IMMINENT CONTACT wraps at SFU Studio

"Work expands so as to fill the time available for its completion." So said C.N. Parkinson in 1955, but having just observed something rather extraordinary, I can attest that in the world of student independent film making, the reverse is often equally true. "Work compresses to fit a madly optimistic shooting schedule." From October 12 - 18, 2009 an enthusiastic film crew assembled at Simon Fraser University prepared to work their tails off. They were joined by a troupe of talented actors who collaborated on the production of IMMINENT CONTACT, a science fiction script written and directed by my son, Philip Jack.

Philip Jack directs IMMINENT CONTACT at the SFU studio. This view looks forward over the shoulder of an OMNI trooper at the flight crew of the drop-ship. [a Cedric Yu photo]

My role was logistical - the picking up and delivery of loads of building materials, props, costumes, and assorted consumables. I must admit that on the Monday I delivered the first load of wood frames and paint to the set at S.F.U. I was a tad dismayed. An abandoned set, comprising an entire apartment with bedrooms and furniture filled the studio from wall to wall, and it had to be cleared by the crew before IMMINENT CONTACT even had a floor to work on. And yet it WAS cleared quickly and efficiently so that construction could begin on the large drop-ship, a simple yet effective design which Philip had laboured over for months.

Student filmmaker Cedric Yu rigged an overhead camera to shoot a time-lapse film in HD, capturing the last stage of demolition and then two days of construction of the large drop-ship set. Yu's film makes for four minutes of fun viewing, and is posted on the IMMINENT CONTACT Facebook page, along with dozens of photos of the cast and the film crew.The cast of the movie includes actors Kate Crutchlow and Sam Spear as drop-ship flight crew, with DENYC, Steven Stiller, Donovan Cerninara and Sebastian Bertoli as OMNI's.

Four OMNI troopers featured in the movie IMMINENT CONTACT. They are Gunnery Sgt. Avery (Donovan Cerminara), Petty Officer Shepard (Sebastian Bertolli), Commander Grey (Steven Stiller), and Master C.P.O. Kurita (Denyc).

[a Cedric Yu photo]

Donovan Cerminara plays Gunnery Sgt. Avery in IMMINENT CONTACT.

OAKALLA to get its first screening. Yeah!

I got word today that my documentary short OAKALLA was selected for the Black Box Film Series which is running at the Shadbolt Centre for the Arts in Burnaby. Oakalla will get its first screening on Monday, October 19th at 7 PM, and I am grateful for the opportunity as it contributes to the momentum for the feature length version THE GHOSTS OF OAKALLA, which I am currently researching and writing, and which needs to secure financial backing.

The Black Box Film Series is run in partnership with the Film Circuit, a division of the Toronto International Film Festival (TIFF). My ten minute DOC will precede the feature HEAVEN ON EARTH (2008) made by acclaimed director Deepa Mehta.

Post Screening : It was startling to view OAKALLA, which had been edited on a MAC, projected onto a full size theatre screen. Geraldine Parent gave the film a spirited introduction and I was gratified by the interest. I answered nearly a dozen questions from the audience before remembering to yield the floor to Mehta's feature film.

The Ghosts of Oakalla and our Heroes in Kandahar

Gas masks for horses? Too surreal, and yet very real. The old OAKALLA PRISON was also HQ of the mounted troop of the B.C. Provincial Police between WW1 and WW2. The BCPP equestrian troop did practice for crowd and riot control, [I've hefted one of their 4 foot leather truncheons] but did not have teargas hoods for their mounts.

The ghosts of Oakalla are alive and still waiting to be caught on camera. When I began the OAKALLA Doc project I understood its potential, but could not guess so much worthwhile material would emerge or that scores of fascinating people would call me with great stories. After many consultations by phone, email or visits, I have chosen more than a dozen candidates for on-camera interviews. Script development is going well and I'm sure that most of what will appear on screen has never been seen or heard by the general public. Where my initial film, OAKALLA, was largely historical in content, the feature will delve into cases and issues which will make some uncomfortable. Several ex-staff who worked at Oakalla Prison have mentioned the "gag" provision of their employment contract, while others don't care. It is clear we have a common need to get these stories out.

