My Stitched Self (3)

I thought that dressing tiny Stitched Self was going to be plain sailing. I was wrong! I couldn't make up my mind what she should be wearing. It was the same frustrating dilemma I have most mornings in front of the wardrobe, but on a miniature scale.

I had an idea to make her a tiny patterned silk tunic top, and team it with a diminutive denim skirt, but I couldn't find the right fabric. I thought it would be cool to cut her top from a vintage silk scarf, but visits to all my local charity shops came up with nothing suitable and I didn't want to cut one of my own up. Buying new fabric to make clothes with just felt like cheating, as it occurred to me that I wouldn't actually own the same top (or anything in that fabric) in real life, so it just didn't seem appropriate. It all became rather obsessional!

But then I had a brain wave - how about I make a copy of one of my own dresses, and make the fabric for it too? So that's what I did. I photographed my trusty and much worn purple toadstool dress, worked on the shot in Photoshop, then printed the image onto a sheet of printer cotton. When the fabric was dry, I cut the pieces for the tiny dress, setting in the sleeves was very fiddly work. I finished by edging the neckline in lavender coloured ribbon and, finally, Stitched Self has some clothes!

The idea for the knitted Uggs came way before the dress as I had some bits of an old brown sweater lying on my desk from another project. I only wear my knitted Uggs indoors (I just never understood the idea of woolly footwear outdoors where it's invariably wet!) Stitched Self, however, will be heading off to London in hers very soon!

Does she look like me?

Stitched Self is not too sure...

My Stitched Self (2)

Tiny Stitched Self now has a face and hair! She is still as naked as the day she was...um...sewn, but now she looks like a real doll instead of an artists mannequin.

I was determined not to simply use wool or embroidery thread as hair, sadly my real life hair just isn't that bouncy and mane-like. And so, I cut brown satin and organza ribbons into small petal-shaped pieces and sewed them in an overlapping fashion until I had created the long bob shape my real life hair is in. A lot of my work is about texture rather than colour, so I'm pleased to have a similar technique in part of my Stitched Self - the effect created by the overlapping ribbons -plus I added some strands of embroidery floss here and there, tacked down with cotton to keep them in place.

From my last post you will see that her poor little face was very plain indeed, it put me in mind of a fencing mask. I felt it needed some subtle sculpting to give it some definition and features so I used a few little stitches, pulled tight, here and there to create something of a nose and mouth - not easy at this size! Then it was time to sew on her Coraline inspired black button eyes, the tiniest I could find at just 5mm. A few pink stitches for a mouth, and - she lives! Albeit with a vaguely amused expression. I suppose I should get her dressed now!

My Stitched Self (1)

Stitch London announced an interesting experiment in stitchery the other day. There is to be an exhibit at the Science Museum in London this summer to commemorate the re-opening of their 'Who Am I?' gallery, and all are invited to make a tiny sewn version of themselves. The collection of models will go on display from the 30th June. You can either knit or sew your Stitched Self and patterns for 'blank bodies', plus the rest of the details, are available here. Exciting Stuff!

Challenges of this kind make my head buzz, and I knew instantly I had to do something Coraline inspired. I also knew I didn't just want to do a 'flat' doll and knitting or crocheting a 3d one from the patterns was out of the question. So, I started to draw up pattern pieces for my tiny self. It was only then I realised how very tiny the Stitched Selves had to be! Approx 15cm (6 inches) tall, which really makes for the smallest doll I've ever sewn. For something of this size all the seams need to be on the outside. It was quite a task to make everything as neat as possible and I used a pale biege embroidery silk to give smoother stitches. To make things even harder, I used the cotton lining fabric from a pair of vintage 1970's curtains for my 'flesh', which I thought was very apt, but it frays like mad. However, this all adds to the weird, slightly disheveled, 'Miss Haversham' effect that is a trademark of so much of my work, and has turned out to be highly suitable for making creepy voodoo effigies!

A few evenings later and the basic body of my Stitched Self is ready - here she is! Admittedly, she came out spookily more human than I had imagined. The exciting stuff comes next: hair, features, clothes...shoes!!

Naked, featureless, tiny me.

Scenes from Dr Frankenstitches workshop.

Below, I had to use a cocktail stick to stuff the legs!

Amongst cotton reels and pins for scale.

Millicent Chop's Raspberry Vanilla Cupcakes

This is Millicent Chop.

She likes vanilla cupcakes and raspberry jam. She's been ever so careful not to get any crumbs or sticky jam dabs on her dress because very soon she is going to live with Jeremy Sock (formerly Bill, The School Sock Elephant). She is rather looking forward to this and if she had a little suitcase I imagine it would already be packed and by the door - pink tutu, angora cardigan, and very, very soft and tiny cashmere socks.

