Mostrando entradas con la etiqueta rhino. Mostrar todas las entradas
Mostrando entradas con la etiqueta rhino. Mostrar todas las entradas

sábado, 18 de septiembre de 2010

Joy Division - Best Of



Genere: Rock/Pop.
Style: Post Punk, Indie, Alternative.
Similar artists: Public Image Ltd, Bauhaus, Throbbing Gistle
Recording year : Rhino, 2008.




Formed in the wake of the punk explosion in England, Joy Division became the first band in the post-punk movement by later emphasizing not anger and energy but mood and expression, pointing ahead to the rise of melancholy alternative music in the '80s. Though the group's raw initial sides fit the bill for any punk band, Joy Division later incorporated synthesizers (taboo in the low-tech world of '70s punk) and more haunting melodies, emphasized by the isolated, tortured lyrics of its lead vocalist, Ian Curtis. While the British punk movement shocked the world during the late '70s, Joy Division's quiet storm of musical restraint and emotive power proved to be just as important to independent music in the 1980s.

The band was founded in early 1977, soon after the Sex Pistols had made their first appearance in Manchester. Guitarist Bernard Albrecht (b. Bernard Dicken, January 4, 1956) and bassist Peter Hook (b. February 13, 1956) had met while at the show and later formed a band called the Stiff Kittens; after placing an ad through a Manchester record store, they added vocalist Ian Curtis (b. July 15, 1956) and drummer Steve Brotherdale. Renamed Warsaw (from David Bowie's "Warszawa"), the band made its live debut the following May, supporting the Buzzcocks and Penetration at Manchester's Electric Circus. After the recording of several demos, Brotherdale quit the group in August 1977, prompting the hire of Stephen Morris (b. October 28, 1957). A name change to Joy Division in late 1977 -- necessitated by the punk band Warsaw Pakt -- was inspired by Karol Cetinsky's World War II novel The House of Dolls. (In the book, the term "joy division" was used as slang for concentration camp units wherein female inmates were forced to prostitute themselves for the enjoyment of Nazi soldiers.)

Playing frequently in the north country during early 1978, the quartet gained the respect of several influential figures: Rob Gretton, a Manchester club DJ who became the group's manager; Tony Wilson, a TV/print journalist and owner of the Factory Records label; and Derek Branwood, a record executive with RCA Northwest, who recorded sessions in May 1978, for what was planned to be Joy Division's self-titled debut LP. Though several songs bounded with punk energy, the rest of the album showed at an early age the band's later trademarks: Curtis' themes of post-industrial restlessness and emotional despair, Hook's droning bass lines, and the jagged guitar riffs of Albrecht.

The Best of Joy Division is a 14-track, 55-minute grab bag of scattered tracks from the band's discography. It is impossible to call these the best, or even the highlights, when the band recorded no obvious lowlights and (only in a relative sense) a handful of midlights. Not including alternate mixes or demos that have floated out in various forms, Joy Division recorded short of 50 songs, none of which would be completely unjustifiable on a single-disc summary. Beyond the no-brainers "Love Will Tear Us Apart," "She's Lost Control," "Transmission," and "Atmosphere," the program doesn't lean in any one direction, pulling fairly evenly from the two proper albums while offering seven tracks that were compiled originally for Substance. It is kind of strange, however, that the somewhat slight instrumental "Incubation" was chosen over "Atrocity Exhibition" and "A Means to an End," and that there is nothing from An Ideal for Living (the band's first release, a four-track EP), especially when there were 25 minutes of available space on the disc. While this is one of many ways to become acquainted with a body of work that adds up to some of the most tense, precise, and powerful rock music made, the best solution is to get as much as possible at once and submit.

During late 1979, Joy Division's manic live show gained many converts, partly due to rumors of Curtis' ill health. An epilepsy sufferer, he was prone to breakdowns and seizures while on stage -- it soon grew difficult to distinguish the fits from his usual on-stage jerkiness and manic behavior. As the live dates continued and the new decade approached, Curtis grew weaker and more prone to seizures. After a short rest over the Christmas holiday, Joy Division embarked on a European tour during January, though several dates were cancelled because of Curtis. The group began recording its second LP after the tour ended (again with Hannett), and released "Love Will Tear Us Apart" in April. The single was again praised but failed to move beyond the independent charts. After one gig in early May, the members of Joy Division were given two weeks of rest before beginning the group's first U.S. tour. Two days before the scheduled flight, however, Curtis was found dead in his home, the victim of a self-inflicted hanging.











