TWIN CITIES LIVE- September 5, 2014

TWIN CITIES LIVE
September 5, 2014

It was a pleasure returning to Twin Cities Live after a few weeks off. It's been a little slow at the theaters right now, so we decided to do a fall movie preview instead of reviews of the latest new releases. Here are the four movies we discussed:

1. GONE GIRL
Director: David Fincher
Starring: Ben Affleck, Rosamund Pike, Neil Patrick Harris, Sela Ward, Tyler Perry

2. INTERSTELLAR
Director: Christopher Nolan
Starring: Matthew McConaughey, Anne Hathaway, Jessica Chastain, John Lithgow, Michael Caine

3. INTO THE WOODS
Director: Rob Marshall
Starring: Meryl Streep, Anna Kendrick, Emily Blunt, Johnny Depp, Christine Baranksi

4. UNBROKEN
Director: Angelina Jolie
Starring: Jack O’Connell, Domhnall Gleeson, Garrett Hedlund, Jai Courtney

Here's the video:



Video courtesy of Twin Cities Live/KSTP

For more on these four movies and my full Fall Movie preview, click HERE.

You can find all of my past segments HERE.

As always, thank you so much for watching and your continual support. I truly appreciate it!

FALL 2014 MOVIE PREVIEW

FALL 2014 MOVIE PREVIEW

1. INTERSTELLAR
Director: Christopher Nolan
Starring: Matthew McConaughey, Anne Hathaway, Jessica Chastain, John Lithgow, Michael Caine

I am a huge fan of Christopher Nolan, the visionary director of Inception and The Dark Knight Trilogy. This film may be his biggest challenge to date. It is still shrouded in secrecy, but a couple of trailers have been released.  I am stunned and awed by everything I am seeing so far. It has been in the works for the past few years and was originally inspired by physicist Kip Thorne and his theories behind using wormholes in space to time travel. Matthew McConaughey continues his hot streak by leading this ensemble cast as one of the brave few willing to travel to the far reaches of space in hopes of saving the universe. If you were moved by last year’s hit Gravity, you will want to check out Interstellar.

Release Date: November 7



2. INTO THE WOODS
Director: Rob Marshall
Starring: Meryl Streep, Anna Kendrick, Emily Blunt, Johnny Depp, Christine Baranksi

The latest big screen adaptation of a Broadway musical is based on Stephen Sondheim’s hit Into the Woods. Rob Marshall is no stranger to directing musicals after his work on Chicago and Nine. He has another all-star cast led by Meryl Streep as the Witch who makes an offer to a baker (Corden) and his wife (Blunt) that they can’t refuse. The two of them must face other fairy tale characters like Cinderella, the Big Bad Wolf, Little Red Riding Hood, and Rapunzel and steal some precious items for the Witch in order for her to reverse the curse of infertility that has been placed over their home. If you know the staged version, you are already familiar with the beautiful music and insanely creative word play in the lyrics. You also know how dark and grim the story can be at times. With this being a Disney property, I will be curious to see how faithful they stay to the original story. There have been rumors floating around that specific numbers and side plots have been cut from the movie that would potentially make it more family friendly. Sondheim was involved in the process so I am going to remain optimistic about it and not give those rumors too much thought.

Release Date: December 25



3. UNBROKEN
Director: Angelina Jolie
Starring: Jack O’Connell, Domhnall Gleeson, Garrett Hedlund, Jai Courtney

The highly anticipated film is based on the book of the same name by Laura Hillenbrand which stayed on the bestseller list for three years. I recently started reading it, and I can already tell that this will be one incredibly powerful and moving story. It tells the remarkable true story of Louis Zamperini (O’Connell), a record breaking Olympic runner who became an airman in World War II. His plane was shot down and he was left stranded on a raft in the middle of the Pacific. Forty-seven days later, he was rescued only to become a prisoner of war in the Japanese camps. The film is getting massive buzz due its story of survival and perseverance. It’s directed by Angelina Jolie with a screenplay by Joel & Ethan Coen, Richard LaGravenese, and William Nicholson. Expect lots of Oscar buzz around this one.

Release Date: December 25



4. GONE GIRL
Director: David Fincher
Starring: Ben Affleck, Rosamund Pike, Neil Patrick Harris, Sela Ward, Tyler Perry

If you have seen any of director David Fincher’s work like Seven, The Social Network, or The Girl with the Dragon Tattoo, you know he is the perfect choice to tackle Gillian Flynn's bestselling novel "Gone Girl", He is exceptional at capturing these dark and mysterious stories. Amy (Pike) and Nick (Affleck) Dunne seem like the perfect gorgeous couple. On their fifth anniversary, Amy goes missing and Nick becomes the number one suspect. What follows is a twisty ride of deceit, deception, and mystery that was their marriage. It should be known that author Gillian Flynn wrote the screenplay for the movie. In an article in "Entertainment Weekly", Ben Affleck mentioned how she rewrote the whole third act of the movie that takes it in a different direction than the book. Who knows if that is true or a ploy to keep the movie a mystery, but I am intrigued to see what these changes are going to be like.

