Sunday, August 20, 2006

Poem: Jaime Sabines

Jaime SabinesIt's been a while since I've posted a poem, so here's one for a Sunday, which is to say, for any day of the year at any time. It's by Jaime Sabines [Gutiérrez] (1926-1999, at left, from Casa en el horizonte), who was one of Mexico's best known and most beloved poets. He was a poet of earthiness, and wrote about love, hope, sadness, disappointment, the communion of the body and the spirit, and many other things in a language that was deceptively simple and direct. The critic Roberto Fernández Retamar labeled him the "Sniper of Literature," but I think of his poetry as arising straight out of the streets, of everyday life; though I have always been most fond of Octavio Paz and Xavier Villaurrutia among Mexico's great poets of the 20th century, Sabines has steadily grown on me. Here, then, from Blas Valdez's site, is "I love you at ten in the morning."

I LOVE YOU AT TEN IN THE MORNING

I love you at ten in the morning,
at eleven, at twelve noon.
I love you with my whole soul and
my whole body, sometimes, on a rainy afternoon.
But at two in the afternoon, or at three,
when I start to think about the two of us,
and you're thinking about dinner or the day's work,
or the amusements you don't have, I start to hate
you with a dull hatred, with half of the hatred
that I reserve for myself. Then I go back to loving you,
when we go to bed and I feel that you are made for me,
that in some way your knee and your belly are telling
me that, that my hands are assuring me of that,
and that there is nowhere I can come to or go to that
is better than your body. The whole of you comes to
meet me and for a moment we both disappear, we
put ourselves into the mouth of God, until I tell you
that I am hungry or sleepy. Every day I love you and
hate you irreparably. And there are days, besides, there
are hours, in which I don't know you, in which you are
as strange to me as somebody else's wife. Men worry me,
I worry about myself, my troubles bewilder me. Probably
there is a long time when I don't think about you at all.
So you see. Who could love you less than I do, my love?

Copyright © Jaime Sabines, 2006.

Random photo

Grate painter, 6th Avenue and 12th Street, Greenwich Village

Wednesday, August 16, 2006

Some of this, some of that

Günter Grass's True History
So 60 years after the fact and after regularly (and rightly) scolding his fellow Germans whenever he felt they were trying to sweep the Nazi past under the rug, 1999 Nobel Laureate in Literature Günter Grass has admitted in an interview with the conservative Frankfurter Allgemeine Zeitung, that he will detail in his soon-to-be published new memoir how he wasn't just a reluctant anti-aircraft gunner, like pope Benedict XVI supposedly was, as had been long thought (was it not possible for any journalists to have checked this supposed fact years ago?), but that he was drafted by and served with the Nazi Waffen SS. He has been denounced by critics on the right, naturally, since he's been an ardent leftist for five decades--but fellow leftists have also blasted his silence, as has the leader of Germany's main Jewish organization. The admission has also provoked calls for him to relinquish his Nobel Prize--which despite the political calculations that factor into the award honored his (early) novels, particular The Tin Drum (1959)--though the Swedish Academy has said that this cannot be done. Pro-fascist and pro-Nazi writers and other unsavory sorts have previously received the Nobel Prize (cf. Knut Hamsun), but Grass's admission puts him in a different category. He's upset that he's being "attacked" and declared a persona non grata, though what did he really expect? The hypocrisy gives me heartburn, but I also think that on another level, if one gets past the bitter irony, psychologically it makes sense: his long unspoken but internal struggle with his avowal and complicity fueled the acid humor and absurdity of his creative work, and spurred him to be the public conscience and critic that other who were not so tainted, or who had previously acknowledged their complicity, could not. As post-War German-language writers go, I'll take Koeppen, Kluge, Sebald, Timm, Handke, Celan, Bachmann, Bernhard, Mayröcker, Bobrowski, Enzensberger, Helms, Frisch, Schmidt, and others over Grass any day, but I will state without hesitation that at his best, Grass's sometimes perverse fables have provided a powerful lens through which to view his country's history and its plunge into the abyss.

David Grossman's Loss
More curdling ironies: one of Israel's finest contemporary writers, David Grossman, the author of the extraordinary novel See: Under Love (Ayen erech: Ahavah, 1986), learned on Sunday that his 20-year-old son, Uri, had been killed in one of the Israeli Defense Force's battles with Hezbollah guerillas in southern Lebanon; he received the news six days after he'd called, jointly with two of Israel's other most important authors, Amoz Oz and A. B. Yehoshua, for an immediate cease-fire. The son of Holocaust survivors and an outspoken peace activist, Grossman has long called for conciliation with the Palestinians and of Israel's deoccupying the West Bank, but he had initially supported Israeli Prime Minister Ehud Olmert's campaign against Hezbollah after the kidnapping of the two IDF soldiers and the launching of rockets against northern Israeli cities. His comments with Oz and Yehoshua included a call to support the proposal from Lebanese Prime Minister Fuad Siniora, which has formed the core of the UN cease-fire resolution. In the Jerusalem Post, Ira Sharkansky has an thoughtful comment about Grossman public activism and his loss.

Queenan on Reading So Much at Once
I totally identified with Joe Queenan's recent
New York Times piece, "Why I Can't Stop Starting Books": it almost describes my reading habits to a T. In part I am always reading multiple books at the same time because I have to (there isn't enough time to read them sequentially), in part because I read slowly (slothlike perhaps is a shade too fast) and in part because I often several books critically against each other. (Then there's also the ever-present fear that time is rapidly racing ahead, or winding down, so if I don't start a book, I'll just never have time to get to it, and with TV...) Like Queenan, I also feel (at times that) I have too long an attention span, and can put a book down for months and then resume it--though this is less so the case with fiction, or rather, complex fiction that's not too simplistic but also not too formally experimental, which basically is a license to stop and start at will. The desultory reading habit has perhaps served me to some extent in my own writing; I once started a story, set it aside for several years to work on other projects, then resumed it because of a looming deadline and completed it in about a week. (The revisions took a bit longer.) All throughout that time that story's main characters and plot remained in my head, flowing like a hidden tributary. Of course it's a little bit more difficult if I don't care so much about the texts at hand, but I've come to realize that being able to jump around with texts and retain some of them is crucial if you're teaching at the university; and retaining all of the students' creative work in your head, of course, is essential.

Perelman the Math Whiz
So there's this Russian guy, Grigori Perelman, who works quietly for a while solving of one of the more difficult problems in mathematics, Poincaré's conjecture, as well as a related conjecture by an American mathematician. A specialist in the field of differential geometry, Perelman's spent time in the US on post-docs, impressing people with his brilliance and non-materialistic attitude, then he returns home to the St. Petersburg area, whose woods he loves. He works there sort of under the radar on this 100-year-old problem before publishing several short papers on the conjecture, coming to the US to give lectures at MIT, SUNY Stony Brook and elsewhere, then returning home and supposedly heading off once again the woods. Literally. He's a strong bet for one of the top prizes in his field, the Fields Medal, given to the most outstanding mathematician under 40 (he was born in 1966 so the clock is ticking), and also a candidate for a $1 million prize from the Clay Foundation in Cambridge, Massachusetts. But it appears he really did appear to head off into the woods and now no one can find him. His short and dense proofs' findings, which have been subsequently verified in more than 1,000 pages of proofs by other mathematicians, represent a watershed moment in his field, to the extent that their implications for mathematics and physics may not be fully understood for some time. But he's really nowhere to be found. Mathematics and mathematicians fascinate me to no end, and stories of breakthrough mathematical research interest me even more. I could easily see a book based on the story of Grigori Perelman's proofs, though the author would have to have real familiarity with the areas the work covers. (A movie might be more difficult, since the practice of theoretical mathematics strikes me as inherently undramatic--although Perelman's story has some good plot points, more A Beautiful Mind than Pi.) I wish I could explain what exactly the breakthrough was, but I'll leave that to the mathematicians. I have been able to wrap my brain around the fact that to topologists, a sphere, a cigar and a rabbit's (or human's) head are all the same, because they can all be "deformed" into one another....

