Sunday, 17 November 2019

Where does the river run gold for children's rights?

In this the thirtieth anniversary year of the declaration of the Rights of The Child, I have been thinking of how central an exploration of children's rights has been to my writing journey over the past decade or so. 

My Rites of Passage stories have one thread in common, they all explore the journeys and struggles of children and young people with diverse diaspora roots as they navigate our world. It's a search that, against the backdrop of politics today can sometimes feel like an odyssey I share with many children and YA novelists.... a seeking for commonality, empathy, fairness and humanity and doing this through the eyes and sensibility of the young ... for them.. can feel deeply charged...even urgent. 

A decade of stories and contributions to YA anthologies that have grown from our times

From beginning writing my first novel for young people over a decade ago, my stories have not turned away from the larger struggles we face in the world today, like racial and religious intolerance, mental health, grief, poverty inequality, homelessness, the treatment of refugee people and environmental complacency.

I have not explored these stories through the eyes of children because I set out to tackle 'issues' but because in beginning each new story  I  discover child characters I want to journey with... young voices whose vision and realities are struggling to be heard.


A lot has changed for children's rights in the decade or so that these three stories span.

It was a beautiful moment for me to discover the journey-thread for Jide Jackson, from his desperate plight in the Rwandan Genocide in 'Artichoke Hearts' (2011) to his becoming a trainee doctor, re-visiting the land of his birth family in my later book 'Tender Earth' (2018).

Artichoke Hearts, Jasmine Skies, Tender Earth ( Published by Macmillan  Children's Books)

When I began writing 'Artichoke Hearts' the politics of the world did not intrude too deeply on the Levenson family to the extent they do in my more recent novels. Rightly or wrongly, the Levenson parents wished, and were more or less able, to shield Mira and Krish and their new baby Laila from having to learn about some of the more brutal events in world history ' before they were ready'. But they were protecting their children from a story that their fellow class mate was facing.

In 'Jasmine Skies', as Mira travels to India her activist eyes are opened and the novel that completes this book-family 'Tender Earth' sees Janu, a young man who runs an orphanage in Kolkata returning to a London in which the inequality, homelessness and racism are shockingly present. Laila (the baby in 'Artichoke Hearts') becomes the narrator in 'Tender Earth' and she must navigate her story through a time in which the disruptions of the world are mirrored in her own classmates and community. She finds she cannot stand by and see hatred and discrimination grow. The racist attack that Janu experiences, or the defiling of Bubbe Dara's husband's grave with swastikas is tragically, no act of the imagination.

Children must find a way to grow from these tender times
'Tender Earth' ( Macmillan Children's Books) 

A 'Tender Earth' it is for Pari, the child of Iraqi refugee parents who must every day experience the racist abuse in her substandard housing conditions (written pre-Grenfell tragedy but all too poignant now). The inequalities deepen as Pari is too proud to tell her new best friend, Laila, that she is hungry at school. In writing scenes in this book I wanted to speak to Pari and say 'it is not you who should feel ashamed.'

I am often asked where all these stories have come from... and keep coming from! It's simple... it's children who inspire me...and a deep wish to see their rights protected and respected. As the ghost of George Orwell says when I imagined him showing up to hear the story of a refugee child, notebook in hand 'Speak Amir, I came to hear you speak.' ('Amir and George', Stripes. I'll be Home for Christmas).

In 'Red Leaves' Iona, a homeless girl from Scotland has been abandoned on the streets of London and her rights are really only protected through the random kindness of a Sikh family-'The Kalsis' who attempt to guide her and offer comfort and shelter. These children, holding diaspora journeys from Somalia, America, Scotland and London... meet in ancient woods that have historically protected them.

Red Leaves ( Endorsed by Amnesty)  Published by Macmillan Children's Books

The rights of children.... holding courage keys to the story hive!

In writing my latest novel 'Where The River Runs Gold' (Orion) I asked myself where does the river run gold for children's rights? What kind of society can we build in which the rights of the child are truly honoured and protected. I have imagined a near future world in which environmental damage has brought forward a crisis in food production, leading to the decimation of bees, pollinators, tree and plant life..... and of course into this world children are born. Greta Thunberg is such a bright beacon in our times and, like Greta, my young characters Shifa and Themba must fight for their rights to be  protected.  In my story The Emergency Ark Government has suspended the laws to deal with the immediate climate and food production crisis.... and as a result the children must trust in the promises of leaders.       