Release Date: October 3



5. FOXCATCHER
Director: Bennett Miller
Starring: Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave

If you are a fan of funny man Steve Carell, like I am, you will want to take note of his latest, Foxcatcher. He received all sorts of early Oscar buzz for his role after it screened at the Cannes Film Festival. This is far different than anything we have seen from him before. The film is based on a bizarre true story with Carell playing millionaire philanthropist John du Pont. He was known for sponsoring and mentoring Olympic wrestling brothers Mark (Tatum) and Dave (Ruffalo) Schultz. It started off as promising friendship and working relationship, but tragedy strikes as du Pont’s growing paranoia, suspicion, and erratic behavior leads to murder. Don’t be surprised if Channing Tatum and Mark Ruffalo also receive high praise for their performances. The film is directed by Bennett Miller who has previously directed Moneyball and Capote, also based on true events.

Release Date: November 14



6. THIS IS WHERE I LEAVE YOU
Director: Shawn Levy
Starring: Tina Fey, Jason Bateman, Corey Stoll, Adam Driver, Jane Fonda, Connie Britton, Rose Byrne, Kathryn Hahn

It’s become a joke with my parents that I love movies about dysfunctional families. As an actor, I’m always drawn to those types of large ensemble dramas as there are rich characters for the actors to play with. I was immediately drawn to This is Where I Leave You when I first saw the cast list and a publicity photo in "Entertainment Weekly". Jane Fonda, Jason Bateman, Tina Fey, Corey Stoll, Adam Driver, Connie Britton, and Dax Shepard are just some of the fantastic actors that appear in this adaptation of the Jonathan Tropper novel of the same name. Jane Fonda stars as the matriarch of the Foxman family and insists her children (played by Jason Bateman, Tina Fey, Corey Stoll, and Adam Driver) reunite after their father passes away. As you can tell by the trailer, some of them are going through their own drama on top of the death in the family. The cast boasts quite a few actors known for their television work, and I’m excited to see them tackle a different medium. I recently finished the book and absolutely loved it!

Release Date: September 19



7. BIRDMAN
Director: Alejandro González Iñárritu
Starring: Michael Keaton, Zach Galifianakis, Edward Norton, Emma Stone, Naomi Watts, Amy Ryan

I grew up watching Michael Keaton in Batman and Batman Returns. Frankly, the Caped Crusader or Beetlejuice will probably be the roles he will always be remembered for. His career seemed to stall a bit after those films. He would have a few hits here or there, but none seemed to have as big of an impact on his career like Batman had. It's great to see him back in prime form in a role that seems perfectly catered toward him. In Alejandro González Iñárritu's (Babel) latest, he plays a washed up actor best known for playing an iconic superhero. He struggles to open a new Broadway play in an attempt to revitalize his career. It's been playing at some early festivals to critical acclaim, so hopefully this is the film to catapult Keaton's career back into the public eye.

Release Date: October 17, 2014



8. FURY
Director: David Ayer
Starrring: Brad Pitt, Logan Lerman, Shia LaBeouf, Michale Pena, Jon Bernthal, Scott Eastwood, Jim Parrack,

After seeing 2012's End of Watch, I was fully on board the David Ayer train. I thought it was a visceral, front of the line approach to what it's like to be a police officer in the worst area of Los Angeles. His next film was Sabotage with Arnold Schwarzenegger which was released earlier this year. Talk about a complete turn of opinion as I hated that film. It will surely be on my worst of the year list. With Fury, he looks to bring his A-game back into play with the heavy handed World War II drama. Brad Pitt leads the film as Wardaddy who vows to protect his four comrades and tankers in the final days of the war. I can only assume that this will be one of the most brutal and realistic war films we have seen in years. Maybe Ayer will have films on both my best and worst of the year lists.

Release Date: October 17



9. ST. VINCENT
Director: Theodore Melfi
Starring: Bill Murray, Melissa McCarthy, Naomi Watts, Chris O'Dowd, Terrence Howard

I've watched the trailer for St. Vincent a couple of times now, and I am naturally drawn to the feel good vibe and Bill Murray's performance. Others may find it too sappy. St. Vincent (Murray) is that cantankerous old man neighbor that we would rather not deal with on a daily basis. Single mom Maggie (McCarthy) feels no choice but to ask for his help by taking care of her young son. The budding friendship between young boy and kooky neighbor leads to all sorts of adventures that are far too risqué and dangerous for someone so young. I'll be curious to see how moviegoers and critics feel about this one. Will Murray have Oscar potential? Will McCarthy win us back after the dreadful Tammy?

Release Date: December 17



10. THE HOBBIT: THE BATTLE OF FIVE ARMIES
Director: Peter Jackson
Starring: Martin Freeman, Lee Pace, Ian McKellen, Richard Armitage, Benedict Cumberbatch, Cate Blanchett, Luke Evans

Fans have been a bit hesitant when it comes to The Hobbit movies. I can understand the frustration as Peter Jackson and his writing team of Fran Walsh and Philippa Boyens took one book and turned it into three movies by adding characters and taking details from the appendices. So far, they are nowhere near as good as The Lord of the Rings trilogy, but I feel like The Hobbit: The Desolation of Smaug was heading in the right direction. I have a strong inclination that this will be the best of this trilogy. Jackson may redeem himself from how the series started. I haven't read the book yet which I am embarrassed to admit, but I think that makes it a bit easier to judge the movies without any preconceived notions of what Tolkien's story originally had in store.

Release Date: December 17



*HONORABLE MENTIONS: THE JUDGE (Oct. 10), THE HUNGER GAMES: MOCKINGJAY PART 1 (November 21)

Those are my picks for ten of the films I'm looking forward to in the upcoming months. I'd love to hear from you! What films are you most looking forward to as we come into the fall season?

