Thursday, June 30, 2011
Tuesday, June 28, 2011
Mr. Smucks, Youngest Partner of Nasti Bank Savings and Loan, asks for Donations from the Bohemian SectorPART3
In 1991 I created a performance and extended monologue called Big Chairs, at Minor Injury, a gallery in the Williamsburg section of Brooklyn, as part of the Shredded Money Show. For it I built, with the help of friends, a big paper mache/cardboard bank with board of trustees thrown in. The main protagonist (yours truly) as PR Guy for the Nasti Bank, attempts to get the Bohemian set to part with their dollars to help shore up his beleagured bank, an institution that has fallen victim to the Savings and Loan Crisis. This is PART 3 of an hour long performance.
Monday, June 20, 2011
Art for Art
Article is for Art Barter, NY. Poster above was for Art Barter, Berlin. |
Oh, and one more thing. While the bill features a roster of accomplished artists, you won't find their names printed beside any of the works. Each piece is presented anonymously, identifiable only by a reference number for bidding purposes. This leaves spectators to evaluate and appreciate the art in a relative vacuum of popular critical influence, and of course without the bias of a posted price. Which is just what the curators had in mind.
TAGS:
Pricing Art.
Pricing Art.
Bartering Art.
Art for Art.
Barter Economy.
Barternet.
this for that.
Art for goods and services,
Friday, June 17, 2011
Currently on view in New York: Beckmann, Dix and Grosz
The show currently on view at Gallerie St. Etienne is a perfect compliment to the show now on at MOMA— German Expressionism: The Graphic Impulse. Gallerie St. Etienne is one of the great small galleries of New York. They specialize in Austrian and German Expressionism and Outsider Art. All of their shows are accompanied by compelling and scholarly essays:
Grosz, who had a deeply ingrained antiauthoritarian
streak, viewed the war and its aftermath
as a scathing indictment of what he called the “pillars
of society”: the Church, the military and the capitalist
bourgeoisie. He pinned his hopes on Communism, joining
the Party in December 1918. Beckmann believed
that the moral authority once vested in religion had
been ceded to art and that if he could create honest
depictions of the human predicament, people would be
inspired to change. Dix had no such faith in the possibility
of political or spiritual redemption. The world
was brutalized and brutal; he called it as he saw it and
enjoyed provoking outrage for its own sake.
Thursday, June 16, 2011
Tuesday, June 14, 2011
Sunday, June 12, 2011
Friday, June 10, 2011
Thursday, June 9, 2011
Wednesday, June 8, 2011
The Bruxists
I had no idea there was a performance art collective called the Bruxists...until today. Go figure. Going on picture slightly Residentsish which I like. Below is out take from above link.
Formed in Los Angeles, California, circa 1999, The Bruxists are a performance art collective, in general, and experimental noise duo, in particular. The group maintain a visual aesthetic whose main feature is the optic orange traffic cone mask, the eyes and mouth of which are carved in the style of a crude Halloween jack-o'-lantern. This tall tapered head piece is an apparent tribute to the Cabaret Voltaire-era "Cubist costume" of Hugo Ball, as well as a parody of dunce masks and Ku Klux Klan hoods.
The Bruxists' sole constant member is Red E. Made, a punning pseudonym clearly drawn from the Readymades of Dadaist Marcel Duchamp. (The band's record label carries a Duchampian moniker: The Teeth's Loan & Trust Company, Consolidated.) The other half of the "powerless duo," A. Pseudo, is a floating member in the form of a volunteer from the band's live performance audience. The original A. Pseudo was a founding Bruxist who performed in the band's earliest days. His current whereabouts remain unknown.
Choosing to play live infrequently and in the Los Angeles area only, The Bruxists have performed at L.A. venues as varied as The CIA (California Institute of Abnormal Arts) and the infamous Rainbow Bar & Grill. Among their more well-received shows was a June 19, 2003 event at The MET Theatre in Hollywood, California. Also sharing this bill was The Cacophony Society. At that time, The Bruxists mimed along to mashups of artists such as The Dead Kennedys and The Banana Splits. Mock instruments consisted of a broom ("Sweep-o-caster") plugged into a "Box Fan Amp," and a vintage Hoover vacuum cleaner that functioned as a "suck-ass microphone." The most recent live Bruxists show took place October 31, 2010, in a puddle beneath a bridge near The Echo nightclub in Echo Park, California. This occasion found The Bruxists giving an impromptu Halloween performance dressed in costume as Los Angeles surf-noise-pop duo, Best Coast.
Formed in Los Angeles, California, circa 1999, The Bruxists are a performance art collective, in general, and experimental noise duo, in particular. The group maintain a visual aesthetic whose main feature is the optic orange traffic cone mask, the eyes and mouth of which are carved in the style of a crude Halloween jack-o'-lantern. This tall tapered head piece is an apparent tribute to the Cabaret Voltaire-era "Cubist costume" of Hugo Ball, as well as a parody of dunce masks and Ku Klux Klan hoods.
The Bruxists' sole constant member is Red E. Made, a punning pseudonym clearly drawn from the Readymades of Dadaist Marcel Duchamp. (The band's record label carries a Duchampian moniker: The Teeth's Loan & Trust Company, Consolidated.) The other half of the "powerless duo," A. Pseudo, is a floating member in the form of a volunteer from the band's live performance audience. The original A. Pseudo was a founding Bruxist who performed in the band's earliest days. His current whereabouts remain unknown.
Choosing to play live infrequently and in the Los Angeles area only, The Bruxists have performed at L.A. venues as varied as The CIA (California Institute of Abnormal Arts) and the infamous Rainbow Bar & Grill. Among their more well-received shows was a June 19, 2003 event at The MET Theatre in Hollywood, California. Also sharing this bill was The Cacophony Society. At that time, The Bruxists mimed along to mashups of artists such as The Dead Kennedys and The Banana Splits. Mock instruments consisted of a broom ("Sweep-o-caster") plugged into a "Box Fan Amp," and a vintage Hoover vacuum cleaner that functioned as a "suck-ass microphone." The most recent live Bruxists show took place October 31, 2010, in a puddle beneath a bridge near The Echo nightclub in Echo Park, California. This occasion found The Bruxists giving an impromptu Halloween performance dressed in costume as Los Angeles surf-noise-pop duo, Best Coast.
Tuesday, June 7, 2011
Friday, June 3, 2011
Wednesday, June 1, 2011
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repetition
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rock art
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rocket
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satyr
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Savings and Loan
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science friday
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SCOPE
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Security
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sharpie
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Sharpwriter
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sheep
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Sketchbook pages
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Small dark oil painting-my little Albert Pinkham Ryder...
(1)
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smokestack
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soap opera. absurdist play
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soapstone
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South Orange
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South Orange NJ
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Stream of consciousness
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Stress Positions
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strong women
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studio tour
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symmetry
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table top
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taking a line for a walk
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The act of changing course by less than 90°—I do it all the time
(1)
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the sessions
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therapy
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thinkblot
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This is what may happen if you grind your teeth at night...
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Tiers
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train drawings
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Tryptych
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Turpitudes Sociales
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TV treatment
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type art
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Ubu Gallery
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understanding art
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underwater.
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Victor Brauner
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watercolor
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watercolors on found book pages
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We'll leave it at that for now...
(1)
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welding mask
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What is Art?
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white out
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white rabbit
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Whitney
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Who is Art?
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Word art
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World In Disarray
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wounded
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wounds
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Woyzeck
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writhings and wretchings
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X-Acto
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Yoko Ono
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You Tube
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