Promotional interlude

Well, I still haven't had much time for reading or any real writing - I just yesterday managed to pick up Diana Prince: Wonder Woman Volume One, but aside from flipping through it and briefly grooving on the psychedelic Sekowsky artwork and ultra-mod O'Neil scripts, I haven't been able to really dive into it. Nonetheless, there are a few news items to share!

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Sort-of comics


The New Frontier DVD is coming out soon and I was contacted by M80, the outfit that is promoting this for Warner, and asked to spread the word. Not much of a stretch, since the comic itself is one of my favorites, especially since it features a lot of cool J'onn Jo'nzz action. Here's the official line on the film:

Justice League / The New Frontier
Inspired by the best-selling graphic novel by Darwyn Cooke and produced by the multiple Emmy® award winning animation legend, Bruce Timm, The New Frontier is the epic tale of the founding of the Justice League. Superman, Batman and Wonder Woman are all here of course, and so are Green Lantern, Martian Manhunter and Flash - whose incredible origins will be told for the very first time. Strangers at first, these very different heroes must overcome fear and suspicion to forge an alliance against a monster so formidable, even the mighty Superman can not stop it. If they fail, our entire planet will be “cleansed” of humanity.

I find it interesting that the movie is being touted as a "Justice League" movie, although I expect that this is both an attempt to connect to the general public and a bit of a lead-in to the upcoming(?) live-action movie. It also might just be an attempt to counter the pretty heavy nostalgia factor of the book and connect to a wider comics audience as well. A fellow comics fan, a generation younger than me, liked New Frontier, but didn't appreciate it as much as I did; he was a bit puzzled by what he called "all the Green Lantern love" that it contained. In any case, I'm looking forward to the DVD, if for nothing else besides the animated version of one of the best characterizations of Wonder Woman ever:



If I get a preview DVD, I'll have a little premiere party and let you know what a cross-section of folks say. And if you want more info now, check out the official New Frontier website.

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Not comics at all, really



A pal of mine, Yojimbo 5, has launched a new movie review blog, Let's Not Talk About Movies. Yojimbo is a good friend of this site and no comics slouch himself, so if you're in the mood for some thoughtful commentary on movies old or new, head over there. Hey, I'll bet I can get him to review The New Frontier...

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Comics scholarship

It has been a pretty busy year in the classroom: in addition to a new tenure-track position at a local community college, I have been working out a prior contract as associate faculty at a local university, so I essentially have been teaching an overload all the time. As a present to myself, Spring will be my All-Comics Quarter.

At the university, I am teaching Comics and Graphic Novels: Literary Technique in Sequential Art, a class that I have been developing for about a year. Here's the course description:

Comics in America represent a long history of artistic experimentation and expression in their development from escapist newspaper comic strips to contemporary graphic novels addressing complex themes. As it evolved, the form has developed a rich repertoire of conventions and techniques for story-telling. In this course, students will become familiar with the formal literary qualities present in comics as well as the semiotic principles immanent in pictorial narratives. Students will be able to identify and understand the structure and application of elements such as panel arrangement and design for pacing and mood; “camera angles” as expressions of time, space, and emotion; word balloon and caption types and their particular uses; sound effects and other out-of-balloon texts; narrative arcs/traditional themes; and common script preparation processes. The course is not an art class in the traditional sense of learning drawing techniques, anatomy, or perspective; rather, it explores the requirements, expectations, and particular strengths and weaknesses of the form.

We'll be reading Scott McCloud's Understanding Comics; The Language of Comics, a collection of academic essays; Paul Chadwick's Concrete (Volume 1: Depths); Jar of Fools by Jason Lutes; Kazu Kibuishi's Daisy Kutter; and the great Alison Bechtel's great Fun Home.

At the community college, I have two sections of Writing from Research (English 102); our general theme will be twentieth century popular culture and our model text will be Bradford Wright's Comic Book Nation: The Transformation of Youth Culture in America. I also have a section of College Composition (English 101), so I decided to shoot the moon and use graphic books as the texts for that class, too: Maus, Palestine, Contract with God, and Persepolis.

I have used comics to a greater or lesser degree in my English classes several times before, but haven't yet had the chance to teach comics-as-literature, so this will be fun. If you're in the Seattle area and interested in details, let me know and I'll fill you in.

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Next week: maybe I'll actually read a comic book!

Pirate vs. Ninja!

That's right - I said

Pirate!

versus

Ninja!

One of the most proliferant memes on the internets, Pirate versus Ninja is high concept at its highest, a pop culture mash-up cum personality test that is more exciting than anything since the Captain Midnight-Spy Smasher crossover of 1943 and a heckuva lot more fun than a Myers-Briggs assessment.

And now, thanks to assiduous research a lucky Google hit, I believe I have uncovered the ur-document, the prime source, the unmoved mover of the whole megillah.


