The Earth Remembers...?

That's the working title of the piece I'm now working on- or, maybe not.  The title is just not coming to me right now, but it's not really important at this stage of the game.

So this is the top part of the piece, loosely representative of the earth's outer layers. It's made from the cover of an old geography book, and will have additional panels attached below this one. It's more structured, organized, and formally composed than I wanted it to be.  I attribute this tendency to my original training in graphic design school, but I'm working to overcome it.  Baby steps, right?







Some things to think about:  What artistic "stuckness" are you working to overcome, one baby step at a time?  How do you go about titling your pieces?

Look! it's a book!

Well, it's been a while.  With school back in session, life has resumed a pace somewhat reminiscent of a meteor hurtling towards the earth.  Besides that, my daughter is about to get married, and I have been working on the guest book, which is the first book I've made completely "from scratch".  I was very nervous that I would mess it up- which I did, early on- so I still had time to start over. I'm pretty pleased with how it turned out, if I do say so myself.

Here are all the pieces, ready to be sewn together.  I got stuck at this stage for a while because I was looking at the directions for the stitching order, and found them confusing.  I couldn't figure out the best way to knot the thread at the end, and there were about six different ways of doing it- mainly due to the fact that Japanese stab binding wasn't originally used with hard covers, I guess. 

 Here it is, all sewn together...

 detail

 I'm not really happy with the appearance of the linen thread, and it's not terribly tight; I pulled it as tight as I could while sewing, so I think it must be the knot on the inside, which may not be as close to the spine as I had intended.

 I left the rest of the decoration until after the stitching, so as not ruin it.

I may sew over the stitches with a very thin black ribbon, which might look better than the linen thread, but all in all, not too bad.

In case you're wondering why it's called "Guest gallery", it's because Caitlin and Wes are getting married in an art gallery.  I stamped gold frames on the black pages for people to write in.

I want to again thank Mo of the fantastic blog, "It's Crow Time", who is always willing to patiently answer my unending book-binding questions.  You should really look at her beautiful drawings, especially if you like crows, which we all do, it seems.


In other news, Roxanne Evans Stout, an accomplished artist and teacher (and one of the sweetest people I know) of Rivergarden Studio has included my answer to the question, "What is the thread that runs through your work?" in her post, "Of Golden Threads, part 3".  This is her third post featuring the responses of various artists to this intriguing question, and the answers range from emotionally revealing to surprising to inspirational. If you haven't already, please check it out.


My dear friend Donna Iona Drozda recently did a guest post for the Series "Artist as Collector" on artist Nanci Hersh's wonderful blog, and to my surprise, she honored me by choosing to feature me as her 'collected' artist'.  The post is titled, "Empty and Full with a Fresh Eye" and I hope you'll take a few minutes to read it.  Also, you'll no doubt want to check out Donna's work; not only is she an enormously talented artist, but she shares her "Luna See" spiritual insight through her "Following the Moon" blog, she somehow finds time to work on public art projects such as "Life in Transit", teach workshops for children and adults, and so much more.


Thanks to Roxanne, Donna, Mo, and all my sweet blogger friends- I love you all!