A quick shot Sunday evening to illustrate where things stand with the larger of two cuirassier batches. The figures are 28mm Eureka Saxons purchased way back in October 2016 as a present to myself out ahead of a a certain birthday, and they've sat in a drawer ever since until I began sporadic brushwork last January before life got in the way during late March, and all progress halted until very recently. So, how do things stand at the moment? Slowly but surely, we're getting there after several sessions this weekend, primarily seeing to various metallic bits on the horse furniture and adding lace to the saddle cloths as well as touching up the cheekbones, bridges of noses, chins, and in a few cases the jawlines of the officers, troopers, and musicians. Oh, and look closely. You'll notice a lot of buttons on the cuffs of many of the figures. The trick is to touch the very tip of the brush to the button only long enough to leave a tiny fleck of paint ...
A colorful, if slightly pretentious placeholder until I have a few recent photographs to share. of these blasted Saxons. Thanks to everyone who sent encouraging comments for the previous post. W ell, it's 10:38am on Saturday morning. The Grand Duchess and Young Master have headed to Chicago for a 36-hour pre-Christmas mother-son trip via train, leaving yours truly -- along with with the cats and fish -- unsupervised for a couple of days. What to do? What to do? Yes, my thought exactly. High time to say "No" to everything else and get back to the painting table. Where things have stalled the last week since the Thanksgiving holiday due to the usual end-of-term things. It's the same old song and dance as Steven Tyler once sang. But what of the Eureka 28mm Saxon cavalry? In truth, it has been slow going, but little by little as the old Robert Plant song from about 1984 or '85 goes. A few slow, painstaking sessio...