Okay, so here we have a book I have been coveting since its release, Knit Kimono by Vicki Square (Interweave Press).

I LOVE the kimono and Asian design, especially Japanese design, so this book was right up my alley, even if the idea of a knitted kimono is absurd.
Now, like many of you, I own several books published by Interweave Press, and like most of you have noticed, the photos in their books have a tendency to be blurry at best. No, you can’t disagree with me; you know this to be all too true. Pick up a random sock, mitten, scarf, or lace book, leaf through it, and notice the out of focus or poorly focused pictures on just about every page.
This book isn’t nearly as bad as some; in fact, it’s rather well focused, comparatively speaking. Additionally, there are many more photos of the garments than one normally gets with, say, Folk Socks or Folk Vest or Folk Hats or Folk Shawls or some of the newer scarf and shawl books.
Many are staged with the wearer in very lovely, even elegant, poses: hands outstretched at the sides, arms akimbo or raised delicately above her head like a ballerina in Swan Lake. Every kimono is shown like a wall hanging, a rod stuck through the sleeves to allow the kimono to hang at its most outstretched to display millions upon millions of tiny stitches.
The problem with this book lies purely in the design of the garments themselves.
No, I’m not saying the color is off, as some of the color combinations are splendid. I’m not saying the color patterns are off, as some look like lovely watercolors. Some of the color work and intarsia are for the extremely skilled.
I’m not saying the stitch is off, as some of the stitches are lovely and inventive. There are even ingenious stitch patterns that replicate beautiful Japanese fans, and some cotton mesh-like stitches that replicate a worker's kimono.
I’m not even saying that the designer was unable to replicate a pattern that works better in cloth woven from silk or cotton, as some of these are quite superb translations of said fabric.
The problem lies with the notion that a kimono, possibly the most elegant, most sensual, most sophisticated, and largest-sleeved garment ever created, could work in a yarn-knit fabric.
No matter how small the stitches, how fine the yarn, how infinitesimal the needles, a kimono sleeve simply cannot be made out of a knitted fabric using yarn, no matter what kind of yarn one uses. Nothing drapes worse or is more cumbersome than twenty yards of knit fabric hanging from one’s shoulder down to one’s wrist!!
When not displayed with outstretched arms, these women bearing these kimonos look like they are sporting the poorly designed sweaters of the 1970s, from patterns that were too tight in the body and too loose in the sleeves. Not to say that any of these designs are too tight in the body because of course they are not, but they do have the look of those bell-sleeved sweaters of the 70s and early 80s.
Take the first example, Reeds and Grasses on page 48:


Above we have the model acting like a normal person at work or at the mall, doing her best Julie Andrews imitation, singing "the hills are alive with the sound of music . . .":


Now, I suppose she continues to help her deodorant dry because she still can't bring her arms down to eye level. In this first one, she is clearly saying WTF?!?!?! In the one below, she is scratching her head, asking herself why in anyone's name did she put this thing on?!?
Now this very beautiful brick red Suikan on page 56:



I will admit, I am a sucker for this color. It's quite lovely. In fact, this entire concept is all lovely until the model puts her arms in a position that even remotely resembles normal humanoid activity. There is no way she can pull off all those yards of heavy knit fabric, and now this kimono certainly has the look of an ill-conceived sweater, with the sleeve ties trying to hide the fact that this garment is untenable.
Now, the one that is the worst offender, and in my book, the one that is not at all a kimono but an absolute monstrosity of yarn gone astray is Water and Sky on page 94:

Not too bad on a stick, but on a person?
Not to make light of very serious things, but isn't this a stress position? Could you really walk around with five pounds of yarn draping on your arms as you held them above your head? Clearly, this model is thinking WTF?!?!?!?


Plus, this one is pure ugly in terms of color and possibly stitch, but this is one where the image is not focused well enough to let one imagine the stitches. Granted, I am not a beige person, but even if this was in a lovely color like purple or teal or brick or a nice deep terra cotta orange, I wouldn't like this thing.
Which one of you would willingly wear this for half a day? What could you possibly do in this? Even after two hours of modeling it, surely the wearer would wear her arms out, which is why I say the ladies are bearing these garments rather than wearing them.
The Suikan’s sleeves (above), while beautiful, look so heavy that I doubt my husband could hold his arms up under that heavy yardage for more than five minutes.
What say you?









































