Dear Haijin, visitors and travelers,
First this: Yesterday I got an email by Georgia (a.k.a. Bastet). She told me that Jen (a.k.a. Paloma) is in the hospital. She couldn't tell me why, but Jen had said not to worry. So I wish to ask you all to pray for Jen's recovery. From my side "Get well soon Jen, I will send you my love and prayers".
Today we have the last CD-Special by Hamish Managua Gunn (a.k.a. Pirate) and for this CD-Special I have chosen a kikobun from his new CDHK e-book "Shinrin-Yoku (the Art of Forest Bathing)" which I hope to make available this weekend here at our Haiku Kai. You can see this kikobun from "Shinrin-Yoku" as a teaser.
Here is
what Professor Peipei Qiu, The Author of Bashô and the Dao says about kikôbun:
[...] ‛The
Japanese literary travel journal (kikôbun) has been closely related to poetry.
It characteristically weaves poems and the introductory narratives in a
sequential order. The travel journals that existed before Bashô were often
written in a first-person voice, with the traveler's itinerary revolving around
the classical poetic toponym (utamakura or meisho) and the narrative centering
on poems composed about them. This fusion with poetry simultaneously enriched
and limited the literary representation of the landscape of the kikôbun; when
centering on classical poetic diction, the geographical imagination of the
travel journal was often defined by conceptions and conventions that had been
molded by classical poetry rather than by the physical qualities of landscape.’ [...]
The aroma of pine, a kikobun
It is true
that my own log cabin in the wilderness has no lock. No lock means a certain
feeling of freedom. But freedom must be fed to flourish. It is not something
you can give up, when your health suffers, or finances run low. You must build
up your beliefs and values and experience them, and learn to learn them from
others. That is the real reason get in touch with nature, for walking in a
forest also means stepping away from civilization and its many pitfalls.
With my bag
over my shoulder, I pause at my front door and carefully put a haiku in three
lines on the wood for the departure, with small paintbrush and dark paint.
the aroma
of pine
and the young morning’s fresh rain
reach my words
© Hamish
Managua Gunn
A wonderful kikobun. Hamish is really a master in this Japanese genre of poetry. In his forest he finds his inspiration and that's why he has chosen "Shinrin-Yoku" as the title of his CDHK e-book.
I hope you will enjoy the read and of course ... Shinrin-Yoku can also be performed in your own neighborhood or a forest close by.
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| Shinrin-Yoku cover designed by Ese of Ese's Voice |
The goal of the CD-Specials is to write / compose a haiku, or maybe in this case, a kikobun in the same spirit as the featured poet.
This kikobun inspired me to write a "double tanka" (as Georgia calls it):
in touch
with the gods
pine trees reaching for heaven -
skylarks sing their song
high against the bright blue sky
in honor of the gods
in honor of
the gods
pine trees and skylarks together
reaching for heaven
sending up my prayers and become
in touch with the gods
© Chèvrefeuille
This CD-Special is open for your submissions tonight at 7.00 PM (CET) and will remain open until February 29th at noon (CET). I will (try to) publish our new episode, Synesthesia, later on. For now, have fun!