OAKALLA : This is the DVD cover printed for distribution of a preview disc. Only a few copies are in circulation and a few were produced for legal deposit in B.C. and Ottawa. I have been offered a first screening at a Burnaby theatre.

Many unique photographs and artifacts have turned up, and generously offered for my use in the feature documentary. They will amaze even those who worked inside Oakalla, because it is a graphic record which is simply not supposed to exist. That it does exist is a credit to the foresight of a few individuals.

TF 3-09 KANDAHAR BOUND - One of the interests around the Jack household is following Canada's war in Afghanistan. Our daughter, Capt. Elizabeth Jack, left this week with the current rotation of troops which is designated TF 3-09. We are very proud of her and we fervently wish all of the brave men and women of the Task Force the best of luck and great success in their work.

To improvise or to modify? Student director Philip Jack has been spreading cash at TOYS R US, the HOME DEPOT and anywhere he can find bits and pieces needed to assemble props needed for his grad-film. He loves making props. (This bullpup is half completed, and will get a longer barrel and target designator.) The script for his Science Fiction story IMMINENT CONTACT is tweaked, the film is cast, and his crew at Simon Fraser University begin shooting later this month.

Oakalla Prison Documentary - story buried in the heart of Metrotown

Film school kept me busy all summer, resulting in neglect to my Blogs and websites. This Blog article was published in RUNAGATE PICTURES, yesterday. There is no harm cross-posting because Iit's one more chance that other documentary filmmakers in the Lower Mainland might stumble upon my work, and perhaps make contact.
It has only been a week since the BURNABY NOW published a feature on my documentary OAKALLA, and the reporter included a list of minor mysteries which needed solving. For example, the Burnaby City Archives, the Museum nor the Library had a photo or knew of JUBILEE HALL, a landmark I needed to pin down for a location shot.

Much to my delight, a Mr. John Komm nominated an old wooden building he believed is the hall. I had thought the building torn down because it was already described as being "ramshackle" by a Vancouver SUN reporter in 1953. Though the property has passed through a half dozen owners and as many name changes, a few minutes in old City Directories confirmed that Jubilee Hall still exists in Burnaby Metrotown, near the Skytrain line. It seems an amazing example of survival in an area that has been very heavily redeveloped. This squat structure was the site of high drama in the 1950s, when Doukhobor men and women were moved from Oakalla by the busload, to be processed by a magistrate and then sent back to prison. (Photograph by John Komm)

In the photo (above) a Freedomite Doukhobor male and a woman are attempting to disrupt court proceedings by stripping in front of the magistrate. Doukhobor women also conspired to created chaos at nearby Oakalla Prison by burning their mattresses and refusing to eat.

I have enjoyed this very productive week. Well over twenty people got in touch to share stories or simply offer research leads to aid the next project, THE GHOSTS OF OAKALLA. I'm really getting a sense that people in the community want this film to be made. There has actually been a stunning development which has redirected much of my research time and must impact what I choose to shoot and how the story will be crafted. Unfortunately I cannot "give away" the discovery, as making key elements common knowledge would blow the dramatic impact I plan to build into the film.

Dylan Innes directing on the set of his film MANDROID, September 2009. His DOP is Felix Oltean. [Production still - Elaine Gebert]

Yesterday I had some fun playing a minor character in a scene for a futuristic film called MANDROID, written and directed by Dylan Innes. The crew was a talented bunch from S.F.U. film school and the set was located inside the busy headquarters of the B.C. Lung Association on Oak Street in Vancouver. It was only my second opportunity to "act". The first experience was in August when student director Jonathan Pon invited me to play an unfriendly Mall security guard in his comedy REBEL WITHOUT A CLUE. Jonathan's parody of film school actually reflects some of the "stuff" some of us went through at Broadway campus. REBEL will be screened at Langara College on September 27 at 3pm.

