Errant observations and imprecise opinions hastily scribbled over the course of three weeks bouncing between several countries...
It takes most directors and screenwriters three-ish films to arrive at either their apogee or the plateau along which they'll comfortably cruise for the rest of their careers.
Taxi Driver was Scorsese's fourth film and Paul Schrader's second script.
Blue Velvet was David Lynch's fourth effort as writer/director. By the release of
The Royal Tenenbaums, you knew a Wes Anderson film would be wealthy eccentrics shot in diorama-style
mise-en-scène over an old Kinks song. It didn't even take until
Eternal Sunshine to realize that all of Charlie Kaufman's films are basically
Annie Hall if Woody Allen had grown up reading
French post-structuralists instead of
German psychoanalysts.
J.J. Abrams' films follow a reliable formula: one part
Spielberg, one part
lens flare, and one part
daddy issues. (Some would argue, therefore, the proper formulation is
two parts
Spielberg to one part lens flare.)
Drive is a terrible goddamned movie - the kind of faux-arthouse poppycock that portends to work that style-into-substance alchemy when it's merely a spitwad of smug artifice transubstantiating up its own ass. The pacing would put Jim Jarmusch to sleep, there's as much
teal-and-orange colour correction as a
Michael Bay movie, and the characters are so stock they're listed on the NASDAQ. (It takes all of
two lines before Albert Brooks' jowly Italian mobster says "Wuzzamattawichoo?") Man of the Moment Ryan Gosling spends about 15 seconds of the film
acting, and the other hour-forty-minutes-and-twenty-five-seconds playing a mannequin with a fake Brooklyn accent whose "principled" refusal to carry a gun is kind of undercut by the drownings, stabbings, and beatings he delivers unflinchingly throughout the film.
My wife and I are utterly baffled by Ryan Gosling's apparently universal appeal. His much-heralded sexiness eludes us ("He just
looks like he's from rural Ontario!" says my wife) and we've yet to see any acting chops above the standard of, say, a guest appearance in an HBO series. Also, his
phony Noo Yawk accent just pisses me off. I addressed this specific complaint in two separate conversations with two friends, each a young, cosmopolitan French woman. Both immediately cited Gosling's tenure on the
Mickey Mouse Club as the possible source of his aberrant accent. Ah, but that was shot in Florida! If Gosling had effortlessly sponged up the local dialect, he'd sound more like
Hank Hill or (if he was
really overachieving)
Tony Montana. But no, he sounds like a truck driver on the BQE, so how can his accent be anything
but fake? To this, both of my friends - separated by three days and 380 miles, totally unaware of each other's reaction - quietly shrugged and said, "Well, he might just be quite stupid."
Do they think Gosling is an idiot because he's a blond pretty-boy Disney alum? Because he's an actor? Or, indeed, because he sounds like a grease-monkey from Gowanus? Whatever the reason, let it be known: sophisticated, worldly French women think Ryan Gosling is a dumb-ass!
Overinflated New Yorker also happens to be Jon Stewart's go-to accent for impersonating morons, con artists, and garden-variety assholes. A canny choice on his part: tough & streetwise though it may be, the New York accent doesn't particularly appeal to many people
outside of New York. Still, it isn't as ugly as the native
Baltimorean accent, which sounds like a hillbilly crack-baby. Come to think of it, almost every accent is saddled with negative stereotypes.
Received Pronunciation is the accent of the learned, the elite, but also the
cosmically evil. In the UK,
Brummies are idiots and
Scousers are thieves. In the States, southerners are gregarious racists, Bostonians are either moneyed pricks or thuggish drunks, and mid-westerners (and by extension Canadians) are benevolent folks so simple they border on Autistic.
As much as I've love to tour its splendid whiskey distilleries, I don't think I'll ever get back to Scotland. My wife says
the accent - despite being intermittently incomprehensible - poses a very real threat to our marriage.
Lots of people have a pet accent, one they find ineffably sexy & sensual. Not me: I might find a woman of another mother tongue alluring, but that has more to do with the
woman than how she blends her vowels. At least that's what I thought until I saw
Marion Cotillard in
Les Petits Mouchoirs, swearing a blue streak like she was
Linda Blair in waterwings. I can't begin to explain why, but
woo lawd was that hot. Of course, I find French women generally fascinating: their faces are like fountain-pen caricatures and their hair is like choreography. The Golden Ratio - thought to be
integral to our perception of beauty - seems to elude French features more often than not, which has the unfortunate effect of making many French men look like
big-nosed, unshaven pimps. But it also makes the women so much more
interesting to look at than their geometrically-regular, Teutonic neighbours.
Of course, it's inaccurate & unfair to suggest that Germans meet some mathematical ideal of physical perfection; that's only
half of 'em. The other half look like the mustard algae staining the bottom of the gene pool.
There was a billboard in the Munich train station for a large commercial bank - I think it was Sparkasse - that posed the question, "Which bank is doing what's right for Germany?" in a friendly, white, sans-serif font. Next to the text was the image of a platinum-blonde, blue-eyed young girl, hands planted firmly on hips, eyes fixed sportively on the middle distance.
Now then... I understand that as EU leaders (especially German chancellor Angela Merkel) attempt to balance the wildly discrepant economic health of its constituent countries, mutual mistrust and resurgent nationalism is rampant across the continent. But I wouldn't have guessed that a commercial bank in King-of-the-Hill Deutschland would appeal so baldly to some latent Aryan arrogance.
However, if you're intent on discussing Nazi architecture, then only do it after a minimum two mugs of mulled wine so your vocal chords are warmed up and your inhibitions have been properly shellacked. After all, buildings so bellicose & humourless that they look like clenched fists deserve to be discussed only in equally belligerent terms.
A dozen time-zones away from Washington, DC, I happened to wake up in time to catch both the State of the Union and the Republican response this morning over breakfast. Yeah, over breakfast, what kind of a ludicrous glutton for punishment am I. At least it was all pathetically predictable, with Mitch Daniels painting modern America as some litter-and-body-strewn hellscape that the Republicans will somehow miraculously cure through the alchemy of deregulation & cracking down on gayness, while Obama laid out his platform for re-election thusly:
By the end of it, I felt mildly drunk as I was physiologically incapable of determining what possessed me more, anger or boredom. Boredom won out in the end, as I realized I could've skipped both Obama and Daniels' speeches and simply watched the keystone speech from Investigation of a Citizen Above Suspicion on loop for two hours. In fact, I recommend you doing precisely that instead of watching the SOTU every year from now until the bloody erosion of the American empire is complete.
Of course, the fundamental difference between the SOTU and Investigation is that Gian Maria Volonté's police inspector, loathsome fascist that he is, has more integrity than any American politician in office today.
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