THE BEST AND WORST OF SUMMER 2014

THE BEST AND WORST OF SUMMER 2014

I don't think the 2014 summer movie season will be remembered for the good movies that came out. Let's face it, it seemed like each week we succumbed to some pretty disappointing movies at your local cineplex. Like every summer, we had our fare share of comic book movies, sequels, and reboots. There were big action franchises that wanted to continue their reign. Some fared well (X-Men: Days of Future Past), while others left us shaking our head in frustration (The Amazing Spider-Man 2). Here are my picks for the best and worst of the summer season, plus some that were pleasant surprises.

THE BEST

1. BOYHOOD
Writer/Director: Richard Linklater
Starring: Ellar Coltrane, Ethan Hawke, Patricia Arquette, Lorelei Linklater, Marco Perella, Libby Villari

By now, you are probably aware of the fact that writer/director Richard Linklater spent twelve years filming this movie. The huge gamble paid off, and I obsessed over it after I saw it. I bought the soundtrack and am currently working on making the Beatles Black Album that Hawke's character created. It was the movie I plugged and championed for whenever anyone asked me for my recommendation. If you are sick of seeing the same kind of movies in theaters over and over again, Boyhood is your kind of movie. It will be one of the most unique and thought-provoking films you will see all year or of any year recently.

RATING: 5 out of 5 TICKET STUBS



2. LIFE ITSELF
Director: Steve James
Starring: Roger Ebert, Chaz Ebert, Martin Scorsese, Werner Herzog, A.O. Scott, Richard Corliss, Gene Siskel

Documentarian Steve James and Roger Ebert started working on Life Itself with the intention of it being an adaptation of Ebert's memoir of the same name. Unfortunately, Roger passed away before the film was completed. I have been a huge admirer of his dating back to when I was a kid watching Siskel & Ebert & the Movies. This film is a wonderful look back at his life and career. He is truly inspirational as he never once gave up or quit working when his health started to decline. It is one of the best documentaries that I have seen in years.

RATING: 5 out of 5 TICKET STUBS



3. THE FAULT IN OUR STARS
Director: Josh Boone
Starring: Shailene Woodley, Ansel Elgort, Nat Wolff, Laura Dern, Sam Trammell, Willem Dafoe

I knew I would enjoy this teen romance as I had already read the book and fell in love with the story. What I didn't expect was that I would go on and do a full ugly cry at the theater. I rarely cry at movies, but this was the grand exception. I even tried to recreate it on Twin Cities Live when I reviewed it. Click HERE for the video.

RATING: 4.5 out of 5 TICKET STUBS



4. SNOWPIERCER
Director: Joon-ho Bong
Starring: Chris Evans, Tilda Swinton, Octavia Spencer, Jamie Bell, John Hurt

There were many films this summer that I wouldn't mind seeing a second or third time once they are available on blu-ray. I left Snowpiercer and immediately wanted to see it again as it was also available via On Demand at the same time it was in theaters. I never got around to writing a full review, but I will once I watch it again. It was a stunning visual feast for the eyes. I haven't seen any of Bong's other films, so I went in not knowing what to expect. For a film that takes place completely on a train, I completely awed by the fact that I never knew what was going to happen next! Plus, you've got the brilliance of Tilda Swinton giving her third performance this year alone.

RATING: 4 out of 5 TICKET STUBS



5. GODZILLA
Director: Gareth Edwards
Starring: Aaron Taylor-Johnson, Elizabeth Olsen, Bryan Cranston, Ken Watanabe

I admit, this is probably a strange pick that you didn't see coming. I had a hard time filling this fifth spot. Do I go with a trusty and easy choice like a Marvel movie or go in a different direction? I'm going with Godzilla as it was a film, like Dawn of the Planet of the Apes, that really took me by surprise. I had never seen a Godzilla movie before, but now I want to go back and rewatch those old black and white classics. Director Gareth Edwards gives the film its slow burn until our main character is finally revealed in a very Spielbergian way. It's sound and visual effects were top notch and made it a true summer popcorn creature feature flick!



*HONORABLE MENTIONS: it's a tie between X-MEN: DAYS OF FUTURE PAST and GUARDIANS OF THE GALAXY

THE WORST

Stay FAR FAR away...I'm warning you.

1. TRANSFORMERS: AGE OF EXTINCTION

What a piece of garbage. A nearly three hour piece of garbage. Yes, I expected that going in but I still don't think we can excuse Michael Bay and not hold him accountable because we now expect that out of him. I can't believe people keep throwing hard earned money at these movies.

RATING: 1/2 out of 5 TICKET STUBS



2. A MILLION WAYS TO DIE IN THE WEST

Seth MacFarlane is one of the funniest and smartest people in Hollywood. He can act, sing, direct, write and do voices as we have seen with Family Guy and Ted. It was a real shame that his attempt at a western comedy turned out to be a complete waste and really showed how lazy he can be.

RATING: 1.5 out of 5 TICKET STUBS



3. LET'S BE COPS

I didn't even give this film a full review as I saw it weeks after it opened. It should be one of those dumb comedies that's so dumb, it's funny or it's so funny that you don't mind it being dumb. This was all dumb and no funny. Okay, I take it back. There was maybe two funny moments, one of which involved a fat naked man running.

