“Read as much as you can about what you are interested in. But don't let that allow you to lose the feeling for what you are interested in.”
- Gregory Euclide
Thanks Gregory!
“Read as much as you can about what you are interested in. But don't let that allow you to lose the feeling for what you are interested in.”
- Gregory Euclide
"Over the last year I have been building a body of work around an architectural era that is disappearing from the American cityscape. The ironwork and moldings represented in these pieces hearken back to the American Renaissance and the Beaux-Arts movement of the turn of the twentieth century, which employed the conventions and characteristics of European Renaissance classicism to glorify the advent of a new Golden Age of progress through industrialism; a progress that itself constantly, necessarily and ironically shed all accoutrements of the past in order to advance and perpetuate its own motion. "See more from the statement, show here.
I agree completely.
"Ever since I was a kid, we had one of those piggyback campers where you could ride up in the bed; I don’t think you can do that anymore. We would go from Miami to Montana pretty much every summer and take a different route out west. I’d be in that bed looking out the window, and there was just a huge feeling as each state changed, and I had my little transistor up there and got local radio, and every place was just so distinct. We would camp our way across the country. And as it’s turned out, I continued doing that. In my 20s, I used to get those rent-a-cars and drive to the next state and wait for the next car, and that decides where you’re going to go. In these last years, I’ve been going back and forth between Oregon and New York, and the drive is now just something to get through. The interstates are horrific, there are no local radio channels. It’s Clear Channel, conservative corporate radio, all the way across. It’s just a series of chains, and they never end. Days Inn, Applebee’s—you really have to go far off. Even when you take the smaller roads, you still see the motels and stuff have all been run out of business. The gap between the big corporate motel and the mom-and-pop motel is huge now. It’s not exciting. It’s not an adventure now. It’s really just more of a chore. Once you get past Colorado, there are states that are very beautiful to drive through. But you can’t help it—you have a lot of time to think about what it could have been, how great it could have been, and it’s just depression, I guess. The things that Americans value, and it has been passed on to people outside of America now… So much feels lost. It’s hard. It used to be a really inspiring thing that I would do, and now I find it just really depressing. The complete corporate takeover of the country is so evident, and you can’t escape it. Your choices are so few, and they are so bad."
Nathan Abels “Do It”
Working with instructions by Deimantas Narkevicius;
“Remember places you have visited and where you have spent some time, places where you had to make your everyday arrangements, constantly socialize with local people, where you may have been forced to change your habits in order to make the communication seem more natural. While walking, you slowly accustomed to otherwise unusual landscape. Your body was exposed to different weather conditions. Remember the location of these places on the map by observing it from the point where you live now. Use abstract thinking and if you wish -- an exact mathematical calculation to track down a geographical center of places you have visited.
Would you like to travel there?”
Narkevicius describes the many changes that may take place in a person while in the process of adapting to new locations. For some, this process takes a long time. For others, such as the subject of my paintings – Ferdinand Demara, Jr. – it is an integral part of existence. Ferdinand Demara, Jr. was called the “Great Impostor” after making headlines in the mid-twentieth century for his personal history of impersonating a surgeon for the Canadian navy, a teacher, a prison guard, a monk, a college professor, a Baptist minister, and a zoologist. His life was a series of adaptations to not only to a place, but to a profession, and even to a religious tradition. After his exploits were made public in a LIFE magazine in 1955, Demara found it difficult to continue his chameleon-like behavior with the ease he had enjoyed prior to publicity. I believe his body language in the second painting, based on an image from 1966, reflect the changes Demara experienced in his life after becoming an international celebrity.
I have three new works in the "do it" exhibit. See them Friday night - I'll post them here Friday night for those of you who can't make it to the show.
"do it" Exhibition
May 6 - July 29, Philip J. Steele Gallery
do it is a unique exhibition that centers on the notion of interpretation as an artistic principle. Starting with a manual of written, do-it-yourself instructions compiled from internationally renowned artists, the idea is for other artists to carry out the instructions and re-imagine the procedures from their own individual perspectives. These procedures range from household chores and recipes to random social activities and abstract concepts. They can be as complex as Tacita Dean’s directions for finding a four leaf clover or as simple as Louise Bourgeois’ invitation to smile at a stranger.
In the same way a sheet of music remains static until it is played, the instructions in do it lie dormant until they are once again brought to life by another artist. No two translations of the same instructions are ever identical. At the conclusion of the exhibition, all work must be destroyed. This reinforces the exhibition’s emphasis on interpretation rather than consumerism.
Originated by Swiss curator Hans Ulrich Obrist in the 1990s, do it has been carried out in cities throughout the world. RMCAD’s do it exhibition will feature a pool of more than 30 regional artists including graphic designers, musicians, museum directors, gallery owners, and several RMCAD alumni.
Interpreted and curated by Cortney Stell, Gallery Director.
Opening Reception
Friday, May 6, 6 - 9 pm
Philip J. Steele Gallery
The following is a list of participating artists and the artists whose instructions they have chosen to interpret:
Participating artist: | Following the instructions of: |
Xi Zhang | Jay Chung |
Yumi Roth | Rirkrit Tiravanija or Maria Eichhorn |
Brandon Bultman | Elmgreen & Dragset |
Mario Zoots | Jonas Mekas |
Nathan Abels | Deimantas Narkevicius |
Rian Kerrane | Louise Bourgeois |
Tsehai Johnson | Febrice Hybart |
Gregory Hayes | Lygia Pape |
Bill Amundson | Febrice Hybart |
Amanda Gordon Dunn | John Baldessari |
Virginia Folkestad | Tobias Rehberger |
Homare Ikeda | Carten Holler or Mona Hatoum |
Viviane LeCourtois | Rirkrit Tiravanija |
Laleh Mehran | Deimantas Narkevicius |
Nick Silici | Bruce Nauman |
Duncan Malashock | Elmgreen & Dragset |
Jon Rafman | Pablo Azul |
Michelle Baldwin | Joan Brossa |
Adam Lerner | Christian Marclay |
Ryder Ripps | John Baldessari |
Colin Ward | Maria Eichhorn |
Rori Knudtson | Carsten Holler |
Travis Egedy | undecided |
Alicia Ordal | Hassan Khan |
Phil Bender | Jonathan Horowitz |
Daniel Hipólito | Marjetica Potrc |
Rick Griffith | Yoko Ono |
Mondo Guerra | undecided |
Isaac Linder | Tino Sehgal or Soo Ja Kim |
Fernando Arambul | Paul McCarthy |
David Fodel & Paco Proano | Yoko Ono |