Tuesday Wisdom
1 hour ago
Where Religion, Philosophy and Demographics Meet
Family portrait drawn and given to me by several of the children. The animals are all plays on nicknames or favorite animals: Baby Groot, dragon, skunk, baby shark, pigeon, giraffe, monkey. |
Real life family portrait on Christmas Eve, in almost the same order, except that Monkey is in front of me rather than at the far right and Pigeon is in front of MrsD |
However, Hallmark faces a unique challenge: producing three dozen movies about the same holiday while avoiding “Groundhog Day” repetition.
Often there’s a struggling family business that needs saving, like the cozy inn in “Christmas at Holly Lodge,” the old-fashioned holiday shop in “Sharing Christmas,” or the theater that loses its lease in “Christmas Encore.”
A big-time star encounters small-town romance in “Marry Me at Christmas,” “A Song for Christmas” and “Rocky Mountain Christmas.” In “The Perfect Christmas Present,” the hero is a personal gift buyer known to his clients as Mr. Christmas—not unlike the nickname for the title character in “Miss Christmas,” whose job is finding the perfect tree for Chicago.
Executives say it’s the characters that make each movie unique. “Even if there’s a similar tradition in one movie to the next, that doesn’t mean the characters aren’t going on different journeys,” says Michelle Vicary, executive vice president of programming and network publicity for Crown Media Family Networks. The company is a division of the Kansas City, Mo.-based Hallmark Cards, Inc.
In addition to a feel-good finale, there’s an atmospheric checklist for every movie. “Buying a Christmas tree. Wrapping gifts. Thinking of gifts. Baking and cooking meals. Family gatherings. All of the things that you think of as traditional,” says Randy Pope, senior vice president of programming.
Snow is a dealbreaker. “Every year we get scripts with something like, ‘It’s the first year in the country’s snowiest city that they had no snow.’ Nope. Not on Hallmark it’s not,” Ms. Vicary says.Somewhere I once read someone describe writing a romance novel following the strict guidelines of the Harlequin imprint as "trying to stage Swan Lake in a phone booth". I would compare neither a Harlequin nor a Hallmark movie to Swan Lake, no matter how many boxes they both tick, but it did get us thinking: is it possible to create something of quality while following these cliches?
I was more than a little surprised to read that one-word reaction to a Facebook post Sunday night, in which I described taking part in an annual interfaith Thanksgiving service in my neighborhood. The event, held at a reform temple near my home in Queens, brought together nearly a dozen Catholic, Protestant and Jewish clergy — an imam was to attend, but got delayed and couldn’t make it — along with a few hundred congregants from the different churches.
The commenter who weighed in with “Yuck!” explained that he’s not a fan of interfaith gatherings. So I thought I’d explain just what we did.
I read a passage from the Gospel According to St. Matthew, which includes these words:At a certain level I agree with his contention: What is there here that can be offensive? At another level, what I find offensive about these ecumenical efforts is precisely how inoffensive they are.
Look at the birds of the air: they neither sow, nor reap, nor gather into barns, and yet your heavenly Father feeds them. Are you not of more value than they?A rabbi, filling in for the imam, read this section from the Quran:
In the name of Allah, the Beneficent, the Merciful, Praise be to God, Lord of all that is created. The Beneficent, the Merciful, Master of the Day of Requital. It is you that we worship and it is you that we seek support from. Guide us to and on the path of integrity. The path that you bestow your favors upon. Not the path that has earned your wrath. Nor the path of those whom are astray. Verily, my prayers and all my actions, my living and my dying, are for you, O Lord, of all that is created.The Presbyterian minister offered a short but stirring homily on the “path to gratitude.”
One of the choirs launched into a rousing rendition of “Soon and Very Soon.” Two of the reform temple’s choirs — one of adults, one of children— offered “Ki Eilecha” and “Roll Into Dark.” We took up a collection for the International Rescue Committee (www.rescue.org.) . A minister read John F. Kennedy’s Thanksgiving Proclamation from 1962.
Then, as a final prayer, all the clergy offered the Aaronic Blessing (Numbers 6: 24-26).
We concluded by singing two verses of “America the Beautiful” — and that was followed by a little hospitality with a lot of food.
