In 1916 she married Tadeusz Ĺempicki,a well-known ladies' man, gadabout, and lawyer by title, who was tempted by her significant dowry. This is her painting his portrait.
In Paris, the Lempickis lived for a while from the sale of family jewels. Tadeusz proved unwilling or unable to find suitable work, which added to the domestic strain, while Maria gave birth to Kizette de Lempicka. She rarely saw her daughter. When Kizette was not away at boarding school, she was often with her grandmother. Kizette was neglected, but also immortalized. De Lempicka painted her only child repeatedly. She won her first major award in 1927, first prize at the Exposition Internationale de Beaux Arts in Bordeaux for
Kizette on the Balcony.
Kizette in Pink, 1926
During the Roaring 20s Tamara was part of the bohemian life. Famous for her libido she was bisexual and her affairs were scandalous at that time.
Her first famous show was in Milan in 1925 and she was soon the most fashionable portrait painter of her generation among the aristocracy, painting duchesses and grand dukes and socialites and through this network of friends, she was able to display her paintings in the most elite salons of the era.
In 1925, she painted her iconic work Auto-Portrait (Tamara in the Green Bugatti) for the cover of the German fashion magazine who described the self-portrait as a real image of the independent woman who asserts herself - her hands are gloved, she is helmeted, and inaccessible; a cold and disturbing beauty through which pierces a formidable being—this woman is free.
Here are some more of her paintings