Interested in arcane medical studies and anatomical anomalies? HERE is a blog you might enjoy!
Showing posts with label Anatomy. Show all posts
Showing posts with label Anatomy. Show all posts
Monday, August 30, 2010
Thursday, June 25, 2009
Dr Ruysch History of Dissection & Embalming
Frederik Ruysch was the son of Hendrik Ruysch, a secretary in the service of the state, and Anna van Berchem. Because of the early death of his father he became an apprentice in an apothecary’s shop while still a boy. A man of initiative, he began preparing drugs and opened a shop in Den Haag in 1661, not yet admitted to the apothecaries’ guild. He was forced to close the shop, but reopened it after he had been admitted to the guild as a confrater on June 17, 1661. In the same year he married Maria Post, daughter of Pieter Post, a well-known architect of Frederik Henry, prince of Orange. One of his twelve children was Rachel, who became a well-known flower-painter and helped her father make anatomical preparations in his old age. His son Hendrik eventually succeeded his father.
He studied medicine at the University of Leiden, where his teachers included Johannes van Horne (1621-1670), Franciscus Sylvius (1614-1672), and Florentius Schuyl (1619-1669). He obtained his medical doctorate on July 28, 1664. Ruysch's main interest was anatomy, for which he had had a passion since his youth, when he would ask grave diggers to open graves so that he could make anatomical investigations.
The eight wonder of the world
Embalming by arterial injection as a mortuary practice is considered to have begun in England in the 18th century. The technique had actually been developed in the first half of the 17th century by the noted English physiologist William Harvey in experiments leading to his discovery of the circulation of blood, during which he injected coloured solutions into the arteries of cadavers. Such techniques were further perfected by Jan Swammerdam and Regnier de Graaf. Ruysch, however, who first studied the art of making preparations in the anatomical laboratory of Johannes van Horne, remains the unsurpassed master of anatomical preparations.
In the summer of 1696 he announced the dissection of bodies “which appear still to be alive but which have been dead for about two years.” Ruysch displayed these preparations – against an entrance fee - in several small rented houses in Amsterdam, and this “cabinet” became a major attraction for foreign visitors, and was sometimes referred to as "The Eight Wonder of the World". One entry on page 30 in the visitor's protocol is Peter, Tsar of Russia. In 1717 Peter the Great bought the collection for 30.000 guilders. Several of the items are still held by the Museum of the Academy of Sciences in St. Petersburg. The seventy-nine year old Ruysch immediately began to set up a new collection.
Ruysch himself never disclosed the composition of the fluids he used, but in 1743 Johann Christoph Rieger revealed that he used a mixture of talc, white wax, and cinnabar for injecting vessels, whereas his embalming fluid – liquor balsamicus – consisted of alcohol – prepared from wine or corn – to which some black pepper was added.
In 1712 Ruysch retired in favour of his son Hendrik.
He studied medicine at the University of Leiden, where his teachers included Johannes van Horne (1621-1670), Franciscus Sylvius (1614-1672), and Florentius Schuyl (1619-1669). He obtained his medical doctorate on July 28, 1664. Ruysch's main interest was anatomy, for which he had had a passion since his youth, when he would ask grave diggers to open graves so that he could make anatomical investigations.
The eight wonder of the world
Embalming by arterial injection as a mortuary practice is considered to have begun in England in the 18th century. The technique had actually been developed in the first half of the 17th century by the noted English physiologist William Harvey in experiments leading to his discovery of the circulation of blood, during which he injected coloured solutions into the arteries of cadavers. Such techniques were further perfected by Jan Swammerdam and Regnier de Graaf. Ruysch, however, who first studied the art of making preparations in the anatomical laboratory of Johannes van Horne, remains the unsurpassed master of anatomical preparations.
In the summer of 1696 he announced the dissection of bodies “which appear still to be alive but which have been dead for about two years.” Ruysch displayed these preparations – against an entrance fee - in several small rented houses in Amsterdam, and this “cabinet” became a major attraction for foreign visitors, and was sometimes referred to as "The Eight Wonder of the World". One entry on page 30 in the visitor's protocol is Peter, Tsar of Russia. In 1717 Peter the Great bought the collection for 30.000 guilders. Several of the items are still held by the Museum of the Academy of Sciences in St. Petersburg. The seventy-nine year old Ruysch immediately began to set up a new collection.
Ruysch himself never disclosed the composition of the fluids he used, but in 1743 Johann Christoph Rieger revealed that he used a mixture of talc, white wax, and cinnabar for injecting vessels, whereas his embalming fluid – liquor balsamicus – consisted of alcohol – prepared from wine or corn – to which some black pepper was added.
In 1712 Ruysch retired in favour of his son Hendrik.
Sunday, May 31, 2009
Misemono
These dolls are thought to be part of a 'Misemono' side show. Misemono literally means "shows" or "exhibits" and were an inalienable part of the Japanese urban landscape during the edo period. Many of the shows were briefly put on and were characterized by their crudeness. The term misemono dates from the Edo period, although plausible forerunners of the performances appear already in the late medieval period. Among the likely antecedents of Edo period shows were benefit performances undertaken to raise funds for shines or temples. The shows were unhampered by attempts to conform to a traditional artists type and thus provide a valuable index to evolving popular taste.
In the 18th and 19th centuries, sideshow carnivals known as misemono were a popular form of entertainment for the sophisticated residents of Edo (present-day Tokyo). The sideshows featured a myriad of educational and entertaining attractions designed to evoke a sense of wonder and satisfy a deep curiosity for the mysteries of life. One popular attraction was the pregnant doll. Although it is commonly believed that these dolls were created primarily to teach midwives how to deliver babies, evidence suggests they were also used for entertainment purposes. Records from 1864 describe a popular show in Tokyo’s Asakusa entertainment district that educated audiences about the human body. The show featured a pregnant doll whose abdomen could be opened to reveal fetal models depicting the various stages of prenatal development.
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