Where The River Runs Gold ( Published by Orion) Carnegie Nominated.

“It’s becoming all too clear that climate change will have a devastating impact on human rights. Where the River Runs Gold explores a not-too-distant future where children are enslaved so that their small hands can be used to pollinate plants
. Their rights are multiply denied because of the greed of corporations and governments. It’s a bleak prophecy, but author Sita Brahmachari, as ever, pays tribute to the power of solidarity and friendship and this book has a warm and glowing heart.”


Nicky Parker, Publisher. Amnesty International UK

Children and young adults today understand how deeply words used, the truths they hold and the narratives we tell matter in helping us face our biggest challenges. In the near future world The Ark  authorities know what they are doing when they close the libraries and remove the books from the majority of 'Freedom' children, discouraging them to paint or draw, read stories, question the status quo or imagine a different future.

But stories are powerful forces indeed and Shifa refuses to stop sewing re-wilding seeds! For Shifa and Themba access to the pages they can hold is denied them and the portal to their broad education is closed, they protect their story hive because they know it holds the courage keys to their future.

In imagining the world through children's eyes, I pause long and deep to try to see what they see, feel what they feel and time and again the question that comes as I write is how are we protecting these children's rights: to have a childhood, to be safe, to have a home, to be treated fairly, with equality....the right to breathe fresh air, to access nature, to play, to express themselves, to follow their faiths  and cultures and have them represented, to be included, to drink clean water, to eat, to be educated, to enter the story hives of their imaginations and to look forward to a brighter and more beautiful future?

Where The River Runs Gold  (Endorsed by Amnesty ) is published by Orion (Hachette Children's Books)

Rights of The Child Resources and Information:



'Tender Earth,' 'Corey's Rock,' 'Red Leaves' and 'Where The River Runs Gold' have been endorsed by Amnesty International.

'Tender Earth' was honoured by The International Board of Books for Young People ( 2018)  commenting that this depiction of contemporary childhood resonates in the Britain of today.


https://www.amnesty.org.uk/press-releases/climate-change-school-strikes-praised-head-amnesty

Sunday, 30 June 2019

Publication Day Celebration - Waterstones Book of the Month


Dare, Dream, Believe, Imagine....


'Where The River Runs Gold' 

Orion Children's Books
Edited by Sam Swinnerton

Endorsed by Amnesty International 

Published July 1st 2019

Waterstones Children's Book of The Month
Blackwells Display pick



How wonderful and exciting to see the beautiful displays inspired by 'Where The River Runs Gold' emerging in Waterstones Bookshops. I'm looking forward to seeing many of them. 

To celebrate 'Where The River Runs Gold' publication day I am so happy to present this beautiful textile art. It is made by #FridayForFuture environmental activists in response to the story and includes patchwork pockets and origami seed envelopes full of re-wilding treasure from the book.

It's pictured with:

🌻 'Where The River Runs Gold' notebook (containing world building maps/sketches)
🌻A hessian save the bee bag (no plastic is permitted in the Kairos Lands)  
🌻A painting pallet I imagine belonging to a Forager 'Graffitree' artist 

These Publication Day patchwork pieces are scattered in my wild flower garden of daisies, lavender and golden evening primrose... On a sunny Sunday I've been imagining  my character Shifa on the secret, forbidden 'Flower Tracks' making her daisy chains and turning the evening primrose and lavender into healing oils for her family.

In near future Kairos Lands where I've been roaming the world is divided into 'Paragons', 'Freedoms' and 'Outlanders' and it's clear that ...'All that glitters is not gold' but Shifa and Themba and their fellow environmentalists must search for what truly is...

As we approach the summer holidays I hope this story will inspire much re-wilding of wildflower tracks in the earth and in storytelling imaginations too.

In the landscapes I love most you are always discovering new paths. I have been lucky enough to work with great creative teams in children's publishing from the start of writing stories for young people with 'Artichoke Hearts' (Macmillan Children's Books). Since then there are so many golden threads to this storytelling journey - all of them written from the heart and it has been a great joy to work with Sam Swinnerton (Senior Editor - Orion Children's Books) once again.

Screen shot of my books created by Concord College, Shropshire
 
In 'Where The River Runs Gold' I have slipped out of time present, entered the story-hive of mythical lands and discovered a new river path in my storytelling garden. 