RATING: 1.5 out of 5 TICKET STUBS



4. JERSEY BOYS

It's a shame that this didn't work out in the end. Clint Eastwood was the wrong choice to helm the big screen adaptation of the hit jukebox musical about Frankie Valli and the Four Seasons. They tried sticking close to the musical but in all the wrong places. They even forgot to include the music in the second half.

RATING: 2 out of 5 TICKET STUBS



5. TAMMY

It's good that Melissa McCarthy, Allison Janney, and Kathy Bates were all up for Emmys this year as it made me forget about this movie. We've seen McCarthy do this type of loud-mouthed, crass, and dirty character countless times. It's time for the otherwise talented actress to retire this character and move onto other more challenging roles that she is easily capable of.

RATING: 2 out of 5 TICKET STUBS



*DISHONORABLE MENTION: MILLION DOLLAR ARM

There you go! Those are my picks for the best and worst of the summer season. Here's hoping next summer gives us some better quality popcorn flicks. I'd love to hear from you! What are your picks for the best and worst? Feel free to comment below or you can find me and comment on my Facebook page by clicking HERE.

Movie Review: SIN CITY: A DAME TO KILL FOR

SIN CITY: A DAME TO KILL FOR
Director: Frank Miller, Robert Rodriguez
Starring: Eva Green, Josh Brolin, Mickey Rourke, Jessica Alba, Bruce Willis, Powers Boothe, Joseph Gordon-Levitt, Christopher Meloni, Jeremy Piven, Christopher Lloyd, Dennis Haysbert

The violence and bloodshed is always high in the corrupt underworld of fictional town Basin City. Like its predecessor, the film is composed of various vignettes with some characters overlapping from one story to the next. Nancy (Alba) is an exotic dancer at Kadie’s Saloon and is severely damaged after the death of her lover John Hartigan (Willis). She plans on seeking out revenge on Senator Roark (Boothe) who was involved in his death. Marv (Rourke) is a regular at Kadie’s and keeps a steady eye on Nancy. He has his own issues and is someone you don’t want to mess with in a dark alley. Johnny (Levitt) is a hot-shot gambler who never loses. Let’s just say that after winning against Senator Roark, he needs to watch his back. The title storyline involves Dwight (Brolin) who is caught in a web of mysterious torture when his former flame Ava (Green) shows up and begs for forgiveness. She can’t escape from his head, and yet again, he is lured into her deceitful ways. What he doesn’t know is that she may have ulterior motives.

Nine years have passed since the release of the first film which was an adaptation of the popular Frank Miller graphic novel. He has teamed up again with director Robert Rodriguez for a follow-up that has been in the works since the first one was released. Back then, Angelina Jolie was being considered for the lead role. The first film was groundbreaking in its approach with using the digital effects and colorization techniques to effectively recreate Miller’s work into a different medium. Many frames in the movie were identical to the way they were illustrated in the novel. The same look and feel accompanies this film, but it doesn’t quite have that same dynamic punch that the first one had due to the fact that we now have already seen it used and have seen other movies attempt it as well. There is also a consistency issue here where I don’t feel like Rodriguez or Miller took the time to really craft each scene using this technique. They used up a majority of their energy on the opening sequence and some of the more action heavy scenes, but neglected the more dialogue filled scenes. It’s the kind of effect that really pops and is visually stunning when it’s used, but it is clearly evident and sorely missed when it’s not added in. It’s very rare when I endorse 3D, but it really enhances the effects here and really brings Miller’s vision to life as you witness the artwork and storyboards coming off the page.

Miller adapted some of his older stories for this film and wrote two new ones in addition. It’s pretty imperative to watch the first film before seeing this one. Even if you’ve seen it before, give it another viewing before watching the sequel. We have many returning characters as well as new ones with direct references to what happened in the first movie. For instance, Jessica Alba’s Nancy storyline is a continuation of her story in the first one. Josh Brolin’s Dwight storyline acts as a prequel with him playing the younger version of the same character Clive Owen previously played. If I hadn’t read about this before seeing the movie, I might not have picked up on it. Rodriguez is billed as having shot and cut the film, and I think the sequencing of it all is oddly structured. We get introduced to the Marv, Johnny, and Nancy plots in the beginning and then it shifts to tell the whole story of Dwight/Ava and then it goes back to finish those first few stories we were introduced to. It feels too choppy and inconsistent without it feeling as cohesive as the first movie.

It is fun seeing a majority of the original cast come to play their corrupt and flawed characters. Some roles have been recast. Dennis Haysbert takes over the role of Manute, Ava’s bodyguard, who was previously played by Michael Clarke Duncan. Jeremy Piven fills Michael Madsen’s shoes as Bob. I don’t know how the directing duties were split up between Rodriguez and Miller, but the acting is a bit inconsistent at times. I found it odd that all of the men spoke in this slow, deep, mysterious tone that is very repetitive after a while. There was no real variety in their vocal tone. At the same time, some actors are having a devilishly good time and are definitely playing into the comic book nature of the material. Green, Rourke, and Boothe are the definite stand-outs. Green is sultry, sexy, and nude a majority of the movie. Boothe is as diabolical as always as Senator Roark. I am a big fan of his and have seen him in numerous film and television roles, and he is always playing the evil and corrupt bad guy. I honestly don’t think I’ve ever seen him play a gentle, loveable character. He’s so great at being these brutal characters, but I’d love to see him do a complete 180 next time. The scene-stealer belongs to Christopher Lloyd. Yes, that Christopher Lloyd, the genius that never seems to work anymore. He shares a funny scene with Joseph Gordon-Levitt. If you are in your early 30s, like yours truly, you may get a kick out the fact that this is a mini Angels in the Outfield reunion from when Gordon-Levitt was a child actor. My brother and I grew up on that movie!