Miscellany
Tonight we caught Niagara (1953) before Noah's Arc came on (and it was preceded on Logo, amazingly enough, by Noah's Ark). I've finally realized from whom Darryl Stephens is channeling not only his voice, but his facial expressions, at least some of the time. It still isn't working, but then there's always Gregory Keith and now Wilson Cruz, and next week Keith Hamilton-Cobb and Rockmond Dunbar...

Is this one to be believed? Well, okay, sure. Whatever you say, Michael Knight. Congratulations on winning your second challenge. BTW, for newbies to Project Runway, there actually was a self-described bi designer, who happens to be of African descent, on last season's show: the interminable egotist, Santino Rice.


Monday, August 14, 2006

Confederate George's Macaca Problem

For most of the two years that that C and I lived in Virginia, George Allen, aka Confederate George, the current junior Senator from that state, was the governor. I said, based on his TV appearances when he was running, that he was a racist mess, and supported his opponent, Mary Sue Terry, a lackluster, centrist-right Democrat. Allen went on to confirm some of my worst presuppositions by proclaiming April Confederate History and Appreciation Day ( which was later rescinded by his Republican successor) and describing the Civil War as a "a four-year struggle for independence and sovereign rights." Well, yes, independence and sovereign rights to be a slaveholding power. Allen, a native of California and the son of the former star football coach of the same name, also provoked Virginia's African-American population by championing the Confederate flag and hanging a noose from a tree in his office. A real charmer. Naturally, he was elevated from the governorship to the Senate in 2000 when he ran to the right and defeated Marine veteran and Lyndon Johnson son-in-law Chuck Robb (who was facing some scandal allegations of his own and had basically been Republican-lite except on social issues).

Allen unfortunately isn't happy playing at representing the good people of Virginia (he's so much as said so), and would like to be president. But he's in a race against another military veteran, former Reagan Navy Secretary-turned Democrat, James H. Webb, to keep his current seat warm for a few years. According to Raw Story, yesterday, being the George Allen he's always been (he was suspended for alleged racist graffiti in high school, and his younger sister has accused him in print of sadistic behavior towards his siblings), he repeatedly called S. R. Sidarth, a 20-year-old student campaign volunteer for Jim Webb "Macaca...or whatever his name is." Sidarth is of Indian descent. Macaca is the generic name for a wide range of African monkeys, as in macaques. One of the best known is the macaca mulatta, the rhesus monkey. "Makkak" and variations are also a known slur against dark-skinned North Africans. (Allen's mother reported was born in North Africa.) In addition, he even had the presence of mind to welcome the young man, a US citizen born in Virginia and UVa student, "to America." Allen has said he was referring to Sidarth's "mohawk," only Sidarth doesn't wear a mohawk. Allen's campaign manager initially said the Confederate-flag loving senator had nothing to apologize for. (He eventually did.) Sidarth, for his part, believes he was singled out because he was the only person of color at the campaign event in Breaks, near the Kentucky border. "Macaca" is a bit more clever than the "N" word, so I guess Allen may be more clever than I give him credit for; maybe he's playacting when he sounds so much like a tranquilized version of Barney, and maybe he was reading a medical text before the event. He did supposedly want to be a dentist at one point. UVa political science professor and Larry Sabato thinks the slur will hurt Allen's presidential chances. Oh well, goodbye to all that....

Do the right thing if you can afford to: support Jim Webb.

Literary Lineup

This past week, Christopher Stackhouse and I recorded an interview with poet and DJ Keith Roach for Eadon's Place/Live365 online radio. We were talking up our collaborative book project, Seismosis (1913 Press), and other things as well. It aired yesterday from 3-5 pm, and will repeat several times this week. The Eadon's Place/Live365 schedule is available here. The clip is about 45 minutes or so long, and includes me reading the essay-poem "Color."

Mendi O. tagged me with a book meme (which Littlemilk has already undertaken), so I promise to get to it soon. For the entire history of Jstheater, I don't think I've ever undertaken a meme (which was one of my unspoken first-year daily blogging rules), but I've seen a few I've liked and earlier this year did begin one, only to set it aside to work on something else. Mendi's and Littlemilk's are fascinating, so check them out.

Speaking of literary news, one of my Brazilian correspondents, poet, journalist and literary impresario Valdeck Almeida de Jesus, has published his first novel, Mistério Policial en Estocolmo (Salvador, 2006), through the Fundação Cultural do Estado da Bahia, under its "Letras da Bahia" imprint. Valdeck is also the author of Heartache Poems. A Brazilian Gay Man Coming Out from the Closet (New York: Editora iUniverse, 2004), a moving collection of poems written and published in English; Feitiço Contra o Feiticeiro (São Paulo: Editora Scortecci, 2005); and Memorial do Inferno. A Saga da Família Almeida no Jardim do Éden (São Paulo: Editora Scortecci, 2005). In addition to these projects, he also edited an anthology of poems, and is the founder and head of the Jean Wyllys Fan Club, which celebrates his fellow Bahian writer and the winner of Brazil's Big Brother 5, Jean Wyllys. Congratulations on the new novel, Valdeck!

I've been translating Wyllys's award-winning collection of stories, Aflitos, which was originally published by the Fundação Casa Jorge Amado in Salvador, and was republished by the media conglomerate Globo. The beautifully preserved egg-shell blue colonial house in Salvador's Pelourinho district where Amado lived for decades not only houses the foundation, and research and cultural center, with a café and theater, but includes a bookstore that features books by many of Bahia's contemporary writers, from the internationally famous (Amado, João Ubaldo Ribeiro) to the less-well known. Aflitos deserveedly received Bahia's Premio Copene de Cultura e Arte. The several dozen stories, some as brief as an extended paragraph and many as lyrical as prose poems, often treat raw subject matter in quick, clipped stylistic strokes, somewhat in the manner of stories by one of the authors Wyllys quotes, one of Brazil's most remarkable writers, Clarice Lispector. Like Lispector's stories, they frankly address social inequities, including the most elemental depradations of human existence, and sexual relations, though Wyllys, as a young (32) out gay writer of Afro-Brazilian ancestry concentrates more directly on the vicissitudes of Bahia's Black population and on the queer currents within the city's demimondes. I find the work's abruptness and bitter edge bracing, and hope to complete my translation in the near future so that others who don't read Portuguese will have access to this work.

Back to these shores, Bernie alerted me to a recent post on Keith Boykin's blog about complaints lodged by writer Randy Boyd. There have since been 137 comments in response, and I have little to add except to say that I think Boyd's complaint not only a bit tired but misplaced, especially given that the vast majority of depictions of gay American male life are eurocentric and White-normative (actually, I'd add gay, lesbian and bisexual American lives), and, until fairly recently (within the last 25 years), many novels and extended works of fiction by African-American and other Black gay male authors centered on Black-White relationships as opposed to intraracial or any other racial or ethnic combinations--where Boyd he been? Does he read any prior African-American gay male writers?--but he's apparently found his home with the NABWMT/MACT crowd, which shares his "dream that a black boy and a white boy can be in love and deal openly and honesty with the crap from both the black and white communities" (um, hello, do any other races or ethnicities exist?). Yeah, okay. Yawn!

Sunday, August 13, 2006

Blog Roundup

Just a few of the many::

Yesterday, we celebrated C's birthday: Happy Birthday again, Baby!

Kari at Transdada has an interesting news roundup that doesn't leave out the "T" in LGBT, as so often happens.

Bernie has one of the most thoughtful discussions I've seen about the upcoming new season of The Wire (which won't be the same without Idris Elba's "Stringer Bell").

EJ returns from a week's hiatus with a mix that brings back some great memories. (Mantronix, Mantronix, Mantronix....)