Art from the Art and Writing Class run by Jane Ray and myself
(As artist and writer in residence at Islington Centre for Refugees and Migrants)
Our artistic work together is referenced in the acknowledgements of 'Where The River Runs Gold.

Over the next few weeks I'll be touring around with the wonderful Dom Kingston 
(Head of PR at Orion Children's books) and talking more about world building in the Kairos Lands ... but for now I just want to say a heartfelt (skep-heart!) thank you to the whole team at Orion Children's Books and my agent Sophie Gorell Barnes at MBA literary Agents for their great enthusiasm, creativity and care in publishing this story. I can't wait to hear how it grows in reader's imaginations.

So thrilled with this publication day news. Thanks to all the wonderful staff at Waterstones for their book love.






Saturday, 27 April 2019

Why calling Greta Thunberg 'a girl in pigtails' is so deeply troubling

All children's and YA authors will have been on the receiving end of the question 'When are you going to write an adult novel?' Maybe one day I will, maybe I won't but what I think is at the core of the question is a perception that writing for young people is somehow of a lesser quality or importance than novels written solely for adults.


I know I'm not alone in hearing from adults who have picked up my inter-generational stories that they spoke to them powerfully, but sometimes this is said with an element of surprise.

I fear that what is deeply embedded in our society is an attitude towards children and young people that denigrates their abilities and by extension those who create work for them. As an author and Amnesty Ambassador I am constantly inspired by the young people I meet, their vision, clarity and bravery. I have often written  young women characters who put themselves on the line and stand up to inequality when they see it.

As Greta Thunberg has stated again and again... she has not mobilised children throughout the world to leave school to make governments of the world listen.... for fun! She has done so because time is of the essence.... she is a young woman with all her life ahead of her... and that life will be compromised by lack of action.

So for adults to denigrate a young woman who has ( unlike so many world leaders) used social media as a force for good and speaks to power with clarity, passion and wisdom.... is for me a deeply troubling sign of disrespect to young women and young people in our society.

It disrespects girls, women and  childhood.

This year marks the 30th anniversary of the Rights of The Child.

I've heard people talk negatively about young people knowing their rights countering the argument by the suggestion that 'they should know their responsibilities.'

In a week where children experiencing hunger in this country spoke in Parliament of the shame of child poverty I am incredulous at some of the commentary I read by adults in relations to children and childhood.

In my mind it is the children today who are showing responsibilty with great dignity and honesty. When adults choose to respond by calling one extraordinary young woman 'a girl in pigtails'
it speaks volumes to me of who needs to learn some respect... and it's not the children.

I for one am proud to be a children's and YA author....to walk side by side with them, help with the power of the imagination to speak to their humanity in these tender present times and to narrate them into a brighter future.

Links:

Greta Thunberg - ' You're never too small to make a difference'
https://www.youtube.com/watch?v=VFkQSGyeCWg

Greta Thunberg - Full Speech to UK Parliament
https://www.theguardian.com/environment/2019/apr/23/greta-thunberg-full-speech-to-mps-you-did-not-act-in-time

https://www.ohchr.org/EN/HRBodies/CRC/Pages/CRC30thAnniversary.aspx

https://www.amnesty.org.uk/files/resource_sheet_8.pdf





Friday, 22 March 2019

Where The River Runs Gold

Receiving a proof copy of a story born in the wild, meandering paths of your imagination never loses its magic. I'm so looking forward to introducing readers to the 'brave and true' Shifa and Themba and their family. 

The knitted bee below was a birthday present from my lovely friend Sarah and is just the sort of thing that Shifa would make because in the lands in which she lives the bees appear to have flown our world. 



Where The River Runs Gold is published by Orion Children's Books and is to be published on 11th July 2011.

Here's a snippet...


Reading through the proof I’ve been thinking about the process of writing and the winding paths of life, time and art and loved landscapes, all central themes in this story set in the mythical Kairos Lands.. in Kairos Time regenerative possibilities still remain open...

Dr Ryad Alsous  world renowned bee keeper and refugee from Syria  whose story inspired the character of Nabil (Shifa and Themba's father) and his ancestors and to consider the very real threat to our bees.