It’s hard not to leave the movie and have that feeling like this sequel has come out a bit too late. The first movie came out before the superhero/comic book movie trend really took off. It was groundbreaking in its approach to the style and vision of Miller’s world. Sin City: A Dame to Kill For is, by no means, a bad movie, but there is a bit of a disappointment that it just isn’t as good as the first one. It is still fun to watch the visuals and wonder how they shot all of it. It has a great ensemble as some of the characters are wickedly juicy. I am curious if fans will either be severely disappointed or like it just enough because they enjoy Miller’s work and style. I don’t believe it will gain the attention of any newbies

Is It Worth Your Trip to the Movies? If you loved the first one, you will like this one.

RATING: 3 out of 5 TICKET STUBS

Movie Review: IF I STAY

IF I STAY
Director: R.J. Cutler
Starring: Chloe Grace Moretz, Jamie Blackley, Mireille Enos, Joshua Leonard, Stacy Keach

Who’s ready for another romance novel turned movie about two young lovers and tragedy? Mia (Moretz) comes from a musically inclined family. Her parents (Enos and Leonard) are young at heart, and her dad used to play in a rock band but stepped down once his family became his top priority. Their natural talent was passed down to Mia, but she gravitated toward the cello at an extremely young age. For two rocker parents, it took some time getting used to the sounds of a bow and strings instead an amp turned up. Her love of the cello carried on into high school and is her sole focus in life. Adam (Blackley) is a fellow classmate and known for fronting a popular rock band. He overhears her practicing in the band room one day and is immediately attracted to both her and her music. She’s the awkward, shy type who can’t really believe that someone so “cool” would be attracted to her, but nonetheless, a relationship is born and a teen romance ensues between these two musicians.

On a snowy day, it is announced that school has been closed due to the weather and Mia’s folks decide to play hooky to be with her and her brother. They go for a drive before the snow picks up and their car crashes into another vehicle coming around a curve in the road. Mia wakes up and realizes she is having an out of body experience as she looks down at her body and realizes she is in a coma. The film goes back and forth in the story’s timeline as we go through the journey of Mia and Adam’s relationship and how she copes with the aftermath of the accident.

If you are thinking this movie sounds just like every other teen soap movie, you aren’t too off base. It is based on the popular book by Gayle Forman, and there is a Nicholas Sparks type feel to it with its love story struck by tragedy angle. I’ll give this one credit for being a bit more plausible than Sparks’ stories that have been become so darn predictable and saccharine. The car accident happens very quickly into the movie instead of being used as a third act game changer. If you are familiar with this genre, there are some clichéd moments you can see coming a mile away. Of course Adam is the confident guy type and Mia has her insecure moments with him. They each have their heightened “it’s the end of the world” moments in their relationship that you want to roll your eyes at. She has an audition at Julliard while he contemplates a big move for his band on the opposite side of the country. This will no doubt turn some moviegoers off. I am willing to be more forgiving and give some of these scenes a pass as this story really is told through the perspective of two teenagers who are bound to be whiny and have their angst at times. It’s nice to see a teen couple in a movie that actually would be a couple in the real world. There are too many movies where we’ve got some dumb jock that falls for the nerdy girl because he’s “just not like those other guys”. In If I Stay, we’ve got two students that have a shared love of music and the arts, and they actually make sense together as a couple.

Chloe Grace Moretz and Jamie Blackley play our two young lovers. It’s been interesting watching Moretz’s career as she’s grown up in front of the camera from films like Kick-Ass and Let Me In to last year’s Carrie remake. She’s only seventeen so I applaud the fact she’s actually playing someone age appropriate. Maybe we are seeing a trend where high school students in movies are actually played by teenage actors. She has stated in interviews that she likes playing these types of complex and damaged characters. While I understand the need to challenge oneself as an actor, I can’t quite seem to get on the Chloe Grace Moretz train yet. She seems to be a hot commodity, but I feel like she may be choosing and fighting for the wrong roles. Like Carrie, she always seems to be trying so hard to get certain emotions out that she comes across as pushing it too far into a forced melodramatic territory. While Jamie Blackley has some credits under his belt, this is his first major lead role. He definitely fares better and seems more suited for the role than she does. His heavier scenes feel a bit more raw and honest. Mireille Enos and Joshua Leonard (The Blair Witch Project) make the most out of their smaller roles as Mia’s parents. They are clearly having fun with the rocker, hip, and funny parents that are loveable and mature despite their backgrounds. I would have loved to have seen more of their relationship and background explored in the flashback scenes. Enos has been really making a name for herself these past few years with roles in Big Love, The Killing, and World War Z.

This film will inevitably be compared to The Fault in Our Stars, which elevated the teen romance movie to a whole different level. If I Stay didn’t bring me to the ugly cry, but I was still engaged most of the time. It’s hard not to be moved by the end of the movie, especially after Stacy Keach’s heartbreaking monologue. It will resonate with anyone that has spent time in a hospital with a loved one not knowing if or when they may pass away. Classical music is a key factor of the movie with Mia’s passion for the cello. Moretz did learn how to play it but there’s a body double for some of the more complex pieces she plays. It really reminded me how much I love cello music, yet I never take the time to listen to it or use it to unwind to after a long day. I may just have to go to the library and look for some Yo-Yo Ma CDs.