Treasure haikus about "Black men's backs". Here's mine:

Summer's heat waning
Shirts recover broad dark backs
Remember and smile

Juan José Martínez's compressed haiku en español.

Tayari opens her blog to novelist Eisa Ulen.

Nalo writes about the Amorphophallus plant, which I wanted to...uh, smell.

Update: Rod has one of his outstanding, hilarious writeups of Noah's Arc.

Audiologo is doing it (damn!)
with a superb post on the politics of (Black women's) hair and Cynthia McKinney's recent loss to Hank Johnson in Georgia.


Friday, August 11, 2006

Quote: Senal Paz

Perhaps the new angle we have found is that of the imagination, of fantasy, and we opted for a literature weighed more heavily towards the imagination and a narrative more responsive to poetry...We have softened the tone of our literature: it is now more tranquil, lighter, more self-searching and intimate, less marked by the impact of the plot and subject matter, but having gained in reflection. There is more concern with the trivial pursuit of everydayness and also, and in this we agree, with the ethical preoccupations that stem from the construction of socialism.
--Senal Paz, in Emilio Bejel, ed. Escribir in Cuba: Entrevistas con escritores cubanos, 1979-1989 (Puerto Rico: Editorial de la Universidad de Puerto Rico, 1991)

Thursday, August 10, 2006

Noah's Arc (Runs Ashore) Anew

StephensThey're back, and unfortunately, no better. C and I did watch it all the way through (even though Project Runway also was on, and Michael Knight from Atlanta was designing a stunning Pam Grier-inspired number that won that episode's challenge). As with the first season, Noah's Arc has enough cute outfits and 'dos, some witty repartee, and enough eye candy to fill a small house party, but the problem is, it's the same preposterous storylines, goofy acting, and...oh well, see it for yourself. I just wish that someone would teach lead actor Darryl Stephens (Noah, at right, from Logo Online) a few more facial expressions; he always seems on the verge of giggling when he should be looking serious, and the trembling lip and rocking should have gone out with Sybil. He's like Carrie Bradshaw crossed with Joan Clayton, with a bit too much Gidget Lawrence tossed into the mix. I'm willing to believe cartoon-like versions of Black gbt men like this are out there, but please, try a bit harder to convince your viewers--acting is an art! Anyways, they're back, and all sorts of celebrity hotties, among them Season One veteran and talented actor Wilson Cruz, will be making guest appearances. At this point, that's the only reason I can find for continuing to watch this show.

Random photo

Artist at work, Doma, West Village

Wednesday, August 09, 2006

2006 Elections: Take 2

LamontThe good little right-listing ship Lieberman has sunk. By a margin of roughly 52%-48%, the Democratic voters of Connecticut made it clear last night that they wanted a change of direction, in the person of Ned Lamont (at right, WFSB), the cable company executive whose critique of Joe Lieberman's deepening attachment to the Bush administration's bad policies and politics, especially the Iraq War, brought him from the polling abyss to victory over the well-funded, widely endorsed, political-machine backed incumbent.

Lieberman, in a concession speech last night that was indicative of his entire campaign, refused to step out of the race and after inverting his and his opponent's ideological perspectives, immediately announced that he would run as an "Independent Democrat" (even though using the latter term may be a violation of Connecticut state law), but he also spouted pro-Republican talking points that his friends in the Bush administration, including Karl Rove, Dick Cheney, RNC head Ken Mehlman, Bush's spokesman Tony Snow, and Bush himself, quickly seconded. Cheney even gave a rare press conference to affirm his support for Lieberman. Their main coordinated point was that Lamont's dramatic and important win, a confirmation of netroots activism and little "d" democracy, was somehow a danger not only to the fortunes of the Democratic Party in 2006, but to the US itself. Lamont and his supporters (including yours truly) were "far left activists," extreme "partisans," "wackadoos," Al Qaeda-enablers, etc. The future of America and the free world, to these testerically inclined folks, hinged on Lieberman winning that primary. Fortunately a slim majority of Connecticut's registered Democratic primary voters didn't buy this rhetorical nonsense; and given that 60% of Americans polled want a pullout of some sort (phased, immediate, you name it), it's likely most Americans won't either. Lieberman, like Bush & Co, is on the wrong side of this issue, but he has gone even farther in his hawkishness and delusion, claiming as recently as two months ago that the situation in Iraq was great, even as the carnage caused by the terrorists and the civil war was worsening. Whether this was denial, delusion, willful or passive ignorance or some combination of these I don't know, but the assessment spoke very poorly on his judgment.

But Lieberman, who was a lackluster Vice Presidential candidatewhen he ran with Al Gore in 2000 (I really wish there were studies exploring whether there was any correlative effect between his presence on the ticket and Gore's low or close vote totals in Southern and Midwestern states), has repeatedly been on the wrong side of issues, which is also why he lost the Democratic presidential nomination in 2004 and why he lost this primary battle. He hemmed and hawed on the Social Security privatization boondoggle before finally stating that he was against it; he voted for cloture for Justice Samuel Alito, allowing the full Senate vote to go forward, before voting against Alito; he voted for cloture for the bankruptcy bill, one of the worst pieces of anti-consumer legislation to come along in years; he supported the awful, intrusive Terri Schiavo legislation that the far right in the GOP were pushing; he was pro-NAFTA and CAFTA; and on and on. Of course other Democrats have voted along the same lines on some of these issues, but they aren't in primary battles and might represent more conservative constituencies than Lieberman. On top of all of this, he suggested that women who needed the morning after pill, if denied it at one hospital, could find away to convey themselves to another one, a particularly troubling comment at a time when non-rich women's access across the country to safe legal abortions is under intense attack, and when some conservatives are also pushing to restrict access to contraceptives like Plan-B and to other medications that may protect women's reproductive health. He has repeatedly spoken against affirmative action, and attempted to play racial politics against Lamont, though it backfired. George Bush has called him his "favorite" Democrat for a reason. Although Lieberman's overall "liberal" ratings are high (at least within the context of the current Congress), on key issue after key issue, this darling of Hannity and Limbaugh has often had to be pulled back towards the mainstream of the Democratic Party. Lamont, if he wins in November, however, will be in the center-left of the party as it's now constituted. A Lamont win is hardly certain, but the primary victory was a great step.

McKinneyIn one of the other high-profile Democratic primaries, incumbent Georgia Congresswoman Cynthia McKinney (at right, AP Photo) lost to challenger DeKalb County commissioner Hank Johnson by 59%-41%, making Johnson a lock for the November election. I actually didn't follow this primary race that closely, but I do know that on a wide array of issues McKinney has been one of the most progressive members of the Democratic caucus, which, along with her relentless criticism of President Bush and her pro-Palestinian outspokenness on Middle East politics, has long made her a target for ouster. I remember when she was defeated four years ago by Denise Majette, shortly after publicly questioning the Bush administration's prior knowledge of the 9/11 attacks, only return to office in 2004. After her run-in earlier this year with the Capitol police, which led to her having to issue a public apology, I thought she might again find herself facing a primary challenge. I've seen ads for Johnson on some of the centrist and left-leaning blogs, and only know that while he isn't as outspoken and progressive-liberal on a number of issues as McKinney, he has vocally criticized the Iraq War and other Bush administration policies. Perhaps someone more familiar with this race can tell me more about him and some of the dynamics, but I do think that outspoken people of color, and especially Black women, are always political targets. McKinney, who has been criticized for her outfits, her hair, her comments, and her general attitude, sometimes to outrageous extremes (cf. Neil Boortz), was back in the crosshairs from the minute she reclaimed her office in 2004. I'm hoping that Johnson doesn't become a night-blooming cereus once he takes office.

Update: I see that McKinney's fellow Democrats have been "mum" about her loss. Something tells me they probably didn't shed a tear when they heard about Johnson's win.