In Where The River Runs Gold I've been exploring how we're caring for the rights of children and our environment, the rivers, forests, the bees, the urban parks… and I've been asking what thresholds present and future generations might have to breach to make governments of the world protect this planet and change the way the worlds resources and economies are organised and shared. 

In writing I have been mindful of the number of adults and children around the world (some of whom I meet at Islington Centre for Refugees and Migrants) who become refugees because of environmental devastation due to climate change, mismanagement of land or unwillingness to share the world's resources.

Stories sometimes wait to be born in you and into the right time. My daughter (now almost fifteen years old)  and her friends along with millions of young people  were inspired by amazing activists like Greta Thunberg to strike... to leave school to show leaders of the world the urgency of their cry. Because of generations of denial, apathy and intransigence young people are now mobilising, as my young characters Shifa and Themba must to pressurise governments to save their planet, to think of new ways of living where the world's resources are shared more equally… for in my novel as in life it is young people who pay the heaviest price…



Where The River Runs Gold begins with the cry of a baby....and this story is dedicated to my wonderful editor Sam Swinnerton's baby, Ada. I worked with Sam on my first novel 'Artichoke Hearts' (Macmillan Children's Books) and it has been a real joy and adventure to work with her again, exploring new tributaries in my storytelling journey. As we met for editorial meetings and Ada grew, I thought deeply about what sort of world she would be born into and about writing a story containing the wonders of the natural world, a time portal of regenerative possibilities and a cry for the urgent need to protect this planet.


For inquiries contact: Dominic.Kingston@hachettechildrens.co.uk 


If you have not heard Greta Thunberg's cry for action at the Extinction Rebellion Rally in London (April 2019) Here it is in full.

https://www.theguardian.com/environment/2019/apr/23/greta-thunberg-full-speech-to-mps-you-did-not-act-in-time

Links to things that have inspired me:













Thursday, 22 November 2018

Children's and YA Seasonal anthologies with heart

Today was the first properly frosty morning walking Billie who coincidentally has a Christmas day birthday. So we were both starting to feel that it was time to get in the festive spirit!



 I've never tired of that childish excitement of the season of candles, home fires and heartwarming gatherings. But I, like many of us, have never lost the sense of outrage that so many people in this frosty weather don't have a roof over their heads and that an increasing number of homeless people are children and young people. So as we approach the Christmas season we hold these great fissures in our minds. The disparity between plenty and poverty. comfort and crisis, love, joy and neglect.

I thought to bring together two Christmas and wintry anthologies that include wonderful  stories of so many of my amazing friends and colleagues in the YA and children's publishing world. Funny, heartwarming, diverse, thought provoking, emotional, humane stories from some of the most wonderful writers today who are holding this dual sensibility of the season through young eyes - alert and all seeing to both the world's woes and wonders at this time of winter celebration.



'One Snowy Night' is a new collection of animal tales for younger readers that captures the beauty  of the wintry season through truly heartwarming tales about the animal world. It's lovingly illustrated in atmospheric black and white drawings by Alison Edgson. I was delighted to be invited to write a story for younger readers with a focus on animal tales as it moves us away from - in Wordsworth's words a period of  'getting and spending' towards seeing much 'in nature that is ours.' Animals and our connection to nature can be the link to a universal human need for a magical sense of awe at the natural world.  Here is Rabina as she meets her first robin in 'Snowland' in 'One Snowy Night.'

'A Robin's Welcome is.a profoundly moving story that has many layers.'




'I'll Be Home for Christmas' was published in 2016 by Crisis and Stripes, for YA and teen readers. £1 of every sale goes to Crisis.

Here are Amir's thoughts  from 'Amir and George' 



'Amir and George' is re-printed in:
' A Country to Call Home' Ed. A collection of  stories by some of our most treasured YA writers. The focus of these stories is refugee experience Ed. by Lucy Propescu and illistrated by Chris Riddel



and - 'English and Media Centre' Publication 'The Power of Voice' with KS3 curriculum resources.  


Invitation from Islington Centre for Refugees and Migrants hosted by Amnesty International
30th November 6.30pm
If you're looking for a heartwarming celebration of poetry, art and music that finds a way to hold the disparities of the season by celebrating our common humanity - Come along to a joyful evening celebrating the work of Islington Centre for Refugees and Migrant  at Amnesty HQ


Tickets:



Wishing you a light filled festive season



Billie and Sita X 

  

Friday, 7 September 2018

'Corey's Rock' 'What! The real Jane Ray's illustrations in my book!'



