Showing posts with label Bristol. Show all posts
Showing posts with label Bristol. Show all posts

Sunday, February 22, 2009

The Pop Group - We Are All Prostitutes


Another Andres request. Pure magnificence.

"The Pop Group was the quintessential experimental (and agit-prop) combo, integrating elements of jazz, funk, rock, dub and classical music. Their music was revolutionary in word and in spirit. Y (1979), one of the most intense, touching and vibrant albums in the history of rock music, was the outcome of the Pop Group's quest for a catastrophic balance between primitivism and futurism: the new wave's futuristic ambitions got transformed into a regression to prehistoric barbarism. At the same time, the band's furious stylistic fusion led to a a nuclear magma of violent funk syncopation, monster dub lines, savage African rhythms (Bruce Smith), dissonant saxophone (Gareth Sager), and visceral shouts and cries (Mark Stewart). The lyrics celebrated the unlikely wedding of punk nihilism and militant slogans. Both the method and the medium were permeated by an anarchic and subversive spirit. In fact, Stewart's declamation was closer to Brecht's theater than to "singing". Another dose of lava-like anger was poured into the funk-rock foundations by the anthemic rants of For How Much Longer Do We Tolerate Mass Murder (1980). Both albums sounded like assortments of mental disorders. A sound so revolutionary (in both senses of the word) had not been heard since the heydays of the Canterbury school."- Scaruffi

Everyone has their price

Sunday, November 30, 2008

Movietone - The Blossom Filled Streets


Part of that exhilarating 90's Bristol scene that included FSA, Crescent, Third Eye Foundation, Amp and others, Movietone specializes in delicate, instrospective melancholia, supremely crafted and sonically challenging.

"They use strings and prepared piano like art rock auteurs, cruise sonic landscapes like Bluetile Lounge or Galaxie 500, and the ends of their songs often tumble into extended improvisations that rival free jazz. " - Stacia Proefrock

1930's beach house

Wednesday, November 5, 2008

Flying Saucer Attack

Part of the Bristol scene of the 90's that reconfigured songform with all kinds of noisenik interference (Amp, Movietone, Third Eye Foundation, Crescent, etc.), Flying Saucer Atack (FSA) specialized in feedback-drenched and echo-laden pastoral bliss, with vocals buried under a ton of lead. Often trance-inducing, their work still sounds as fresh and relevant as when it was released, which is more than can be said for a lot of shoegaze groups.


New Lands


Distance


PA Blues


Mirror