Poor Millicent waited ages for me to finish her, but quite by chance, as well as finishing Millicent today, I have made some cupcakes that combine her favourite foods. She is absolutely delighted with them as you can see.

Millicent Chop's Raspberry Vanilla Cupcakes

(Makes about 8 substantial cupcakes or 12 smaller ones)

You will need:

100g soft butter

100g caster sugar

2 beaten eggs

1 tsp vanilla essence

100g self raising flour

25g ground almonds

1 tsp baking powder

a couple of handfuls of ripe raspberries, lightly squished.

To decorate:

50g very soft butter

100g icing sugar

2 tsp milk

a tiny drop of red food colouring

8 nice fat raspberries

What to do:

1. Line a cupcake tray with 8 large cupcake cases and preheat the oven to 170 degrees.

2. Beat the sugar and the butter together until smooth and creamy. Combine the eggs and vanilla essence then add to the butter mixture a little at a time, beating well. Fold in the flour, baking powder and ground almonds, and then the squished raspberries, distributing evenly.

3. Fill the cupcake cases to two thirds full, then bake in the preheated oven for 20-25 minutes until risen, golden brown and springy to touch. Stand the cakes on a wire rack, and when cool combine the butter, icing sugar and red colouring* to make a frosting. Spread all over the cakes, and top each one with a raspberry. Delicious!

*tip: use a cocktail stick to add just the tiniest trace of colouring to make a very pale pink. Then beat, repeat, until desired tone is achieved. A little goes a very long way.

Millicent was inspired by a project in 'Sock and Glove' by Miyako Kanamori

The Circus Beetles are in town!

I've been making Circus Beetles! This is my name for these brightly-coloured little busy-bodies that appeared while I was recovering from flu. Perhaps I was delerious.

I had an idea to make some fabric insect brooches, because I love insecty jewellery so much. I did two prototypes first of all, in the scraps left from my winter bird obsession. One was deemed too three dimensional to be a brooch (it may resurface again as a Christmas tree decoration) the other was lovely but a bit...dull. Finally it was time to use some colour after months of...beige.

Pale Beetle - Positively anemic by comparison!

Last summer I bought a pair of vintage 1970's curtains simply because the colour and pattern was so amazing. They are a glorious riot of pink, red and mustard swirls. I cut some of the individual motifs from the fabric and used larger ones for bodies, smaller ones for wings. As a contrast I used a red and white spot fabric on some of the beetles, which I aged down with tea to match the vintage fabric. For the wings I layered red, pink, gold and brown ribbons on pieces of tulle, then edged them all haphazardly with chocolate embroidery silk. Each little face has it's own character, beady eyes on most and antennae on some.

Beetles in Progress

I have an idea to mount them in a shadowbox, each with a vintage scientific label and pinned through the abdomen - of course - because I love how they look all together. Once I had decided they were Circus Beetles, I also had a jolly vision of them fluttering out of the folds of a tattered big top, each time it is unpacked for a show.

Like I said, delerious.

...And then there were five

I have an admission to make. After I had made a few more birds, it became clear that actually I wouldn't be able to part with any at all! Each one began to develop its own character as I sewed, the details incorporating so many magpie findings that the birds started to become too personal to give away - the chandelier pieces that I rescued from a London gutter about 10 years ago, the vintage silver buttons I was given by the owner of a ribbon shop I used to visit often, snowy white goose feathers from a walk round the aboretum this autumn and odd beads that I have had in my boxes so long I can't even remember where they came from. I did, however, source some different bits and bobs for new birds, that will have far less sentimental value to me. These I will be very happy to watch fly from the nest, hopefully to establish some happy memories of their own, with new owners.

Birds of a feather...

Coco - Biscuit coloured, with shimmery wings adorned 

with french knots and seed beads, and a tinkly brass bell. 

Jezebelle  - Tattered lacy plumes and cross stiched wings.

Ophelia - Feathery lace bound plumes on cream damask, 

pearl edging and twinkly chandelier pieces

Ariadne - Silvery seed beads nestle in her white goose feather 

wings and and around her pleated  comb.

Orielle - Embroidered organza lace wings, and a curly wire headdress. 

A silver bell hangs from her belly.

Christmas birds

I am making birds. Here is the first one:

Watch this space for more, as I have a flock to sew for presents. They will all be based on the same cream damask and pewter organza - a sophisticated palette with the emphasis on texture rather than colour. I have some very pretty, tinkly little brass bells for some, and some copper leaves to decorate other ones' wings with. I know I won't be able to part with them, but hopefully if there are enough, I can keep at least one back for my own tree.