In one other race that caught my attention, minister Keith Butler lost to Oakland County Michael Bouchard 60%-40% in the Michigan Republican primary, and so will not have the opportunity to face incumbent Senator Debbie Stabenow. Many pundits spouting the conventional wisdom claim that the energized extremist branches of each party dominate primaries, but this is too formulaic, particularly when race enters the mix. Butler was decidedly more conservative than Bouchard, and could actually have drawn votes in the Detroit and Grand Rapids areas from Stabenow in a general election, but instead, Michigan's Republican primary voters did not tilt so far right (and Black) and selected Bouchard, who'd originally dropped out of the race but who jumped back in after some cajoling by National Republican Senatorial Committee Chairwoman Elizabeth Dole. This seriously undercut the campaign of Butler, who was touting himself as the choice of evangelicals, conservatives and hunters. Bouchard is still light years more conservative than Stabenow, trails in campaign funding, and has an uphill climb.

Random photo

A FilemakerPro class at the Apple Store in Soho

Monday, August 07, 2006

2006 Elections: Take 1

Are Black Candidates for 2006 Statewide and Federal Offices Longshots?
Looking over the electoral map for this fall, it struck me today that one thing I haven't really read anyone saying (though I'm sure some bloggers probably already have) is that this will probably be a bad year for most of the Black candidates running for statewide and federal offices. The reason behind this is that in the cases of Black candidates for state and federal posts, it's the wrong candidate with the wrong politics for the wrong post. Though the Democrats have become resurgent in Congressional and even state generic polls after nearly six years of disastrous one-party Republican rule in Washington, the Democrats who're running for the federal positions (US Senate) are not the best fits for the electorate they're trying to woo, while the Republicans, almost to a person, represent a party whose ideology and policies--if not politics and political handiwork--have proved miserable failures in terms of governance and stability.

In terms of the Democrats, take for example the two open Senate seats in which Black candidates are running: Tennessee and Maryland. In Tennessee, a very conservative Democratic, Harold Ford Jr., is running to fill the seat being abandoned by Senator Majority Leader Bill Frist. Tennessee has trended Republican for a decade, and its last Democratic senator was former Vice President Al Gore, who, during his Senate tenure, was fairly conservative. Ford, who as recently as the past year said that he "loved" George W. Bush, and who has been subjected to a steady stream of racist attacks (which fixate on his friendship with White women), will face Republican former Chattanooga mayor Bob Corker, who is to the left of many Southern Republicans, but about on par with Ford in terms of ideology. This disadvantages Ford, because if the mostly non-Black Tennessee electorate has the choice of two candidates with similar beliefs, they are probably going to choose the non-Black candidate, especially if Corker is able to straddle his party affiliation with the sense that he's not so intimately tied to the far right of the Republican Party. (Effectively, however, once he reaches Washington he will likely serve as a rubber stamp for whatever Bush and that party want.) I'm not exactly convinced that Ford could have won under any circumstances other than facing a far-right extremist who also happened to be Black, like Alan Keyes (as Barack Obama did), but he's definitely going to have a very hard time defining himself as the better option in his run against Corker. Were he to win, it would be a major upset and a noteworthy referendum against the current national state of affairs.

In Maryland, it's a different issue. A liberal-progressive Democrat, Kweisi Mfume, who formerly headed the NAACP, is one of the frontrunners in a primary battle against a moderate Democrat, Ben Cardin. Either of them will probably win Democratic primary and then face Republican Michael Steele, the African-American current lieutenant governor and protegé of Maryland's unpopular GOP governor Bob Ehrlich. Mfume probably would have had much smoother sailing had allegations of sexual harassment in his former post not come to light, and yet he leads the politically incompetent Steele, who has advanced spurious narratives about being pelted with Oreos, compared stem cell research to the Holocaust (he apologized for doing so), and was recently unmasked as the unnamed Republican who trashed Bush and his party to a pool of Washington reporters, though he immediately backtracked when his identity was revealed. His ineptitude seems to know no bounds, and he's on the wrong side of multiple issues. While it's pretty clear that Cardin, if he wins the primary, will defeat Steele handily in a Democratic-leaning state, given the fact that Maryland has one of the highest percentages of Black residents in the US, a progressive Black Democrat with none of Mfume's personal baggage could probably also have been elected by a blowout comparable to Obama's in Illinois in 2004.

The Democrats could have found some viable Black candidates to run in other Senate races; in Minnesota, to replace retiring Senator Mark Dayton (Democrat Amy Klobuchar leads that race); in Rhode Island, to face faltering candidate Lincoln Chafee; or in New Jersey, had governor Jon Corzine nominated state representative Nia Gill, which he very well may do in 2008 when senior Senator Frank Lautenberg, who's in his 80s, very likely steps down. As it is, Obama could have two colleagues, both from former slave states, though it's increasingly looking like he will be the only African American and one of only a handful of people of color in the US Senate for the near future. In statehouse races, the Democrats also haven't advanced many Black candidates, though many of their candidates this year are moderate incumbents--a decent number of women--who probably will be reelected, including in red states such as Kansas and Arizona.

In Michigan, conservative and former city councilman Reverend Keith Butler is vying for the Republican seat to face incumbent Democratic Debbie Stabenow, who defeated incumbent Senator and former Secretary of Energy Spencer Abraham in 2000. Despite the large pool of Black voters in Detroit and its environs, as well as in the western part of the state, Butler is too far to the right and will probably lose to Oakland County sheriff Michael Bouchard; in most polls he's still trailing Stabenow, who has reliably voted with the Democratic caucus and against the Bush administration's policies. Were Butler more moderate, he might actually win the nomination, and could give Stabenow a run for her money, since Michigan's once popular Democratic governor, Jennifer Granholm, is in the political fight of her life, and Democrats are being blamed for Michigan's stagnant economic situation. As it is, Stabenow is far and away the best option and Butler's chances are slim.

In various gubernatorial races, African-American Republicans who've been touted as potential winners increasingly find themselves out of step with the electorate they're trying to win over. In Ohio, Republican Ken Blackwell has moved so far to the extreme right of his party that the state Republican Party, which is facing multiple political and financial scandals, is not giving him its unmitigated support. Blackwell is alleged to have played a key role in the systematic disenfranchisement of African American and poor voters during the 2004 presidential election in Ohio, so it would be karmic justice if he were to lose this year, though he has been galvanizing support among some Black ministers and other Black voters. To win, however, he'll have to win over most of the non-Black Republicans. With his well known ultraconservative positions on a variety of issues (just a week or so ago he spouted virulent anti-gay comments), can he do it? It thankfully doesn't look good. His opponent, Democrat Congressman, Rev. Ted Strickland, who recently was the object of a GOP-engineered anti-gay smear campaign, leads in the polls.

In Pennsylvania, football Hall of Famer Lynn Swann faces incumbent Democratic governor Ed Rendell. Everything I read by and about Swann's candidacy shows that he has few distinctive ideas or plans for the Democratic-leaning state, which went for Gore in 2000 and Kerry in 2004 (by a smaller margin). Swann appears to be relying on his celebrity and a bland, generic GOP message (low taxes, small government, etc.) to carry him into office, which is one of the reasons he's trailing Rendell by a sizable margin. The unpopularity of the Bush administration and of Republicans in the state legislature are the others. In a different year, perhaps during the final years of Clinton's presidency, when some portions of the Pennsylvania population took a censorious attitude on moral values issues, Swann might have been able to eke out a win, but it's unlikely this time. Rendell has got his number and is going to win.

