El último disco de "La casa azul".
(de Sofián, el poder de la blancura azulada)
FXguideTV: "Red Tails"
Entrevista con el supervisor de animación de ILM para el film de George Lucas.
FXguideTV: "Red Tails"
Y además, un "making of":
Canal en YouTube: www.youtube.com/user/RedTailsMovie
FXguideTV: "Red Tails"
Y además, un "making of":
Canal en YouTube: www.youtube.com/user/RedTailsMovie
"Peak Oil" ya, a todos los efectos
We've hit "peak oil"; now comes permanent price volatility
"…Since 2005, the global production of oil has remained relatively flat, peaking in 2008 and declining since, even as demand for petroleum has continued to increase. The result has been wild fluctuations in the price of oil as small changes in demand set off large shocks in the system.
In today's issue of Nature, two authors (the University of Washington's James Murray and Oxford's David King) argue that this sort of volatility will be all we can expect from here on out—and we're likely to face it with other fossil fuels, as well…"
"…Since 2005, the global production of oil has remained relatively flat, peaking in 2008 and declining since, even as demand for petroleum has continued to increase. The result has been wild fluctuations in the price of oil as small changes in demand set off large shocks in the system.
In today's issue of Nature, two authors (the University of Washington's James Murray and Oxford's David King) argue that this sort of volatility will be all we can expect from here on out—and we're likely to face it with other fossil fuels, as well…"
Corto de Aaron Sims
This no-budget science fiction short looks better that most movies
RL7 is an eight-foot tall combat robot that goes on the run after malfunctioning with vivid memories of once being human. As its creators and the military close in, RL7 battles its way to uncovering the shocking truth behind its mysterious visions and past.
Directed by Aaron Sims
starring Robert Joy (Land of the Dead, CSI:NY) and David Anders (Heros, 24).
Thanks for all the positive feedback everyone! This has been a labor of love on a budget of $0 and it makes it all worth while when we see other poeple responding to it. Thank you! - Aaron Sims
RL7 is an eight-foot tall combat robot that goes on the run after malfunctioning with vivid memories of once being human. As its creators and the military close in, RL7 battles its way to uncovering the shocking truth behind its mysterious visions and past.
Directed by Aaron Sims
starring Robert Joy (Land of the Dead, CSI:NY) and David Anders (Heros, 24).
Thanks for all the positive feedback everyone! This has been a labor of love on a budget of $0 and it makes it all worth while when we see other poeple responding to it. Thank you! - Aaron Sims
Sobre la muerte del celuloide
Side by Side Official Trailer (2012) from Company Films on Vimeo.
facebook.com/sidebysidethemovie
www.sidebysidethemovie.com
twitter.com/sidebysidemovie
The documentary investigates the history, process and workflow of both digital and photochemical film creation. We show what artists and filmmakers have been able to accomplish with both film and digital and how their needs and innovations have helped push filmmaking in new directions. Interviews with directors, cinematographers, colorists, scientists, engineers and artists reveal their experiences and feelings about working with film and digital--where we are now, how we got here and what the future may bring.
Todo es posible en el Intertrons
…Como, por ejemplo, ver a Ralph Fiennes leer slashfic de Harry Potter y Voldemort.
Tras "Red Tails", George Lucas se retira de las superproducciones
…Aunque aún no está claro si habrá o no un Indy V.
Y tiene novia.
George Lucas Is Ready to Roll the Credits
"…Lucas sighs. It’s true that the movie, “Red Tails,” is a biopic about the Tuskegee Airmen rather than a space opera starring the Skywalker clan. But the snub implied that Lucas’s pop-culture collateral — six “Star Wars” movies, four “Indiana Jones” movies, the effects shop Industrial Light and Magic and toy licenses that were selling (at least) four different light sabers this Christmas — was basically worthless. When “Red Tails” opens in theaters on Jan. 20, it will be because Lucas paid for everything, including the prints…"
Y tiene novia.
George Lucas Is Ready to Roll the Credits
"…Lucas sighs. It’s true that the movie, “Red Tails,” is a biopic about the Tuskegee Airmen rather than a space opera starring the Skywalker clan. But the snub implied that Lucas’s pop-culture collateral — six “Star Wars” movies, four “Indiana Jones” movies, the effects shop Industrial Light and Magic and toy licenses that were selling (at least) four different light sabers this Christmas — was basically worthless. When “Red Tails” opens in theaters on Jan. 20, it will be because Lucas paid for everything, including the prints…"
Douglas Trumbull
Douglas Trumbull: A Writer-Producer-Director-Engineer-Inventor Looks Forward.