The Terrorism Calendar - Yours, Mine and Theirs

How much time should we devote to pondering Islamic radicalism? What will you contribute in the effort to contain, if not defeat the fanatical terrorists of this world? Anything? ... Nothing?

Our family has never shied from the subject before 9/11 or since. Now, as our daughter is about to deploy to Afghanistan with the Canadian Forces, we accept the fact that our interest will be moving to a higher level of concern. The news on Friday that we lost another soldier in A-Stan to a roadside I.E.D. discourages me from my usual topics for Blog articles. Today I feel compelled to pay humble tribute to a few non-combatants who have sacrificed far more than most in the struggle to contain Islamic Fascism, or those who generously work to make life better for the unfortunate.

Dr. M. Zuhdi Jasser is a brave man and a Hero. The doctor has shown great courage and generosity of spirit by setting aside time from his lucrative medical practice in order to disseminate the simple truth: Islamic Fascism is relentless and it will never call a halt to the evil campaign to destroy our way of life.

Doctor M. Zuhdi Jasser is an extremely brave man. I read his profile in the current issue of the Jewish Tribune and was persuaded to look him up. Jasser is a Muslim American who disagrees with the Middle East policies of America's first Muslim President, Barack Hussein Obama. Jasser, though an orthodox Sunni, is a fierce and vocal opponent of radical Islamic militants, men he terms "Fascists" and accuses of wrapping their bloody expansionist political agenda with the green cloak of Islam. Jasser decided to distribute his potent warning in the form of a video entitled THE THIRD JIHAD. I encourage you to at least view the free 30 minute preview which on Google Video here.

Dr. Jasser has been vilified by professional apologists for the Jihadist agenda - no surprise there. Frequently their attempts at rebuttal begin by dismissing his message and his research as "a joke" or "humorous" but in every case that is the precursor to a bitter and personal attack. Jasser, though he looks mild in the photo, has great courage. He openly publishes contact information, including where he works, and shares photos of his family online. Compare that with the cowards at MACLEAN'S magazine who worked to suppress the Jyllands Posten editorial cartoons, or AIR CANADA which refused to carry any magazine which did publish them.

The Hapless Victim Card
If your search for meaningful information is confined to the local newspaper or just listening to an "anchor" reading a teleprompter, you're harming your personal interests. The interests of Big Media does not coincide with your right to unfiltered streams of source information and it never will. For example, why in June did ALL of the Canadian news editors allocate acres of podium space for the "Stranded Canadian" story? Why the sickening determination to shape another "victim" story a la Maher Arar travesty? Well now that Abousfian Abdelrazik has parleyed his passport and his media card into celebrity, the untouchable operative is back in Montreal after cooling his heels for six years in Sudan. What are his views on Al-Qaeda today? Ask him some questions... he'll tell you some lies.

GITMO and the braying donkeys of discontent
For several years we Canadians have endured frequent denunciations of the conditions at the U.S. detention facility at Guantanamo Bay, and the alleged “unlawful” confinement of Islamic militants. Spokesmen for the Islamic resurgence, including publicity addicted parliamentarians and big city politicians brayed like donkeys, demanding that the evil Bush government close GITMO and free the “innocent” detainees. Canadians were fed on little more than recycled ACLU press releases. For a dose of reality, invest five minutes to read this N.Y. Post article published on June 7. It accuses the military, with justification, of allowing GITMO to become "more madrassa than prison camp".

Meanwhile Senator Obama promised voters that he would decommission GITMO if elected President. Well in mid-May we learned (from a leaked document) that many of the released detainees have rejoined the Jihad and are plotting new attacks. The leak made the White House very nervous indeed, and it took the Pentagon several days to confirm what the intelligence breach revealed - “that at least 74 former Guantanamo detainees have resumed terrorist activities after claiming they weren't terrorists.” Why the nervousness? Don’t these ex-detainees confirm by their actions that they are “lying” as well as “murderous” Jihadists? Well yes and no. It turns out that the White House has poured millions of American taxpayer dollars into building a half-way house in Saudi Arabia, where ex-GITMO prisoners might be groomed for release back into the general Saudi population. That high priority program has proven to be an abysmal failure, and as a result a similar facility for Yemen is now on hold. The Obama White House seems no different than its predecessor when it comes to toadying up to the feudal potentates who rule Saudi Arabia. The Saudis will never be held accountable for the mishandling of GITMO detainees released into their custody.

