Wednesday, 13 May 2020

Delia Derbyshire and Barry Bermange -"Inventions For Radio No.1: The Dreams" (1964)


"Dreams" was made in collaboration with Barry Bermange (who originally recorded the narrations). Bermange put together The Dreams (1964), a collage of people describing their dreams, set to a background of electronic sound,provided by Delia Derbyshire.In true BBC style, Delia's name isn't mentioned in the Radio Times listing,it's just the BBC Radiophonic Workshop that gets the collective credit.
The original PsycheDelia 

However, Dreams is a rather sinister collection of spliced and reassembled interviews with people describing their dreams, particularly the recurring elements,represented here in five movements,such as running away, falling, landscape, drowning, and colour.The stuff of nightmares.

These programmes,only designed to be broadcast once,then earmarked for erasure, with Barry Bermange,are arguably Delia's second greatest moments......the greatest, much to her chagrin, is obviously the original Doctor Who Theme;but artistically,Inventions for Radio blow that proto-synth pop miesterwerk out of the very water that the subjects of this broadcast were drowning in.

Tracklist:

1 Intro/Edited version 27:24

2 Running 8:22
3 Falling 7:19
4 Land 5:32

5 Sea 9:16
6 Colour 8:59
7 Outro 0:31

Tuesday, 12 May 2020

Delia Derbyshire - "Blue Veils and Golden Sands-The Unsung Heroine Of British Electronic Music" (BBC Transcription Services) 2002


Ten years before 'Autobahn' the British public were exposed to popular electronics by the government funded BBC Radiophonic Workshop,who pioneered the art of making electronics useable and coherent for the average working man.It all started with Delia Deryshires rendering of Ron Grainers 'Doctor Who Theme'.I dunno if that bass-line has ever been bettered? What makes this more intriguing is that in the semi-socialist state that was post-war Britain, this was all done without recognition or plaudits, in complete anonymity in the bowels of BBC Maida Vale studio's where 20th century music history was recorded from The Beatles and Jimi Hendrix, to Joy Division and Frank Sidebottom. The BBC also had its own composers on the payroll although they categorically avoided this,as Ms Derbyshire explains......"The only way into the workshop was to be a trainee studio manager. This is because the workshop was purely a service department for drama. The BBC made it quite clear that they didn't employ composers and we weren't supposed to be doing music." One of these 'composers' was the one and only, Delia Derbyshire,who has posthumously risen inexorably towards 'Legendary' status as not only a pioneer of women in Electronic music,but as a pioneer of all Electronic music.
Using the notoriously non-existent BBC budget, Delia and her collegues, worked tirelessly with basic equipment to create other worldly music that wasn't being produced anywhere else in the early sixties outside of the Avant Garde arena,which was basically just using electronics to make funny noises.God knows what shite Stockhausen would have come up with for the Doctor Who Theme,and Morton Subotnik was still deciding whether to use Silver Apples or Oranges for his Moon.
The thing is, Delia did 'weird' as well.There is much of her work that would stand up effortlessly in the Avant Garde arena if it ever allowed someone from the BBC to be taken seriously.
The radio plays she did with Barry Bermange in 1964/65, "Inventions For Radio", are among some of the most bizarre pieces of Musique Concréte ever made.
They will be coming up; but as there is inexplicably NO(!?) Greatest hits of Delia Derbyshire,or of The Radiophonic Workshop, in existence?This file contains the BBC Play based on Delia's life (featuring Sonic Boom/Pete Kember of Spaceman 3),and 20 of her most popular pieces,including the one that started it all, "The Doctor Who Theme".
Here's a great quote by Delia about the Dr Who Theme,that shows the BBC's faultless socialist principles:"I did the Dr Who theme music mostly on the Jason valve oscillators. Ron Grainer brought me the score. He expected to hire a band to play it, but when he heard what I had done electronically, he'd never imagined it would be so good. He offered me half of the royalties, but the BBC wouldn't allow it. I was just on an assistant studio manager's salary and that was it... and we got a free Radio Times. The boss wouldn't let anybody have any sort of credit."
Personal favourite , "Ziwzih Ziwzih OO-OO-OO", could have been taken from The Residents 'golden era',also ten years hence!Or as inspiration for The Mole Show, almost twenty years later! Delia was also far more anonymous than The Residents could ever be.Hardly any pictures exist of her,the same images cropping up endlessly.
She left the workshop, and music, in 1975 to do ordinary jobs,complaining that Synthesizers were killing electronic music,believing that it should be hand-made.She has a point.Music is made by machines more than ever in the 21st century.
'You will be Replaced' is a line you'd expect from an episode of Doctor Who.....now its becoming a reality.
However, Delia Derbyshire was never replaced.The synthesizers never cut the mustard.

Tracklisting:

The Unsung Heroine Of British Electronic Music(BBC Radio Play 2002) 
01 - Introduction
02 - There Is No Such Thing As Silence
03 - The Meaning Of Sound
04 - A Glass Or Two Of Wine
05 - My Real Living Room
06 - Doctor Who
07 - New Music And Open Minds
08 - The Effect Of The Soul On Sound
09 - Another Day At The BBC Radiophonic Sweatshop
10 - Some Recognition
11 - Remembering Without Trying
12 - Credits
The Music (1962-75):
13 - Doctor Who (Original Theme)
14 - Time On Our Hands
15 - Arabic Science And Industry
16 - Know Your Car
17 - Mattachin
18 - Pot Au Feu
19 - Happy Birthday
20 - Ziwzih Ziwzih OO-OO-OO
21 - Towards Tomorrow
22 - Door To Door
23 - Air
24 - Science And Health
25 - Chromophone Band
26 - A New View Of Politics
27 - Environmental Studies
28 - Chronicle
29 - Great Zoos Of The World
30 - Dance from ''Noah''
31 - Blue Veils And Golden Sands
32 - The Delian Mode
33 - Time To Go
34 - Doctor Who (Closing Theme)

DOWNLOAD a fix of heroine HERE!