1ª Parte
2ª Parte
"…The idea is to make a virtual set of any set or location and get it put into the computer as a virtual model that can be performed in real time. The actors on a set can appear to be in this virtual set, and you can shoot in real-time, do rehearsals and mock-ups. Then, by the time you get to the point where you want to shoot the real thing, the virtual set has been modified, texture-mapped, made much more realistic and you shoot that main unit production with your principal cast.
Meanwhile, you've taken the database and used 3D stereo-lithography to create miniatures that are exactly the same as the virtual set. A miniature looks as good as the real thing, but it's a fraction of the cost. After you've done that, you shoot the miniatures to replace the virtual sets…"
1ª Parte
2ª Parte
"…The idea is to make a virtual set of any set or location and get it put into the computer as a virtual model that can be performed in real time. The actors on a set can appear to be in this virtual set, and you can shoot in real-time, do rehearsals and mock-ups. Then, by the time you get to the point where you want to shoot the real thing, the virtual set has been modified, texture-mapped, made much more realistic and you shoot that main unit production with your principal cast.
Meanwhile, you've taken the database and used 3D stereo-lithography to create miniatures that are exactly the same as the virtual set. A miniature looks as good as the real thing, but it's a fraction of the cost. After you've done that, you shoot the miniatures to replace the virtual sets…"
¿Ein?
Insane Spanish pizza ad includes a screaming god, a severed penis
A Sofa Experience Communications production
A Sofa Experience Communications production
El primer Blu Ray de "Star Trek: La Nueva Generación"
El remasterizado tiene MUY buena pinta.
First beautiful look at the Blu-Ray version of Star Trek: The Next Generation
Transferring STAR TREK: THE NEXT GENERATION to high-definition presented numerous challenges – The series was originally shot on film and then transferred to videotape, which was used to edit episodes together. In order to create true HD masters, CBS is going back to the original uncut film negative – all 25,000 plus film reels of it – and cutting the episodes together exactly the way they originally aired. The visual effects were all shot on film and will be painstakingly recompositioned, not upconverted from videotape. The newly cut film will then be transferred to true high-definition with 7.1 DTS Master Audio.
First beautiful look at the Blu-Ray version of Star Trek: The Next Generation
Transferring STAR TREK: THE NEXT GENERATION to high-definition presented numerous challenges – The series was originally shot on film and then transferred to videotape, which was used to edit episodes together. In order to create true HD masters, CBS is going back to the original uncut film negative – all 25,000 plus film reels of it – and cutting the episodes together exactly the way they originally aired. The visual effects were all shot on film and will be painstakingly recompositioned, not upconverted from videotape. The newly cut film will then be transferred to true high-definition with 7.1 DTS Master Audio.
Las secuencias de VFX del año 2011
Cine: The 10 Best Visual Effects Scenes of 2011.
Y publicidad: 2011′s Best VFX TV Spots.
Y una entrevista al supervisor de VFX de "El árbol de la vida" de Malik:
Y publicidad: 2011′s Best VFX TV Spots.
Y una entrevista al supervisor de VFX de "El árbol de la vida" de Malik:
Rodando en exteriores "El Hobbit"
…Y una versión con las notas horriblemente cambiadas de la BSO de "The Life Aquatic" como música de fondo.
El Commodore 64 cumple 30 años
-
MacPC
The Commodore 64 is 30: The most successful 8-bit micro ever
"…The 64 gained these graphics and sound chips from a failed Commodore project, the Max. MOS Tech, which was owned by Commodore, began developing the 5µm Vic-II and Sid chips during 1981 while the parent company was pushing the Vic-20. That machine was selling very well over here but particularly in the States, so Commodore decided to use the new MOS chips in a machine intended to be a low-cost games machine that would enter the market below the Vic.
The result was the Max, a machine designed in Japan and sporting a flatter look than the Vic and an odd, moulded-metal keyboard reminiscent of the controllers bundled with the 1979 Intellivision games console system. Not that the keyboard would get heavy use. The Max was intended to be more games console than computer. It didn't even feature built-in Basic. The programming language and all the Max's games would be loaded through plug-in Rom cartridges…"
"…The 64 gained these graphics and sound chips from a failed Commodore project, the Max. MOS Tech, which was owned by Commodore, began developing the 5µm Vic-II and Sid chips during 1981 while the parent company was pushing the Vic-20. That machine was selling very well over here but particularly in the States, so Commodore decided to use the new MOS chips in a machine intended to be a low-cost games machine that would enter the market below the Vic.
The result was the Max, a machine designed in Japan and sporting a flatter look than the Vic and an odd, moulded-metal keyboard reminiscent of the controllers bundled with the 1979 Intellivision games console system. Not that the keyboard would get heavy use. The Max was intended to be more games console than computer. It didn't even feature built-in Basic. The programming language and all the Max's games would be loaded through plug-in Rom cartridges…"
Suscribirse a:
Comentarios (Atom)