental, an obvious nod to the animated film Heavy Metal
  • Another Marque a bit later in the story showcases the film, Tame Bandits, a nod to Time Bandits
  • Spider-Man makes a suit out of rubber to help him in his fight against Electro
  • J. Jonah Jameson prints a story that Spider-Man is dead, and becomes the center of news for printing the erroneous story
Low Points
  • It's horrible the way that Max Dillion (Electro) is being held in prison - Wrapped head to toe in non-conductive bandages like some kind of mummy, with tubes stuck in him from all directions to serve his every need
  • Geez whiz, Debra Whitman is pathetic always pining over Peter Parker - Seriously, Biff Rifkin deserves better than her
Oddities
  • If the prison knows that nothing metal should ever get close to Electro, why is the food they feed him in metal canisters? Plastic not available?
  • When did Electro gain the ability to create slides of electricity that he can physically travel on?

Rating (based on a 1 through 5 Stans grading system)

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Retro Spins: Cutting Crew - The Scattering

 

It sets expectations high when your debut album essentially serves as your immediate breakthrough, and you've already got a number one hit under your belt. This was the predicament that Cutting Crew found themselves in as they set out to record their sophomore album, The Scattering. However, hardships soon set in as disputes with management ensued.

These problems served to halt the recording process, stalling their momentum, and causing them to not be able to ride the waves of popularity their previous album created. While The Scattering eventually got released in 1989, too much time had passed. New music had come and gone, and Cutting Crew were relatively forgotten at the end of the decade.

Lead single, (Between a) Rock And A Hard Place, did manage to hit the charts in the UK, USA, and Canada, but couldn't crack the top fifty. Its follow-up, Everything But My Pride, fared better on the adult contemporary charts, hitting number four. However, overall, sales were far below expected, and the album as a whole failed to chart.

Upon starting it up and noticing the run time of almost one hour, I immediately felt like this one had suffered from the curse of the CD era. Bloated, for the sake of filling an entire disc, vs. just focusing on a normal length album that had solid tracks.

Year In The Wilderness, and Big Noise turned out to be decent tracks. However, I wouldn't go so far as to say they were shuffle worthy. Truthfully, I don't even remember how the went at this point.

Overall, that was the biggest problem with The Scattering. It was just forgettable. Not bad...just not memorable. There weren't any songs I heard that left me saying, "I need to hear that again." Frankly, by the time it was over, I was just glad to be done with it.

In 1991, both Colin Farley and Martin  Beedle left the group, leaving only Nick Van Eede, and Kevin MacMichael to record their 1992 released Compus Mentus. Lost in the shuffle of grunge, it failed to provide any hits, and sales declined even further.

Cutting Crew disbanded in 1993, and MacMichael would sadly pass away in 2002. A year later, Van Eede would form the band, Grinning Souls, and release Capture in 2005. He would decide to re-release the album in 2006 under the Cutting Crew name.

Grinning Souls would essentially become the new lineup of Cutting Crew, and they would release their final album to date, 2015's Add to Favourites. Since then, the band continues to tour, and release compilation albums.

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THIS WEEK ON THE CHARTS
August 10, 1985


Comics Corner: Peter Parker, The Spectacular Spider-Man 65

   

Title: Peter Parker, The Spectacular Spider-Man
Issue Number: 65
Release Date: April 1982

Highlights

  • Reference is made to The Amazing Spider-Man 209
  • Dr. Sloan tells Peter that with how bad his grades are that he should consider giving up his teachers assistant position
  • Marcy Kane invited Peter to study with her to help him with his grades
  • Calypso's beating drum beat drowns out Spider-Man's ability to use his spider sense
  • Spider-Man tells Kraven that he, Kraven, keeps starting fights with him, gets beat, and then comes back whining about revenge - It's an eye opening foreshadowing of the classic Kraven's Last Hunt story
  • Calypso shoots Spider-Man in the leg with a hallucinogenic dart, but when Kraven finds out, he turns his rage from Spider-Man to her for shaming his victory
  • Spider-Man falls over the edge of the building from being drugged, and Kraven leaps after him to save him, less he, Kraven, be dishonored by Spider-Man's death from Calypso's interference
  • Kraven tells Calypso he can't love her because she doesn't understand the meaning of honor and dignity
Low Points
  • Debra Whitman continues to pine after Peter instead of being happy with the man she's already got
Oddities
  • From the rooftop, of what appears to be a four story (or more) building, Kraven can hear what the people on the street are saying about Spider-Man
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Cutting Crew - Broadcast


Gotta love a band who took their name from inspiration by Queen!

