Showing posts with label Yann Tiersen. Show all posts
Showing posts with label Yann Tiersen. Show all posts

Sunday, May 9, 2021

Good Bye Lenin!...original soundtrack...music by Yann Tiersen

 

Another great score from Yann Tiersen, and, unlike Amelie, this is entirely new music composed just for the film. Tiersen sounds even more like Michael Nyman here, and, like Nyman, he shows the best that minimalism has to offer film scoring.

The music gently massages each scene, conveying the emotions at the core without bothering to hit every action onscreen like cartoon mickey-mousing. Instead, the music finds something deeper and mines it deftly and beautifully.

More sombre and subdued than his usual work, Yann Tiersen's score makes the perfect audio counterpart for the film's bittersweet but often funny story, which revolves around a family living in Communist Germany and is told from the viewpoint of the son, Alex. Most of the score is dominated by thoughtful, rippling piano that conjures up rainy days, as well as strings, woodwinds and brass that add to the airs of urgency and madcap humor that dominate the film and its music.

Tiersen's subtle but significantly shifting compositions are almost always quite moving, and Good Bye Lenin! is no exception. This is one of those rare scores that is just as affecting and cohesive outside of the movie theater as it is inside of it. 


 Good Bye Lenin!

alt link 


https://youtu.be/u5hzmwGW4Ac

Sunday, November 1, 2020

Amelie..a film by Jean-Pierre Jeunet..music from the motion picture....music by Yann Tiersen

 

Amélie (also known as Le Fabuleux Destin d'Amélie Poulain; English: The Fabulous Destiny of Amélie Poulain) is a 2001 French-German romantic comedy film directed by Jean-Pierre Jeunet. Written by Jeunet with Guillaume Laurant, the film is a whimsical depiction of contemporary Parisian life, set in Montmartre. It tells the story of a shy waitress, played by Audrey Tautou, who decides to change the lives of those around her for the better while struggling with her own isolation.

Director Jean-Pierre Jeunet chanced upon the accordion and piano-driven music of Yann Tiersen while driving with his production assistant who put on a CD he had not heard before. Greatly impressed, he immediately bought Tiersen's entire catalogue and eventually commissioned him to compose pieces for the film. The soundtrack features both compositions from Tiersen's first three albums, as well as new items, variants of which can be found on his fourth album, L'Absente, which he was writing at the same time.

Besides the accordion and piano, the music features parts played with harpsichord, banjo, bass guitar, vibraphone, and even a bicycle wheel at the end of "La Dispute" (which plays over the opening titles in the motion picture). 


Amelie