Monday, 11 May 2020

Ursula Bogner ‎– "Recordings 1969-1988" (Faitiche ‎– faitiche 01cd) 2008




This collection of unheard electronic experiments from an very unlikely source,and undoubtedly the greatest pharmacist that ever twiddled an ocillator for pleasure. Ursula Bogner was a pharmacist, wife and mother, was obsessed with electronic music -- an obsession that drove her to build her own studio for extensive recording and experimentation.
Over the course of 20 years, she dabbled in many different styles, leading to a huge wealth of work and a bewildering variety of titles, from filter modulations, tuba tweaking, bass anthems, looping experiments, synth-pulse symphonies, to rhythmic patterns trapped in echo chambers. In the late 1960s, Ursula Bogner started to record her own music on reel-to-reel tapes. It all sounds not unlike the output of the BBC Radiophonic Workshop, totally unpretentious, and devoid of such mind corrupting poison as 'Ambition'. This wasn't intended to be heard by anyone but herself.So it has a rare kind of purity that electronic bigshots lack in toilet-loads.
Uncannily,Ursula had the dashing looks of a Young Dave Greenfield of The Stranglers(RIP), but being female, lacking Moustache.Something Dave himself also did without from about 1982 onwards.....eerily around the same time Ursula was making these unusual electronic compositions? Could they be the same person????


Dave Greenfield after being infected with Covid 19

Ursula Bogner's lost single with Jean-Jacques Burnel.
And what were George the Third's last words?.....thats right, "Bugger Bogner!"

Sunday, 10 May 2020

Pauline Oliveros ‎– "Alien Bog / Beautiful Soop" (Pogus Productions ‎– P21012-2) 1966/67


Musically cliched adjectives such as 'Seminal', 'Overlooked', and 'influenza'......shouldn't that be Influential?....I blame Covid syndrome,i simply can't talk about anything else.The government have done a job on us,and turned us into simpering rule takers who can't wait to download that government approved tracking app; singling out the undesirables like a remake of 'Invasion Of The Body Snatchers'!?This virus has answered all of their problems at once.Crime falling like a brick shithouse in a decaying orbit,pollution emmisions evaporating,the workforce forced to quit their jobs,for 'safety reasons', leaving automation as the only answer for economic growth;the population openly embracing the chance to be imprisoned, immigration ended,borders closed,and thousands of dead pensioners,saving millions of quid a year.....it is,after all,"for your own safety?" 
...anyway, all those silly music reviewer clichés apply to Pauline Oliveros. If she was good-looking we wouldn't have heard of the Human League mark 2. That's 'if', she was around in the eighties,but luckily, she had that hispanic librarian chic look, that was popular in guitar music, but not in electronics, or avant-garde accordian music.
This collection of a couple of her early electronic noodlings suggest allowing a chimpanzee to run riot in a room with the original Buchla synthesizer within its limits,but covered with monkey chow.....Yes...I know chimps aren't monkeys!?.....i'm trying to make a very dull subject entertaining....CAPICHE?
Basically, i'm typing this while listening to King Crimson's "Larks Tongues In Aspic Session Reels", which is such a brutal exhibition of musicality and invention,that it makes these recordings seem like some child twiddling the knobs of a machine  that she doesn't understand.Yeah, its shit bascially, but most casual music fans, are frightened to say it for fear of appearing dumb. It's Avant-garde you dumbass!....eh?...oh yeah, good isn't it?......er...No it isn't. Something isn't 'good' because no fucker else were doing it....in fact they were,but as Pauline is dead,she's an overlooked electronic pioneer.
Usually, the 'Avant Garde' is an easy way for someone with zero musical talent to... 'get away with it'.Like the Abstract painter who has never painted a landscape or a still life.....if you forget the basics, its worthless. In this case, the music has been removed from the situation....so whats the point?
The worth of Pauline's doodlings, is that she was a woman doing it, more than the results,also she was a Hispanic Woman......I dunno if she was also a lesbian , to tick the third box or not, but two outta three ain't bad?
Her instrument of choice was the accordian,with which she made far more inventive use of,primarily drones, so obviously she couldn't really play that instrument either.
This ain't no "Larks Tongues In Aspic",which actually takes some effort, but it will make you seem 'Intelligent' if you leave it out on the coffee table.
"Fuck! Quentin's got an Oliveros!"....quick google her most critically acclaimed stuff or we is gonna look as thick as we actually are!....panic time!
Christ I hate myself!


Tracklist:

1 Alien Bog 33:15
2 Beautiful Soop 27:49


Saturday, 9 May 2020

Eliane Radigue ‎– "Feedback Works 1969-1970" (Alga Marghen ‎– plana-R alga040) 2013



Industrial before Industrial was called Avant Garde,and Drones were part of the Avant Garde well before they were accepted as 'normal' amongst the self-pitying masses of european youth.
Refreshingly, The Avant Garde had little time for Nazi Obsessions, and wouldn't have heard of Charles Manson, so the prospects of boredom have immediatly diminished greatly.
No-one gets as serious about art as the French, so popular cultural Icons such as Manson and Aliester Crowley would have been dismissed as derivative....something that doesn't seem to trouble most post-TG Industrial artists,as everything they do is derivative since the release of "Second Annual Report".
Pierre Henry's former assitant,Radigue, works with electronic sounds,provided by an ARP 2500 synthesizer, on tape to create an ambience within which sound seems to move in a continual flow around the listener. Her music has been described by some clever observer as "infinitely discreet ... next to which all other music seems to be tugging at one's sleeve for attention.". I say,dunno about any descreet swirling around the listener, its a 'Drone' mate, like a spike being driven into your brain by an approaching B-52...how's that for observation?
One could go quietly unsane listening to this all the way through,something that could not be said about any Industrial music of the period following this work six years or so later. Although her German contemporaries,Kluster,could also have a claim to be 'Industrial before Industrial',as could several dozen Avant Garde composers from the sixties onwards.....and NO, Lou Reed didn't invent Drone music in 1975,just like he didn't invent anything ,except, being a professional arsehole.
For those of you who are more shallow, but none less relevant in their opinions...in my opinion...she's rather Hot! too.

