Yesterday was a day well spent in the Kroller-Muller Museum and the National Park, in the province of Gelderland. The park encompasses more than 5000 hectares, has 3 main entrances, and from each entrance there are free bicycles which you can borrow to cycle to the museum, which is deep within the park. Whew! That was a long sentence, and still it is not enough to tell you how huge and amazing this place is, with its marshlands, forests, sand dunes,
and a modern art museum.

This museum is by far, the best museum I have ever visited. The facade of the museum is made of glass, so that you can look out into the garden, and others from outside can look in. It sort of de-centralizes the position of a museum. Also, because it is inside a park, you feel as if you are surrounded by nature, and at the same time, nature is integrated into the space you are in. I am terrible at conveying this but basically, what I mean to say is that boundaries are blurred and you can step into different spaces without clear distinctions.

The work I like most is the installation “glass”, by Joseph Kosuth. A square glass plate is leaned against the wall and the artist photographs his image in the glass, creating a repetition of the image within the image. It (as I copy from the information sheet) "dematerialises" the art object and questions the essence of art, and as Kosuth calls it, "object definition". That is a huge concept to swallow, but my own response would be that you see your image inside the glass and at the same time, what lies behind it, the wall which is substantial and "real".

I've never been able to understand why people love Van Gogh because I really do think that his paintings are ugly. But now upon closer investigation, I am begininning to see the genius behind the paint strokes and how they arch into their own shapes and forms within a landscape.

The sculpture garden was so fun! It was like unlocking the mystery of the secret garden or okay, never mind. There were, in unexpected corners, strange sculptures such as (from my point of view), a white duck floating across the pond, mini stonehenge, aboriginal huts, a giant screw, a harp, a house, giant oysters, and many more which I didn't see because it was closing time and we were hastily chased out.

2 booths which you can go in and slide the door shut...you can clap your hands and shout and hear loud echoes of yourself inside the booth...people outside are able to hear you but you can't hear them...

From afar, this looked like a giant giraffe head sticking out. There is a small and suspicious-looking door which you enter, climb a few steps, and emerge out onto this strange plate of depression, protrusion, bold black lines marking routes...


And finally, we come to the extraordinary cycling experience around the Hoge Veluwe National Park. It says "park", but it is nothing like the artificially trimmed and decorated parks you usually see. Instead, what you get is a variety of awkward broken branches, chopped trunks, trees of all sorts, and all of a sudden, we’re in a desert-like place. It is, as Adolfo puts it, a Dali scene. An epiphany, perhaps! It was extremely surreal, and bizarre. You felt like you were in Africa and maybe a leopard would run past you. The landscape seemed almost human. It was not just an adventure, but one that took us to a completely separate world, and all this time were you aware that this “world” has always existed?
ps: I wanted to take a picture of us cycling but the attempt to balance the bike on one hand while trying to find my camera in my bag take it out switch it on focus, led me swerving right left and into the woods. hahaha! anyway my camera went out of battery so i couldn't capture no nothing.