Although RNC Chair Ken Mehlman has repeated expressed pieties and promises about trying to attract Black voters and candidates, from late 2001 through 2005, when George Bush had positive approval ratings, the Republicans had only one Black member of Congress (J.C. Watts, who stepped down in 2002), and did not field one Black candidate to run for a statewide office in the South, which was the Republicans' strongest region and also where the majority of African Americans (over 5o%), many of with conservative social beliefs, live. Did things change this election cycle? Outside of Steele, Blackwell, and a few others, no. In addition, this year they offered no support to potential gubernatorial candidate Randy Daniels in New York, who would have had an uphill battle against either of the two major Democratic candidates, Eliot Spitzer or Tom Suozzi; but the fact is, the party didn't even put any effort behind his interest in the run. Mehlman's cant seems to be convincing only to (some) fellow Republicans. Because of the Iraq War, the economy, the environment, and a host of other issues things look bleak for the Republican Party at the national level in general this fall, but the situation is bleaker still, I think, for the few Black candidates the party has fielded.

Random photo

Young man on motorcycle reading book, 6th St. and 1st Ave.

Sunday, August 06, 2006

Pride in the City Family Day at Commodore Barry Park

Pride in the City Family Day
Yesterday we dropped by Pride in the City's Family Day gathering at Commodore Barry Park in Brooklyn. I'd never heard of the venue, which is right over the Manhattan Bridge, but I was looking forward to returning to the annual outdoor bazaar and live-music event after a few years' hiatus. Below are a few photos from the afternoon. I was happy to see that the event was more intergenerational than the last few Black prides I'd attended, though I saw fewer women this time than in the past events in Fort Greene or Prospect Parks, and almost no children. It felt like there were fewer booths than at prior New York prides too, though I this could have just been my perception. Another thing C., I and our two friends David and Ndlela noted was that the energy level at this event felt low--the word that initially came to mind was "subdued"--though this could have been because we got there in the (very) late afternoon, after the initial crowds had already passed through and before folks starting showing up after dinnertime. It also could have been because we're all getting older and the excitement of pride celebrations is wearing off, though there were many (maybe half the people there?) people there our age(s). I did run into a number of people, as I always do, including friends and acquaintances from Jersey City, Harlem, Chicago, and everywhere else.

David, Ndlela and C

One of the food tents

One of the social service organization tents

The bazaar from afar

Some of the attendees milling about

At the mainstage

Former 100 Black Men in Law Enforcement head Eric Adams, who's running for a New York State Assembly seat

Friday, August 04, 2006

Protests against Ali's Brick Lane Film + Brazell Fundraiser This Sunday

Neighborhood Protests Film of Monica Ali's Brick Lane
Brick LaneA couple weeks back I read in the Guardian Unlimited that some residents of London's predominantly Bangladeshi Brick Lane neighborhood had organized protests to halt the filming of a movie based on British novelist Monica Ali's critically acclaimed novel Brick Lane. Led by local business leader Abdus Salique, the Campaign Against Monica Ali's Film Brick Lane, which included a threat to burn Ali's book at a rally this past Sunday, forced the film's producer, Ruby Films, to end plans to film on site. Salique and others claimed that the book's depiction of Sylhet Bangladeshis was "racist and insulting," and impugned the "community's dignity and respect," reproducing stereotypes. A subsequent Guardian article mentions that protesters have cited a few excerpted derogatory lines and phrases to buttress their arguments, yet also notes that rumors about the film and the production company's hiring policies also stoked the response. Nevertheless, other Brick Lane residents did not agree with the protests and even some of the campaigners were urging restraint.

Reporter Alan Cowell broadens the view on the protests in the New York Times, relating it to larger discussions in Europe (and elsewhere) about the negotiation between free speech and particular groups' sensitivities to certain kinds of rhetoric and discourse; I would add that the effects of such rhetoric and discourse also are key. (I also thought of the furor surrounding the LIFEbeat concert.) He asks specifically, "Should old Western societies, in other words, rewrite their definitions of liberty to accommodate the sensitivities of others?" The issue goes beyond "old Western societies," though, and involves certain kinds of speech and rhetoric by anyone and any group about or against another. (I am also recalling that another young female British author of South Asian descent's play was shut down after violent protests, but I can't recall either her name or the name of the play.) The stakes are quite high: Cowell cites the murder by an enraged Muslim of filmmaker Theo van Gogh in the Netherlands (which accompanied death threats against Dutch parliamentarian and activist Ayaan Hirsi Ali, who'd made the controversial critique of female subjugation in Islam with him) and the worldwide riots that the Danish newspaper Jyllands-Post's cartoons of Mohammad provoked (and, he notes, the fatwa against Salman Rushdie, q. v.). These are only a few of the more extreme outcomes, and concern religion, but as I said above, one could include other kinds of speech and rhetorical acts, like Beenie Man's, TOK's and DMX's lyrics that extolled murder of LGBTs, or even more generally homophobic lyrics of the sort that appeared on Eminem's and Common's early CDs.

Writers and activists have since come out against the protesters and in favor of the filming. Some, like English PEN's Jonathan Heawood, have even suggested that the anti-film protesters might not have read the book (and were this to be true, they would following a longstanding trend). Critic Germaine Greer took the opposite point of view, however, suggesting in a letter that "writers are treacherous," that Ali might not have taken into account the harm her fictional narrative might have had on residents of Brick Lane, that the British had no sense or concern about the Bangladeshis in their midst anyways, and that the residents had every right to stop the filming. Salman Rushdie riposted by calling Greer's piece "pro-censorship twaddle" that contained "ad-feminam sneers about Monica Ali herself," and he argued that protesters did not the right to decide in advance to halt the production. (The Guardian in a separate article delved more deeply into this exchange.)

Cowell provided the following anecdote to close his piece, but the essential questions remain:

[Rushdie's and Greer's] argument recalled a less public debate in Copenhagen last month when Flemming Rose, the Danish editor who commissioned the contentious cartoons of Muhammad, appeared unexpectedly at a conference of American and European Muslims.

Invited to consider the proposition that freedom of speech did not mean freedom to give gratuitous offense, he said: “In a democratic society, no one can have the right not to be ridiculed.”



Rashawn Brazell Memorial Fundraiser This Sunday @ Chocolate Bar (Bkyn)
DJI received the following email from Larry Lyons:

Greetings!

Please be our guest at our second annual "Brighter Days" party, benefitting the Rashawn Brazell Memorial Scholarship. Last year's event was a blast, and your presence will ensure that this one is even bigger, better and BRIGHTER!

Sincerely,
Larry Lyons and Mervyn Marcano, RBMF Founders

DJing2nd Annual "Brighter Days" Party
Hosted by The Chocolate Bar

This year's event is an official Pride in the City party, co-promoted through People of Color in Crisis and featuring DJ Hard Hittin Harry and C2, so there's bound to be a lively crowd on the dancefloor. Translation: You'll fit right in!

The music? Classics.
The cover? $10
The cause? Our fight against racism, sexism & homophobia.
What other pride party can say that?!?

100% of the donations collected at the door will go toward supporting the work of the RBMF, particularly the $1500 scholarship awarded annually to a college- bound NYC high school student committed to the fight against injustice.

Available to work a 1 hour shift collecting donations at the door? Email info@rashawnbrazell.com today to help us make this event a great one! We'd love to have you.

The Chocolate Bar
45 Waverly Ave
Between Park & Flushing
Fort Greene, Brooklyn
August 06, 2006
8pm-3am

Busy? Click here to send your donation!

Rashawn Brazell Memorial Fund
Post Office Box 211
New York, New York 10037-9998
info@rashawnbrazell.com
http://www.rashawnbrazell.com

About our "Brighter Days" events:
By identifying queer-friendly spaces as viable sites to raise consciousness and build community, Brighter Days events confront and repudiate the stigmas attached to our safe spaces. Further, by providing quality parties with a distinctly celebratory tone, the events also distinguish the vibrant legacy of Rashawn Brazell's life from the bleak shadow cast by his death. Read more about this and other RBMF initiatives by clicking here.