Both Nick Van Eede, and Kevin MacMichael were working with separate bands when they first met. Despite Van Eede asking MacMichael if he wanted to form a group together, the latter opted to keep touring with Fast Forward. Meanwhile, The Drivers, which Van Eede was with, broke up.

In 1985, the two's path would cross again when MacMichael survived a tour bus accident, resulting in him relocating to London. The two worked on demos together before Colin Farley and Martin "Frosty" Beedle would join the lineup.

Cutting Crew took their band name from a quote by Queen. The legacy band was asked why they were not touring during an interview, to which the response was, "We're a cutting crew." As to which member of the band said it, that I can't find.

Upon signing with Siren Records, an offshoot label of Virgin, they would record and release their debut in the USA, while subsequently flying to Australia to record music videos. Their first single, (I Just) Died In Your Arms shot up the charts, giving the relatively unknown band their first number one hit right out of the starting gate. However, follow-up singles, I've Been In Love Before, and One For The Mocking Bird didn't fare as well, with the latter not even charting.

Playing through Broadcast, I can definitely feel all the energy of 80's goodness. It kicks off with Any Colour, a solid pop rock track, and one sets the stage for good things to follow.

Indeed they do with One For The Mocking-Bird, and I've Been In Love Before. I'm not usually one for ballads, but Been In Love is delivered solidly, making it a nice addition to the slower end of my shuffle. I say all of this like I've never heard these songs before, when I have...many times.

With that said, with the exception of (I Just) Died In Your Arms, everything else ahead of me was all new territory. Sadly, the two songs leading up to that hit didn't really impress. Frankly, if it weren't for Died In Your Arms, the remainder of the album would have been a flat dud.

I enjoyed four of the ten songs on Cutting Crew's debut, and I won't say that's a terrible ratio. However, I will admit that based on the ones I liked, I expected better from the rest. Maybe that's my fault. Maybe I expected to much. It doesn't necessarily leave me interested in hearing their 1989 follow-up, The Scattering, but I suppose I will. Maybe it will be amazing. Only one way to find out.

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THIS WEEK ON THE CHARTS
August 9, 1980
 
THIS WEEK ON THE CHARTS
August 9, 1986


Comics Corner: Marvel Team-Up 116

   

Title: Marvel Team-Up
Issue Number: 116
Release Date: April 1982

Highlights

  • First appearance of E-Street Jukes gang
  • Reference is made to The Amazing Spider-Man 227, Marvel Team-Up 111, Defenders 68, Mighty Thor 296 - 300, and Journey Into Mystery 120
  • Mind-Bender, and Dalia the Shape Changer inhabit the sword of Valkyrie, and through her seek out revenge against Spider-Man and Thor - mostly Spider-Man
  • Thor tries to tell Valkyrie that he and her used to be together on Asgard
Low Points
  • A story continued from the previous issue, which feels equally as nonessential as the previous one
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: a-ha - Stay On These Roads


Today, I'm wrapping up my 80's adventures with a-ha. They were a band that hit hard in 1985 with their iconic tune, Take On Me, but then quickly fell off my radar. Up until now, I hadn't heard anything beyond that respective album and their James Bond contribution. Now that I am, I feel like I may have missed out the first time around.

1988's Stay On These Roads matched the charts of its two predecessors, really solidifying the staying power of the band. This only makes it all the more weirder how foreign anything beyond their debut is to me. What happened that they completely disappeared in the USA?

Coming off my high from their hard rocking Manhattan Skyline track from their previous Scoundrel Days album, I was still wanting something punchier from the band. As such, I was a little bummed by the title track album starter, which was very slow paced, almost a slog to get through. 

The tempo picked up a bit with The Blood That Moves The Body, which was an enjoyable track to hear, but we were still very much in synth pop land. The string style arrangements reminiscent of The Living Daylights intertwined in the tune definitely made this one stick out as a positive.

