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Toys / Promotional Premiums / Point of Purchase Design: FAST FOOD TOYS - MOVIE PROMOTION MERCHANDISE

Sometimes, I get to work on the most awesome jobs.

I've always wanted to work in toy design.  The closest I get from time to time is when I do character design for 3D modeling, where I can visualize characters or vehicles in full orthrographic turnarounds format.  But for a time, I got to work on designing toys for fast food kid's meals.  
DC Comics Super Heroes toy designs for Jack In The Box kids meals, for Promotional Partners Worldwide.
DC COMICS SUPER HEROES - JACK IN THE BOX KID'S MEALS TOYS

I was assigned to work on the toy set above.  Each character I did orthographic turnaround designs for the sculptors to work from.  The concepts were given to me, and in a few cases, a visual sketch was provided for me to then organize and take to finish.  The Batmobile, Aquaman and Green Lantern I contributed more to in terms of final positioning and detail, while Wonder Woman and Darkseid were pretty straightforward designs whose prelim sketches provided to me needed little adjustment. 

Superman in the phone booth was my favorite.  In addition to Superman in his simple stance, I got to design the function of how the phone booth doors would open.  Everything worked so well in the end, I felt like a kid buying all the copies of the toys I worked on.  

This made everyone at the Jack In The Box restaurants think I was a very disturbed man-child who had no life, when I would come .  Hey, I wasn't disturbed!  The other stuff I can't argue about... 

PROMOTIONAL PREMIUMS

The same companies I would do fast food toy design work for also produced items that are called 'Premiums', which are promotional items - toys, collectibles, souvenirs and household products - that are linked to a particular product for entertainment properties or companies.

SCULPTED DVD HOLDERS

I got to work on a lot of concepts for what was supposed to be a line of premiums and products to be sold in Blockbuster Entertainment stores.  Unfortunately, a lot of these concepts never got produced.  That's too bad, because I think these things would have really sold like gangbusters!  

Well, I know I'd buy 10 of each of them, at least. 

Being such a huge Rankin/Bass fan from way back, this is my favorite DVD holder I got to work on: 
The Enchanted World of Rankin/Bass DVD holder, designed for Idea Planet & Blockbuster Entertainment.

Every nerd and geek I know (me being one of them) would LOVE to have one of these:
Alien movie 'face hugger' DVD holder, designed for Idea Planet & Blockbuster Entertainment.

Bookends, anyone? 
Aliens vs. Predator 2 movie DVD holder bookends, designed for Idea Planet & Blockbuster Entertainment.
From Dusk Til Dawn movie DVD holder, designed for Idea Planet & Blockbuster Entertainment.



It seemed like a no-brainer to adapt Iron Man comic book illustrator & Iron Man movie character designer Adi Granov's brilliant composition & design into a DVD holder.  

I think this would have sold really well, too: 

Iron Man movie DVD holder, designed for Idea Planet & Blockbuster Entertainment.
  Other Iron Man DVD holders:
Iron Man movie 'helmet face plate' DVD holder, designed for Idea Planet & Blockbuster Entertainment.
Iron Man movie 'chest plate' DVD holder, designed for Idea Planet & Blockbuster Entertainment.
SCULPTED SOFT DRINK CUP TOPPERS

I worked on the Padme & Watto cup-toppers , and part of the Anakin Skywalker cup-topper. 
Star Wars Phantom Menace soft drink 'cup toppers', designs for Promotional Partners Worldwide & Pizza Hut restaurants.
HERE'S A DISTINCTION - I ACTUALLY DESIGNED TOYS THAT WERE RECALLED BY THE U.S. CONSUMER PRODUCT SAFETY COMMISSION

This was an interesting and difficult learning experience about how, when you seemingly do everything correctly, things still don't turn out as you had intended: 

One of the first set of fast food toys I did designs for was recalled for safety concerns.  I was assigned to take characters from an almost never-known property called The Treeples (They're animals who live in trees & talk like people... they're The Treeples! get it?  Yeah, this property never really took off), and make a 'barrel of monkeys'-type set of toy designs to be manufactured into one of the premiums to be handed out with the kids meals from KFC restaurants.