If you can believe it, the critics of counter terror operations are not concerned that tigers have been set loose. They quibble over the news that "only 74" GITMO prisoners seem to have returned to terror cells. "Some argue the alleged 14 percent rate is inflated, as it is based on a definition of "militant activity" so broad as to include merely associating with terrorists." [That's why the Toronto/Montreal media issued Abousfian Abdelrazik a free pass. The suggestion is he merely "associated" with terrorists. He didn't personally blow anyone's legs off.] "Others say the figure compares favorably with the 68 percent recidivism rate for US criminals." Now there's perspective for you!

Which brings me to Said Ali Al Shihri, who was freed from Guantanamo in 2007. This fellow, who denied his crimes and who was provided with an American lawyer, pro-bono, was one of those released into Saudi custody. He and his cohorts then easily slipped away. Al Shihri crossed into Yemen in 2007 to take the post of Deputy Leader of Al-Qaeda on the Arabian Peninsula. He has already participated in fresh terror operations. To make the point, he posed for a staff photo with other regional commanders, which was released to rub Washington's nose in its failure to dissaude him from committing his life to Jihad. Most recently Al Shihri was implicated in the murder of a group of German Christians and a Korean who were abducted in Yemen in mid-June. (They were all members of a Dutch international medical charity.) The bodies of three nurses were found almost immediately and the German intelligence services announced that they believe the others, including children have been murdered.

Why Al-Qaeda? Why German civilians? Because the Germans have deployed troops to fight militant Islam and are committed to standing with the U.S. and Canadian Forces in Afghanistan. The Taliban has no ability to mount acts of terror in Germany or other NATO countries, but they rely on Al-Qaeda to hit us where we are vulnerable - such as targetting the thousands of Christian lay workers who serve in Muslim territories.

German nurses Rita Stumpp, left, and Anita Gruenwald were kidnapped while returning from an outing to a farm in Yemen. As a warning to Christians who believe they have the right to run projects in Muslim countries, they along with their Korean friend Eom Young-san (above) were executed in a field near the Yemeni capital. Each young woman was shot twice in the head. The photo of the Korean woman is taken from the Blog she kept until the week of her murder. I found it rather troubling to view the happy photos of an obviously giving person, who was oblivious of the fact that evil men were planning to take her life.
Terrorist cell in Yeman pose for a staff photo, 2008. Center-left is Abu Hareth Muhammad al Awfi; far right and marked with an (X) is Said Ali al Shihri, one of the released Guantanamo P.O.W.s. (Photo source - Nick Grace) The Yemeni newspaper reports I've read attempt to disassociate Al-Qaeda from the abduction and murder of the nine volunteer charity workers. However the two tribesmen offered as scapegoats do not convince. This was not a kidnapping for ransom. It was murder orchestrated to terrorize foreign charities, and it has worked.

DISTRICT 9 - The genesis of Neill Blomkamp's dystopian allegory

I'm old enough now that I can draw circles around genres which once excited publishers and Hollywood agents, but which were just as quickly discarded. Can you recall for instance, the sinister South African gangsters and rogue Apartheid agents who once populated movies like Lethal Weapon 2 and books like VORTEX the Larry Bond thriller?
The genre exploded in the late 1980s when the Soviet Union collapsed and fiction producers were suddenly desperate to find a viable alternative to the KGB. The nemesis for the 90s had to be a viable stereotype, and one which was hated by a broad demographic. Apartheid-era South Africans were perceived as vile villains who fit the Bill. They were after all, sophisticated, cunning, privileged and desperate to survive.