Tracklist:

1 Stress-Osaka (June 1969) 11:35
2 Usral (April 1969) 13:32
3 Omnht (1970) 19:42
4 Vice - Versa, Etc (1970) Mix I 12:14
5 Vice - Versa, Etc (1970) Mix II 16:16

Friday, 8 May 2020

Doris Hays / John Matthews ‎– "Electronic Music" (Southern Library Of Recorded Music ‎– MQ/LP 38) 1971


There was indeed another Doris phaffing about with electronics other than Doris Norton you may be amazed to hear.This one was called Doris Hays,slightly less an inspiring name than the other Doris, but this American Doris  was a bit more avant-garde than the other Anglo-Italian Doris,working with musique concrète, modern classical and voice works. She also dabbled in Early Electronics,as this library LP of novelty hits or misses,and daytime kids television theme tunes reveal.
The John Matthews who shares this album, is none other than BBC Radiophonic Workshop legend John Baker himself.

Tracklist:

A1 –Doris Hays -13th Street Beat 1:06
A2 –Doris Hays -Tune Maker II 1:11
A3 –Doris Hays -Grim Carnival 1:49
A4 –Doris Hays -Dream Maker 0:45
A5 –Doris Hays -Kalliope II 1:28
A6 –Doris Hays -Carnibell 1:35
A7 –Doris Hays -Somersault Beat 1:48
A8 –Doris Hays -Syn - Rock 0:48
A9 –Doris Hays -Arabella Rag 1:07
A10 –Doris Hays -Creepy Street 1:32
B1 –John Matthews  -Electro - Agression 1:56
B2 –John Matthews  -Electro - Tension 2:23
B3 –John Matthews  -Electro - Antiphony 1:12
B4 –John Matthews  -Electro - Busy 0:41
B5 –John Matthews  -Electro - Bongo Part 1 0:54
B6 –John Matthews  -Electro - Bongo Part 2 0:43
B7 –Doris Hays -Four French Cathedrals 1:26
B8 –Doris Hays -Oh Dear What Can The Matter Be? 1:18
B9 –Doris Hays -Scared Trip 2:11
B10 –Doris Hays -Bleepy M 1:47


Thursday, 7 May 2020

Doris Norton ‎– "Parapsycho" (Disco Più ‎– DP 39021) 1981


Its 1981, It's Italy;every other country has gone punk kerazzy, men are wearing dresses in certain London nitespots, but Italy are still doing Progressive Rock......which was about as much a 'Punk Rock' thing to do as is possible in 1981,in London,...but not in Italy. Van Der Graaf Generator were still getting number one albums,and Beatle-mania style scenes greeted their regular tours there.
Qute fucking right too? Who wants 'The Clash' (yawn), churning out their eclectic musically correct bland-outs from 'Sandinista' when you have VDGG doing 'Pawn Hearts' Live!? I know what I'd certainly choose.
Doris gets some stick for making programmed new wave Italo-disco music,fair enough; but here's Doris's Prog concept album about mental illness. She's singing like mickey mouse on PCP, there's electric guitars, proper well-played keyboards, and shifting song tempo's!? 
She must have nipped home to the UK after this, to visit family or something, then became exposed to Gary Numan, or Gary Numan exposed himself to her...I dunno. She must have got the change in direction from somewhere.....certainly not from Italy.
This is either her best album, or her worst....I can't make up my mind.....but bonus track,"Precognition", has got one of the chunkiest Synth basslines ever to accompany any clueless cheesy rock guitar riff,ever.


Tracklist:

1 Parapsycho 3:00
2 Ludus 5:10
3 Psychic Research 4:06
4 Telepathia 3:00
5 Hypnotised By Norton 9:24
6 Tears 2:16
7 Obsession 3:08
8 Precognition(Bonus Track) 5:11


Wednesday, 6 May 2020

Doris Norton ‎– "Nortoncomputerforpeace" (Durium ‎– DAI 30408) 1983


On the day that Florian Schnider proved the advantages of being an actual android rather than a pretend one, and died. Here's something that scientists are bending over backwards,in some cases literally, to try and recreate a woman who doesn't want to do anything but look pretty and be a willing and uncomplaining sexual partner.
Most of you electro-snobs feel a little bit of sick projecting mouthwards when you think of women in Electronic music,and automatically think it must be 'crap'.......mostly, you are right,god knows there enough shite males doing the same thing, but worse, they certainly ain't pretty.
This Doris outing from 1983 sounds very much like those proto-EBM Belgians, Absolute Body Control as far as I can hear,but without those awful Belgian blokey vocals,and sixth form lyrics.
Ladies,have far less ego-problems, and have the wise attribute shared with the 'Stepford Wives'...the ability to shut up and let the machines play.
The fact that Doris seems to have the ability to get up the noses of Electro-purists is a hearty recommendation to these ears.
Who do I prefer?...Absolute Body Control or Doris Norton?......as far as I can hear Doris Norton Is Absolute Body Control without Dirk, which rhymes with Burk, and,as I understand, is the flemish equivalent of Doris......the answer is they are both crap.
I think earlier in the blog I said that ABC......no not the Martin Fry led eighties hit machine, the Belgian EBM power duo......yes, I said they were rather good. I'm as changeable as the weather.
Don't forget I like Duran Duran(1st album only mind!) and A Flock of Seagulls.
Don't worry, I'll get around to Pauline Oliveros,and other avant garde shite(yawn!) in a while.....oh yeah,(note some mild excitment?) there's the BBC Radiophonic Workshop too,now that's proper 'Good' innit?

