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Getting married next month, Michelle Wai wore red to attend the Lunar New Year activity |
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Hedwig Tam with MONTAGES OF A MODERN MOTHERHOOD became the surprise Best Actress at the Hong Kong Film Critics Society Awards |
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Chung Suet Ying won Best Actress with THE WAY WE TALK last year, but only had a minor role in THE LAST DANCE courtesy of on.cc |
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Michelle Wai admitted disappointment at not winning the Hong Kong Film Critics Society Awards Best Actress courtesy of singtao.com |
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Michelle Wai felt disappointed that THE LAST DANCE got a "goose egg" at the Hong Kong Film Critics Society Awards |
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Michelle Wai reveals that THE LAST DANCE extended version will be released in April |
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Michelle Wai reveals that her fiancee performed the betrothal gift ceremony, which was a lot of fun and fruitful |
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Hong Kong Film Critics Society member Manfred Wong comments on this year's awards results and feels THE LAST DANCE received the cold shoulder courtesy of mingpao.com |
The bride-to-be Michelle Wai Sze Nga would marry her outside the
industry handsome medical boyfriend Chau Chee On an in February after
more than two years of dating. Michelle wore a red dress to Kwun Tong
yesterday to attend the shopping center event, and she recently shared
photos of the gift on social networks when she would wed next month,
with a lot of gold and dried seafood in a strong showing. Michelle said
that the gift ceremony was very fun. "There are a lot of gold objects,
there are three pairs of dragon and phoenix bracelets, and there are
gold chains and meteor hammers. There are so many gifts that they
couldn't fit in one car. The boss (Dr. Albert Yeung Sau Sing) gives
gifts and cash." When Gillian Chung Yan Tung got married, boss Yeung
Sau Sing gave her a luxury home as dowry. Has Michelle received a
building as dowry? She smiled and said no. "However the Boss has given
a cash gift, which is a happy price."
Michelle may have to spend her Lunar New Year at work, going to
Rotterdam for the film festival on the second day of the Lunar New Year
and then rushing back to Hong Kong for work. Speaking of the extended
version of THE LAST DANCE, she said that as far as she knew it would be
released in April. Because many Lunar New Year films would be released,
THE LAST DANCE's post-production has to wait in line. The director
might Extend her ambulance crying scene, but she was not sure because
she did not participate in the editing of the extended version of the
film. She has watched every cut so far though. Was the subject not
suitable to be screened in the Lunar New Year schedule? She laughed and
said, "No! It's better to be out with the old and in with the new."
A few days ago, the "Hong Kong Film Critics Society" announced
its award winners, but the Hong Kong film box office record breaking THE
LAST DANCE did not win any award and was only one of the top ten
recommended films. The "Best Actress" went to Hedwig Tam Sin Yin for
MONTAGES OF A MODERN MOTHERHOOD (FU DUK BUT). Michelle admitted that
she felt disappointed after not winning the Best Actress award.
"Nothing I can do, everyone's preferences and evaluation are different.
I can't win every time, but I am very happy for the winners. (Do you
feel you shouldn't lose to Tam Sin Yin?) Absolutely not, everybody has
worked very hard." Speaking of an accusation that the "Hong Kong Film
Critics Society" was forming cliques, she said that she did not know,
nor did she know about the voting process. Thus she could not say so.
She was disappointed for THE LAST DANCE film team, because they did not
win a single award. As for her co-stars Michael Hui Koon Man and Tommy
Chu Pak Hong's Asian Film Awards Best Actor and Best Supporting Actor
nominations, Michelle expressed that her disappointment at the lack of
nomination there as well but she was very happy that someone from Hong
Kong was nominated. "All Asian films can participate in the Asian Film
Awards, so when I see Hong Kong people nominated I am very happy. They
have won glory for Hong Kong!" Has it dampened her confidence in
winning the Hong Kong Film Awards? Michelle says it did because the
opponents has been strong every year, but she would try her best.
Winning Taiwan's Golden Horse Awards Best Actress last year,
Chung Suet Ying fought for the Hong Kong Film Critics Society Awards
Best Actress with the movie THE WAY WE TALK (HONG NGOR GUM TIN JUM MOR
SUET) against Tam Sin Yin and finally lost by one vote. She also
appeared in the film THE LAST DANCE, unfortunately due to the length of
the film, two of her scenes were deleted so she became a supporting role
among the supporting roles. Director Anselm Chan Mou Yin felt that she
has been mistreated, but Chung Suet Ying did not mind. She even pointed
out that roles have never been differentiated between big or small.
Chung Suet Ying has a very good relationship with THE LAST DANCE
film team. Whe she shared food photos on social networks last month,
one of which was beautiful chicken feet. Wai Sze Nga commented, "I know
how to cook chicken foot soup, are you interested?"
Hong Kong Film Critics Society founding member and veteran
filmmaker Manfred Wong (Man Jun) spoke about this year's Critics Society
Awards results on his online program, as he felt very bad for THE LAST
DANCE. He questioned whether the results were planned to generate talk.
What led to their neglect and kept THE LAST DANCE from the Society
Awards' Best Film final five discussion? He thought that giving such a
cold shoulder to a movie that was beloved by the Hong Kong audience and
made HK$ 150 million at the box office equated to making all ticket
buying Hong Kong audience the enemy.
Man Jun felt that the Critics Society's style was fewer mention
of commercial films. He questioned that since TWILIGHT OF THE WARRIORS:
WALLED IN (GAU LUNG SING JAI JI WAI SING) due to box office and audience
support was able to win this year's Society Awards Best Film, why THE
LAST DANCE with HK$ 150 million box office and audience support was not
included in the final five discussions for "Best Film"? He felt that
the Society intended through the results to influence Hong Kong Film
Awards members' consideration. He suggested that the Society has gone
extreme for more than 10 years. For example, the Fruit Chan Gor
directed THREE HUSBAND (SAM FU) had Society support and the Hong Kong
Film Awards Best Actress went to Chloe Maayan. He thus felt that Some
of the Society's member calculated, guessed and gauged which films would
be able to generate talk this year, and scoffed at the city wide hit THE
LAST DANCE. Man Jun bluntly said, "If you really have calculations, I
think you have made the enemy out of all Hong Kong viewers who bought
tickets!"
Man Jun also felt Wai Sze Nga deserved to be the final two of
the Society Awards Best Actress, citing that she definitely had the
substance, and questioned whether the Society minded that she was not a
new actor or an actor under the Emperor banner? Man Jun said that he
could not speculate with conspiracy theories. Although he liked the
winner Hedwig Tam Sin Yin too, he felt Wai Sze Nga deserved the
consideration. He said that Tam Sin Yin's victory with the film
MONTAGES OF A MODERN MOTHERHOOD was a surprise. The film has not yet
been released, so many have not yet seen it. As for THE LAST DANCE's
director Anselm Chan Mou Yin is ineligible to be included in the
director award discussion, Man Jun also questioned whether Chan Mou Yin
was too new and was looked down upon?