Endorsed by Amnesty International for illuminating the human rights values of family, friends, home, safety and refuge.

Review Round up


'One of the most gloriously beautiful, gently inclusive & poignant children’s books I’ve ever read. Gorgeous!'
Nicky Parker (Publisher Amnesty International)

CLPE Books of the year https://clpe.org.uk/library/booklists/clpe-staff-picks-2018 selected by Ann Lazim -…A beautiful collaboration between an author and illustrator which brings together themes of loss and new beginnings, friendship and cultural heritage.

'What makes Corey’s Rock quite so special? Let me count the ways:
First, we have the spiraling poetic language that gently, but insistently, nudges its characters onward, reverberating with the recent past as it echoes across the book, so that Isla and her parents edge gently forward, drawing closer to something like acceptance, something like recovery, and then something that we might tentatively describe as happiness.

Then we have the illustrations. Illustrations that work with and around that poetic language. If you are interested in picturebook codes, there is so much to linger on here.  From the stunning cover, to the profoundly telling endpapers, and then slowly through the careful use of picture, symbol and space, this is an especially crafted, especially beautiful dance of word and image.'  
(Just Imagine)

'Brahmachari always writes with tenderness and awareness about how global and personal difficulties affect children, and Jane Ray’s soft wash illustrations hold the space beautifully for this quiet story of transformation and healing.'
Book Trust ( Books we love)

'A scintillating read for children who can wholly identify with the feeling of being displaced.'
(Read it Daddy Blog)

'A treasure of a book that deserves a wide audience.' Jill Bennett (Red Reading Hub


'Written in narrative verse with exquisite full-page colour illustrations [by Jane Ray] A lyrical and deeply moving novella  about bereavement and identity, shot through with the selkie (seal folk) myth. Fiona Noble (preview Bookseller)


'A Magical tale that will bring comfort to its young readers.' Sarah Crossan


'Sita Brahmachari’s words and Jane Ray’s illustrations weave a heartfelt tale of longing and belonging, threaded with the magic of a selkie story. Set against the blue-green sea and sky of Orkney, Corey’s Rock is a story of grief and loss, but also one of light and hope, and ultimately love. A book to be read and read again.'t  Gill Lewis
'A beautiful book.I love the way the narrative flows so effortlessly between dream, myth and realism.It’s challenging without feeling overtly so. Corey's Rock is a doorway to poetry and mysticism.' Cheryl Moskowitz 


'A warmly compassionate , exquisitely beautiful story of love and loss, old tales and new beginnings.' Kate Agnew



The evolution of a rich collaboration...


It is such a joy to have worked with the wonderful Jane Ray on this our second story together. Our first was 'Worry Angels' for Barrington Stoke (2017) which shares a narrative of the power of art and creativity to heal and transform.

I wrote 'Corey's Rock'!  four years ago after reading an article about a family coming to terms with the death of their first child,born with a heart condition. It was something that the mother said about there being so few stories that she could read to her surviving daughter that could help them to re-build their lives as a family. Her words sent me to my desk. A story emerged, image by image. I found the family on a Scottish island, on a wide open beach. In my mind's eye Isla looked out to sea and saw a seal and begins to weave her love of the selkie myth together with having to come to terms with the loss of Corey..she  collages myth and her love of the natural world to navigate her way in her new home and reality. In tone and style it was close to my work in theatre and the poetic co-adaptation of Shaun Tan's 'The Arrival.' As I wrote I felt it needed to be a work of image and word, that it cried out to be fully illustrated.
Signing at The Children's Book Shop Muswell Hill where the collaboration began
I think in pictures and it has been a total joy and honour to see the world of my story illustrated with Jane Ray's beautiful brush strokes. So much so that when I saw her imagery for the first time I burst into tears! To see your words and world visualised with so much care, tenderness, mystery, beauty and magic must be a highlight of any author's career.
The first signing took place at The Children's Bookshop Muswell Hill

Background to 'Corey's Rock'

Jane Ray and I were first introduced by Kate Agnew then owner of The Children's Book Shop Muswell Hill who said that she would love to see us collaborate. I was both excited and in awe of the idea. Shortly afterwards Jane and I worked on the wonderful Pop Up Festival where we both created installations around our stories (Jane with unicorns, me with kites and owls for 'Kite Spirit'). We travelled together and were amused by how many feathers and quiltish things we carried with us! We found we did indeed have much in common.