Tracklist:

1 Norton Computer For Peace 3:36
2 The Hunger Problem In The World 2:20
3 Don't Shoot At Animals 10:00
4 War Mania Analysis 3:50
5 Salvasansalwar 4:15
6 Warszawar 3:53
7 Iran No Ra 4:38


Tuesday, 5 May 2020

Doris Norton ‎– "Personal Computer" (Durium ‎– DAI 30413) 1984


Italian by marriage,Doris Norton originated in ye olde London Town,which is not surprising with a name like that. After a dalliance with Prog Rock as the obligatory keyboard player surrounded by machinery,and often playing two synths at once, Doris took the popular Kraftwerk-y route and made a handful of heavily programmed minimal synth albums....sponsored by Apple Computers!?
I guess that Apple were expecting her to sell a bucket load of music software for their nascent computer system.Alas they were sadly mistaken,as no-one's ever heard of her outside of Italy.
Lots of luvly phat analogue synthesis is going on here,from the year before Digital synthesis fucked up all the fun.


Tracklist:

1 Personal Computer 4:39
2 Norton Apple Software 6:30
3 Binary Love 5:18
4 Parallel Interface 4:27
5 Caution Radiation Norton 3:21
6 Personal Computer 4:45
7 A.D.A. Converter 3:50


Monday, 4 May 2020

Yoko Ono ‎– "Starpeace" (Polydor ‎– 422-827 530-1 Y-1) 1985


Oh No it''s Ono!
Feeling particularly sick of music and musicians this morning. So who pisses off more of the consuming public than anyone else....almost effortlessly. Yes, the best thing that happened to the Beatles,non-musician, Yoko Ono.....she stole our Beatle they cried.
One draw back is her constant referencing of Lennon, or 'John',rather like George Martin, who could turn any conversation towards the Beatles. She even manages to get a 'John said' moment on the bonus track "Imagine"...can't imagine who wrote that one?
This is probably her most despised outing, in her long line of despised recordings.The shrieking and caterwauling remains, amid a wall of electronic simmons drums,FM synthesis and tuneless singing.....all disguised as 'Pop'.....and Eighties 'Pop' at that!?
Oh Fuck, it's got Sly and fucking Robbie on it....are they really responsible for those turgid drums and people pleazin' basslines?...Oh Christ, it gets worse,.....'Produced by Bill Laswell...like everything was in the eighties....even that terrible album by John Lydon and backing band 'PiL mark 5 or 6'.The Bill Laswell Collaboration syndrome,that still blights some mainstream artists to this very day!?
Just as you thought it couldn't get any worse....Sean Lennon aged 8 is on it too....I'm gonna be sick!And the cherry on top is that it's full of hippy-drippy peace and love talk.
However, don't get me wrong, this is all I require in a Pop album.It manages to piss off virtually everyone, but keeps those toes-a-tappin'. I Love it.
If you're wondering why I've posted this, apart from it being brilliant anti-music, she's a woman in electronic music! It's synth-Pop innit, Einstein!?
Apart from that there are few women in the arts who have been as roundly vilified and subjected to as much naked institutional racism and Misogyny than that poor sad lonely lickle millionaire widow Yoko.

Tracklist:

1 Hell In Paradise
2 I Love All Of Me
3 Children Power
4 Rainbow Revelation
5 The King Of The Zoo
6 Remember Raven
7 Cape Clear
8 Sky People
9 You And I
10 It's Gonna Rain (Living On Tiptoe)
11 Starpeace
12 I Love You, Earth

13 Imagine

Laurie Spiegel ‎– "The Expanding Universe (Expanded)" (Philo ‎– PH9003) 1980/2018


Just as the universe is not only expanding but accelerating, electronic classic from the seventies are expanding too. Like this vastly expanded version of 'The Expanding Universe' by music software innovator and goddess of early electronic music , Laurie Spiegel. No matter how unimaginative the title of this album,plus extras, is;One cannot help but be charmed by its warm electronic splendor. If this was made by some long-haired Kraut in a waistcoat and flares from 1976 we'd all be raving about it as another lost vastly over-rated Krautrock classic;but as its by some spoilt american academic,and,oh no, a lady,it rarely features in those best one hundred electronic albums lists in those trainspotter magazines for middle aged men with existential problems.Personally thinking, this is Tangerine Dream but with cleaner hair.
Composed 1974-76 using a computer playing the actual sounds by controlling analog synthesis equipment using the GROOVE (Generating Realtime Operations On Voltage-controlled Equipment) hybrid system which was developed by Max Matthews and F.R. Moore at Bell labs. Interaction with the computer was through a keyboard, a drawing tablet, pushbuttons and knobs, as well as complex "algorhythms" written in FORTRAN.....it says in the notes...one especially likes the 'pushbuttons and knobs' bit.
Laurie's music is more along the minimalist framework i.e. Terry Riley etc but is always interesting and strangely melodic over dissonance. Interlocking rhythmic passages connect and disperse in the course of her compositions always creating a wandering dynamic. One can compare some fo her compositions to the Berlin School sequencer bland-outs of early K. Schulze,but with less equipment....and,of couse, much cleaner hair.
The Lovely Laurie at the controls.