Is It Worth Your Trip to the Movies? It’s better than some teen soap stories, but suffers due to its lead actress and predictability factor.

RATING: 3 out of 5 TICKET STUBS

Movie Review: THE GIVER

THE GIVER
Director: Phillip Noyce
Starring: Brenton Thwaites, Jeff Bridges, Meryl Streep, Alexander Skarsgard, Katie Holmes, Odeya Rush, Cameron Monaghan, Taylor Swift

There’s a great scene toward the end of The Giver where Oscar winners Meryl Streep and Jeff Bridges get to have a bit of a verbal sparring match. I would have loved to have been an extra in that scene. It’s one of the more exciting scenes in the film, yet it comes far too late. Their community has become a vast, colorless world void of any feeling and emotion. Everything the citizens once knew has been erased from their memories.  There is strict order and rules set in place for everyone to abide by.  Jonas (Thwaites) and his friends Fiona (Rush) and Asher (Monaghan) are at that age where they attend the Ceremony of Growth to receive their official assignment which is part of being a member of the community. The roles are handed out by Chief Elder (Streep), who rules the community with a strict presence. Jonas is passed over and saved for last causing an alert and low rumble amongst the crowd.

Chief Elder reveals to him that he is strong in all of the attributes and therefore is given the task of being the Receiver of Memory. It is a prestigious task that comes with great danger. He is sent to The Giver (Bridges) who lives at the very edge of the community before it disappears into the area known as Elsewhere. They link arm to arm, and Jonas proceeds to learn more and more about the community’s past. When the various memories come into focus, he becomes more distraught over the present state of society. He starts to distrust his Mother (Holmes) and Father (Skarsgard) and those around him. He decides to risk everything by going where no one has succeeded before him in an attempt to restore society back to its original way of life.

The Giver is based on the award winning children’s book by Lois Lawry from 1993. I think I read it when it came out but haven’t picked it up since then. I would like to think this helped me go in with a bit more of an open mind, but it also led to more questions I have with the material and what changes were made with this adaptation. Jeff Bridges is one of the producers of the film and has wanted to get the film made for years hopping from one studio to the next. I can understand why it was now released in the wake of the success of The Hunger Games and Divergent which have similar ideas and themes. The problem is that director Phillip Noyce and beginner screenwriters Michael Mitnick and Robert B. Weide don’t have anything new and interesting to add to this story to make it stand out from those other books that actually came after this one.

The script is quite bland that leaves little for these actors to play around with in terms of their characters. Bridges and Streep fare the best and it should come without surprise that they are the highlights of the movie. As the title character, Bridges has that gruff and mysterious vibe to him that left me wondering what his true motives were with Jonas. There was a bit of mystery that surrounded him where I felt a little on edge with his scenes. With her long grey wig, Streep plays another ice queen with Chief Elder. She’s Goddess Meryl Streep so, of course, she is going to be great with this type of character where she can be menacing and evil without having to really raise her voice or scream. We’ve seen her play this type of character before, and I’ll watch her in anything.

The rest of the cast is an odd mixed bag. As Jonas, Brenton Thwaites is a fresh up-and-coming actor who we previously saw this summer in Maleficent as Prince Phillip. He has a nice boy next door appeal about him. He’s fairly young and will need to take better and more challenging roles as he grows up if he wants to be a stronger leading guy type. Katie Holmes and Alexander Skarsgard play his parents in the film. Don’t let the age difference throw you off as they are not intended to be biological parents. I must admit to having a soft spot for Holmes, but she comes off a bit monotone here. Maybe she was remembering her time of being hypnotized under the Scientology spell and applied that here as a character trait. Lastly, singer Taylor Swift has a very brief role as The Giver’s daughter. It is such a bizarre casting move that I can only assume it was because they wanted another big name to draw people into the movie. I mean, come on. When did we ever think that Taylor Swift and Meryl Streep would ever be in the same movie?

The use of color plays an important part of the world in The Giver. It begins with the black and white of the community and color starts to materialize with Jonas’ awakening. I was reminded of the beautiful Pleasantville which I need to revisit. I think the color shifting was better used in that movie. Even though there is a strict sameness to all of the houses, bikes, and the entire look of the community, there is a distinct look and shape to it without it feeling too drab or boring. The whole art direction and design elements were impressive enough to take some focus off the oddly structured script and bizarre acting. For a ninety minute movie, it felt fairly long with its slow pacing. So much of the backstory is quickly told at the beginning and then it drags out until the finally thirty minutes once Jonas sets his plan into action. Only then does it start to get interesting and pick up in tempo. The broader picture and message of Lois Lawry’s story really comes out in this part, but it takes so long to get there. Without giving too much away, I actually wanted more of an ending. I wanted more of a wrap up and a “what next”. Maybe I’m so used to these types of stories being dragged out into multiple books that I wanted a final scene or two after the resolution. This may be directly how the book ends so I shouldn’t fault the screenwriters if this is indeed a direct match to the source material.

This is one of those movies where you come out perplexed as it has some good things going for it that make the movie enjoyable like Meryl and Jeff, the design elements, and a thrilling final thirty minutes. Then you think about its clunky structure and pacing, odd casting choices, and the whole idea that we have seen that kind of movie before, and it leaves you second guessing on if it’s worth your trip to the movies. In this case, I think more people will enjoy it then not.