Shortly after, Jane invited me to work with her at The Islington Centre for Refugees and Migrants where we have run an art and writing class together for the last three years. 


Taking 'Corey's Rock' out of the drawer

One day I plucked up courage to show Jane 'Corey's Rock' and was overwhelmed by her response to it.

‘When Sita showed me her story ‘Corey’s Rock’, I was immediately entranced. I have always loved Selkie stories and have drawn on them for other books, such as ‘Can You Catch a Mermaid?’ (Orchard Books) and ‘Ahmed and the feather Girl’ (Frances Lincoln) The idea of a beautiful wild creature transformed, and torn between two worlds, is a powerful one, which resonates at many levels. Sita’s lyrical writing moved me and filled my head with pictures. These are always the best stories to work on – the ones where I can ‘see’ the illustrations immediately, not necessarily as individual pictures, but as a feeling, an atmosphere. I am very excited by Sita’s lyrical prose. Already I can see the soft greys and greens of the Scottish Isle sea-scapes blossoming into warmer colour as the characters in the story begin the process of healing and adapting after their loss.'



Flow between image and word


These are pictures of a diverse family in rural landscapes that remind me of those my family grew from but the like of which I never saw in pictures when I was a child. I had no idea how much I have longed to see them. I hope that they speak to children as powerfully as they speak to me.

The novella is now arriving in the shops. Jane and I met to celebrate the story and in the quiet of her beautiful garden she gifted me this exquisite painting of Isla in her dream world.


This speaks to me not only of Isla's story but of the transformative power of dreams and storytelling that is the force that drives so many of us children's authors and illustrators.

 This refrain runs through Isla's mind throughout the story...

'Wrap yourself in selkie skin, listen to the call within.' 

I hope that this will be a story that will find readers snuggled on a sofa, or lying on the scatter cushions of a wonderful library, as Isla does. I delight in the idea of a child opening the book and finding in the wide horizon... an invitation to enter. Children need space and an invitation to belong in landscape only then will they begin to make their own marks on a page, and bring of themselves to be readers and writers of stories.

This is a book I will personally treasure. I still have to pinch myself to believe it's really here!

We are so proud that Amnesty International have endorsed this book as a story that speaks to the values of family, friends, home, safety and refuge.

With huge thanks to the wonderful publisher and champion of a diverse world of children's books Janetta Otter-Barry and the whole team at Otter-Barry Books, agents Sophie Gorell  Barnes of MBA Literary Agents and  Hilary Delamere for being so passionate about this story...

'Corey's Rock' is available in bookshops now.
https://www.bouncemarketing.co.uk/publisher/otter-barry-books/


Festivals, Assemblies, Residencies and Workshops
Using a beautiful animated film Sita and Jane have developed a range of creative and immersive talks and workshops offering insight into how an author and illustrator work together. Participants are invited to explore the beautiful, deep and wild imagination of the selkie tale of ‘Corey’s Rock.' Using the film as a backdrop, participants will be immersed in the sounds and sights of the natural world of the novel. Activities include elements of improvisation, landscape painting and sensory poetic writing on the theme of the transformative power of the imagination. Suitable for children aged 8 - 11.


Also by Sita and Jane

'Worry Angels'
Barrington Stoke
Shortlisted for Jhalak Prize and Coventry Inspiration Book Awards
Longlisted for Carnegie
https://www.booktrust.org.uk/book/w/worry-angels/



To read more about the vital work of Islington Centre for Refugees and Migrants and how you can support:  

https://islingtoncentre.co.uk/

https://www.booktrust.org.uk/news-and-features/features/2015/april/wir-what-the-real-jane-ray-in-our-house/

https://www.theguardian.com/commentisfree/2018/jul/23/childrens-books-bame-characters-stuck-monochrome

Kite Spirit installation: Pop Up Festival
http://graceemilymanning.co.uk/pop-up-projects-014

Depictions of diverse representation in the British Countryside
http://booksforkeeps.co.uk/issue/229/childrens-books/articles/beyond-the-secret-garden-england%E2%80%99s-white-and-pleasant-land


To read more about the vital work of Islington Centre for Refugees and Migrants and how you can support:  
https://islingtoncentre.co.uk/our-clients-work/







Monday, 9 July 2018

Literary Treasure: David Almond's 'Where Your Wings Were' Seven Stories Exhibition

Diary of an inspirational day at Seven Stories 'Where Your Wings Were'  Exhibition launch. 
28th June 2018.