Tracklist:

1 Patchwork
2 Old Wave
3 Pentachrome
4 A Folk Study
5 Drums
6 Appalachian Grove I
7 Appalachian Grove II
8 Appalachian Grove III
9 The Expanding Universe
10 The Orient Express
11 The Unquestioned Answer
12 Dirge Part I
13 Dirge Part II
14 Music For Dance Part I
15 Music For Dance Part II
16 Clockworks
17 East River Dawn
18 Kepler's Harmony Of The Worlds
19 Wandering In Our Times


Saturday, 2 May 2020

Suzanne Ciani ‎– "Voices Of Packaged Souls" (Liquid Sound Records ‎– 001) 1970


Married to her massive Buchla synth, as made by Don Buchla,allegedly one of the founding fathers of Electronic music, Ciani spent her time at the University of California in the late sixties, exclusively making electronic compositions, one of which was "Voices Of Packaged Souls". How she got exclusive access to Don's synth is open to conjecture.Let's just say, she weren't bad looking.
This is almost sound poetry in effect, with a smattering of free form early electronic compostition,i.e.,lots of weird noises,with a bloke talking over the top in two different languages.
Its very good.Sadly she went a bit new age after this,for wich there is no excuse!

Tracklist:

A1 First Voice: Sound Of Hair Bleeding
A2 Second Voice: Sound Of Heat
A3 Third Voice: Sound Of Cold
A4 Fourth Voice: Sound Of Wetness
A5 Fifth Voice: Sound Of A Finger Burning
A6 Sixth Voice: Sound Of A Flower Falling
A7 Seventh Voice: Sound Of An Eye Tearing
A8 Eighth Voice: Sound Of Bones Growing
A9 Ninth Voice: Sound Of A Nose Peeling
A10 Tenth Voice: Sound Of A Lighted Window
A11 Eleventh Voice: Sound Of An Old Man Loving
A12 Twelth Voice: Sound Of Love Turning
A13 Thirteenth Voice: Sound Of A Dream Kissing And All Dreams Are Not For Sale


Ruth White ‎– "Short Circuits" (Angel Records ‎– S-36042) 1971


After she finished her two occult inspired 'Experimental' albums for Limelight, Ruth White resorted to more comfortable territory in music for kids and families, where she spent most of her career.
This is basically one in a long line of electronic novelty records from the post war years. It's not unlike that classic Perrey and Kingsley album "The In Sound From Way Out", and i think they even did a version of  "The Flight Of The Bumblebee" on one of their multitundenous other albums. The difference is that Perrey and Kingsley made their albums from hours of painfully slow tape editing,splicing together thousands of short one-note long pieces of tape which contained an oscillator tone,and making a tape patchwork that became a tune.Amazing dedication to novelty music which deserves a medal.
Ruth, did no such thing for her novelty electronic album...she actually played a syntheziser,something that didn't exist in the fifties and early sixties.The only tape trickery she did was to slow the tape speed down so she could appear to play faster.
She still manages to sound a bit wierd anyway,and there are plenty of classic Modular Moog sounds to please even the most travelled samplist.
This one got lost amongst the tidal wave of 'Moog'plays the classics records of the early 70's.


Tracklist:

The Flight Of The Bumblebee 1:20
Gymnopédie No. 1 2:30
The Snow Is Dancing 2:07
Variations On Couperin's Rondeau 1:38
The Butterfly 1:37
Anvil Chorus 1:25
Tempo Di Ballo 2:48
Etude In G Flat 1:32
Solfeggietto 1:50
Prelude In E Minor 2:14
Polka From "The Age Of Gold" 2:10
The Ball 1:36
Sonata In G 1:58
Asturias 5:20


Friday, 1 May 2020

Ruth White ‎– "7 Trumps From The Tarot Cards And Pinions" (Limelight ‎– LS 86058) 1968


Don't mess around with the Occult kids, because nothing will happen. There's many a time my sister and I got the Waddington's Ouija Board out from the loft, where it was banished by my mother, to hold a seance with dead spirits trapped in limbo, doomed to walk the earth for eternity.....which would be difficult as the Earth will be consumed by the sun in a few billion years time. So what happens to the ghosts when the sun becomes a red giant, then it goes super nova!? More to the point, I'm terribly worried about Satan!? Whats he gonna do when hell is destroyed by a Super Nova!? 
Who will be left to ask what the winning numbers will be in the National Lottery? Who can I sell my soul to to achieve fame ,fortune and be as sucessful with women as Eric Weber?
If you've ever thought about commiting suicide while listening to an Ozzy Osbourne record, then you're simple enough to believe in this Occult nonsense; because during our seance's they never answered the time honoured question, "Is There Anybody there?"....ever! Once we asked , after asking what will be the winning lottery numbers of course, "Is there nobody there?";to which we got the same answer.....silence. Someone was moving the plastic cursor thing anyway when we asked if it was going to rain tomorrow.....to which the answer, "No" was obviously incorrect.
This album by Ladylectronic pioneer Ruth White,alludes to the blacker side of the dark arts, and it, in itself is far scarier and real than any Black magic voodoo. 
The most frightening part is the title....can anyone imagine the chaos and bowel cleansing terror of a world with Seven Donald Trumps spreading stupidity and ignorance across the planet like an apocalyptic wiping of undiluted bleach on a kitchen work surface?Extinguishing all intelligent life except the common lesser spotted Redneck to start civilisation anew?
Grits anyone? Southern styyyyyyllle.
(Shudder)!

Quick change the subject!!!