Is It Worth Your Trip to the Movies? It's worth seeing on the big screen at matinee prices, but know that it comes with some major flaws.

RATING: 3 out of 5 TICKET STUBS

TWIN CITIES LIVE- August 8, 2014

TWIN CITIES LIVE
August 8, 2014

1. TEENAGE MUTANT NINJA TURTLES, starring: Megan Fox, Will Arnett, William Fichtner
2. THE HUNDRED-FOOT JOURNEY, starring: Helen Mirren, Om Puri
3. DIVERGENT, starring: Shailene Woodley, Theo James, Kate Winslet, Ashley Judd

Here's the video:




Video courtesy of Twin Cities Live/KSTP

You can find all of my past segments HERE.

As always, thank you so much for watching and your continual support. I truly appreciate it!

Movie Review: TEENAGE MUTANT NINJA TURTLES

TEENAGE MUTANT NINJA TURTLES
Director: Jonathan Liebesman
Starring: Megan Fox, Will Arnett, William Fichtner, Alan Ritchson, Noel Fisher, Pete Ploszek, Jeremy Howard, Johnny Knoxville, Danny Woodburn, Tony Shalhoub, Tohoru Masamune, Whoopi Goldberg

Those gnarly Teenage Mutant Ninja Turtles are back to reach a whole new audience of moviegoers. The Foot Clan is wreaking havoc across the streets of New York City. Channel 6 field reporter April O’Neil (Fox) is desperate to get to the bottom of who’s behind these masked foes. One night while in the middle of the action, she snaps photos of a group of vigilantes who are out to take down the bad guys. It should come as no surprise that no one back at the station takes her seriously when she tries to show them her evidence. She is later caught by these four mysterious creatures who turn out to be six foot turtles. She puts the pieces together and realizes these are the same turtles that she grew up playing with in her dad’s laboratory when she was a kid. They were part of a scientific experiment known as Project Renaissance, hence their names Donatello, Raphael, Michelangelo, and Leonardo. Her dad’s lab partner Eric Sacks (Fichtner) is working with the evil Shredder (Masamune) who is the leader of the Foot Clan. Shredder plans on releasing a toxin into the air and Sacks will use an antidote found into the turtles to “save” the citizens and get rich in the process. It’s up to the Ninja Turtles, April, and her cameraman Vernon Fenwick (Arnett) to defeat Shredder and Sacks before it’s too late. As you can tell, we have a super original plot here that we have never seen before. Never…Ever…Oh wait.

What we’ve got here is a reboot from the cartoons and early 1990s movies that I grew up on. The design and production values have been updated with a new vision to fit today’s moviegoers. The Turtles are beefier and it’s far more action packed than the original series. Hesitation set in quickly very early on in the development stages when it was announced that Michael Bay was producing the movie and that Megan Fox was attached to star as our devoted and hard-hitting reporter April. If you read my review of Transformers: Age of Extinction, you know my feelings towards Mr. Bay. Even though many people assume he directed this film, he is only one of the producers. The film definitely feels like a Bay movie though when it comes to all of the up close and personal action scenes. I think it has the wrong tone as well. It takes itself far too seriously most of the time as it's missing that camp factor that should come with a movie about a group of four mutant turtles trying to save the day. The Turtles and their father Splinter are no longer actors in full body costumes, but the work of motion capture technology. I’m a bit confused as to why Leonardo is voiced by Johnny Knoxville while the other Turtles have the same actor doing the voice and body work. Danny Woodburn (Seinfeld) does the motion-capture work for Splinter and has expressed disappointment in not doing the character's voice which was given to Tony Shalhoub (Monk).

It is no secret that Megan Fox (Transformers) and Michael Bay have feuded in the past, so it was a bit surprising that they patched things up enough for her to play April. I haven’t seen the original movies since I was a kid, but now I really miss Paige Turco and Judith Hoag who have previously played the character. Fox is so unbelievably miscast, it is downright eye-rolling most of the time. Right from the very beginning I could never her take her seriously as a journalist. It’s no wonder why her fellow journalists at Channel 6 don’t believe. I wouldn’t either! I am also baffled on why Oscar winner Whoopi Goldberg decided to appear as April’s boss. While Goldberg provides some much-needed laughs, her scenes with Fox are just odd. It honestly brought me back to her mid ‘90s days of appearing in such movies as Eddie and Theodore Rex. Will Arnett (Arrested Development) is completely wasted as April’s cameraman. He is not given the comedy and banter that suits him. It is quite evident that he was completely bored making the movie.

The writing is fairly weak and simple throughout most of the movie. I wish more of a specificity would have been given to each of the turtles to make each of their personalities stand out more. There is so much fun to be had with all four of them, and Michelangelo is the only Turtle that really stands out. This is especially unfortunate as it doesn’t give the actors playing them enough to work with. If you had no context of the characters, you would have a hard time differentiating them apart from another. Shredder does not seem nearly as scary as I remember him being when I was younger. He seems to be a mix of Freddy Krueger meets a Transformer with CGI knives always shooting out from his hands. Partial credit should be given for their references to classic Teenage Mutant Ninja Turtles elements like: their origin, the love of pizza, ooze, and living in the sewer, plus the catch phrases “Cowabunga” and “heroes in a half shell”.