Random photo

Met patron behind Van Gogh's Self Portrait with Straw Hat (1887-88)

Thursday, August 03, 2006

The Field Research Study Group A (3.0>)

Exactly one year ago today I posted the following statement from Field Research Group Study A (2002-):


The Field Research Study Group A is planning to relaunch the "Emotional Outreach Project," which appears to be even more necessary and appropriate today than it was when it was first initiated in 2002-03.

To give you background, the "Emotional Outreach Project" consists of a series of business card-sized vouchers, which I distributed free of charge and with disinterest to individuals, under various controls and using specified variables.

On one side of the cards, in bold black ink and all capital letters, an emotional state, response, stage, trait or process (hate, joy, schadenfreude, cold-bloodness, selflessness, horror, indifference, etc.) appeared, with the clear non-bolded caption "Free Emotional Voucher" beneath it.

On the flip side, originally the cards noted
Dear friend, please accept this emotional voucher. Although it possesses no monetary value, you should feel free to draw upon it at any point, particularly if you believe you lack sufficient personal reserves. Acknowledging and managing one's emotions is crucial to psychological and physical well-being.
In the second version of the cards, quotes on the emotions or the passions of the soul by a range of figures, including Arnold Bennett, Eric Hoffer, Plato, Spinoza, and others, were appended.

The relaunched versions will be similar to the second edition, and a full sheet of cards, printed and signed, will be offered free of charge (to be sent by US Postal Office mail) to the first ten people who 1) express an interest in receiving them, and provide a valid address; 2) agree to provide the name and address of at least one other living person you personally know who should receive 1 (one) of the vouchers [not a sheet]; 3) and in your e-mail stating that you would like to receive a sheet and providing your name and address make it clear that you are suggesting a candidate for positive outreach and not for the purposes of harassment, vandalism, or any other negative or problematic reason (that could be so construed or that violates any pertinent laws or statutes in any states or regions of the United States of America and its legal jurisdictions). Basically, I'd like this stage of the project to benefit those who might appreciate it.

As soon as the first ten people have responded, no further names will be accepted until the next stage of the project. Thank you for participating!

Update: Slowly but surely we're getting there. Please click on the word "e-mail" itself, which is hyperlinked, to sign up!

Unfortunately, things never got to the "first ten" people (with or without the ten additional names) stage, which is crucial. The Field Research Study Group A does have the names of several great people (you know who you are) who wrote in, whom it intends to send the materials to (which have been updated*, though they're not very sexy) once the initial conditions have been met (making this a "potential" artwork at the present time), but let's try again.

fieldresearchstudy
group@yahoo.com

You need only send an email to the address above, as detailed above, and once 10 (only 10) people have done so, this project can proceed. (Your information will not be shared with any third parties.) Some 130+ people checked out this site yesterday, so out of that very large group (thank you!), there must be some who want to be part of an art/work/project.

==
*In its current iteration, participants will also receive a sheet detailing the project, some suggested methods for implementing this new stage, a notebook, a pen, and a SASE. (I cannot afford cameras, but that's another story.) So there's free stuff that comes with it as well!

Other Bloggers Say + Frank Leon Roberts's Looking for Langston(s)

Folks are posting
Steven is saying goodbye to the blogosphere in his inimitable way. For a short time? Forever? I hope not. If and when he comes back, fiercer than before, I'll be reading. I'll particularly miss his interviews and musings, especially posts like this. Anyways, I think he's onto something....

Rod has information on the Palestinian media's racist rhetoric and depictions of US Secretary of State Condoleezza Rice.

Audiologo has lots of hot stuff, including an entry on a Seattle-based brotha who unwittingly revisits a fascinating conceptual art piece from 2001 by Keith Obadike on eBay, a writeup of Cauleen's Smith's Dark Matter at the Bungalow Project in Santo Antonio, and very thoughtful pieces on Kalup Linzy and Charles Huntley Nelson.

Bernie talks about how hot it is. Or was. The rain(storms) cooled things off.

Mendi invokes "Miss Lou," Jamaican poet and folklorist Louise Bennett, who passed away late last week.

Nubian is now on wordpress (Blackademic.com). I must update.

Marvin writes a very moving entry about the death of his friend, Ricky Williams.

Samiya lets folks know she'll reading Audre Lorde's work as part of the "Finally with Women" festival taking place at the Cornelia Street Café.

Andres has posts on the pre-premiere press praise for the new movie Quinceañera, and on the ongoing debate over the Iranian government's hangings of two gay teenagers.

Anthony asks if Castro is dying, and wonders about the effects of a real political transformation in Cuba and how it might affect tourism to DR. (I think Raúl and his cohort will hang on for a while before the true battle for governmental control begins. The US is already making its intentions known, in Vietnamesque fashion.)

And these are only a few of the many many-->

Frank Léon Roberts' "Looking for Langston(s)" and My Reply
C called my attention Frank Léon Roberts's very interesting blog post today. Entitled "Looking for Langston(s): Brief Notes towards a History of the Present," in it, Frank looks at his generation of young Black queer people in relation to prior ones, and in particular in relation to a loose constellation of cultural figures (including Jean-Michel Basquiat, whose two-sided painting construction Famous, currently at the Max Lang Gallery in Chelsea, is pictured at left) who came to public renown in the 1980s. Throughout, even as he somewhat romanticizes (understandably) the narrative of his predecessors, he poses important questions which I won't try to restate, but I am posting (I hope it's okay with Frank) his first paragraph, which sets the tone:

So much of what I know about the critical culture of black gay life in the 1980s is only through visits to the library and stories and memories passed down by older, "fictive" kin. But I do know that it’s not an exaggeration to say that the 1980s witnessed a "second renaissance" of black gay men's cultural production. We know this story well: it was the autoethnographic documentaries of Marlon Riggs, the photographs of Rotomi Fani-Kayode, the poetry of Assoto Saint, the wathershed anthologies of Joseph Beam and Essex Hemphill, the performance art of PomoAfro Homos, the graffiti and love affairs of Jean Michel Basquiat, the Saturday nights at Paradise Garage with Larry Levan, the coded (queer) melodies of Luther Vandross and the experimental films of Issac Julien, to name only a few of the figures that created and united what Jose Esteban Munoz has called a "black queer diaspora" aesthetic.

I posted a reply, focusing primarily on the better known Black queer figures he cited, and here it is in slightly adapted form:

The prior respondents, Wiseyoungman and Allen Gallery, make excellent points. I think a key issue to point out in terms of Black queer cultural transmission and its absence is the HIV/AIDS pandemic. As Allen Gallery (C) points out, the loss of several generations—and I'm thinking for example of the one that preceded my own (men and women who'd be in their mid-40s to mid-50s), as well as many of my peers (early 40s to mid 30s), from HIV/AIDS especially, but also cancer and other illnesses, has left a void that will never be filled. When I was in my 20s, James Baldwin, Essex, Marlon, Joseph Beam, Audre Lorde, Pat Parker, and others were all still alive and writing; in fact, people in my peer group, as did I, met, read, and interacted directly with many of these figures. AIDS's deleterious effects, particularly for queer people and especially for Black queer people in the 15 years after 1980, were and must always be remembered as exceptional. I can remember Other Countries performing in Boston (Cambridge, actually, and this would have been before 1993), and both Marlon (and Essex?), who were still alive, being there. Only a couple years later, primarily because of aids later many of these folks were no longer with us. The situation is quite different today, since most of these folks are no longer alive and exist mainly as historical figures and cultural ancestors. Without any mechanisms to keep them in the forefront or even background of subsequent generations'--and I'd add contemporary--Black queer consciousness, they tend to be forgotten or overlooked.