The inside cover states Ruth White uses several multi-channel tape recorders (including 2 new Ampex AG 440 machines), a Moog synthesizer, oscillators, modulators, electronic organ and electronic clavichord, two pianos, a harpsichord, and variable speed and reverberation devices as only part of the full lineup of machines used.


Now to continue  work on that VoODoo dolly of Fat Frank from VOD, with this playing in the background.


Tracklist:

Side A : 7 Trumps From The Tarot Cards


A1 Wheel Of Fortune 3:24
A2 Magician 2:25
A3 Hanged Man 3:26
A4 Sun 2:15
A5 Tower 3:24
A6 Lovers / World 6:00

Side B : Pinions (A Choreography About Symbolic Flight)

B1 Beginnings (Prototypes) 2:39
B2 No Wings (Without Imagination / No Desire For Flight) 2:33
B3 Wings Clipped (Too Many External Involvements / Flight Stopped) 6:08
B4 Wanting Wings (Limited Capacity / No Flight Possible) 3:42
B5 Love Gives Wings (With Wings) 8:49

Ruth White ‎– "Flowers Of Evil" (Limelight ‎– LS 86066) 1969


Unlike the tired world of Rock music, early Electronic music had a high percentage of Ladies fully involved in the innovations that have come to rule our lives. They have all now been replaced with machines,but are making a comeback,along with proper synthesizers with twisty knobs and patching leads.
There must be something about twiddling little knobs and pressing buttons that women are attracted to...Fnarr Fnarr!
This is one of the absolute classics of the genre....the made-up genre being "Early Female Electronica"....took me an new age to think that one up.
After a sucessful career making educational recordings through the fifties and sixties, she got her hands on a modular moog and went experimental, banging out three uber-weird albums between 1968 and 1971.Her electrifiying version of  Baudelaire's "Flowers Of Evil" being the creepiest of the trilogy.The version of "The Litanies Of satan" making Diamanda Galas's version sound like a Bjork dance remix.
Apparently she never set out to frighten the shit out of anybody,she was just demonstrating what her new equipment could do.
But, the finished item is one of the darkest electronic poetry records of the 20th century.This could easily be mistaken for a late era Coil album,but creepier.
Oh those lovely ladies and their electronic hobbies.....Nyak! Nyak!

Tracklist:

A1 The Clock 3:00
A2 Evening Harmony 4:02
A3 Lover's Wine 2:57
A4 Owls 2:45
A5 Mists And Rains 2:06
B1 The Irremediable 4:55
B2 The Cat 3:27
B3 Spleen 2:50
B4 The Litanies Of Satan 6:50


Thursday, 30 April 2020

Fred Miller ‎– "The Sounds Of Love ...A To Zzzz" (Yorkshire Records ‎– Yorkshire 27021) 1972


It sounds like Fred isn't entirely concentrating on pleazin' his woman. Fiddling around with his electronic organ,and twiddling the wrong knobs when he should be giving her his full attention. What's more he seems to have shoved a microphone in her mouth, without a windshield, to record her half-hearted ecstacy. Not any wonder that this run through of the orgasm alphabet ends with a Zzzzzzzz.
Another downpoint is the version of "Bolero", which always brings me a horrific flashback of the winter Olympics in 1984 when Torvill and Dean won Gold in the Ice Dance with that terrible, traumatizing medal winning routine. Granted, I would have preferred Fred Miller's version to have pumped out of the speaker system,complete with the moans and groans of sexual monotony.
Yes, women do it better......no not sexual intercourse, I mean messing about with electronic toys....they being, synthesizers. So that segués us nicely from all this semi-erotic nonsense into the stone age of electronica, when women ruled the Earth!?


Tracklist:

1.Scented Wind 5:20
2.Black & Blues 4:36
3.Midnight Waterfalls 9:30
4.Pavane 5:30
5.Bolero 14:00
6.Piano Concerto No 21 7:30


Helen Gurley Brown ‎– "Lessons In Love" (GNP Crescendo ‎– GNP 604) 1962


The appropriately named Helen Gurley Brown,wrote Sex and the Single Girl, and was editor of Cosmopolitan Magazine for 35 years. During those times she released a handy audio guide to adultery as well. Including such essential advice for such romantic dead ends as,"Capturing A Man If You Aren't Pretty!"..easy, suck his knob..."Short Men Can Be Sexy!...especially if they've got a Ferrari; "How To Talk To A Man In Bed!"....simple...DON'T!
The solutions are in fact mine,as if you didn't know.Helen Gurley Brown's solution are rather more wordy,and....er... Brown.
Lucky for y'all that your scribe hasn't been asked to make an romantic advice record any time soon. It would be rather short....just like those vertically challenged sexy chaps and their Ferraris.

Tracklist:

A1 Getting A Girl To The Brink!
A2 Conducting The Affair
A3 How To Behave At Home When You're Misbehaving
A4 How To Love A Secretary!
A5 Short Men Can Be Sexy!
A6 How To Say "No" To A Girl!
A7 Keep Your Wife Seductive
B1 Capturing A Man If You Aren't Pretty!
B2 How To Say "No"
B3 Unfaithful Wives' Tales!
B4 The Love-Life Of Boss And Secretary!
B5 How To Talk To A Man In Bed!
B6 Keeping Your Husband Sexy!


