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Showing posts with label heroes. Show all posts
Showing posts with label heroes. Show all posts

Thursday, August 30, 2007

188 Stage Hero's Journey, Monomyth - Foreshadow of the Mentor

FORWARD

The 188 phase Hero's Journey (Monomyth) is the templet upon which the huge bulk of successful narratives and Film Industry blockbusters are based upon. In fact, ALL of the 100s of Film Industry movies we have got deconstructed (see uniform resource locator below) are based on this 188+ phase template.

Understanding this templet is a precedence for narrative or screenwriters. This is the templet you must get the hang if you are to win in the craft.

[The nomenclature is most often metaphorical and uses to all successful narratives and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hallway (1977) to Godhead of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE narrative

THE 188 phase HERO'S JOURNEY:

a) Attempts to tap into unconscious outlooks the audience have regarding what a narrative is and how it should be told.

b) Gives the author more structural elements than simply three or four acts, secret plan points, mid point and so on.

c) Gives you a tangible procedure for edifice and releasing disagreement (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain phase of the story, the focusing should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, excerpts AND EXAMPLES:

(simply travel to heros-journey.info for full details)

*****Foreshadow of the Mentor*****

Often the Hero is aware of the Mentor before the existent meeting. In Bonnie and Clyde (1967), Bonnie sees Clyde beforehand. In The King of Comedy (1983), Pupkin cognizes all about Jerry.

*****Magical Gift*****

The Mentor most often supplies the Hero with a Charming Gift (In Wall Street (1987), Carl Fox simply gives Bud Fox some money). But the criteria is satisfied if the Charming Gift is simply made explicit. In Bonnie and Clyde (1967), Clyde demoes Bonnie his gun.

*****Foreshadow of the Inner Cave*****

Foreshadows are underestimated. In Brokeback Mountain (2005), Ennis showers. The sequence takes the hard roes to the Inner Cave.

*****Outer Challenge*****

A critical portion of the Hero's Ordinary Self is his (or her) Outer Challenge.

The Outer Challenge is often a merchandise (or consequence) of the Hero's Inner Challenge. In An Military Officer and a Gentleman (1982), Zach doesn't care about anyone (Outer Challenge) because no 1 have ever cared about him, a effect of his mother's self-destruction (Inner Challenge). In Titanic (1997), Rose is with Cal (her Outer Challenge) because she worries about money and position (Inner Challenge). In American Beauty (1999), Lester Burnham's Inner Challenge is to experience good about himself and this personal effects his matrimony (Outer Challenge).

*****Character Development*****

It is during Trial 2 that fictional character development happens most frequently. However, each facet of fictional character associates to Transformation on some level. In Bonnie and Clyde (1967), Bonnie declaims her poetry, which will later be published and mean Clyde's Transformation.

Monday, July 30, 2007

188+ Stages of the Hero's Journey (Monomyth, Screenwriting) - Hero's Worst Fear

FORWARD

The 188 phase Hero's Journey (Monomyth) is the templet upon which the huge bulk of successful narratives and Film Industry blockbusters are based upon. In fact, ALL of the 100s of Film Industry movies we have got deconstructed (see uniform resource locator below) are based on this 188+ phase template.

Understanding this templet is a precedence for narrative or screenwriters. This is the templet you must get the hang if you are to win in the craft.

[The nomenclature is most often metaphorical and uses to all successful narratives and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hallway (1977) to Godhead of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE 188 phase HERO'S journey affects a figure of major phases, including:

a) The reaching from Another World into an Ordinary World.

b) The Ordinary Self, that have come up about as a consequence of being in the Ordinary World.

c) The encouragement from the Ordinary World into a New World.

d) The gradual dissolving of the Old Self.

e) The becoming of the New Self.

f) The thrusting away from the New Self and New World.

g) The confrontation with challenges.

h) The mastering of the Old and New Worlds and Selves.

more...

(simply travel to http://www.heros-journey.info/ for full details)

ABRIDGED TIPS, excerpts AND EXAMPLES:

EVERY hero travels TO THAT topographic point WHICH HE fears MOST

Every Hero goes on a Journey. As is implied, the Journey is physical but also psychological: The Hero journeyings from an Ordinary World to a New World and transforms from an Ordinary Self to a New Self (the physical journeying brings on the psychological transformation). A critical component of both journeyings is the First Threshold.

Psychologically, the First Threshold is that topographic point which the Hero fearfulnesses most and from where he cannot tax return ("beyond here there be dragons"). This fearfulness is exacerbated by the earlier Refusals, Interdictions and Dove and Hawk debates. In Dances with Wolves (Academy Award Winner Best Film, 1990), Toilet Dunbar is initially afraid of the Frontier because it is unknown and afraid of the Indians who dwell there. In The Matrix (1999), Neo is afraid to larn the truth; once he have crossed over, he cannot return.

Physically, the First Threshold is some New Sphere that is a polar antonym of the Hero's Ordinary World. It is a unsafe place, with unsafe and unfamiliar physical objects and dwellers and is separated from the Ordinary World by physical barriers or markers (rivers, railroads, tunnels etc ) that the Hero must cross. In Dances with Wolves (Academy Award Winner Best Film, 1990), Toilet Dunbar must traverse the prairies to attain the Frontier; when he acquires there he happens it to be the polar antonym of where he have come up up from - devoid of people and peaceful (he have just come from fighting in the civil war). In The Matrix (1999), Neo traverses over to happen a human race completely different to that from where he have just come up - world are in cod and managed by machines.

Tuesday, July 3, 2007

188+ Stage Hero's Journey (Monomyth, Screenwriting) - Call of the Woodsman

FORWARD

The 188 stage Hero's Journey (Monomyth) is the template upon which the huge bulk of successful narratives and Hollywood blockbusters are based upon. In fact, ALL of the 100s of Hollywood movies we have got deconstructed (see uniform resource locator below) are based on this 188+ stage template.

Understanding this template is a precedence for story or screenwriters. This is the template you must master if you are to win in the craft.

[The terminology is most often metaphorical and uses to all successful narratives and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hallway (1977) to Godhead of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

THERE IS ONLY ONE STORY

THE 188 STAGE HERO'S JOURNEY:

a) Attempts to tap into unconscious outlooks the audience have regarding what a story is and how it should be told.

b) Gives the author more structural elements than simply three or four acts, secret plan points, mid point and so on.

c) Gives you a tangible procedure for edifice and releasing disagreement (establishing and achieving catharses, of which there are usually four).

d) Tells you what to write. For example, at a certain stage of the story, the focusing should be on the Call to Adventure and the micro elements within.

ABRIDGED TIPS, excerpts AND EXAMPLES:

(simply travel to http://www.heros-journey.info/ for full details)

*****Call of the Woodsman*****

When the Hero is engaged in the Fiddling Task, he or she is distracted and attracted by a force, which cannot be resisted. This pullings the Hero off the Normal Path. Knowing that veering off the Way is dangerous and that there have got been warnings against it, this stage of the Journey frequently involves:

Haste. The Hero moves toward the Call hastily.

Stealth. The Hero moves toward the Call stealthily.

Dead of Night. The Hero moves toward the Call in the dead of night. In The Incredibles (2004), Mister Incredible visits Edna in secrecy.

*****Inner Challenge / Inner Cave*****

It is in the Inner Cave of the First Threshold that the Inner Challenges is most often made explicit. In Bonnie and Clyde (1967), Clyde pretends to snore in bed; Bonnie desires sex.

*****Freedom to Live*****

Part of the Freedom to Dwell is an expression of the Elixir. In Brokeback Mountain (2005), Ennis maintains the shirt in the closet, by the photo.

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