David Almond is quite simply one of my inspirations as a writer.  So when Sarah Lawrance Collection and Exhibitions Director at Seven Stories invited me to be in conversation with him about his work at the launch of his exhibition 'Where Your Wings Were,' it was not a hard decision to accept!





ON THAT MORNING....I arrived in Newcastle to blistering sunshine and walked along the Quayside to Seven Stories. The beautiful tidal Tyne with its monumental bridges was all of a glitter.  On the opposite bank I read a sign that said 'Go with the Flow/ Swim Against The Tide'... 


I thought about the last time I'd met David at The Hay Festival and he had spoken about a seam that ran through all his stories; the power of the imagination and creativity to harness the passion of youth and  help young people grow...    


'We need to break away from narrow notions of learning into something more tender, more creative, more complex that explores the strangeness of the human heart, that explores the real world and real objects and the mystery of them.' 


I thought about my own journey as a writer and my own children and how important it has been for them to swim against the tide and find their own creative hearts. One of things I have always loved about David's work is it's rootedness in the North of England. In my early childhood we lived in Hull and The Lake District where my mum's family come from and the landscapes of Almond's work speak deeply in me to a place of awe and wonder at the power of the natural world and how we as human connect and impact on it through our imaginations and industry. 


As I walked past a foundry workshop I was struck by the art on the underside of a red brick arch...I was later to discover that this beautiful work is just one of the extraordinary exhibits that forms part of the ' Winged Tales of  The North' art trail  commissioned by Seven Stories from David Almond (words) and Kate Drummond (Visual artist) inspired by David Almond's work. It's a stunning exploration of how an imagination is formed from the landscapes out of which it grows...and it takes you  through the Ouseburn Valley as part of Newcastle's Great Exhibition of The North ....


Staring up at the beautiful owl and kingfisher - much loved birds and powerful symbols in my own stories, I felt a huge sense of anticipation and also considerable nerves!

David Almond in front of the arch on which he has created his own flash fiction.

Interior...


Prior to the interview I was lucky enough to tour the ' Where Your Wings Were' exhibition with David as he shared with me the experience of moving through his own work ... that what he appreciated is the space in the viewer's imagination the exhibition allowed for visitors to imagine and dream for themselves. 

It's this space in Almond's work that I most appreciate.

In keeping with this idea, the exhibition space allows you to fly around it in any way you wish.  You feel as light as a bird on entering the gallery ...where dreams and imaginings of wings greet you at the door and invite you in.

I chose to enter across a wide expanse to a hypnotic vision of a murmuration of starlings. There is space here to sit or lie and take in the wonder and mystery of this vision of nature, a constant theme in Almond's work. All his stories hold something of this hypnotic power and energy.

After the epic contemplation of the large sky screen I bobbed around smaller more personal spaces of exploration inviting the viewer to settle and peck about! I peered into light boxes containing flames tilting and growing, leaned over the edge of a bridge where the surging energy of  the river feels like it's running  through you.




These immersive spaces are hard to leave just as these symbols settle on the mind of a writer and recur in stories...writing themselves into your work... owls, wings, stones, pits, rivers, dreams of flying...

The viewer is invited to lose themselves in these epic natural forces and also to find themselves reflected and refracted in them. Finally pulled away from the power of the weir I came face to face with myself in a reflecting lens where faces and figures distort producing ghosts and monsters. I placed  my hand in a tangled web and nest and found another's hand reaching mine from another realm!

Later in the day David and I would talk about  monsters, fear, angels and flight in his work and they were all here in this exhibition.

At the end of this exploration of self and nature I was invited to write my own fears on an enormous chalk board... once those fears are voiced they too fly around the space.Here is an invition for everyone to experience the power of writing and stories.



After writing on the chalk board I wandered into a walkway of Almond's beautiful illustrated notebooks revealing what Almond calls  'the messiness' and the meandering nature of storytelling (although his notebooks are creations of layered beauty). Anyone interested in the creative process will want perching tim in front of each of these notebooks!