Wednesday, 29 April 2020

Dr Stanley Z. Daniels - "Sex Explained For Children" / "Sex For Teens(Where Its At) / "Sex For (Sex Is Fun Particularly When You're In Love)" ( Carapan Records 1969-1972)




Do you think the two characters on each cover are the same people at different stages of their lives?
There you go, we can pair up for life like Ducks do. Although i think volumes four to six would have been on Divorce for Adults, Teens and Children. We need more guidence on how to split up than how to have sex....that's the easy part.
These three classic forays in to how to patronize teens and adults are indespensible acquistions for child and adult alike. Not for the rather unreliable advice of Dr. Stanley Z. Daniels, but for the chance to hear children say 'Penis' and 'Menstruation', and  hear the good Doctor's views on the sick and depraved existence of Homosexuals. There's some jaw dropping stuff on these ,so-called 'Educational' discs, and typically, they being American in origin, 'God' gets a hefty look in too.Ask your local preacher for advice, is Stanley's guidence at one stage.
The Doctors voice has a similar quality to Ken Nordines rich timbre,but more robotic, and far funnier. 
Listening to this progressive-regressive modernism from the past is enough to put you off sex altogether, rather than want to do it properly.
The ignorance is an intresting insight into the thoughts and opinions of middle calss america in the seventies,that hasn't changed much even today, as well as being rather hilarious. 
I notice its also only for whites too?
By far the best of the three volumes,if not just for the acting, is "Sex For Teens". The 'with it',but obviously square boy-teen is having an argument with his sister about her hippie boyfriend,when The Doctor enters the conversation to calm things down.....it all goes steeply downhill from there.The part on Homosexuality is priceless!
I'm sure this has been sampled to death.Now here's your chance.

DOWNLOAD the complete set HERE!

Unknown Artist ‎– "Fornicating Female Freaks" (Audio Stag Records ‎– A-1002) 1970



Another spoken word smut-fest from the John Waters school of acting, with dialogue from the The Sun (UK trash tabloid) school of journalism.
Back from the days when Lesbians were seen as perverts,or only did it because they weren't getting a good 'seeing to' by their husbands, we have some 'Bold Butchy Lesbians' indulging in ac/dc sex!?
Whatever a Bold-Butchy Lebian Freak is? I guess its, a slightly male acting female,whose wanton behaviour results in some "kinky nights of pure pleasure" with partners of the same gender?
Again the cover art is something special, but the poetry of the dialogue is only slightly less offensive than the preceeding 'Perverted Nympho Housewife" record;unless you are a Lesbian of course. Here lesbianism is portrayed simply as mere titilation for the male audience,and only an option if the young ladies in question didn't have a man to provide her with pleasure.

Tracklist:

A Fornicating Female Freaks (14:37)
B Fornicating Female Freaks (16:24)


Tuesday, 28 April 2020

Unknown Artist ‎– "The Lustful Sexlife Of A Perverted Nympho Housewife" (Audio Stag Records ‎– A-1001) 1970



As spoken word recordings go, this is more avant-garde than the avant-garde could ever hope to be. This could provide the lyrics to any of a dozen new Whitehouse albums,especially the rather uncomfortable Anal Rape scene!?Anyone got any complaints just explain it away as 'Art',which is always the last refuge of the Scoundrel. Subversive stuff indeed,its just a pity a legion of self-exposing pervs in dirty raincoats misunderstood this work of art as cheap smutty stimulation for self-satisfying solo sex for one.
Now you don't have to go to Denmark or Sweden for top quality sound poetry ,like it says on the cover, you could get this erotic masterpiece from your local smut peddler with the blacked out windows.The sleeve art alone is worth the few bucks,just to know that When Jimmy the grocery boy fucks a bitch.... she stays fucked!
Like many a classical rennaisance painter ,all the nice young ladies mentioned in this 20th century rival to Titian are said to be "Built Like A Brick Shithouse"! Oh the Romance of it all.It's no surprise the 'artists' involved wanted to remain anonymous.Not everyone wants to be famous y'know? And sometimes its for a very good reason.

DOWNLOAD this filthy deflowering of romance HERE!

Monday, 27 April 2020

Eric Weber ‎– "Picking Up Girls Made Easy" (Symphony Press ‎– EW-1356) 1975


If you're a record geek, or an idiot, or gay trying to seem straight, this is the supreme guide on how NOT to pick up girls,and keep your virginity intact.
Who this idiot Eric Weber was is anyone's guess,but you can speculate that,like a lot of people who read this blog,he is likely a bespectacled geek and,very much, a drooling and desperate virgin.
Hear Mike,who'd be named Mr Dick Head in this modern era, in bird-pulling action action on the streets of Dallas involving complimenting the Woman...sorry... Chick, with the unfeasably large breasts on her Hair, then lying to her about being an advertising executive. The chick in question herself, sounds like Dick Emery,as Mandy,the "Ooooo you are awful,but I like you" character", as seen on British TV in the Seventies. A time and space that stands outside of reality in its sheer perfection.
Chicks like Art!? Chicks in Libraries are probably as bored as you are!? Chicks like ballet,but Guys wouldn't be seen dead there,so less competition!? Are just a couple of the nuggets of information that I learned from this cring-fest of a 'How To...' record. I had to listen to this in the same way I'd watch a Donald Trump press conference,with my hands over my eyes and ears seeing and listening through the fingers of my hand. You will not feel proud to be male with either of these unfortunate experiences, or in the case of a Trump speech,you will not feel proud to be male, or, human.
It is a jolly jape however, because all this was amazingly so alright in the seventies?