Unfortunately,  after the concept was approved by the company that hired me to do the designs, after the individual characters and the container was designed by myself and approved at that level also by the company that hired me, then those approved designs were sent to Korea to be manufactured for a company that has had (and still has) a great track record of many years of extensive experience producing safe toys for children.  

Sometimes unforeseen things happen: 

In cooperation with the U.S. Consumer Product Safety Commission (CPSC), KFC Corporation, of Louisville, Ky., is voluntarily recalling about 425,000 Tangled Treeples toys included with KFC Kids Meals. The toy is a green plastic container with small, blue plastic animal figures inside. The bottom of the container can fit over a child's nose and mouth, which could pose a suffocation hazard to children under three years of age.
A 19-month-old girl reportedly had the Tangled Treeples container stuck over her face, causing her distress. When her mother removed the container, there was a red mark left on the child's face. 
So just like that, these toys were recalled.  It was a fun project to work on, with unwanted and unexpected results.  

Treeples 'barrel of monkeys' fast food toys, designed for Promotional Partners Worldwide & KFC restaurants.
 PREMIUMS MERCHANDISE 

Horton Hears A Who movie 3D puzzle sculpt design, for Idea Planet & Blockbuster Entertainment.


The 'barrel of monkeys' concept is often used in the designs of promotional toys, and this was no exception:
Horton Hears A Who movie 'barrel of monkeys' designs, for Idea Planet & Blockbuster Entertainment.
Mr. Magorium's Wonder Emporium movie 'sock monkey clip-on', 'tin holder for wind up figurines', 'sock monkey huggable DVD wrap-around' & 'cylindrical glitter-tube w/floating characters', designed for Idea Planet & Blockbuster Entertainment.
National Treasure - Book Of Secrets movie DVD packaging tins, designed for Idea Planet & Blockbuster Entertainment.




 Batman candy holders with Bat Signal light projection, designed for Promotional Partners Worldwide & Whitman's Chocolates




Grinch movie '3D balance game' and 'Christmas hat', designed for Idea Planet & Blockbuster Entertainment.

POINT OF PURCHASE ARTWORK

For a collection of 'magic trick' kids meals toys, back in the days when Photoshop coloring was just starting to be used widely, I did illustrations for the 'Ohh! It's MAGIC' toy set for Jack In The Box restaurants.  

The coloring was handled by someone else.  My illustrations were used on displays that sat on counters next to registers, and on drive-thru display boards, also printed on the bags used to put the kids meals and toys into.

I was also assigned to do some minor formation corrections on a few of the toys that were initially designed by (listen up, comics geeks) long-time veteran comic book artist Mike Grell.  

'Ooh!  It's MAGIC' P.O.P. (Point of Purchase) display design and illustration, for Promotional Partners Worldwide &
Jack In The Box Restaurants.


Comic Books: MARVEL COMICS / SPIDER-MAN #700 Cover Credits


This is kind of weird for me, posting something that doesn't have my artwork in it.

But it has my name on the cover! 

Back in the day, I inked some Spider-Man comic books.  And now, on The Amazing Spider-Man's 700th issue, Marvel Comics produced a variant cover with a listing of all the creators who have worked on Spider-Man comics over the last 50 years, me included.

You can see my name (back when I was credited as 'Art Nichols'), level with Spider-Man's lower armpit, just to the left of Babylon 5 creator J. Michael Straczynski's name & Mark Bagley's name.

It's nice to be a (very tiny, teeny tiny) small part of a really proud history.

COOL. =)

Comic Book Inking: MARVEL COMICS / DC COMICS / IMAGE COMICS / DARK HORSE COMICS / SHADOW HOUSE PRESS / BLACK BEAR PRESS / PURE IMAGINATION PUBLISHING

Below is a small compilation of some of my comic book inking, wherein I embellish over other people's pencil work for comic book print production.

I've been so fortunate to work over many different kinds of styles, and even more fortunate to have worked with some of the most awesome pencilers in the comics industry.

CLICK IMAGES TO ENLARGE: 



Interior pages (above) from an unpublished The Punisher graphic novel for Marvel Comics.
Pencils by Doug Braithwaite, inks by Arthur Nichols.
Interior page (above left) from an unpublished The Punisher graphic novel for Marvel Comics.
Pencils by Doug Braithwaite, inks by Arthur Nichols.
Interior page (above right) from WildC.A.T.S. Adventures #1 for Image Comics.
Pencils by Ty Templeton, inks by Arthur Nichols.