Fields Of Haze... Underground for all.

miércoles, 15 de julio de 2009

Dead Can Dance 1981 - 1998



Caja de 4 discos del super grupo 'Dead Can Dance'. Aunque anteriormente ya había subido algo de ellos, ésta es la caja que contiene la mayoría de sus trabajos a lo largo de su carrera.
La mayoría de los tracks fueron tomados de discos editados, pero la caja contiene una serie de rarezas, como es el caso de la canción 'Frontier' y 'The Protagonist' realizado originalment en la compilación 'Lonely is an Eyesore'. 'Labour of love', 'Ocean', 'Orion', y 'Threshold' , fueron grabados en el show de John Peel, en 1983. En 1984, nuevamente en otra Peel session 'Carnival of Light'. 'Sloth (radio)', fue grabado para una estación de radio por Brendan Perry en su álbum 'Eye of the Hunter'.


Box of 4 discs of the super group ' Dead Can Dance'. Although previously I already upload something of them, this is the box that contains the majority of its works throughout its career. The majority of tracks was taken from published discs, but the box contains peculiarities, as in the case of the song 'Frontier' and ' The Protagonist' realised in the compilation ' Lonely is an Eyesore'. ' Labour of love' , ' Ocean' , ' Orion' , and ' Threshold' , they were recorded at a 'Peel Session' in 1983. In 1984, again in another Peel session ' Carnival of Light'. ' Sloth (radio) ' , ' was recorded for a radio station by Brendan Perry in its album; Eye of the Hunter'.

Tracklist:

Disc 1.

  1. "Frontier (Demo)" – 3:01 – 1981
  2. "Labour of Love (Radio)" – 3:56 – 1983
  3. "Ocean (Radio)" – 3:38 – 1983
  4. "Orion (Radio)" – 3:28 – 1983
  5. "Threshold (Radio)" – 4:10 – 1983
  6. "Carnival of Light" – 3:18 – 1984
  7. "In Power We Entrust the Love Advocated" – 4:07 – 1984
  8. "De Profundis (Out of the Depths of Sorrow)" – 3:59 – 1985
  9. "Avatar" – 4:35 – 1985
  10. "Enigma of the Absolute" – 4:15 – 1985
  11. "Summoning of the Muse" – 4:58 – 1987
  12. "Anywhere out of the World" – 5:08 – 1987
  13. "Windfall" – 3:32 – 1987
  14. "Cantara" – 5:58 – 1987
  15. "In the Kingdom of the Blind the One-eyed Are Kings" – 4:12 – 1988
  16. "Bird" – 5:00 – 1991
  17. "The Protagonist" – 8:54 – 1984
Disc 2.
  1. "Severance" – 3:23 – 1988
  2. "The Host of Seraphim" – 6:19 – 1988
  3. "Song of Sophia" – 1:28 – 1988
  4. "The Arrival and the Reunion" – 1:41 – 1990
  5. "Black Sun" – 4:58 – 1990
  6. "The Promised Womb" – 3:26 – 1990
  7. "Saltarello" – 2:37 – 1990
  8. "The Song of the Sibyl" – 3:46 – 1990
  9. "Spirit" – 5:01 – 1991
  10. "Yulunga (Spirit Dance)" – 6:56 – 1993
  11. "The Ubiquitous Mr. Lovegrove" – 4:35 – 1993
  12. "Sloth (Radio)" – 2:40 – 1993
  13. "Bylar" – 6:42 – 1996
  14. "The Carnival Is Over" – 5:45 – 1993
  15. "The Spider's Stratagem" – 6:42 – 1993
  16. "The Wind That Shakes the Barley (Radio)" – 2:32 – 1993
  17. "How Fortunate the Man with None" – 9:09 – 1993
Disc 3.