Well sir, our world changed too quickly. The mafia emerged as the new Russian strongmen and Muslim terrorists were a gift to our pop culture, scarier than the KGB ever was. As for the Republic of South Africa, the A.N.C. regime is already into its third president and a couple of million black kids were born under A.N.C. slogans and promises. Those who didn't like "the New South Africa" simply left, and now constitute an extremely tame diaspora in their adoptive countries. That said, a South African born Canadian has just crafted his first feature film, and his unique vision might trigger something akin to a new genre. That would be fun !Where CHARLIE JADE , the Canadian-funded South African television series failed, perhaps DISTRICT 9 the riskier Science Fiction - allegory may just succeed in stirring our imagination.

In 2005 Neill Blomkamp and friends crafted a six minute short called ALIVE IN JOBURG. The server couldn't keep up with the demand and the film became an Internet phenomenon. Peter Jackson was impressed and invited Blomkamp to try the creative atmosphere in New Zealand.

PART ONE: Original Sin

Neill Blomkamp arrived in Vancouver, B.C. with a South African high school diploma and a burgeoning talent for computer graphics. It seems he was not born with "original sin" as his family had avoided the taint of active participation in the organs of "White Rule". Neill never could wash the R.S.A. out of his hair, and so after some training here in computer VFX he secured steady employment and made it a personal priority to return to his native land each summer and discuss creative collaboration with young filmmakers who had stayed behind.

My research into Blomkamp's life shows that he has surprising depth, and that he will not shy from social issues that would crucify less sure men. With this movie, DISTRICT 9, Blomkamp is engaging in political allegory every bit as clever and biting as George Orwell pulled off with ANIMAL FARM several decades ago. We are witnessing a creative concept which is unique and possibly significant.

A production still from DISTRICT 9, a low budget Science Fiction - Allegory produced by Director Peter Jackson. The movie goes into general release on August 14. The INDEPENDENCE DAY type Alien spacecraft of Blomkamp's 2005 short, has been replaced by vessels equally sinister looking.

When SONY announced this project back in November of 2007, I was impressed by Blomkamp's tenacity and skill at getting the "Big Boys" to trust his creative judgement. The Fan Blogs are currently busy scraping up every studio dangle or minute clue needed to assemble a prediction of what this movie will look like. It is clear that the viral marketing campaign for the film has only succeeded in creating confusion, which is never a good thing in marketing. (see for example this site) A few leaked photos from the production show us a small outdoor set representing the entrance gate to DISTRICT 9. They confirm that production money was very tight, as does the Casting which was also very low budget.

We were told that Blomkamp co-wrote the DISTRICT 9 script with "his partner" Terri Tatchell. Now that's rather extraordinary. Blomkamp is certainly a wunderkind, but Ms. Tatchell has no S.F. track record whatsoever, except in her relations with Blomkamp. Tatchell attended the Vancouver Film School in 2001, earning her diploma in Writing for Film, Television & New Media. She then got a job at Rainmaker Studio under the late Bob Scarabelli, and was designated as Rainmaker's "Industry Relations Co-ordinator". At the same time she joined the Board of the Vancouver chapter of Women in Film and Television. (She served one term as its President but is no longer a member.) This thumbnail photo, which dates to 2003, is still archived on the WIFTV web page:It was at Rainmaker that Terri met Neill, who was then employed in VFX. She has no experience with Science Fiction and probably no cultural knowledge of South Africa beyond what she has picked up through Neill. Tatchell's best known creative effort is actually a stage play written for high school students, which is added to the curriculum of some schools because it teaches kids about the legal fight to gain Canadian women the vote. It's called "Woman Idiot Lunatic Criminal" and tells the story of a girl transported back to 1910 to meet her Suffragette great-grandmother. (The story takes its name from the awkward wording of the Canada Elections Act of 1918.) I'm not trying to pick on the lady but the truth is that while Neill was sequestered for most of last year directing the movie, Tatchell was back here in B.C. involved in her own thing. I can't believe she added much to the movie project, but who knows?