Interior pages (above) from WildC.A.T.S. Adventures #1 for Image Comics.
Pencils by Ty Templeton, inks by Arthur Nichols.

 Cover (above left) to Aquaman #3, Volume 4 for DC Comics.
Pencils by Kevin Maguire, inks by Arthur Nichols.
Cover (above right) to Justice League Europe #6 for DC Comics.
Pencils by Bart Sears, inks by Arthur Nichols.

Interior pages from Justice League America #34 (above left) & Justice League America #35 (above right) for DC Comics.
Pencils by Adam Hughes, inks by Arthur Nichols.

Cover (above left) from Justice League Europe #8 for DC Comics.
Pencils by Bart Sears, inks by Arthur Nichols.
Interior page (above right) from Green Lantern #18, Volume 3  for DC Comics.
Pencils by Joe Staton, inks by Arthur Nichols.


Interior page (above left) to Who's Who in the DC Universe for DC Comics.
Pencils by Joe Quesada, inks by Arthur Nichols.
Cover re-creation (above right) of the classic Avengers #4 from Marvel Comics.
Original pencils by Jack Kirby, 'Ultimate' visual adjustments and re-creation inks by Arthur Nichols.

Interior pages (above) from Legion '91 Annual #2 for DC Comics.
Pencils by Mike McKone, inks by Arthur Nichols.

Cover (above left) from Red Sonja #10 for Marvel Comics.
Pencils by Mary Wilshire, inks by Arthur Nichols.
Interior page (above right) from Punisher War Journal #25 for Marvel Comics.
Pencils by John Buscema, inks by Arthur Nichols.

Interior page (above left) from What If #60 for Marvel Comics.
Pencils by Ron Randall, inks by Arthur Nichols.
Interior page (above right) from Dr. Strange #79 for Marvel Comics.
Pencils by Marie Severin, inks by Arthur Nichols. 

Pinup pages (above) from Jack Kirby's Heroes and Villains - Black Magic Edition for Pure Imagination Publishing.
Pencils by Jack Kirby, inks by Arthur Nichols.

Cover (above left) from Star Wars #97 for Marvel Comics.
Interior page (above right) from Star Wars #97 for Marvel Comics.
Pencils by Cynthia Martin, inks by Arthur Nichols.

Interior pages (above) from Star Wars #97 for Marvel Comics.
Pencils by Cynthia Martin, inks by Arthur Nichols.

Interior page (above left) from Star Wars #97 for Marvel Comics.
Interior page (above right) from Star Wars #98 for Marvel Comics.
Pencils by Cynthia Martin, inks by Arthur Nichols.


Interior pages (above) from Shadow House #5 for Shadow House Press.
Pencils by Kirk Van Wormer, inks by Arthur Nichols.

Back cover (above left) from From Dusk Till Dawn Movie Adaptation for BIG Entertainment.
Cover (above right) from Mad Monster Party #1 for Black Bear Press.
Pencils by Kirk Van Wormer, inks by Arthur Nichols.

Cover (above left) to The Ray #1 for DC Comics.
Pencils by Joe Quesada, inks by Arthur Nichols.
Interior page (above right) to Justice League #36 for DC Comics.
Pencils by Tom Artis, inks by Arthur Nichols.

 Cover (above left) to Archer & Armstrong #7 for Valiant Comics.
Pencils by Barry Windsor-Smith, inks by Arthur Nichols, colors by Maurice Fontenot.
Cover re-creation (above right) to Fantastic Four #82 from Marvel Comics.
Original pencils by Jack Kirby, re-creation inks by Arthur Nichols.

Cover re-creation (above left) to Hulk King-Size Special! #1 from Marvel Comics.
Original pencils/artwork by Jim Steranko, re-creation inks by Arthur Nichols.
Cover re-creation (above right) to Journey Into Mystery with The Mighty Thor #112 from Marvel Comics.
Original pencils by Jack Kirby, re-creation inks by Arthur Nichols.


Interior page (above) to The American, from Dark Horse Comics.
Pencils by Chris Warner, inks by Arthur Nichols.