While it definitely has that Michael Bay approach to it, I would say that it is nowhere near as bad as Transformers: Age of Extinction. There is potential to be had here, but a lot of work must be done if it wants to compete with the likes of Marvel movies and how universally accepted they are. Teenage Mutant Ninja Turtles will definitely appeal to young kids. You can tell special attention was made to cater toward their sense of humor and attention span as the runtime is kept at under two hours. I just don’t think it will cater to a broad audience like I think it should.

Is It Worth Your Trip to the Movies? I’d rather go back and watch the original series that I grew up on.

RATING: 2.5 out of 5 TICKET STUBS

Movie Review: THE HUNDRED-FOOT JOURNEY

THE HUNDRED-FOOT JOURNEY
Director: Lasse Hallström
Starring: Helen Mirren, Om Puri, Manish Dayal, Charlotte Le Bon

Maybe it’s my love of cooking, eating, and anything related to food, but I am a sucker for a good foodie movie. We’ve got our second one this summer after Jon Favreau’s Chef which focused on the food truck movement. The Hundred-Foot Journey takes us to the French countryside. The Kadam family lost their family restaurant and everything else back in India due to a fire. After spending some unsuccessful time in England, they decide to take another journey and move to France. Papa (Puri) is bound and determined to get the restaurant business up and running again with his son Hassan (Dayal) as the head chef. He has his eyes set on a rundown building that just happens to be across the street from a sophisticated French restaurant that caters to classical cuisine. It is run by Madame Mallory (Mirren) who is stubborn like an ox.

She is ready to start an all-out war with her latest competitor. This only infuriates Papa even more, but Hassan continues to create wonderful dishes for their restaurant until tragedy strikes as an attempt to stop this lovely Indian family from creating their masterpieces. Madame Mallory feels a responsibility for the actions, but Papa continues to keep his guard up. Meanwhile, Hassan just wants to make good food whether it’s his traditional Indian favorites or the new French recipes he is learning from the books he receives by Mallory’s sous chef Marguerite (Le Bon).

In case you haven’t noticed any of the marketing efforts for this movie, it boasts Steven Spielberg and Oprah Winfrey as producers. With Lasse Hallström directing the feisty Helen Mirren, you have the ingredients for a delightful and hearty movie. This also happens to be his second foodie movie including 2000's Chocolat. Screenwriter Steven Knight has previously tackled heavier and more suspenseful films (Locke, Eastern Promises), so this is a sharp turn from that. I haven’t read the book by Richard C. Morais yet, but the story has more dimensions than I think the trailer is leading on. Each of the four main characters gets their due moments and arcs. Mirren’s Madame Mallory is not just the snobbish battle ax you expect her to be. I did start to wonder if she was going to be a one noted character, but I knew Mirren would find the layers in her. She pairs well with Om Puri who has to stand his ground against her ways. He is more than capable of that challenge. This battle between the two stubborn personalities adds some delightful humor to the story. Manish Dayal and Charlotte Le Bon are relative newcomers. Dayal is a good-looking charmer and has some sizzling chemistry with Le Bon. I suppose it’s hard to write a story centered on the love of food and not have sparks between two of the characters.

This is not just another boy meets girl from a different culture love story. There is more to it than that. It’s merely one side dish to a bigger meal. The culture and attitudes toward both cuisines plays a factor not only in the style of food, but comes into play between the characters of Papa and Madame Mallory. They are the personal embodiments to the way they describe what is so special about their cuisine. The French cooking is very subtle, sophisticated, and classy with a pinch of spice here or there. Papa’s Indian recipes are loud and powerful with a spoonful of this spice or that spice. These spices are naturally handed down to the next generation and considered an honor. It is a joy watching the fusion of these two very different temperaments and palettes spar with each other.

The Hundred-Foot Journey suffers a bit in its approach to the ending of the story. I should say multiple endings. I thought the movie was going to end once the feel-good climax happens, but the story continues with what feels like an epilogue. I’m assuming this happens in the book as well and maybe it works better there. In the movie, it almost feels too rushed and short to feel like it’s the third act. I’m slightly conflicted over it as I understand the point of it due to its commentary on the state of cooking these days and these characters, but part of me doesn’t feel like it’s actually necessary. Don’t get me wrong; it doesn't hinder the rest of this delightful movie. How do you not drool whenever the photography of the food is handled with such care? I think some of the camera work is slowed down just to make us relish in it a bit longer. Maybe it is their way of getting us to slow down and enjoy the process of cooking in the same way we enjoy eating it. I think too often we scramble together a meal without fully appreciating the art and science behind it. I know I wanted to go home after seeing this and perfect my omelet recipe and look up those four standard French sauces.

Is it Worth Your Trip to the Movies? Foodies will no doubt devour every bite of this journey.

RATING: 4 out of 5 TICKET STUBS

TWIN CITIES LIVE- August 1, 2014

TWIN CITIES LIVE
August 1, 2014

1. GUARDIANS OF THE GALAXY, starring Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel
2. A MOST WANTED MAN, starring Philip Seymour Hoffman, Rachel McAdams, Willem Dafoe, Robin Wright
3. THE GRAND BUDAPEST HOTEL, starring Ralph Fiennes, Tilda Swinton, Jeff Goldblum

Here's the video:




Video courtesy of Twin Cities Live/KSTP

You can find all of my past segments HERE.

As always, thank you so much for watching and your continual support. I truly appreciate it!