Tracklist:

A1 The Street Pick Up
A2 Love In The Library
A3 Single's Bar Action
A4 Woman's Clothing Store Pick Up
B1 The Ballet Is A Ball
B2 Museum Pick Up
B3 Walking The Dog
B4 Pick Up At The Beach


Sunday, 26 April 2020

Les Baxter Featuring Bas Sheva ‎– "The Passions" (Capitol Records ‎– LAL-486) 1954


If you have a preponderance for recordings of a young lady's screams, wails, whimpers, howls, grunts, and moans.Then this is the 10 incher for you.......the size of the record by the way.
Exotica and easy listening legend Les Baxter, attempts to capture the complex world of a woman's emotions in sound,using the wide octave range of the obscure vocal talents of Bas Sheva; which is the Ashkenazi Jew pronouciation of Biblical saucy temptress "Bathsheba"...so i'm told!
Bas wasn't around for very long,as she died while working as a singer on a cruise liner in 1960, from a fatal diabetic reaction to ship food. Leaving just this crowning achievement of horrific wordless moaning to keep her soul alive forever.All in glorious Mono too...and it takes no prisoners,so begin at a low volume.
One more record that is guaranteed to clear a room. Always keep it handy just in case unwelcome guests arrive,or outstay their welcome.
Very good for Social Distancing as recommended by your national governments in 2020.

Tracklist:

1.Despair
2.Ecstasy
3.Hate
4.Lust
5.Terror
6.Jealousy
7.Joy


Petite M'amie ‎– "Girl Friend Baby Doll" (Victor ‎– SJV-511) 1971


Nowadays they make 'realistic' life size dolls that resemble Petite M'aimie (Kieko Mari), which is a quaint way of saying Girlfriend in French ("my Little Friend"), to use and abuse in whatever way the purchaser requires.
Back in the seventies the sex dolls looked like mister Blobby's slimmer cousin, and the only way to get your rocks off without an actual woman, was to play records like this....if you were Japanese of course.
This one is,on the surface, more innocent than the others I've posted, full of lots of giggling and whispering, and ,of course, some crying!? But I have a sneeking feeling that Petite M'Aimie might be suggesting that she is below the legal age of consent, which inflicts a darker tone on the proceedings somewhat.


Tracklist:
A1 Girl Friend 3:36
A2 Baby Doll 3:21
A3 Splendor 3:03
A4 Pardon 3:01
A5 Cry 2:50
A6 Make-Love 3:10
B1 Prologue 1:37
B2 Drive 3:27
B3 Coffee 4:23
B4 Wine 1:56
B5 Shower 4:30
B6 Date-Time 4:48


Saturday, 25 April 2020

Mabuki Junko - "Ai No Dorei (Slave Of Love)" (Victor Records) 1980


My definition of "Avant Cheese" is turning out to be anything about sex it seems?
But it certainly fits into the DIY bracket, as in DIY sex for one category.
From the film, uncontroversially entitled, "All Women Are Whores", is the spoken word and dulcet singing tones of Mabuki Junko,who plays the Love Slave in question. Lots of whip action and crying going on here,and a surfeit of groaning;its more about pain than pleasure this time. There always seems to be a crying track in these Jap soft porn flicks. But it begs the question,What kind of perv bashes his bishop whilst listening to a imprisoned woman being whipped and crying,obviously in distress?You should be ashamed of yourself you filthy rotten disgusting excuse for a creepy perv bastard that you are!Crawl back under the rock that shat you out and diiiieeee!...right thats me sorted, who's next?
If this film was made and directed by some swedish art-house director called ,for example, Jurgen Harbormaster,the darling of the critics. This would be lauded as high art...but if its made by a bunch of depraved Jap's, its Smut! A payback for the Burma Railway perhaps?

Tracklist:

1 おもいで酒 = Omoide-zake 8:17
2 ふて節 = Fute-bushi 3:51
3 昭和枯れすすき = Shôwa Kare-susuki 14:41
4 ミスター・ロンリー = Mr. Lonely 1:24
5 みちづれ = Michizure 8:19
6 花街の母 = Hanamachi No Haha 11:51
7 理由もなく = Wake Mo Naku 3:07


Masami Kawahara & The Exotic Sounds ‎– "Ecstasy" ( Columbia ‎– YS-10077-J) 1970


Another Erotic album from Nippon, which gives a whole new perspective on the word 'Nips'.This involves more Japanese moaning and groaning to a hefty slice of vintage Japanese exotica erotica by Masami Kawahara & The Exotic Sounds.
Dunno whats going on with the young lady on the cover? She's either dead or drugged,or both?
Sonic-wise, the disc unleashes a whirlpool of Latin styled mondo -sexploitation sounds that get spiced up with feminine breathing , moaning and hissing, igniting a maelstrom of assorted erotic nonsense and sexual depravity. 
In all, it resembles a cheeky vixen engaged in some drug influenced rumpy-pumpy, hatching out cries, moans, sighs,unitelligable words and other naughty sounds such as the cracking of a whip and other such pervy sound bites , bringing out every possible noise made by a ballbuster on heat. 
The name of Kuwahara Masami may be an unfamiliar one but he was the person responsible for giving Ike Reiko her very distinct sound,or sounds,on her album for which he provided the musical backbone and arrangements unto which Ike could utter her depraved songs.He provided the backbone, and she provided the Boner. 
The album “ Kokotsu / Ecstasy”  however was recorded slightly before his engagement with Reiko.....which is why he couldn't think of a different title to call it, i suppose? 
Bloody weird those Nips.Especially the Nips with the clamps on 'em! (Titter yee Not!)
I guess this is the Japanese version of Ecstasy,which will generally involve some kind of sado-masochism and cruelty.There are some audible slapping sounds on bare flesh heard above the Exotic backing track.A japanese version of the American fad from the fifties, Martin Denny and Les Baxter etc;but the sexual element in the US version was more a suggestion rather than in your face perversion.
Tut Tut Tut! Those very naughty Japanese people!

Tracklist:

A1 Temptation
A2 Manha De Carnaval
A3 Taboo
A4 Jungle Drums
A5 Swahili
A6 Hombre Y Mujer
B1 Mit Day Lagoon
B2 Nightingale
B3 The Voodoo
B4 Flamingo
B5 Emiliano Zapata
B6 Poinciana