http://www.empireonline.com/reviews/reviewcomplete.asp?FID=135765
Plot
Sweden, 1981. Schoolboy Oskar (Kare Hedebrant) is befriended by Eli (Lina Leandersson), who seems like a normal 12 year-old girl but is actually a vampire. Hakan (Per Ragnar), who procures her victims, is caught by the police, and the friends of a drunk she has killed resolve to track her down.
Review
Many vampire movies have trotted out the folkloric bit of business that the undead have to be invited into a household in order to prey on victims within. Dracula has to inveigle maidservants or poor, mad Renfield into opening the windows and uttering the words of welcome. Like the business with casting no reflection, getting freaked out by the cross or being repelled by garlic, this convention has become so commonplace that it can be defused by jokes. Does having a mat with “welcome” written on it constitute an invitation? Would revoking a vampire’s visa banish them back to Transylvania?
No previous vampire movie has addressed this scrap of myth quite as rigorously as Let The Right One In — which is all about what happens, for good or ill, when someone willingly invites a vampire into their home, their confidence and their life. It also answers in startling fashion a question that has lingered at the back of your mind every time this aspect of the legend crops up in a movie — what happens if you don’t invite a vampire in but they cross the threshold anyway? It’s not pretty, but it’s also not something you’ve seen in a movie before. It’s as much a testament to the ingenuity of author/screenwriter John Ajvide Lindqvist, who adapted his own book, and director Tomas Alfredson as to the endless possibilities of the vampire film that nearly 90 years after Nosferatu there are still new twists to the most familiar of all movie monsters.
The film depicts a provincial Swedish winter in 1981 as a deadeningly cold, grubby-snow depression where nothing goes right — even a serial killer is a bungler disturbed by a passing dog, and good advice about standing up to bullies sets the scene for a hideous escalation of violence there’s no going back from. With miraculous performances from the very young lead actors, the film builds up slowly — we’re not sure whether the doleful bloodsucker wants the plodding Oskar as a boyfriend, a minion or lunch — and gives thought to how an immortal might pass the long centuries with tiny challenges (after solving Oskar’s Rubik’s Cube, Eli shows him a Fabergé Easter egg puzzle worth a fortune). Rarely has a horror movie invested so much in a perverse, but admirable love. The home stretch shows in unforgettable detail how far these two are willing to go for each other, especially in a bravura long-held, underwater shot which is liable to be a how-the-hell-was-that-done? talking point after you’ve got over the impact of its gruesome content.
Verdict
At once a devastating, curiously uplifting inhuman drama and a superbly crafted genre exercise, Let The Right One In can stand toe-to-toe with Spirit Of The Beehive, Pan's Labyrinth or Orphee. See it.
Reviewer: Kim Newman
Σχόλιο: Μιλάμε για μια ΚΑ-ΤΑ-ΠΛΗ-ΚΤΙ-ΚΗ ταινία! Τα σχόλια είναι απλά... περιττά!!! Όσοι δεν την έχετε δει, τρέξτε αμέσως (πριν κυκλοφορήσει το Hollywood-ιανό remake!)
