A few years
ago the famous thriller writer Elmore Leonard was asked for his advice to
aspiring authors and he came up with a number of “rules” – let’s say Guidelines
– I dislike the word “rules” because it inhibits people from deviating if they
have a good reason for doing so.
After Leonard’s
guidelines were published, a number of other authors were also asked for their thoughts on the topic. And, of course, Rilke’s little book “Letters to a Young Poet” antedates
them all and is well worth reading.
Now a lot of
Leonard’s advice addresses literary style but what it boils down to is avoiding
clichés and intrusive but meaningless details.
Cliches in art
quilts are ideas that we’ve all seen before e.g. the silvery moon in the sky to
add interest to a large dark area. Why not
use a strange curious raggedy cloud that almost obscures the moon – you’d get
some interest up there without the old clichés.
Meaningless
details are things like including signs (say in a street scene) “because they
were there”…..a STOP sign adds nothing to your impression of the street and may
well be very distracting.
I think also
another very unnecessary detail is an overly pretentious title, or “statement”
that is somehow attached to the image. I
do wish that the catalogues from the prestigious shows would stop doing
this!! How often have I seen people
spend 5 minutes reading the statement and 5 seconds looking at the quilt?!!
And of course
Leonard did say to avoid too many exclamation points of which I personally am
very guilty when writing! In art quilt
terms, the exclamation point would, I think, be an area of high contrast or
saturation of color where nothing very important was actually going on. Be very selective with this – only use such emphasis
where you really want to catch the viewer’s eye.
Other writers
have commented on the value of having other people look at your work and tell
you what they see…however they suggest that you do not listen to how they say
you should fix the problems!! Listen to
the difficulties they spot…..but figure out your own solution. There are a number of reasons for this – not least
that it’s important to be able to fix problems for oneself. But also because their solutions might well
not be in keeping with your own ideas that you’re trying to convey. Be especially carefully if the critic is very
didactic!!! Originality and freshness
are much more important that a standard academic solution to everything. One art professor would always give me the
same suggestion for every problem, I don’t know if he was lazy or just stuck in
a rut!! But I quickly realized that one
solution is not going to fix all design errors.
The writers
also state that honesty is important – make the art from the heart, telling the
story as you see it. I think it’s
interesting to chat to strangers in waiting rooms, or eavesdrop on
conversations, to see just how much of what we say and report upon is automatic
and not a fresh personal vision. Become
an eavesdropper and see if you can become aware of the honest valid statement –
whether verbal or visual – so as to heighten your ability to produce these
yourself.
The authors
say it’s important to read a lot of books!!
The artist should see a lot of art – you cannot get better without doing
this.
Spend your
money on good art books rather than magazines full of adverts for the latest “quick
fix”.
Try to find a
way to look at what you’re making as a third party, rather than as you yourself
with all your inside knowledge. One way
I’ve found to do this is to take photos constantly as I block out the quilt on
the design wall. Then I view them on the
computer monitor – you could even put them on your tv – in the same way that I might
look at anyone’s work on the small (or large) screen.
Now here’s a
very interesting idea from Zadie Smith:
Avoid your weaknesses.
But do this without telling yourself that the things you can’t do aren’t worth
doing. Don’t mask self-doubt with contempt.
I think that’s a brilliant piece of advice – don’t struggle
with a technique you’re not good at; you
don’t need to be a “well-rounded” artist!!
Respect those that can do that, but spend your own time going deeper
into things that you are skilled or knowledgeable at. This is one of the many reasons for working
in a series (more in my book!! See the
sidebar). You don’t have to learn
everything, especially not those things that require more gadgets, more
workshops, more how-to books etc.
Zadie
Smith had another very applicable idea, which was to leave some time between
writing and editing. For quilt makers, I’d
suggest make the top, then leave it for a while and come back to it weeks or
even months later. You’ll be able to
assess its impact so much better with a gap in time. I like to make several tops and just put them
away…when I’ve got about half a dozen on one theme, then I’ll pull them out and
take a long hard look to see which need adjustment, which need the scrap bag and which should be finished.
Well
this blog is getting too long – final comment: spend more time on art than on reading blogs!!
And
so I shall take my own advice……if you have been, thanks for reading! Elizabeth
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