After prizing myself away from the notebooks I discovered on a far wall the iconography of an author's childhood. His learning of the Catholic catechism, his songs of an altar boy which gave him a love of the rhythm of his voice and the mysterious power of words. His own writing inspirations discovered in the Felling Library.  From these powerful objects of childhood  I was pulled away by children's recorded gasps and laughter as they engaged with Almond's stories. On a large screen  images mutated from Almond's work, I saw Skellig's Wings, Mina's tree, A dark pit of 'Kit's Wilderness', a reeling press from 'Heaven Eyes', a wide open tide where the teens of ' A Song for Ella Grey' escaped to... 'The Colour of the Sun,' sea and river creature, stones...a mountain tarn in the Lake District where I sang as a child. Almond's images mutate and are transformed by the watcher to enter their own wild landscape of the imagination.. the power of stories and the ancient human instinct to tell them flies with you out of this gallery .

Later Almond told me the experience of walking through the exhibition was like 'walking through my own mind.'

Exterior

In the foyer we met some 'young producers' who helped to create the ideas and elements for the Art Trail inspired by Almond's work.





We walked along the Ouseburn Valley together beginning with the owls and kingfishers that I had already discovered flying under the arches. We moved on to a mythophone, (perhaps the writer's ear?) distilling Almond's voices and stories, past the pigeon crees, along the canal where a derelict old den could have easily produced a skellig... From there we trailed under a railway bridge where we dared a group incantation ..'Essalamus.' Three times we spoke the word we were warned would lead us into peril... from then on we were all caught in its enchantment!  On this beautiful trail David had woven  new words dedicated to the places that have ignited his imagination in his stories.

It was hot and by the time we returned to Seven Stories I was beginning to feel nervous. The exhibition and the art trail had managed to capture the essence of Almond's magical passionate world so beautifully and following a viewing of the exhibition an audience were gathering to hear him speak about his life's work.

In inteviews questions can be the barred way or the open gate that let's you find a way in to speak about the walled gardens and the wildernesses of the writer's mind...

Collection and Exhibitions director Sarah Lawrance  gave me an excellent tip ... make it a conversation between authors....so i did. I asked David the questions that fly up in me when I read his work .Questions about landscape, his own childhood, about his engagement with monsters as well as angels, his capturing of voice, and he read from  his beautiful most recent novel 'The Colour of The Sun'... and we got lost in the flight and flow of conversation! To hear David read his work to an audience including his own siblings was a truly moving experience. All that was left to do was thank David for sharing his mind, imagination and humanity with generations of people throughout the world through his books, films. radio plays and now through this extraordinary exhibition. I'm sure this exhibition will tour far and wide but you will never feel it's power as truly as in the place it grew.

If you do one thing this summer try to get to Seven Stories to see this exhibition. It will  reveal to you the ways that an imaginations grows, flows, flies and roots itself in the song and sway of the written word where it finds lodging for a tide and time... until a page is turned and it takes flight again in the reader's mind.


The next morning as I walked along the Quayside thinking about the creative writing workshop I was to hold that morning.... I was overwhelmed by the beauty of the sun dancing on the Tyne  and of the glittering presence of wings and light floating in and out on the tide of all our imaginations.

P.S.  I am not sure what this means! When I visited The Lake District for my cousin's wedding recently I had a little present from a pigeon deposited on my shoulder! It came seemingly out of a bright blue sky... I made my cousins laugh by instantly thanking my Dad... (the kingfisher, his favourite bird). Walking under the Tyne bridge into Newcastle... you guessed it... the same deposit on the same shoulder... well not exactly the same. I was informed that in all probability the bird that had left its present was the rare and raucous sea bird the... Kittiwake... I flew back to my nest with two new words ... Kittiwake and Cree!

Thank you Seven Stories for the invitation and this meeting of minds, hearts and wings! Now back to the chalk board....







With thanks to Victoria Sanderson - Marketing & Communications Manager for use of these wonderful photographs. 

READ THE COLLECTIONS TEAM BLOG : www.sevenstories.org.uk/news/collections-blog<http://www.sevenstories.org.uk/news/collections-blog>


Articles:
https://www.booktrust.org.uk/whats-happening/blogs/2015/june/wir-david-almond---a-humble-giant-of-a-writer/

https://www.theguardian.com/uk/2011/may/17/newcastle-kittiwake-gull-colony