Speaking of that Bond song. While the film version was recorded with producer / composer John Barry, and considered a masterpiece as far as I'm concerned, a-ha opted to do something rather odd. When it came time to release their album, the band included their own version on the album, which is so far inferior from the film adaptation that it's like listening to a completely different song. a-ha's "solo" effort is awful. Just awful. It has nothing that made its predecessor superior.

There's apparently a lot of drama and contention between the group and Barry, suffice to say they don't appear to have gotten along. Allegedly, Duran Duran voiced the same concerns with Barry that a-ha did when recording their Bond hit, A View To A Kill.

Sales for the album would be the beginning of a steady decline in a-ha's popularity, which continued with 1990 released East Of The Sun, West Of The Moon. I can certainly see why. With the exception of a couple tracks at the beginning, it was just a very bland and blah experience. By 1993's Memorial Beach, the world had seemingly moved on from the band. Fun fact though, their '93 album was recorded at Prince's Paisley Park.

a-ha went on hiatus in 1994, but would return in 1998 to perform at the Nobel Peace Prize Concert. This kicked off a series of comeback tours, and culminated in the 2000 released Minor Earth Major Sky studio album. They would continue to release new albums through 2009, but then shocked their fans by announcing they would be disbanding. Coinciding with this announcement was the release of the compilation, The Singles: 1984–2004.

In hindsight, this could have just been a ploy to garner attention towards the greatest hits release, as a-ha would come back together in 2015 to release yet another studio album. This was followed in 2022 with their latest to date, True North. Since then, a-ha continues to tour.

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THIS WEEK ON THE CHARTS
August 8, 1981
 
THIS WEEK ON THE CHARTS
August 8, 1987


Comics Corner: Marvel Team-Up 115

   

Title: Marvel Team-Up
Issue Number: 115
Release Date: March 1982

Highlights

  • First appearance of Abner Abernathy, and Rossi, Dalia the Shape-Changer, Haif-Nas, and Haifs
  • First appearance of the location Cherron
  • Reference is made to Mighty Thor 313
  • We learn about the planet Cherron, its inhabitants, the Haifs, and Haif-Nas, and the planets destructive fate to war
  • Dalia and Mind-Bender seem to kill each other, but instead, something bigger is brewing in the cliffhanger ending
Low Points
  • Not a very interesting story
Oddities
  • None
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: a-ha Scoundrel Days


It's funny. For how popular a-ha's Take On Me was, I've never heard anything else from them beyond that  respective album, and their James Bond theme, The Living Daylights. I felt it was high time to rectify that.

The group formed in 1982 with founding members, Morten Harket, Paul (PÃ¥l) Waaktaar, and Magne Furuholmen. Together, they left their native land of Norway, heading for London to pursue a recording deal. On the way, they considered name's for the group, ultiamtely settling on a-ha from a song title Waaktaar had written.

Upon arriving in London, the trio opted to go with the studio belonging to musician, producer, and soon-to-be-manager John Ratcliff. The reasoning behind the decision; he had a Space Invaders arcade cabinet.

Though a-ha would become the first Norwegian band to have a number one hit in the USA, the road to Take On Me was not paved in gold. The song originally began as Miss Eerie, by The Bridges.

This would turn into Lesson One under the a-ha banner, with vocals from Harket.

The band continued to work on it, ultimately coming up with new lyrics, and changing the song's name to Take On Me. While a music video was created to promote the track, this original version failed to garner much attention.

Seeing the potential in the song, it was once again remixed, and a new video shot. This version would become the breakthrough hit, a legendary 80's song, and iconic music video.

Sales for their album, Hunting High And Low, skyrocketed, sending it platinum certified in Norway, the UK, and USA. It would also go gold in Germany, Australia, and other Dutch speaking countries. The downside to this was that the pressure was now on. a-ha had to return to the studio, and create a worthy successor. The end result of their efforts was Scoundrel Days.

Knowing nothing about this release, I fired it up, eager for what I would hear, but not expecting much. Boy, was I taken by surprise. Things kick off with the title track, and the energy continues through The Swing Of Things, and I've Been Losing You.

While things took a bit of a dive with the ballad, October, things went to a whole new level with the edgy guitar intro to Manhattan Skyline. I'd never would have expected to have a-ha to have such a hard rocking song, but the tone really suites the vocal styles of Harket, honestly making me wish they had done more like this.