  1. "I Can See Now" – 2:56 – 1994
  2. "American Dreaming" – 4:30 – 1994
  3. "Tristan" – 1:48 – 1994
  4. "Sanvean" – 3:46 – 1994
  5. "Rakim" – 5:39 – 1994
  6. "Gloridean" – 5:51 – 1994
  7. "Don't Fade Away" – 5:10 – 1994
  8. "Nierika" – 5:45 – 1996
  9. "Song of the Nile" – 8:01 – 1996
  10. "Sambatiki" – 7:31 – 1996
  11. "Indus" – 9:24 – 1996
  12. "The Snake and the Moon (Edit)" – 4:13 – 1996
  13. "The Lotus Eaters" – 6:42 – 1998

Esta 'caja' es una de mis preferidas, espero que la disfruten tanto como yo.

This 'box' is one of my favorites, I hope you'll enjoy as much as I.







Nota. Para obtener los passwords de los discos postear comentario y mandar un correo al a fgallo74@gmail.com

Note. To obtain the passwords, please post a comment and send an e-mail to fgallo74@gmail.com

martes, 7 de julio de 2009

The Sisters Of Mercy - Then and Forever Greatest Hits Two


Género: Rock Gótico/alternativo

Artistas similares: The cult, Nick Cave, Gene Loves Jezebel


Última compilación del grupo realizada en 1999 y continuación del mítico disco 'Some girls wander by mistake'. En esta producción se incluyen temas como 'Black planet', '1969', 'Something fast'... incluso se agregaron dos temas pertenecientes a su etapa con -The Sisterhood-.

Álbum remasterizado de las cintas originales.


Last compilation of the group realised in 1999 as a follow up of the mythical record ' Some girls wander by mistake'. In this production themes like 'Black planet' , ' 1969' , ' Something fast', are included as well two songs pertaining to their stage with - The Sisterhood-.

Remastered from the original tapes.



Fields of Haze.

miércoles, 1 de julio de 2009

Dead Can Dance - Memento


Género: Alternative rock, etnic fusion

Artistas similares: Bel canto, Nick cave, Cocteau twins



Ningún blog de Gótico y anexas que se precie de presentar lo más represntativo del género está completo si no incluye en su selección alguna producción de los -maestrazos- Dead Can Dance.

Es una banda compuesta por Lisa Gerrard (contraalto) y Brendan Perry (contralto), creada en Melbourne, Australia en 1981. Para finales de ese mismo año migraron a Inglaterra donde firmaron contrato para grabar su primera producción con la compañía de independiente 4AD, que como ya hemos comentado en este espacio, fué muy importante para la escena alternativa.

Asignarle un género musical a DCD es muy difícil ya que su estilo es particularmente ecléctico. Sin embargo se le ha llegado a colocar como una mezcla de alternative rock y etnic fusion, y eso dependiendo la producción. Por ejemplo, en el disco 'The Serpent's Egg' el grupo emplea instrumentos antiguos de varias partes del mundo como base primaria, y en conjunción con la voz de Gerrard (denominada Glosolalia) dejan plasmado un estilo muy particular y único hasta el momento (aunque hay muchas bandas con el estilo, se basan en el legado de este grupo).

Los siguientes tres álbumes se centran en música neoclásica, etérea y world music muy pegado al gótico.

'Memento' es la última compilación realizada por el grupo en el año de 2005 (a partir de la versión en disco doble en 2003) en el cual se incluyen tanto éxitos del grupo en el mercado norteamericano, como cortes previamente sin editar en un solo cd, como es el caso de la canción 'The Lotus Eaters', la cual fue la última canción que compuso el grupo antes de separarse.

http://www.4shared.com/file/115370522/b34bf491/DCD_-_Memento.html


Fields of Haze.


viernes, 26 de junio de 2009

Life Less Lived - The Gothic Box


A Life Less Lived', es una colección con 53 temas clasicos del Gótico, incluyendo a Bauhaus con "Bela Lugosi's Dead," Sisters Of Mercy's con "Temple Of Love," Virgin Prunes' con "Pagan Love Song," y muchos más. Todos los tracks han sido remasterizados y seleccionadas otras versiones para hacer el disco interesante aún para los que poseen ya estas canciones. Muy recomendable tanto para el conocedor del género como para el que comienza a acercarse y desea conocer las bases.
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