There are are number of important Black queer artists who were creating and publicly active during the era you mention, and who're still alive and still creating: in addition to Isaac, of course, what about Samuel R. Delany, Randall Kenan, Cyrus Cassells, Cheryl Clarke, Jewelle Gomez, Jackie Woodson, Shari Frilot, Thomas Glave, Thomas Allen Harris, Lyle Harris? (And their scholarly peers could also be invoked.) They and others who represent direct artistic/aesthetic/critical links to many of the people and works you're citing. They may be less well known or not so easily positioned within certain highly publicized critical frameworks, but all are significant figures in Black queer/LGBT cultural production, and their work extends into the present day. Some of them are in conversation, as teachers, friends, mentors, and so on, with members of your generation, and this also may not be as well known.

Another issue is perspective. It may take the perspective of retrospection--and the right scribes, popular and scholarly--to capture and historicize the particular kinds of cultural products your generation is creating. I hear you and wiseyoungman when he critiques the current paradigms, which may be inimical to some of the creative forms from prior generations, but this is always the case. I would also add that the generation of the 1980s and early 1990s--the pre-HIV cocktail generation is one way of demarcating it—arose out of two important cultural moments, and functioned within two others (to simplify). First, the gay liberation movement of the late 1960s and 1970s, and the Black Power and Civil Rights movements of the same era created the contexts in which many of the works you cite are situated—the overt invocations and constructions of sexual and racial identity, and the critiques of homophobia, misogyny, and racism with the aim of liberation and the creation of new kinds and forms of community—liberation politics are key—come out of what had preceded these works just a few years before. At the same time, the fierceness of polemic in part resulted from the rise of a popular state conservatism (Thatcher in Britain, Reagan in the US, etc.) and the specter of HIV/AIDS, which literally raised the stakes for all of the people you mention (as well as everyone else).

As Allen Gallery says, you are part of a generation in which queerness has become ever more societally normalized and mainstreamed; it was very different in the 1980s and the 1990s (or before). So necessarily your perspective, and your forms of performance and production are going to differ, and while some of the central elements of that earlier work will not apply, others elements—the critiques of racism, ethnocentrism, homophobia and heternormativism, classism, serostatus (to some degree)--still do. The societal changes, in particular the mainstream of gay/queer culture and even the normalization of HIV/AIDS, that have occurred cannot be underestimated. Whereas once PWAs were literally treated as social pariahs, nowadays millions of people not only live with HIV/AIDS but do so openly; coming out as a PWA was a major political and social act not so long ago. As I need not tell you, many of the questions these figures and others have raised about community, race-gender-sexuality, identity, subjectivity, and the role and effects of private and public politics, among other things, persist. As Allen Gallery says, we're in a social moment, a zeitgeist, of profound anti-intellectualism, immediate gratification, continuous immediacy, and panoptic commercialism and commodification; this was true to some extent of earlier eras too, of the 1980s, but in differing ways. The idea of the public, to take one example, has changed dramatically. Yet conditions, the bases from which we proceed, have changed. This is one of the ironies of history, and I would suggest that it presents unique challenges that I know you're up to the task of tackling.

There is the additional point that artists today may be creating things and aren't receiving public notice for it. I can think of a handful of very talented 20-something and 30-something Black queer artists who're working outside the populist paradigms you mention. Maybe they'll come to wider public attention (I hope they will), but maybe not. The question is, who will write them into the historical record? Will they have to do so themselves? Perhaps it's already happening...and you or I don't know about it. But this is always the case when functioning within the frame of the present. You may not know until (much) later.

I'll add that while Melvin Dixon was in close contact with a number of Black queer writers, out and closeted, and queer-philic artists like Elizabeth Alexander, I can assure that there were (and are) many Black queer folks I knew in the 1980s who had no idea who he was, nor were they conversant with his creative works, let alone his scholarly ones. Not only did he write novels and poetry--and he actually better known and more acclaimed as a poet for much of his adulthood--, but he was also an important figure in African Diasporic transcultural exchange, translating Léopold Sedar Senghor (his translation is still the authorative one) and connecting an array of fellow scholars and writers. How do we keep the multifaceted history and stories of someone like Melvin alive? He is just one person.

And this returns us to one of wiseyoungman's points, which is relevance. How does one make relevant and appealing the kinds of knowledge and cultural production that may benefit the very people who are ignorant of it? Who exists to provide context about works that most people in your generation don't know about, contexts that may require explanation? How do we bring people to these works outside academe, which has its own (deforming?) effect? How do we resituate the idea of "privilege," at least in this context, as something not to be thrown out as an epithet, which in any case is reactionary and self-limiting? Perhaps some will create public venues and forums--magazines, websites, public events, private keekees, etc.,--that facilitate and foster these sorts of connections.

Peace, John


Random photo

Double self-portrait in the rain, 9th St. near Broadway

Wednesday, August 02, 2006

The Heat + Goodbye Middle Class + Kirsch on Glück

It's Hot!
Are these the dog days of summer? The "Canicular dayes"? Or the wolf days, the werewolf days or the vampire days? Or the brush or forest or wildfire days? The pyre days? The days about whose ways Cerberus and his friends know best? The stovetop or Dutch oven days? The forge and foundry days? The open-air gas-or-coal-fired grill days? The kiln days? The blast furnace or incinerator days? The inferno days or the infernal days? The midday in the Azizia desert days? The surface of the sun or sunstorm or nova or supernova days? The frying-an-omelette-on-the-sidewalk days? The liquefying asphalt and blacktop days? The days that are too hot to merit a figurative epithet days? What would yours be?

I love the heat but wouldn't hesitate to beat humidity and full-bore heat like this back. There aren't any beaches in walking distance and it's warmer than blazing fireplace in the shade. This afternoon I registered 103 on the car's external thermometer.

The (Not So Incredible) Shrinking Middle Class
Scott GraphA week or two ago I bookmarked a DailyKos diary entry, "The Incredible Shrinking Middle Class," by Kossack clammyc, that discussed a recent Brookings Institution study on the decline percentage of middle class residents in urban areas. The entry referenced two articles, one in the New York Times and the other in the LA Times, that offered similar takes on the "shrinking middle class" through different perspectives. What reminded me of clammyc's post was that about a week ago I heard pundit Jonathan Alter on Countdown with Keith Olbermann repeating what I've heard and read other pundits assert countless times over the year, which is that while the "economy is great" (at least in terms of certain indicators, like GDP growth, corporate profits or the rise in the stock market) a majority of Americans in various polls are consistently a lack of confidence in the economy and negative attitudes towards Bush's handling of it. Alter, like the other pundits, mentioned that this was baffling; Olbermann's guest host, who was perhaps also baffled, didn't disabuse him of his confusion on the point.

Now Bob Somerby on the Daily Howler suggests that these "millionaire" pundits might not be so disingenuous, but because of their upper-income status and class allegiance they simply don't have a clue or want one. Economist and Times columnist Paul Krugman, however, has been pointing out the problems with Bushonomics, starting with the tax cuts, since Bush was elected. He's also written about why a majority of Americans aren't cutting the president any slack on the economic front. While the economic picture for many corporations and the super rich is as sunny as its ever been (and sunnier still for those who've been using tax shelters and other vehicles to deprive the federal government of over $70 billion in unpaid taxes, which ironically enough comes to light as the Bush administration has suggested eliminating the very IRS agents who'd be looking into the top earners), things have not improved on the wage and job front for a vast swathe of Americans.

Krugman points out that real family income fell last year. The poverty level rose last year, and in fact has risen each year that Bush has been in office, as has the number of Americans without health care coverage. Wages have stagnated in part because of the decades-long assault on organized labor, which has paralleled the steady disappearance of high-paying manufacturing jobs and even the better-paying service jobs as a result of globalized outsourcing and offshoring. The move to privatize government jobs, which was well underway during the Clinton years, picked up steam under Bush. Meanwhile, lower-paying service jobs, often without benefits, have proliferated, though not in the numbers to replace the increase in population. (And even knowledge-economy white collar jobs are disappearing, leaving highly educated workers without options.) Then there is the wage-depressing effect of some undocumented labor. And, as clammyc lays out in, alongside that drop in wages lower-income people are paying more for services (i.e., a "ghetto tax" or "working-class tax") as prices for basic goods, health care and prescription medications, gas and utilities, and along with interest rates and taxes and fees of all sorts keep rising, so their income and financial resources are being stretched to the breaking point. (For retirees living on social security, or who've seen their pensions disappear or whittled away by corporate malfeasance or negligence, the situation is particularly bleak.) Housing and other costs in urban areas are driving middle class families away, but the costs of commuting, exacerbated by $70+/barrel oil prices, have taken the bloom off suburbanization. (And let's not even get into the possible disaster looming with adjustable-rate mortgages.)