It is, however, because of this song that it's follow up, the synth pop Cry Wolf, feels out of place. It's a decent song. It just doesn't follow on the heels of Skyline (at all). The problem that ensued from here was that I had gotten a taste of the edgier side of a-ha, I liked it, and I wanted more. As such, the remainder of the tracks that followed with their bubblegum synth sound stopped resonating. This decline honestly made me lose interest, but I would be remiss to say I still didn't enjoy the album overall.

Scoundrel Days performed well for a-ha, bringing with it further international success, as well as platinum status in Norway, Switzerland, Germany, and the UK. Though their singles performed well in other countries, only Cry Wolf would make it to the US Billboard Hot 100, peaking at number fifty. This is probably why I didn't know anything from the album. Rick Dee's Weekly Top 40 is where I heard most of my music in 1986.

a-ha would return one more time in the 80's for their final entry, Stay On These Roads (1988). But, we'll have to pick that one up tomorrow.

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THIS WEEK ON THE CHARTS
August 7, 1982

Comics Corner: The Amazing Spider-Man 227

   

Title: The Amazing Spider-Man
Issue Number: 227
Release Date: April 1982

Highlights

  • First appearance of Sam Galvagno
  • Felicia is torn between wanting to have a relationship with Spider-Man, and wanting to be a cat burglar
  • Spider-Man takes a bullet in the leg
  • Black Cat simply can't leave her life of crime, driving a wedge between her and Spider-Man
  • In a climactic showdown, Spider-Man webs her up, but she refuses to go to jail, rolling off the dock and into the water, where she disappears, presumably dead from downing - She's not
  • Jean DeWolff arrives on scene, handing Spider-Man what would have been a full pardon from the DA for Felicia Hardy - Presumably too late, Spider-Man tosses the papers into the water
Low Points
  • None
Oddities
  • Editor's Day Off: Jean DeWolff says to Spider-Man, "If you got out on a limb..."
Rating (based on a 1 through 5 Stans grading system)



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Retro Spins: Asia - Astra


Third times the charm? No...Not for Asia.

With Welton back in, Howe out, and Meyer taking the latter's place, Asia returned to the studio to begin work on their third album, initially entitled, Arcadia. However, upon hearing of Duran Duran forming a subgroup of the same name, that title was changed to Astra.

Despite lead single Go peaking at number forty-six on the Hot 100, and music video being in steady rotation on MTV, Astra failed to impress. It was not only a critical flop, but under performed in sales, not receiving any certifications for sales. This was not helped by Geffen pulling promotional support from the band upon its release.

The group was ultimately dropped by their label, who also cancelled their upcoming tour. The end result was Asia disbanding. With things not getting any better for the guys, I dive into their last 80's album to see just how good (or bad) it will be.

Firing it, I will admit that the opening track, which happens to be their single, Go, isn't bad. If nothing else, it floored me that I'd never heard it, or had forgotten it completely over time. I also dug, Hard On Me, which was surprising considering how poorly the album was smacked by critics, and how bad their prior album was. I really didn't expect to hear anything good.

A fun aspect of Countdown To Zero, was how the song starts up with that all too familiar THX Deep Note. It was actually more of an interesting aspect to read about when this was created, who created it, and when it debuted. To cut to that chase, it was former Lucasfilm employee Dr. James "Andy" Moorer, who developed the sound in 1982. It was first used in 1983 at the premiere of Star Wars: Return Of The Jedi. 1985 Austrian Rock Singer Fal...No...It was then used at the beginning of Asia's 1985 song.

However, it was after this seventh song that I also reached a point of fatigue with Asia. I gave the remaining four tracks a few seconds to impress, and when they didn't, I simply skipped them in the spirit of just getting through Astra. Maybe this was because I had listened to three of their albums back to back. Maybe I was just tired of mediocrity. Maybe it was both.

As I noted above, Asia disbanded after this album. However, Welton would reemerge in 1987 with the album Welton-Manzanera, which he recorded with Roxy Music's Phil Manzanera. Purportedly, a lot of the material used for this release came from concepts which Welton was working on for a fourth Asia album. He further tried to reform Asia with original member Geoff Downes, Scott Gorham (of Thin Lizzy), and Michael Sturgis (of a-ha). However, this didn't come to fruition because the group couldn't get a worldwide recording deal.