I remember going to watch my sister at one of the state meets, where the girl who was favored to win, I think her name was Jenny, ran the first two miles well ahead of the pack, then not one hundred feet from the finish line, clenched up. Her jaw went tight, her legs stiffened. You could see her force a few steps before she fell down. People passed her, my sister among them, and the gal finally crossed the finish line on all fours.It seems like I was just getting into competitive running at about that time, and I never was very competitive, because I was very precious to myself and concerned about the onset of pain. Sometimes, when running, I’d start to get a little tight, and think about Jenny and pull back–because her crawling across the finish line seemed like one of the greatest tragedies that could befall anyone. And of course it’s not, I now know, but back then I only knew one kind of glory–and that was staying comfortable. Also…winning, if the two could be combined.It wasn’t until I had kids that I received my first hint of what my sister gleaned from her endurance–that there’s a point between fatigue and falling down that’s quite lovely, an out-of-body experience. Close your eyes, keep going, and the body just does what it needs to do with the tacit prompt of mind. I’ve felt it in childbirth during transition, and every so often, when I think I have no energy left for putting kids to bed and whatnot, somehow it just gets done.This weekend we put in the garden. I’ve abandoned a large garden way out back that’s so far away from the house that I forget about it, so my husband made frames for three raised beds right outside the kitchen. In the course of the weekend, we dug out sod, turned over a lot of dirt, loaded and unloaded long boards. I’ve felt a little beat up, with scratches on my ankles and forearms from hard to handle boards, sore back, and restless leg syndrome at night. And none of this is complaint, but rather exultation. I got tired, but I kept working–like people who have babies, run long distance, write novels, or become saints.Back in the days when I tried to write poetry, I wrote down a phrase in my little notebook, “I want to give glory to God without fear.” I kept thinking something would occur to me to follow that line, but over the years as I’ve looked at it here and again, I can’t think of anything with which to chase it. It’s still a concern of mine, but it’s more of a singular concern rather than one impression among many. I want to give glory to God without fear.In so many of my endeavors (having babies, running, writing, trying to become a saint), I still hold myself very dear.
This is also the tale of another remarkable vision -- not a corporeal vision of God but the vision of life as a wondrously strange creation.The lack of the corporeal vision of God is a problem because the main wonder of creation is that God became his own creation in a corporeal way. The body becomes a literal, not a metaphorical, conduit of grace. A vision of life as a wondrously strange creation without a corporeal vision of God tends to descend into treacle and nostalgia and soft soap.
Mama can kick leaves in the woods like she’s tearing back the crumpled paper wrapped over the surface of things.
She walks with a stick.
She dragged it out from under some maple saplings. And then she pins that trail under her right down.
Like there’s no loud and flippant way she’s letting anything make her miss the now right under her, no way that that now could just up and slip out from under her.
You could be a sophisticated cynic and miss your whole life that way.
You walk a bold, amazed way when you know the destination is right here.There is, apparently, a variety of wonder-drenched writing which drifts into a precious and almost unintelligible aestheticism, the sort of writing someone described to me as "'the tea-kettle's all dancy on the stove' shit".
What had Mary Oliver defiantly scratched down with an inked stick of her own?
“When it’s over, I want to say: all my life I was a bride married to amazement.”
Everyone’s wild to stop feeling overwhelmed – but nobody ever wants everything to stop and be over.
Mama walks like that through the woods. Like she knows it’s going to be over someday… all over. That your face will come tight right up to it and there’s no stick you can fine anywhere to fight time off.
And then there’ll be that stark moment when you turn and see what you were married to. You can live your life as the bride married to Hurry, having affairs with Not Enough, Always Stress, and Easy Cynicism. Yeah, I guess we all get to choose our own bedfellows.
Mama always said it and she didn’t care what anyone thought of it: God was her husband. And that ain’t just some metaphor to get the Pharisees all in a prudish knot – it’s brazen Scripture. Take it or go ahead and leave it. We all get to choose our own bedfellows – and who we’ll give our soul to, who or what will get our life.
Mama’s standing there, already decided.
When it’s over, I want to say: all my life I was a bride married to amazement, vowed to Awe Himself, covenanted to Christ –and I took the whole of everything He gave in this gloried world into my open arms with thanks.
Because really? Yeah, I guess so — Anybody can be a cynic. Cynicism is laziness in every way.
The real heroes are the ones who never stop looking for the possibility of joy.
“Here is good. I think we should do it right here.” Mama taps the ground of the trail with her stick, holding here down. Here always has some good if you look at it long enough.
“Good light.” Mama looks up.
So that’s where Levi and I drag the tables to. Haul in stumps to stand in as legs for plank benches. Throw old quilts down as tablcloths and lay out the plates.
“Are we crazy?” I tug at the end of one of the quilts. Mama raises her one eyebrow — “I mean, not in a general, yes, obviously-we-are-crazy sense — but in a specifically in a trying- to- have- a- Thanksgiving-dinner in- the- woods- sense?”