In PART TWO of this article I plan to comment on some of the creative aspects of DISTRICT 9.

UPDATE: It seems that the makers of DISTRICT 9 have themselves shill over on Wikipedia. In my naivete (When will I EVER learn?) I decided to contribute a few helpful sentences to the Wiki page that was created for this flic. In FOUR minutes some creepy wiki-guardian had removed my contribution. Some techno-Hobbit down in New Zealand perhaps.

"British Columbia or Columbia?" - THE ECONOMIST

The B.C. drug culture and trigger happy Narco-thugs continue to give our province a sorry-ass reputation in the Global media. The most recent example of ugly headlines is in the current edition of THE ECONOMIST. Here is how it begins:

If you wish to read the entire article, here is the jump: BRITISH COLUMBIA OR COLUMBIA? So if we are being compared to Columbia, what has been happening below the equator this week? Here is a taste:

Actresses perform among a display photos of people allegedly murdered or abducted by Colombia's security forces and paramilitary groups. The event was a part of a protest against state violence held in Bogota, Colombia on May 29, 2009. (AP Photo)

Since our federal police have not seen the need to organize anything resembling a Columbian death squad, and even the looniest of our left-anarchist "activists" have yet to resort to kidnapping, it is obvious that the ECONOMIST is punching below the belt.

S.F.U. Graduate Film Screening 2009

Simon Fraser University has one of the busiest film schools in B.C., and an even more versatile program is in the offing. The January 2010 session will see a legion of very lucky novice filmmakers moving into spanking new digs at the SFU production facility being fitted with state-of-the-art gear, in downtown Vancouver.

On April 30th I had the pleasure of attending the "31st Annual" SFU Grad Film screening at Granville Cinema 7. The event showcased the creative talent of the last crop of students to use the old gear on the Burnaby Mountain campus. The evening offered an entertaining melody of 19 mini-movies which in turn charmed, dazzled and sometimes bemused. SFU Film Instructor Colin Browne admitted up front that they're not exactly sure this was the "31st annual screening" (the department flew by the seat of its pants in the late '70s), but they're pretty sure.

My ticket came courtesy of my son, a third year film student who worked on four of the films I would enjoy - as a sound designer, grip/dolly grip, a cast member or as sound recordist. I enjoyed every film, but I wouldn't be human if I didn't compare and sort my viewing into mental folders. That's part of the fun.

CATECHISM, by Jessica Moorhouse, was an obvious crowd-pleaser. It is the story of a young lass who struggles to reconcile her carnal urges with the dictates her "Catholic" upbringing. (The Ten Commandants are reduced to four ... it's a West Coast thing.) While I was a tad bemused by the mixing of the Catholic confessional with frequent dissolves into a Baptist-style angst over "what the Bible sez", I found CATECHISM a genuine laugh fest. The entire audience loved Jessica's casting of a Bobble-Head Jesus.

SQUADRON 5 was a brave attempt at a Science Fiction epic, and the hard work of Director Barry Liu shows throughout. Squadron 5 was also the only story film not produced in English. It was my first exposure to a Cantonese S.F. movie (with English subtitles) and it is evidence of the multicultural flavour of the Simon Fraser campus, although not enough Chinese youths choose film making. Mr. Google tells me that Al Leung, one of the actors featured in SQUADRON 5, has a webpage.

BOXED IN could have been produced by American International Pictures in the 1970's. Instead the splatter-comedy script had to wait for Kial Natale to be born and to choose film school. The movie a real hoot and the audience loved it. I don't know if the old guy who played Santa Claus was a professional actor or a talented rubby-dub the Director found on Hastings Street, but he was sure fun to watch.

There is a perky trailer posted for the Grad Film Screening. It's found at: http://www.sfufilm.ca/4thyear/ There can be no doubt that several of the 2009 graduate films are going to be entered in film festivals, where I hope you will encounter them.