Downes would form his own iteration of Asia in the 90's, with new frontman John Payne. The new singer would stay with the group through 2004, releasing six albums in total with them. However, Downes would split at this point, returning to the original lineup of the band for a series of reunion shows. This would lead to Welton officially rejoining, where he would continue to front the band through their most current studio album, 2014's Gravitas. Meanwhile, Payne would go on to form Asia Featuring John Payne. Great...So now there are two crappy bands called Asia...

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THIS WEEK ON THE CHARTS
August 6, 1983
 
THIS WEEK ON THE CHARTS
August 6, 1988


Comics Corner: The Amazing Spider-Man 226

   

Title: The Amazing Spider-Man
Issue Number: 226
Release Date: March 1982

Highlights

  • First appearance of Phil Bradshaw and his goons, Jack Allen, TV reporter, Greg Reed, Acme Sky-Lines engineer, George Mundy, and the nurses, doctors and orderlies of Mitchell State Hospital
  • First appearance of the Mitchell State Hospital and Tumminello Towers locations
  • Black Cat Makes her third appearance
  • Orderlies bring a ranting Foolkiller, AKA Greg Salinger inside to be committed
  • Felicia Hardy, AKA Black Cat, is also a patient at the hospital
  • Felicia was only playing possum when she let Spider-Man bring her to the hospital because in her words, "It's easier to escape from a hospital than a prison."
  • Reference is made to Marvel Team-Up 114, and The Amazing Spider-Man 194
  • Jean DeWolff returns to the pages of Spider-Man
  • Black Cat says she'll go straight if Spider-Man wanted to be with her, but he declines, saying she'd have to turn herself in first, which she refuses
  • There's a costume party, and some of the guests are dressed up as Marvel, and DC super heroes
  • Spider-Man dressed as a Jawa, and even making reference to it
  • Spider-Man and Black Cat's first kiss

Low Points
  • Well that's just mean - Felicia puts a not on her tied up nurse that says, "I am a fat slob!"
Oddities
  • Black Cat wants to talk to Spider-Man, so she uses the most conventional method that we'd all go with - Sky writing

Rating (based on a 1 through 5 Stans grading system)

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Retro Spins: Asia - Alpha


Much like any good band, you can't have a good thing last. Such was the case with Asia.

The cracks began to show with the released of their second album, Alpha, and though it did reach platinum status, failed to perform critically. It was led by the rock anthem, Don't Cry, which in conjunction with radio play, also made a steady rotation through MTV.

Record Label, Geffen, insisted that members, Geoff Downes, and John Welton handle writing responsibilities for the songs, as they were credited with penning the hits from their prior album. This in turn isolated Carl Palmer and Steve Howe from the majority of the process, leaving them feeling like glorified studio musicians.

Upon completion of recording, internal fighting had made it impossible for the group to mix the album themselves. As such, this was taken on by producer, Mike Stone. However, the end result wasn't well received by the band, who equated the final mix to a wall of sound. After demanding it be remixed, which it was, the group still were displeased with its overall commercial sound. Unfortunately, time had run out, and the record had to be released.

Mmm...Messy.

With exception of Don't Cry, Alpha really doesn't offer anything worth writing home about. I do immediately notice the concerns the band had with its mixing. The album simply sounds loud. Like every instrument is coming at you at once, right in the face. It's not enjoyable. You want to push it away, and shout, "Get off me!"

Alpha simply isn't good. Now, I know that's typical for a follow-up album to a strong debut, you're also talking about seasoned musicians who already cut their teeth in other iconic bands. Frankly, when it's not all up in your face, it's simply boring. I really don't know what to say beyond that because I honestly don't have any positive or constructive criticism for it. It's just not good.

As for the band themselves, heavy drinking on Welton's behalf eventually ended up taking a toll on their touring, leading to him quitting or being fired (depending on who you ask) in 1983. While he would return in 1984, it was with the ultimatum that if he did come back that Howe be fired, which the members acquiesced with. Krokus guitarist Mandy Meter would step in to replace him for their 1985 album, Astra. However, the drama was far from over. We'll jump into that tomorrow.

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THIS WEEK ON THE CHARTS
August 5, 1989