Mama grins. Winks. Knowingly.
Yeah – she doesn’t have to say it.
Wherever you are – Thanksgiving is always for those crazy enough to see grace for the trees.
Thanksgiving is always for the courageous and Grace is always for the risky.
We lay out the table and string up the banners and make up our Thanksgiving Tree —-
And it’s all ridiculous enough to be meant to be —This is the sort of lush wonder that never requires one to develop it in a whole paragraph, the kind of cray-cray-crazy abandonment! that's so adorably luminous that to examine it with any kind of critical eye and ask, "What does this even mean?" makes one the laziest of cynics. It's the sort of Pinterest-ready spirituality that makes a brand of turning grace into a species of wonder, a packaged Christianity that makes you feel that maybe your life could achieve the pretty standard set by the author if only you buy her NY Times best-selling gratitude journal and accompanying devotional.
Margaret of Scotland
Margaret was born to the exiled English prince, Edward Ćtheling, while he was in Hungary, so she grew up in the Hungarian court of King Andrew I. She returned to England when her father was recalled in 1057; she would have been somewhere around 12 years old at the time. Her father died almost immediately after his arrival, but the family stayed in the English court for a while until, after the Battle of Hastings, Edgar was declared King of England by the Witengamot. Alas, he was never crowned; William the Conqueror invaded and the nobles of England just handed Edgar over. Margaret and the rest of her family had to flee northward to Northumbria. They would eventually end up in Scotland. The story is that they had decided to return to the continent, but their ship was blown off course to a place that is today called St. Margaret's Hope, near North Queensferry. There they met King Malcolm III Canmore (the same Malcolm who is fictionalized in Shakespeare's Macbeth), a widower with two sons; Malcolm was intrigued by Margaret. That she was one of the last surviving members of an English dynasty was probably one of the reasons, although it may not have been the only one. They married in 1070. It was not the kind of marriage one would expect to be successful -- Malcolm was a very rough man and seems not to have had a religious bone in his body -- but they actually thrived together. He seems to have liked the polish she brought to the court and actively encouraged her to do whatever religious work she deemed appropriate. He did not participate in her regular prayer and religious devotions, but he did not at all stand in the way of them. He seems to have particularly liked having a literate wife (he himself could not read); despite his lack of interest in religion, he often had her read Bible stories to him, and he had gold and silver covers made for her devotional books. In order to facilitate pilgrimage to Dunfermline Abbey, Margaret established a ferry across the Firth of Forth, which gives the towns of South Queensferry and North Queensferry their names. She also did extensive charitable work for the poor. Malcolm died at the Battle of Alnwick in 1093; St. Margaret died on November 16 of the same year, just a few days after having received word of his death. She was canonized in 1250 by Pope Innocent IV; her feast day is November 16.The curious thing about confirmation saints is that sometimes they find you, and in my case it was after my confirmation.
Refrain: All I ask of you is forever to remember me as loving you.
V1. Deep the joy of being together in one heart and for me, that's just where it is.
V2. As we make our way through all the joys and pain, can we sense our younger, truer selves?
V3. Someone will be calling you to be there for a while. Can you hear their cry from deep within?
V4. Laughter, joy, and presence: the only gifts you are! Have you time? I'd like to be with you.
V5. Persons come into the fiber of our lives and then their shadows fade and disappear. But...This, a musical commemoration of the Last Supper, is "All I Ask of You" by Gregory Norbet, OSB, and the monks of Weston Priory, not to be confused with the infinitely more tuneful and emotionally compelling song of the same name by Andrew Lloyd Webber, OBE. The Right Honourable The Lord Lloyd-Webber, Kt, however, not having chosen a vocation that compels him to the service of God, makes no pretense about crafting music suitable for use in the liturgy of the Mass. Mr. Norbet, a Benedictine at the time of the writing of this song, must be held to a higher standard.
In recent years, however, there have been signs that Kristin Lavransdatter is beginning to build up an international following to rival her domestic one. Her rescue from literary obscurity started in 1997, with the release of the first volume of Tiina Nunnally’s new translation into English from the Norwegian. Nunnally’s elegant interpretation strips the text of the leaden medieval-isms (“methought,” “belike”) favored by the previous English version. These days, Undset encomia are a staple on Catholic-interest websites, and certain corners of literary Twitter flog the series relentlessly. In 2015, William T. Vollmann told the New York Times that Kristin was his favorite fictional character, noting correctly that the trilogy “bears many rereadings.”It definitely seems to me that Undset deserves to be remembered and read as one of the better writers of historical fiction out there. Her portrayal of medieval Norway is seamless and utterly convincing. Not only do you find yourself believing that this is how people lived and thought and acted in a time and place very alien from our own, but she does such a good job of putting us into that world that we understand within the context of the novel why these people acted and thought the way that they did, even while realizing how alien their world was in some ways.