Unknown Soldier #254 - 256, August - Oct0ber 1981; DC Comics
Captain Fear by Dave Micheline, Walter Simonson, John Workman, and Carl Gafford.

Captain Fear was an 18th-century Pirate of the Caribbean with a twist. Beginning his career in Adventure Comics in 1973, he was a Carib Indian and leader of the indigenous people in the region who becomes a pirate and taunts and twits the Spanish hegemon much like Zorro in California (except that as an actual member of the oppressed people, instead of merely their champion, he gets to keep the booty for himself).

The good captain sailed around the periphery of the DC universe on a course so eccentric he was revived (with a distinctly Ricky Martin vibe) in Architecture & Morality along with other D-list characters representing The Obscure. Back in the summer of 1981, he had found a temporary home in the war title Unknown Soldier, competing for his six or seven pages with Dateline: Frontline (tales of a war correspondent) and miscellaneous non-serial fillers. His stories didn't even get titles, but this three-parter is significant for its ground-breaking theme.

A splash-page prelude establishes some sort of connection between the Battle of Sekigahara in Japan in 1600, the European War of Austrian Succession begun in 1741, and a 1748 confrontation between a Spanish warship and strangely unresponsive Dutch freighter. Fear and his crew of buccaneers interrupt the standoff, seizing the Spanish ship and taking the Dutch ship as their own prize.

Upon boarding the East India trading ship, they find the entire crew slain, by mysterious star-shaped weapons. Fear finds what he believes to be something of value - a scroll, apparently being guarded by a "yellow man." Fear takes the scroll and other booty and leaves a skeleton crew to guard the ship: sailors who are doomed, because the unseen assassin cuts them all down before revealing himself to the reader in this dramatic shot:



In the next installment, Fear takes the scroll, in the middle of the night, to the governor of the island of San Bastienne and, at swordpoint, forces the Spaniard to read it to him. (Why he didn't just find someone friendly is not explained - literacy must have been rare in those parts). The governor soon realizes the document is a "communique between dissident factions in Japan and the King of England" about a possible alliance. Realizing the value of the document in Europe, he offers to buy it from Fear, but their negotiations are interrupted by the ninja, who has tracked the scroll across the world for the Shogun and is sworn to retrieve it. What follows, is, of course, pirate versus ninja, presented here in all its muddy, mando-paper glory:







Ah, if only they had continued to fight until a clear winner was determined - the internets might have been spared so many pointless interesting arguments! But, alas, the governor's guards burst in at that moment, scattering the opponents.

The final chapter begins with two vessels, one piratical and one gubernatorial, moored together so Captain Fear and Governor Luis Castelone (who now has a name) can swap scroll for gold. Of course, the unscrupulous Spaniard attempts a double-cross, but Fear's life is saved - for the moment - by the ninja! Oh, how ironic!



It all goes south from there, as the governor's reinforcements arrive, Fear sets fire to the two ships with a pre-arranged booby-trap, and a melee breaks out in which the captain-san and the neen-ja find themselves on the same side. Oh, irony redux!



You can probably write the rest of this yourself: ninja is killed, Fear avenges his death by killing the governor, Fear gets his gold and leaves the scroll with the ninja on the burning ship, so the ninja can die having completed his mission for his master. Ah, the Bronze Age.

So, there you have it, perhaps the original Pirate vs. Ninja: pre-YouTube, pre-internet, pre-COIE even.

And the world would never be the same.

Notes:

1. The (clear) covers were skimmed from GCD, as usual. The (crappy) interior scans are from the actual comics, now in the LSB.
2. That whole story took eighteen pages - and that includes the beginning-of-chapter recaps!
3. The best sound effect in the story is not that "SLLLATCH" of a ninja sword slicing a Spanish sailor, but actually the "SHRATCHAFOOM" of a pitch-and-kerosene soaked frigate exploding into flame.
4. Now that I think of it, we see the ninja shot by a volley gun and left on a burning ship, but never actually get his death confirmed. Perhaps we underestimate... a ninja! Maybe there's an even more obscure character waiting to be revived, eh?

Reading an English translation of a French semiotic analysis of the medium of comics can be fun

I haven't posted this weekend because serious affairs of RL have intervened.

Here is a quotation from my latest bedside book, The System of Comics by Thierry Groensteen, translated by Bart Beaty and Nick Nguyen (University Press of Mississippi: 2007).

At the end of the day, what makes comics a language that cannot be confused with any other is, on the one hand, the simultaneous mobilization of the entirety of codes (visual and discursive) that constitute it, and, at the same time, the fact that none of these codes probably belongs purely to it, consequently specifying themselves when they apply to particular "subjects of expression," which is the drawing.

And that's just in the introduction! Sheesh!

Regular posting will hopefully resume soon.