Showing posts with label Library Music. Show all posts
Showing posts with label Library Music. Show all posts

Monday, 16 February 2015

Baron Mordant, Nick Edwards & Shackleton - Pioneers 04 (Cavendish Music)




Since the bloody doors got blown off the library music...um, library, helped by the BBC Radiophonic/Ghost Box axis/revival/renewal thing, avant garde-ian 'readers' have heard some treats - like Bruno Nicolai and Ennio Moriccone's Dimensioni Sonore series for RCA and works by Egisto Macchi. So many other oddities got dusted off and shared on the grabvine too.

Some of my favourite musical things are 'library' records, partly because the tracks are never too long, through necessity, this is utilitarian mood music made for usage therefore not prone to abusage (?!). No time wasted wandering towards the 20min mark with vague aspirations to be 'epic'. Unshackled from the pressures of recording a 'proper' album, maestros of mood make every second count.

So here, working for long time providers of library music, Cavendish, are modernists Baron Mordant, Nicholas Mayo Edwards (Ekoplekz) and Reiner Zufall (Shackleton). They do a good job too - Drone Master by Zufall, Zombie March by Baron Mordant and Cue Twelve by Edwards, for instance. By slipping Ecological and Biological into two titles, Zufall smartly nods towards a tradition in library records of albums based around both. On Cue Eleven, Edwards springs a perfect tribute to all things Radiophonic and all bleepy weirdness shelved under 'Science' in the collective library. I'll say no more because you can hear the whole thing on YouTube.


Monday, 30 June 2014

Eric Siday - The Ultra Sonic Perception (Duel Planet)



Here are some micro masterpieces of machine music on another brilliant release from Duel Planet. Eric Siday, like Raymond Scott, started his career in Jazz. Both would become involved in electronic music and commercials. In London of the 1920s Siday played violin in Ray Starita's Piccadilly Revels. I'm assuming it's him clearly heard on the intro to this...


If 'hot' Jazz is a little too old-fashioned for you, line it up with a track by The Caretaker and play them together to create your own haunted ballroom experience. I haven't done it, but I'm sure it would work. And you will be fusing Past and Present just like the sonic time-traveller you always wanted to be, won't you?

Like the subject of the other recent Duel Planet release, Don Harper, Siday made music for the Doctor Who TV series which, as you know, inadvertently proved to be a source of some of the finest electronic music made, even though it wasn't composed to be significant outside of it's context. The sounds of a brave, new, often nightmarish world were beamed into the homes of millions, thus subconsciously preparing occupants to embrace avant-garde works by the like of Berio, Stockhausen etc, whose album sold millions and were regularly played on Radio Two. All because The Radiophonic Workshop production line recorded weird sounds for Doctor Who which subsequently changed the face of British and worldwide music irrevocably, rendering drippy love songs and Rock 'n' Roll irrelevant right up to this day...

...sorry, that only happened in a parallel universe of my own making...

What could be better suited to our wonderful techno age of reduced attention spans than a collection of pieces which last no longer than 3mins 9secs? And that length in this context is akin to a Wagner opera since most barely break the 1min barrier - perfect! 

In these busy times when Work-to-own-crap, TV, DVD, PCs, social networking, blogging, Tweeting, scrolling though Pinterest images (more! more!) etc demand so much of our time (oh how willingly we give it!) not only is the idea of listening to a whole album absurd, but so to is paying attention to a single which might last four minutes - four minutes! How many sites could you visit in that time? About 10! Whereas here we have gems such as The Machines in two parts which still only total 2mins 14 secs! Never mind Meteors, which shower down for just 37secs. Sidereal Vibrations is a whole 1min 36secs long but the time is filled admirably with chattering electronics and what sounds like a theremin echoing the glory days of a dreamy past when this bizarre new instrument could render mystery and magic imaginable to enthralled listeners.

The Ultra Sonic Perception is the Sound of Now from yesterday which even contains elements of yesterday's yesterdays in such charming tracks as The Concerto To The Stars with it's twilight zone atmosphere backing Latin percussion and old-time Pop classical piano - bravo! Pavane is equally pleasing with an upright bass walking us through a somewhat noirish mood to which one might imagine a cartoon private eye pondering the puzzle of a dame who spells danger. 

It's all wonderful, this collection of snapshot moods made for stories, the contents of which we can only imagine and that's part of the fun.



Wednesday, 20 November 2013

Reaching Infinite Compilation


'Ello, mate. 
Look, I've made you a tape. Library stuff, mostly, with a few modern acts on it...you know, the usual suspects, but they fit.
Remember that girl I used to see down in on the coast in Hove? That was back when everyone still had tapes. That's all she had, tapes, strewn all over the floor of her flat where we sat smoking, wondering whether to shag or not, well I was anyway. Turns out we didn't. All I remember her playing was Rickie Lee Jones...that was all right with me. Chuck E's In Love...I wasn't, but I liked her well enough. 
I met her at a fanzine convention. She bought something I made and we got chatting, you know. Next thing I'm living in Brighton with a mate in a run down B&B for bums on the dole. That was us. I wouldn't say it was bad but the milk they supplied for breakfast was off one morning...yeah...
I got a job, finally, in the restaurant on the end of the pier...serving tea to old folk whilst some bloke played the organ...christ, makes me feel ancient... 
The bomb had just gone off at the Tory conference, so that makes it...'84. I'll never forget a couple of Yanks coming up to me whilst I was clearing the tables and asking where the bombing happened. I pointed across the see to a bloody great big black hole in the buildings and said 'There'. 
Live Aid was on...posters in all the windows and the sound of it coming out of them as I walked the streets wondering what the hell I was doing with my life and how much longer I could stand that job & Bob Geldof & Queen & Status fucking Quo... 
Anyway, I made you a tape. Things have changed. No need for cassette-players...just download it...hope you like it...
Oh, the photo on the cover is by LJ.




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