Kristin Lavransdatter’s three volumes total more than 1,000 pages, which follow the daughter of a wealthy farmer from age 7 through her dramatic death. (I won’t spoil major plot twists here, but if you’re worried, stop reading this and just go buy the books already.) In The Wreath, Kristin meets the great love of her life, who is not the man her parents chose for her. (The also-ran isn’t an awful guy; she could tolerate him “especially when he was talking to the others and did not touch her or speak to her.”) In the second book, The Wife, she gives birth to many sons and deals with the fallout of her husband’s rash meddling in royal politics. And in the final volume, The Cross, Kristin watches her sons grow up and, oh, by the way, reckons with the future of her immortal soul.
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If HBO is looking for its next miniseries, it should give Kristin Lavransdatter the proper adaptation it deserves. (A Scandinavian film version directed by Liv Ullmann in 1995 was plagued with production problems and received middling reviews.) Rereading the trilogy this fall, I kept thinking of Olive Kitteridge, another powerful novel about a prickly mother turned into a worthy HBO miniseries. This trilogy includes illicit sex, affairs, a church fire, an attempted rape, ocean voyages, rebellious virgins cooped up in a convent, predatory priests, an attempted human sacrifice, floods, fights, murders, violent suicide, a gay king, drunken revelry, the Bubonic Plague, deathbed confessions, and sex that makes its heroine ache “with astonishment—that this was the iniquity that all the songs were about.” And yet all the outward drama is deployed in service of a story about an ordinary woman’s quietly shifting interior life. Another tempting comparison is Elena Ferrante’s Neapolitan novels, whose huge commercial success suggests there is a market for series in translation about fierce, complicated women navigating their culturally conservative European milieu.
To sell the Kristin Lavransdatter novels as “hot” in terms of either content or buzziness somewhat misses the point, though. “Listing the strengths of Kristin Lavransdatter will not make the novel fashionable,” the scholar Otto Reinert wrote in 1999. “It is unexciting labor to claim merit for the conventional.” He was referring to both the books’ style and their moral tenor. It would be criminally simplistic to describe the series as “conservative,” but there’s a reason it appeals so powerfully to a certain kind of bookish Christian reader. As flawed as Kristin is—she is proud, lustful, brooding, and fails to live up to her own moral standards—she is a devout believer, and the books are intimately concerned with her relationship with God. Undset was a Catholic convert, and one of the most remarkable things about the trilogy is that it’s a rare literary depiction of religious people that is both empathetic and unsentimental.
A Small Totoro |
Among those issues is one that no one in the Catholic hierarchy seems eager to investigate: the extent to which there are gay networks operating within the American priesthood, its seminaries and chanceries, and within the Vatican itself. And to what ends? Perhaps the hierarchy is afraid of giving aid and comfort to right-wing zealots who would like to use the McCarrick scandal as an excuse to out and purge all homosexual priests and bishops. There can be no excuse for such a purge. We have all met gay priests who live chaste lives and honor their vows of celibacy, just as we know there are more than a few heterosexual priests who fail to honor theirs. But it wasn’t just clericalism that allowed McCarrick to abuse seminarians and young priests for decades, even though his behavior was widely known within clerical circles. And it wasn’t just his ecclesiastical clout that provided him protection. It was networks, too.
By networks, I mean groups of gay priests, diocesan and religious, who encourage the sexual grooming of seminarians and younger priests, and who themselves lead double lives—breaking their vows of chastity while ministering to the laity and staffing the various bureaucracies of the church.
During the nearly four decades I spent writing about religion for Newsweek, I heard numerous tales of “lavender lobbies” in certain seminaries and chanceries, told mostly by straight men who had abandoned their priestly vocations after encountering them. At one time or another, the whispering centered on networks in Los Angeles, Milwaukee, Chicago, or Pittsburgh, among other dioceses. One of the few priests to complain in public was the late Andrew Greeley, who spoke of gay circles operating in the administration of Chicago’s Joseph Bernardin, a cherished friend of his. As far back as 1968, I heard similar rumors about priests serving in the Roman Curia, mostly from Italians, who are generally more relaxed about homosexuality than Americans and unsurprised when those leading double lives are outed. What concerns me, though, is not simply personal hypocrisy, but whether there are gay networks that protect members who are sexually active.