Yesterday I came across a story in the NY Times that filled in what I've been hearing anecdotally for some time, which covered the millions of males between the ages of 30-54 who've simply dropped out of the job search or who can't get jobs because of prior criminal convictions. They don't factor into the government's artificially low (4.6 at this point) unemployment numbers, and according to the Times, if they were counted, the actual unemployment rate would be over 12%. The article also stated that the majority of these men (around 41%) are high school graduates, not dropouts, and around 21% have some college study experience. A sizable number of them are living off disability or dwindling savings or refinanced mortgages. Both within this group and outside it, among men of all ages, among Blacks and Latinos the unemployment levels are higher than they were when Bill Clinton left office, and nothing on the Bushonomic horizon looks like it will change this situation. (Stephen Pizzo takes a razor to the Bush economy on BushWatch.)

Clammyc goes on to ask what the effects will be on the future of our country. I remember asking this same question in my early 20s during the end of the Reagan presidency and the economic slowdown under HW Bush. Under his son, however, the negative economic trends have accelerated. Perhaps we're not yet at the point of "Brazilianization," to use the conservative apostate Michael Lind's problematic term from The Next American Nation, but as clammyc notes, many (the majority of?) Americans are continuing to suffer economically, struggling with decreasing purchasing power, rising debt, and fewer opportunities to advance economically. Right now, neither of the two major parties, unfortunately, seems eager to turn things around, though the Democrats in their most recent six-point plan have issued vague statements about the economy. We voters have to keep their asses to the fire on this one. Meanwhile, the middle class will, not so "incredibly," keep shrinking if nothing changes soon, past the tipping point....

Adam Kirsch Reads Louise Glück
Without question, Yale professor Louise Glück is one of the most highly regarded and lauded contemporary poets; the author of 11 volumes of poetry, the 2004-5 US Poet Laureate and a past editor of Best American Poetry, she's won most of the major American poetry prizes. Her formally and stylistically restrained, highly allegorical poems, which I tend to think of in terms of their consistent and commandingly authoritative tone, have received widespread praise. I remember purchasing and reading The Triumph of Achilles when it came out and trying to understand how the pared, simple lines achieved such demonstrable authority. Here is one poem from the collection prior to that one, Descending Figure (Ecco, 1980):

The Fear of Burial

In the empty field, in the morning,
the body waits to be claimed.
The spirit sits beside it, on a small rock--
nothing comes to give it form again.

Think of the body's loneliness.
At night pacing the sheared field,
its shadow buckled tightly around.
Such a long journey.

And already the remote, trembling lights of the village
not pausing for it as they scan the rows.
How far away they seem,
the wooden doors, the bread and milk
laid like weights on the table.

© Louise Glück, 1980.

Helen Vendler protegé Adam Kirsch offers some answers about Glück's authoritativeness and the authenticity of persona and voice that she creates--some very bracing ones, in fact--in his new reading of her work in the current New Republic. Titled "The Myth of Me" (and hyperlinked on the journal's online page under the provocative heading The honesty, authenticity, and narcissism of Louise Glück), Kirsch sternly reviews Glück's newest collection, Averno (FSG, 2006), reading her career and major foci backwards from this volume. His assessment is a severe one, as he presses her against the lenses of the likes of Eliot, Lowell and others, and not to her favor. One of his most acute comments, but indicative of the entire essay, is

The enemy of narcissism is irony, for irony involves seeing one's self as if it were not oneself. And irony is the quality signally missing from Glück's poetry. Surely a saving dose of ironic detachment would have allowed her to avoid bêtises such as the memorable anticlimax of the last poem in Vita Nova.... Ironic self-awareness would have been even more useful in The Wild Iris, a book admirable in its ambition and seriousness. Three voices speak in the closet drama of The Wild Iris: the poet, who implores God to reveal himself; God, who responds with scolding adjurations to modesty; and the flowers underfoot, which look on with detached scorn at human folly. But Glück's version of the Book of Job founders on the threadbareness of her metaphysics: her God says things like "How can you understand me/when you cannot understand yourselves?" More distasteful, however, is the titanic arrogance of the human speaker, which cannot be dismissed as simply a commentary on the egotism of our species, since it so closely resembles Glück's voice as we know it in her other work...."

And so it goes. I hear echoes of critiques of Rilke here, particularly in the argument about the lack of irony, the self-absorption and high self-regard that the work reflects as a representation of the particular poet's ego, the ineffective or inapt use of myth, and the sometimes allegedly absurd resulting rhetoric. ("Oh higher tree in the ear"--though on another level, that line looks several decades forward into the future, so I'll have to give Rilke some points.) But is Glück's work always so absent of irony? Isn't her sustained management of tone a true and praiseworthy achievement? Doesn't she succeed in magnetizing myth at times, certainly in the works from the 1980s, if not the more recent texts (which I have only read in parts)? I have to say that I've rarely come across such a thoroughgoing reading of Glück's work, particularly by anyone from within the poetic system in which she writes, which is to say the mainstream, non-experimental field (and certainly few things approaching Jessica Schneider's Cosmoetica critique). This makes sense, of course, since it would be career suicide for most potential aspirants to the American poetry firmament. Nevertheless, Kirsch, who does write (very pedestrian, old-fashioned, neo-formalist) poetry is willing to go there. I have more than once disagreed with his critiques, of Ashbery, Carson, Graham, Walcott and numerous other poets, but his fearless clarity, at least in this instance, is eye-opening, to say the least.

Random photo

Man heading upstairs, Journal Square PATH station

Tuesday, August 01, 2006

Pride in the City 2006

Today marks the beginning of Pride in the City 2006, New York's Black LGBT pride and community self-and-health awareness celebration. Sponsored by People of Color in Crisis, a great Brooklyn-based community service organization that I worked with a little bit some years ago, Pride in the City will, as it has in prior years, feature events in several of New York City's boroughs.

They include:

  • An Opening Reception on Thursday at the Brooklyn Marriott, featuring an awards ceremony, a roast of nightlife entertainer Harmonica Sunbeam, and a special guest appearance by MTV Real World personality and activist Karamo;
  • BlackOut Arts Series on Friday at the Tribeca Performing Arts Center at Borough of Manhattan Community College (BMCC);
  • Saturday Family Day at the Park at Commodore Barry Park in Brooklyn;
  • Sunday Beach Event*at Jacob Riis Park in Brooklyn;
  • lots of parties, for men and women, both on land and water!

At the Saturday and Sunday events, representatives from a range of organizations will be available to provide information on community-based services, and a collaborative of organizations will be offering Rapid and OraSure HIV/AIDS tests. As in previous years, STD testing and blood pressure monitoring will also be available.

Having attended and participated in New York Black prides for almost a decade, I'm glad to see that the dueling pride era is (temporarily) over. I'm also delighted that the central focus of this event is now firmly on community awareness, wellness and empowerment. What better to be proud of?

--
*Keith Boykin points out in a recent post that US Park officials appear to be trying to shut down the Riis Park beach party by restricting access to the beach and placing stipulations on the event. He has since updated this to say that POCC is hopeful, but not happy with the compromise, which would move the event to a nearby ballpark, is problematic.

Random photo

Musicians jamming at an outdoor concert at the union hall on W 14th street